Everyone fast forwarded through the credits of The L Word because they didn’t like the theme song.
You can learn everything you need to know about all 6 seasons, all 70 episodes, just by watching the opening credits. I’ve had it in my head for years that it would be fun to do recaps of The L Word using only what you see in the credits. Let the fun begin. Continue reading “The L Word Opening Credits (Season One)”
I got a note from someone the other day talking about some of their favorite shows. Many were shows I like. The Walking Dead was on her list, but I’ve never watched it. Look how popular it is as a graphic novel.
I love a good scifi show. I haven’t avoided this one because it’s about zombies. My issue with zombie movies is there are so few women. After learning about producer Gale Ann Hurd last weekend, and the women she makes sure to include in her productions, I’m thinking maybe I misjudged The Walking Dead. Did I?
I trust this woman’s judgement about good shows, so I’m wondering if you watch The Walking Dead? Why do you like it?
I’d never heard the name Gale Ann Hurd before last weekend when I attended the BlogHer13 Conference in Chicago. Gale Ann Hurd was a keynote speaker at the event and I’m a believer in Gale Ann Hurd now.
She’s currently producing The Walking Dead on AMC. Danai Gurira, who plays Michonne on The Walking Dead, narrated a brief video explaining who some of the characters brought to us by Gale Ann Hurd are and why this producer is so empowering for women.
See if you recognize any of these characters.
See any favorites? I sure did, which is when I realized that I’ve been a Gale Ann Hurd fangirl for years and didn’t even know it.
Bonus points to her for bringing everyone a copy of the latest Walking Dead novel and for showing us a preview of season 4 of The Walking Dead. It’s going to be exciting!
Is this your first introduction to this seriously awesome producer? Were you as in the dark as I was about who is behind some of our favorite heroines? I used to love only Joss Whedon, but now I love Gale Ann Hurd, too. Hope you’ll forgive me, Joss.
I just can’t shut up about this series. There’s a lot in it to think about. Social justice, for example.
Orange is the New Black begins each episode with a changing array of mouths and eyes. These are presumably real female prisoners. Here’s what you notice after a while.
Very few of those eyes are blue. Jenji Kohan is showing us this as a fact: very few blue-eyed people end up in prison.
The opening credits aren’t the only place where we must think about racial justice. When blonde and white Piper Chapman, played by Taylor Schilling, arrives at the prison to surrender herself, a guard assumes she’s a visitor, not a future inmate.
When we look at a white person, we don’t see a future jailbird. Put a little color in a person’s skin and suddenly they are a criminal. Have you seen this video?
Jenji Kohan isn’t quite that obvious in Orange is the New Black, but the evidence is there.
In the prison society in Orange is the New Black, the inmates have divided themselves into “tribes.” These tribes are based on race. Yes, there is a tribe of white people. But the women of color far outnumber them.
The prison officials encourage this system of tribes and allow one person from each tribe to be elected to a council of women who are promised some input into how things are run.
Race isn’t the only issue in the hierarchy of inmates. There are class-based hierarchies within the tribes.
There’s a scene between a white guard played by Lauren Lapkus and the main character, Piper. The guard says that she could be where Piper is – she just never got caught for her bad decisions.
When Piper’s mom visits her in prison, she laments the fact that Piper took a plea bargain and didn’t go to trial. Why? Because people who look like Piper are never convicted in a trial.
On Piper’s first day in prison, she meets the prison counselor Jim Healy, wonderfully portrayed by Michael Harney. He suggests to her that there is no logic in how long sentences are. Someone who committed a minor crime might get 4 years, while someone who committed a more serious crime might get 9 months. He doesn’t say this is based on race, but studies that compare sentences based on race point to statistics like this.
Corruption within the prison system itself is portrayed by Pablo Schreiber as Mendez, the guard, and Alysia Reiner as Figueroa. These people are as crooked as the inmates.
Orange is the New Black tells a great story with characters we love. Still, there’s a lot going on under the surface that bears thinking about and talking about. America’s system of justice is under the microscope in this series.
Have you thought about the justice or injustice of what we see about women in prison as you watch this series? Please share your thoughts.
Let’s talk about the supporting actresses in this series. There are so many and they are all so good at telling their character’s particular story. Who’s your favorite?
It’s hard to choose. Every choice is outstanding. I liked Miss Claudette and Sophia and Nicky and Tiffany ‘Pennsatucky’ Doggett and Yoga. And Red – Red is a scene stealer. I liked Kathryn Kates in her tiny but perfect part as Larry’s mother. So many good choices.
But I’m asking you to choose, so choose I must.
I’m going with Suzanne ‘Crazy Eyes’ Warren played by Uzo Aduba.
Crazy Eyes is a multiplicity: bit off the rails, a bit violent, a bit wiser than Solomon, a bit of a poet, and smart, smart smart. Uzo Aduba gives her a certain charm and warmth that I found delightful. She also nailed the requisite crazy looking eyes when needed. Her physicality in this role made Crazy Eyes believable and real.
A favorite episode with her is when Crazy Eyes hears there might be an “acting opportunity” in the prison (a contingent of juvenile delinquents are coming and inmates are asked to talk to them), she marches in and announces, “I want to play a role. Like Desdemona or Ophelia or Claire Huxtable.” She’s smart and funny. When the juvenile delinquents appear, Crazy Eyes does a brilliant reading of some lines from Shakespeare’s The Tragedy of Coriolanus.
The Way, Way Back opens on the miserable face of Liam James as 14-year-old Duncan, sitting in the way, way back seat of a vintage woodie Buick station wagon. Driving this aging monster is Trent (Steve Corell), his mom’s boyfriend. His mom is Pam, (Toni Collette) and his possible future step-sister filling the middle seat with all her teen-age horribleness is Steph (Zoe Levin). They are on their way to Trent’s beach house to spend the summer.
Rounding out the star-studded cast we have Allison Janney, AnnaSophia Robb (remember how wonderful she was in Bridge to Terabithia? She’s even better now.), Sam Rockwell, Maya Rudolph, Rob Corddry, and Amanda Peet. It speaks to the quality of the writing and the story that so many accomplished actors were willing to take part in this production.
The trailer shows them in action.
The story revolves around Duncan. This teen has issues. His parents are recently divorced. His mom’s new boyfriend is an asshole. His dad has a new younger girlfriend and “now isn’t a good time to visit.” He doesn’t know how to talk to people. His mom is bending herself into someone else to fit into the new boyfriend’s life. He has to go everyone on a pink girl’s bike which is as dated as Trent’s Buick.
When they arrive in the beach town, Duncan is befriended by Owen, the manager of a water park (Sam Rockwell), who teaches him how to laugh, how to assert himself, and how to take chances. As improbable a plot point as it is to imagine a grown man befriending young Duncan for purely selfless reasons, there’s a scene to somewhat explain how they connect. When the Buick pulls into town, with Duncan staring morosely out the back window, they stop in traffic. The car behind them is driven by Owen, who makes eye contact with Duncan and they share a moment while waiting for the traffic to move.
Duncan manages to find his way while all around him the significant adults in his life are drinking themselves silly, smoking pot, and damaging their own children in countless ways. Young River Alexander as Peter pronounces his mom the worst parent, but there are several candidates for that prize in this tale.
With such a stellar cast, even the smallest of characters in this busy relationship drama turn in full-blown performances. There’s a romance of sorts between Sam Rockwell and Maya Rudolph’s characters. There’s cheating going on – I won’t spoil it by telling you who – and there’s a first kiss for Duncan before it’s over.
Duncan’s awakening spurs his mom to gather up her strength, too. The movie closes on a heartwarming note.
Heartwarming is probably the best description of The Way, Way Back. There are real people with real life problems and a hopeful ending. A perfectly heartwarming movie.
Have you see it? Did you enjoy it as much as I did?