I’d never heard the name Gale Ann Hurd before last weekend when I attended the BlogHer13 Conference in Chicago. Gale Ann Hurd was a keynote speaker at the event and I’m a believer in Gale Ann Hurd now.
She’s currently producing The Walking Dead on AMC. Danai Gurira, who plays Michonne on The Walking Dead, narrated a brief video explaining who some of the characters brought to us by Gale Ann Hurd are and why this producer is so empowering for women.
See if you recognize any of these characters.
See any favorites? I sure did, which is when I realized that I’ve been a Gale Ann Hurd fangirl for years and didn’t even know it.
Bonus points to her for bringing everyone a copy of the latest Walking Dead novel and for showing us a preview of season 4 of The Walking Dead. It’s going to be exciting!
Is this your first introduction to this seriously awesome producer? Were you as in the dark as I was about who is behind some of our favorite heroines? I used to love only Joss Whedon, but now I love Gale Ann Hurd, too. Hope you’ll forgive me, Joss.
I just can’t shut up about this series. There’s a lot in it to think about. Social justice, for example.
Orange is the New Black begins each episode with a changing array of mouths and eyes. These are presumably real female prisoners. Here’s what you notice after a while.
Very few of those eyes are blue. Jenji Kohan is showing us this as a fact: very few blue-eyed people end up in prison.
The opening credits aren’t the only place where we must think about racial justice. When blonde and white Piper Chapman, played by Taylor Schilling, arrives at the prison to surrender herself, a guard assumes she’s a visitor, not a future inmate.
When we look at a white person, we don’t see a future jailbird. Put a little color in a person’s skin and suddenly they are a criminal. Have you seen this video?
Jenji Kohan isn’t quite that obvious in Orange is the New Black, but the evidence is there.
In the prison society in Orange is the New Black, the inmates have divided themselves into “tribes.” These tribes are based on race. Yes, there is a tribe of white people. But the women of color far outnumber them.
The prison officials encourage this system of tribes and allow one person from each tribe to be elected to a council of women who are promised some input into how things are run.
Race isn’t the only issue in the hierarchy of inmates. There are class-based hierarchies within the tribes.
There’s a scene between a white guard played by Lauren Lapkus and the main character, Piper. The guard says that she could be where Piper is – she just never got caught for her bad decisions.
When Piper’s mom visits her in prison, she laments the fact that Piper took a plea bargain and didn’t go to trial. Why? Because people who look like Piper are never convicted in a trial.
On Piper’s first day in prison, she meets the prison counselor Jim Healy, wonderfully portrayed by Michael Harney. He suggests to her that there is no logic in how long sentences are. Someone who committed a minor crime might get 4 years, while someone who committed a more serious crime might get 9 months. He doesn’t say this is based on race, but studies that compare sentences based on race point to statistics like this.
Corruption within the prison system itself is portrayed by Pablo Schreiber as Mendez, the guard, and Alysia Reiner as Figueroa. These people are as crooked as the inmates.
Orange is the New Black tells a great story with characters we love. Still, there’s a lot going on under the surface that bears thinking about and talking about. America’s system of justice is under the microscope in this series.
Have you thought about the justice or injustice of what we see about women in prison as you watch this series? Please share your thoughts.
Let’s talk about the supporting actresses in this series. There are so many and they are all so good at telling their character’s particular story. Who’s your favorite?
It’s hard to choose. Every choice is outstanding. I liked Miss Claudette and Sophia and Nicky and Tiffany ‘Pennsatucky’ Doggett and Yoga. And Red – Red is a scene stealer. I liked Kathryn Kates in her tiny but perfect part as Larry’s mother. So many good choices.
But I’m asking you to choose, so choose I must.
I’m going with Suzanne ‘Crazy Eyes’ Warren played by Uzo Aduba.
Crazy Eyes is a multiplicity: bit off the rails, a bit violent, a bit wiser than Solomon, a bit of a poet, and smart, smart smart. Uzo Aduba gives her a certain charm and warmth that I found delightful. She also nailed the requisite crazy looking eyes when needed. Her physicality in this role made Crazy Eyes believable and real.
A favorite episode with her is when Crazy Eyes hears there might be an “acting opportunity” in the prison (a contingent of juvenile delinquents are coming and inmates are asked to talk to them), she marches in and announces, “I want to play a role. Like Desdemona or Ophelia or Claire Huxtable.” She’s smart and funny. When the juvenile delinquents appear, Crazy Eyes does a brilliant reading of some lines from Shakespeare’s The Tragedy of Coriolanus.
The Way, Way Back opens on the miserable face of Liam James as 14-year-old Duncan, sitting in the way, way back seat of a vintage woodie Buick station wagon. Driving this aging monster is Trent (Steve Corell), his mom’s boyfriend. His mom is Pam, (Toni Collette) and his possible future step-sister filling the middle seat with all her teen-age horribleness is Steph (Zoe Levin). They are on their way to Trent’s beach house to spend the summer.
Rounding out the star-studded cast we have Allison Janney, AnnaSophia Robb (remember how wonderful she was in Bridge to Terabithia? She’s even better now.), Sam Rockwell, Maya Rudolph, Rob Corddry, and Amanda Peet. It speaks to the quality of the writing and the story that so many accomplished actors were willing to take part in this production.
The trailer shows them in action.
The story revolves around Duncan. This teen has issues. His parents are recently divorced. His mom’s new boyfriend is an asshole. His dad has a new younger girlfriend and “now isn’t a good time to visit.” He doesn’t know how to talk to people. His mom is bending herself into someone else to fit into the new boyfriend’s life. He has to go everywhere on a pink girl’s bike which is as dated as Trent’s Buick.
When they arrive in the beach town, Duncan is befriended by Owen, the manager of a water park (Sam Rockwell), who teaches him how to laugh, how to assert himself, and how to take chances. As improbable a plot point as it is to imagine a grown man befriending young Duncan for purely selfless reasons, there’s a scene to somewhat explain how they connect. When the Buick pulls into town, with Duncan staring morosely out the back window, they stop in traffic. The car behind them is driven by Owen, who makes eye contact with Duncan and they share a moment while waiting for the traffic to move.
Duncan manages to find his way while all around him the significant adults in his life are drinking themselves silly, smoking pot, and damaging their own children in countless ways. Young River Alexander as Peter pronounces his mom the worst parent, but there are several candidates for that prize in this tale.
With such a stellar cast, even the smallest of characters in this busy relationship drama turn in full-blown performances. There’s a romance of sorts between Sam Rockwell and Maya Rudolph’s characters. There’s cheating going on – I won’t spoil it by telling you who – and there’s a first kiss for Duncan before it’s over.
Duncan’s awakening spurs his mom to gather up her strength, too. The movie closes on a heartwarming note.
Heartwarming is probably the best description of The Way, Way Back. There are real people with real life problems and a hopeful ending. A perfectly heartwarming movie.
Have you see it? Did you enjoy it as much as I did?
This Veronica Mars movie sneak peak was released at the recent San Diego Comic Con (SDCC). In case you aren’t aware of the back story, the money for this movie was raised in a Kickstarter project. The funding goal was raised in almost seconds (just a slight exaggeration). The Kickstarter project raised millions beyond its goal. It is one of the biggest fan-driven fund raising events to date and the start of a new trend in how movies get made.
Fans will get their movie in 2014.
If you missed Veronica Mars when it was a TV series years ago, it’s available via streaming services, and it’s worth watching. She’s a high school girl who helps out in her dad’s detective agency. I know, high school kids – I’m so beyond that – but it’s a good show.
Jaime Murray posted lots of pics. Check her Twitter feed for a lot more, like this one referencing Warehouse 13. You may be able to find one similar to this of her giving her co-star Joanne Kelly a smooch, something we have yet to see on Warehouse 13.
Michelle Dockery as Lady Mary Crawley in Downton Abbey
Claire Danes as Carrie Mathison in Homeland
Robin Wright as Claire Underwood in House of Cards
Elisabeth Moss as Peggy Olson in Mad Men
Connie Britton as Rayna James in Nashville
Kerry Washington as Olivia Pope in Scandal
What a great list. I love all these actresses and all these performances and all these shows.
Well, I can’t stand Mad Men. I lived through the 50s once – I don’t need to suffer all that patriarchy again. But I loved Elizabeth Moss in Top of the Lake so I’m happy she was nominated for that, too.
Claire Danes, Connie Britton, Kerry Washington – I lurve them to bits. And a big Hurrah for Kerry Washington for letting herself be filmed with wet hair in the shower with Tony Goldwin and for being the first African American woman nominated in this category in years. I hope she wins.
But, really TV academy people, Emmy nomination people, where the hell is Tatiana Maslany from Orphan Black? She really should be on that list. She doesn’t have to win, but cripes, she should have been nominated.
She really should.
Like REALLY should.
Are you happy with the Emmy nominations? What’s your particular favorite category of nominees?
I remember the speech Jennifer Beals gave in Break a Leg about how a woman has to be both beautiful and as good as Meryl Streep to make it in the movies. (You can catch the speech at the 8:29 minute mark in this video.) It is generally accepted in American culture that Meryl Streep is the greatest actress since the origin of the human race. We don’t even have to discuss it – we’ve seen her prove it time after time.
So when you see a great performance, it’s easy to compare the actress’s talents with Meryl Streep. For example, I remember watching Toni Collette in The United States of Tara and thinking, Why have I never noticed how amazing Toni Collette is – she could rival Meryl Streep.
I’m telling you right now that if Streep was a verb, Tatiana Maslany streeped the hell out of Orphan Black. Here’s the trailer for season 1 of this BBC America series, which started in 2013.
This is the preview for season 2.
Here’s the preview for season 3.
Tatiana Maslany is a young Canadian actress who had quite a few roles before she got this part in Orphan Black, but her career will never be the same after this performance. She is simply electrifying.
Orphan Black is a clone story. A nature vs. nurture story. Maslany plays all the clones. You sometimes see her on the screen in two or three personas at the same time. She’s so good at making them unique that you don’t even get confused about who is who – you willingly accept them all as different women. The central character in this web of clones is Sarah Manning. She’s the criminal you saw in the trailer who steals the purse of her look-alike, moves into her flat, and attempts to live her life long enough to empty her bank account. This scheme drags out into a hellish impersonation as Sarah attempts to be a cop named Beth Childs. In season 1, Maslany played at least 7 different clones.
As Sarah gets pulled further and further into Beth’s life she discovers more women who look just like her. She doesn’t immediately realize they are clones – does she have a twin, is she a triplet? Nor does Sarah grasp the implications of what it all means. As various clones are killed off – one assumes by the person who created them – it becomes clearer what danger they are all in. They begin to work together to solve the mystery of who they are, why they are, and what they can do to protect themselves.
The clones include the wild-haired Helena, Cosima a brainy scientist who is a lesbian and Alison, a soccer mom. The other clones don’t show up as often. Helena is a wild animal on the prowl, dangerous and unpredictable. Cosima is trying to work out the genetics of the clones and why some of them (including her) are suffering from respiratory ailments. Alison is hilarious as the uptight suburban wife with undiscovered depths. They look different, sound different, move differently, carry themselves differently. There’s no mixing them up.
Jordan Gavaris plays Sarah’s foster brother and her best friend and confidant. His quips provide some of the comic relief. He gets deeply involved in the danger and adventure as the story unfolds.
Maria Doyle Kennedy is the mysterious foster mother, Mrs. S, who raised the two foster children. She is also the guardian of Sarah’s young daughter and has the power to keep Sarah from seeing her child. We are never sure if Mrs. S is good guy or a bad guy.
Dylan Bruce is Beth’s boyfriend, and possibly something else. He realizes after finding Sarah in Beth’s apartment and boinking her on the kitchen counter that she isn’t Beth, but he goes along with the whole thing without letting Sarah know he’s on to her. Assorted ex-boyfriends and bad guys fill out the cast. Inga Cadranel, who is Bo’s mother in Lost Girl, plays one of the cops. A favorite of mine, Matt Frewer – Max Headroom himself – shows up near the end of season 1. I won’t spoil it for you as to what his part in the cloning story is, but he is a key character.