Orphan Black: S3 E10 History Yet to Be Written

“History Yet to Be Written” is absolute perfection as a season 3 finale for Orphan Black. It takes us back in time to tie up questions, while opening up new directions for season 4. There are some losses and some happy moments. I’m going to start with the technical achievement of the season: the four clone dinner party.

Alison (Tatiana Maslany, a multitude) wins the school trustee election by 56 votes. She gathers everyone in the bubble gum world of Bubbles for a family dinner. They toast each other, even clink glasses. This season it’s Donnie (Kristian Bruun) who moves around the scene, filling wine glasses. They are all safe and happy and have hope for the future science to come.  This scene is bound to be a favorite topic because of the difficulty of filming it.

Okay, how did episode 10 get us to this happy family moment? I’m going to summarize out of order, but the big reveal is that the Neolutionists from season 1 have been in charge of both Dyad and Topside all along.

Kendall Malone, the original

Kendall Malone is under scrutiny by Felix, Sarah and Scott

Art Bell (Kevin Hanchard) brings Sarah and Felix (Jordan Gavaris) into a big warehouse where Scott (Josh Vokey) is constructing a clean room of sorts out of plastic sheets. When they are sure everything is ready, Mrs. S (Maria Doyle Kennedy) brings her mother into the room. Kendall (Alison Steadman) complains all the way about her treatment, and because Mrs. S is herding her along with a baseball bat in her hand.

Cosima meets Kendall, and tells her that Kendall is actually the older sister of the clones. Cosima disarms Kendall with charm and takes blood samples from her.

Mrs. S burns with rage at her mother. It seems Kendall had something to do with John Sadler’s death. Mrs. S unveils a tub and several bottles of sulfuric acid, which she tells her mother she plans to use on her.

Mrs. S tells Kendall that Kira (Skyler Wexler) is Kendall’s niece. She asks Kendall to explain who she is. Kendall said Duncan had come to her 5 or 6 years after he’d harvested her. Duncan was in fear for his life from something called Neolution. He said they’d poisoned the science and corrupted his wife, Susan. He’d hidden Kendall from everyone.

Duncan told her there was one child outside it all, lost in the foster system. Kendall sent him to her daughter, the rebel. Siobhan had the connections to hide the child and Kendall sent the child to her. So Kendall put Sarah and Mrs. S together, who have been blood relatives all along. Mrs. S reacts to this news by forgiving her mother. Maria Doyle Kennedy performed this emotional moment of release with perfection.

Siobhan Sadler is actually a blood relation of all the clones. Isn’t that an interesting new fact?

Sarah

Sarah and Felix find Mark (Ari Millen, an army). They bring him to the warehouse where he pretends to be Rudy and calls Dr. Coady (Kyra Harper) with the address about where they are. When she arrives with armed men, Ferdinand kills her driver and takes her captive.

Ferdinand

Ferdinand (James Frain) comes to the warehouse for the blood he was promised by Sarah. At that moment, Delphine calls with the news that the blood will go to Neolution. Delphine tells Sarah not to let him have any blood and to tell him Rachel is still alive. Ferdinand is quite interested in this bit of news about Rachel and in the announcement that they are all just pawns of Neolution.

Ferdinand calls Neolutionists “genetically obsessed zealots” and says he hates them.

Ferdinand kills his helper with Siobhan’s baseball bat. It’s the acid bath for the poor fellow. Ferdinand tells them to hide Kendall away, he doesn’t want to know where. He says he’ll be in touch. I guess Ferdinand is going to be one of the good guys now.

Sarah and Mrs. S take Kendall to Iceland.

Kira and Sarah in the snow

The episode began with Rachel’s dream of ice and love, and it ends with the joyous reunion of Sarah and Kira (Skyler Wexler) on a vast plane of snow.

Helena

Helena spends a lot of time in the Hendrix garage in this episode. First she’s reunited with Jesse (Patrick J. Adams). Jesse seems as happy to see her as she is to see him.

Helena and Jesse kiss

In his tow truck, which is half-in, half-out of the Hendrix garage, Helena climbs on Jesse’s lap and tells him “I have science babies inside me, but you are my first.” Helena’s lust is pure animal instinct, just like the rest of her personality. Before they can actually get it on, she gets summoned to help the sestras. Both of them promise to return to the moment.

Rudy is following Alison around during the election proceedings. Alison lures him to her house and he is met in the garage by Helena in assassin mode. She’s duct taped weapons to her hands and is ready to fight to the death.

Rudy dying with Helena

Rudy dies, partly from a wound from Helena but mostly because he was dying anyway like the other Castor clones. They have a tender moment discussing their childhoods before he dies. Helena can go from assassin to empathetic listener in 1/10 of a second.

Delphine

Ferdinand, Sarah and Delphine at Dyad

Ferdinand  shows up thinking he’s going to take over from Delphine (Evelyne Brochu). Sarah offers him a deal to get some of the genetic material from the original, but only if the perverted Castor military experiment goes away.

Delphine goes to check on Rachel (or what she thinks is Rachel). She realizes it’s Krystal when she sees the good manicure on Rachel’s hand. Krystal wakes up, scared and confused.

Now that she knows about the Krystal deception and that Rachel is in Austria someplace, Delphine has Dr. Nealon (Tom McCamus) put in custody. She questions him and discovers that Neolution has been orchestrating everything from the first moment. He calls Castor and Leda Neolution’s Adam and Eve. He says there’s a place for her at Neolution. She turns down the job.

Dr. Nealon and the worm over Delphine

Nealon squiggles his jaw, leaps up and pins Delphine to a table. He tries to insert a worm from his mouth into Delphine. Luckily she’s packing and she shoots him and takes the worm as a specimen.

Delphine with tears in her eyes

Delphine was invited to the family dinner but didn’t go. She texted Cosima to meet her outside. Cosima says, “I understand why you did what you did. I’m sorry to make you have to make so many hard decisions.” Delphine asks her to keep the blood safe and to make sure Kendall is safe.

Delphine tears up and looks at Cosima with a great deal of love. Delphine gives Cosima what looks like a heartfelt and passionate goodbye kiss, and leaves, saying, “My love to all the sisters.”

Delphine parks in a parking garage. She realizes someone is following her and turns. She says, “What will happen to her?” and is shot. We don’t know who shot her and we don’t know if she dies. Whoever shot her walked loudly, perhaps from wearing high heels?

Rachel

Rachel with a bionic eye

The opening scene is Rachel waking from a dream about playing in the snow with her parents. She gets up and discovers she has a bionic eye and a museum-like display of finches in her room. She has no idea where she is or who is holding her.

Charlotte (Cynthia Galant) enters the room and says Rachel is going to be her new mom. Then Susan Duncan (Rosemary Dunsmore) enters and says, “Hello, dear Rachel. Welcome home.” Rachel answers, “Mother.”

Shay

Ksenia Solo as Shay

Cosima attempts an apology to Shay (Ksenia Solo), who is understandably upset by the death threat from Delphine. Cosima still can’t tell Shay anything about who she really is and Shay angrily sends her away.

Later Delphine shows up at Shay’s apartment. She tells Shay that she’s sorry, that she knows Cosima really cares for Shay, and that Cosima and Shay are a good fit.

card with 324B21 written on it

Delphine says she won’t be around any more. She tells Shay to tell Cosima that she should tell everything to Shay if she wants. She gives Shay a card to show Cosima as proof that she means it.

Some Thoughts

We know how Kendall, Mrs. S and Sarah connect. What about Felix? A bit of history yet to write in season 4?

The count of male clones is down to only Mark. And he’s helping the sestras. All the murder-machine male clones are dead.

We can’t tell from the episode, but I think Delphine is actually dead. Based on this interview with John Fawcett, and this tweet, it seems she won’t be back.

A big bisou to you, Evelyne. Love you.

I’m sure there will be mourning for Delphine and talk about the dead lesbian trope, but I actually feel all right about Delphine. It works with the story better than the dead lesbian story usually does. However, if Delphine really is dead, what’s going to happen with the worm Nealon apparently carried around in his mouth on the regular?

Shay, on the other hand, may be around for season 4. Based on this tweet it looks like she’s here for a while. Maybe she’ll be let in on the secrets like Felix, and become another important member of Clone Club.

It looks like Krystal will be around for season 4, which makes me very happy. I liked her a lot. Who knows, at the end of season 4 we might have a FIVE clone scene as a grand finale!

Ferdinand and Rachel definitely have a thing, but he hates Neolutionists and Rachel’s mother is apparently a Neolutionist. Where will that go in season 4?

What do the Proletheans have to do with all this? If Helena carries her child to birth, or if they do something with the frozen embryos they have, will that be a corruption of the clone genome or a correction? More fodder for season 4.

I love this show! Three cheers for season 3 and much anticipation for season 4.

The Title Quotation

Winding up a season of foresight from Dwight David Eisenhower, we close with this thought.

“Down the long lane of the history yet to be written America knows that this world of ours, ever growing smaller, must avoid becoming a community of dreadful fear and hate, and be, instead, a proud confederation of mutual trust and respect.”

Orphan Black: S3 E8 Ruthless in Purpose, and Insidious in Method

Orphan Black, season 3 episode 8 is “Ruthless in Purpose, and Insidious in Method” or, as it could also be called, “Rachel Outsmarts Everyone.”

Krystal Goderich

I’ll start with the most interesting and important part of this week’s episode, Krystal Goderich (Tatiana Maslany, a multitude).

We saw Krystal briefly making out in a hotel elevator with Rudy, but now we get to meet her in more developed form. When the episode begins, she’s giving Delphine (Evelyne Brochu) a manicure and talking about some strange twins who were suspicious and scary. Delphine leaves with a good manicure, a conviction that Krystal is still naive, and a look on her face that is so hard that it makes you question whether or not Delphine was ever one of the good guys.

Krystal is American pop culture perfect: blonde hair, elaborate makeup, a pushup bra, a chirpy personality, posture worthy of a starlet, and a breezy way of talking. In short, another miracle on the part of Tatiana Maslany.

Rachel promises Cosima to translate “The Island of Dr. Moreau,” but only for Sarah and only if she’s taken out of the Dyad Institute. Further, she insists to Cosima that Sarah must steal the identity of Krystal, so Rachel has papers to get to Taiwan.

Felix and Crystal

Sarah and Felix set off to find Krystal, who lives in some unspecified place 300 kilometers away. After Felix talks with her, he can hardly stand to walk away with her wallet while leaving her naive about her situation. He sees a note book in her purse as he’s grabbing her wallet that makes him think she knows more about what’s going on that she’s revealing.

Later that night, Dr. Nealon (Tom McCamus) snatches Krystal up, takes her to Dyad, and puts her in a medically induced coma. I’ll explain why in a bit.

Everyone wants the “The Island of Dr. Moreau.” Rachel wants it, and Castor wants it. Nobody knows how anyone from Castor knows about it. Early in the episode we see that Dr. Coady (Kyra Harper) escaped from the Castor compound relatively unhurt. Someone from Castor reveals to her that he has an inside person in the Leda camp. There’s a rat somewhere but we don’t know where yet.

Ari Millen as Rudy

Rudy (Ari Millen), who also escaped the explosion, waits for Scott in his apartment and gets the original copy of the book from him by threatening his cat. When Rudy leaves, Scott calls Delphine and Cosima.

Cosima and Scott in Scott's apartment

Now Delphine knows about the book. And everyone knows that someone in Dyad is telling all to someone in the Castor camp.

Cosima and Delphine

There’s a lot of arguing about who the rat could be, why Cosima kept the book secret from Delphine and the possible lines of research ahead. Delpine wants Cosima to get another stem cell treatment from Kira, which Cosima says she won’t do.

Cosima reveals her near death experience to Delphine, saying, “I came back for you.” Delphine kisses Cosima, but Cosima pulls away. Earlier Cosima told Sarah that Shay (Ksenia Solo) was what she needed right now. Delphine says her issues with Shay are not jealousy.

At Mrs. S’s (Maria Doyle Kennedy), Rachel starts to translate the photocopied book. Dr. Nealon comes in and tries to take to book. Rachel gets out of her wheelchair and falls on the floor having some sort of seizure. Nealon takes her back to Dyad.

But not really.

Rachel is behind a number of things that happened in this episode. She knew about Krystal and arranged her identity theft and arranged for her to be brought to Dyad. Now Krystal is in a coma, wearing an eye patch, and Nealon is telling Delphine and Cosima that it’s Rachel in a coma and Rachel may never wake up. Rachel is really off somewhere getting a new artificial eye and planning heaven knows what mayhem for her sisters when she’s back on her feet. And she has the photocopied book.

What a mess for Sarah and Cosima. Both books gone. They think it’s Rachel in a coma. There’s no hope of translating the book now. Cosima quits Dyad and Delphine fires Scott. As they are leaving, Delphine tosses a file folder with Shay’s name on it to Cosima. Ominous.

The one translated book page that Rachel completed mentions London and Castor, so we are off to London in the next episode to search for clues there.

The Hendrix Drug Machine

The Hendrixes hired Gracie (Zoé De Grand Maison) to work in Bubbles. She still living with Mrs. S, but goes to work at Bubbles. Helena has moved into the Hendrix household. (It’s their turn!!!) She brings with her the long missing canister of liquid nitrogen, which she explains to Alison’s daughter contains her babies. She hides the canister at Bubbles. Helena is wearing Alison’s clothes and looks pretty hilarious.

Donnie (Kristian Bruun) teaches Helena how to make soap and makes her laugh really hard by imitating her Russian accent. Helena and Donnie may become friends.

Alison calls Jason (Justin Chatwin) to Bubbles to talk about the kiss. Instead of talking, he kisses her. She kisses him back, before she pushes him away and tells him it can’t happen again.

Donnie doesn’t trust her. He and texts Jason from Alison’s phone to meet at Bubbles.

Jason and Donnie face off

Donnie tries to scare Jason off Alison. Donnie’s idea of a fight is to slap Jason. Jason counters by knocking Donnie out cold.

Some Thoughts

Nothing is clear. We don’t know if Delphine and Shay are good guys or bad guys. We don’t know who is telling the Castor folks everything about the Leda folks. We don’t know what Rachel is up to – no good, probably. We don’t know if Krystal will ever be heard from again. We don’t know if Sarah can learn anything useful in London. They are taking us right up to the final episode with delicious suspense and many potential cliffhangers as the season ends. And, the previews of the next episode show Maria Doyle Kennedy singing!

I appreciate what Tatiana Maslany did with Krystal. She’s a vision of what every 13 year old girl thinks is perfection. I sure hope she isn’t kept in a coma forever, because I think she might be a valuable addition to the Clone Club.

I love the way Helena laughs. I noticed it way back in the episode where she met and danced with Jesse. The most wonderful sounding growl of a laugh. A masterpiece of a laugh.

The Title Quotation

Dwight D. Eisenhower said this in 1961.

“Progress toward these noble goals is persistently threatened by the conflict now engulfing the world. It commands our whole attention, absorbs our very beings. We face a hostile ideology global in scope, atheistic in character, ruthless in purpose, and insidious in method. Unhappily the danger it poses promises to be of indefinite duration. To meet it successfully, there is called for, not so much the emotional and transitory sacrifices of crisis, but rather those which enable us to carry forward steadily, surely, and without complaint the burdens of a prolonged and complex struggle – with liberty the stake. Only thus shall we remain, despite every provocation, on our charted course toward permanent peace and human betterment. “

Orphan Black: S3 E6 Certain Agony of the Battlefield

Episode 6 of season 3 of Orphan Black is “Certain Agony of the Battlefield.” Lots of plot twists and huge developments mark this episode as a turning point in several ways.

Before I get into that, I want to give a multitude of kudos to the director, Helen Shaver, for creating this episode’s surreal, hallucinogenic, and magical world. Shaver also directed an episode in season 2, Ipsa Scientia Potestas Est. Can she be the permanent director for Orphan Black please?

The recap will be divided into doings at the Hendrix household, doings at Dyad, and doings at the Castor compound.

The Hendrix Drug Machine

Donnie and Alison dancing in their underwear

Alison (Tatiana Maslany, a multitude)  and Donnie (Kristian Bruun)  are dancing on the bed in their underwear, tossing money in the air, and having a very sexy time celebrating their filthy lucre. Who knew Donnie could twerk?

They pay off Jason (Justin Chatwin) the 30K or so they owe him, and Donnie still has enough to put $10,000 cash down on a fast car.

Alison in her mother's store

Alison has the idea that she can buy her mother out of her store, Bubbles. It will be perfect way to launder all their drug money. She takes Jason and Donnie there to talk about the possibility. Jason thinks it’s perfect.

At Dyad: Sex and Science

Cosima, on the other hand, has been screwing her brains out for 5 days with Shay (Ksenia Solo).

Shay and Cosima in Shay's apartment

Cosima is missing calls, missing work, showing up late. Scott (Josh Vokey) is mad at her. Delphine (Evelyne Brochu) returns and she’s none to happy with Cosima’s absences either. In fact, Delphine looks at Cosima like she’d like to slap her or spit nails at her or something equally angry.

Cosima looks at Delphine with distrust

Delphine talks about trying to protect Dyad and the sisters, but Cosima doesn’t trust her or welcome her return. Delphine knows they processed the samples from Seth’s brain and she shows them that the same faulty protein they found in Seth (Ari Millen, an army) is also in Gracie. She suggests they follow up.

Delphine and Cosima await Gracie's arrival

Felix brings Gracie into Dyad. As Delphine and Cosima wait for her outside the elevator doors, they look miles apart. Delphine told Cosima she missed her. Cosima didn’t respond.

Felix talks to Rachel

Felix sneaks off to have a chat with Rachel, who spends her time in a wheelchair painting with watercolors. He wants to know about Castor so he can find Sarah. Rachel wants out of there.

Rachel's painting and The Island of Dr. Moreau

Scott notices the symbols Rachel is putting in her paintings. He takes one and compares it with the symbols in “The Island of Dr. Moreau.”

Delphine and Cosima work together to examine Gracie. They tell her that whatever Mark infected her with affects different people differently. They tell her the defect is contagious.

After getting in so much trouble for not doing her job, Cosima goes to Shay’s with the intention of telling her they need to slow down. But when she sees Shay all she wants to do is “make out for 7 hours straight.” Shay encourages her to talk. Cosima just wants to make out. Their smooch-fest is interrupted by a call from Scott, who says he thinks Rachel knows Duncan’s key.

At the Castor Compound

It’s been 5 days since Sarah disappeared into the Castor prison. Felix (Jordan Gavaris) is frantic. Mrs. S (Maria Doyle Kennedy) tries to keep him calm, but he’s breaking. Gracie (Zoé De Grand Maison) is still at Mrs. S’s house. They Skype with Kira (Skyler Wexler) in Iceland, who wants to know why Sarah isn’t talking to her.

Paul talks with Benchman

Paul (Dylan Bruce) is off in Arlington talking to a guy named Benchman (Tom Barnett). He gives him the log books showing sexual contacts that the Castor clones tracked. He whistleblows on Dr. Coady, who is doing unlawful experiments involving civilian females who have sex with the Castor boys. Benchman wants more evidence.

Kira appears in Sarah's dream

Sarah spins through fever induced hallucinations and strange dreams. Everything appears strange, surreal, part wishful thinking and part reality. She sees Kira and follows her around an empty Castor compound.

Sarah sees herself in a cot

Sarah climbs into Kira’s blanket fort and emerges in a room where she sees herself being pumped full of Rudy’s blood.

Charlotte appears in Sarah's dream

Sarah dreams she sees Charlotte (Cynthia Galant) who wants to lead her down a tunnel into the light. Sarah resists.

Beth is in her dream

In her fevered dream, she talks to Beth. Beth tells her to stop worrying about why and start finding out who.

Paul arrives and sees Sarah feeling very sick. Her temperature is 103. Dr. Coady says she’s treating her, but Sarah tells him differently.

Paul arrests Dr. Coady and takes over the compound. He puts a lot of people in the stockade. Among the few he trusts is Mark. Paul and Mark go to Coady’s office, where all the science information is stored. They find the evidence Paul needs. Sexual contact with the Castor clones causes sterility in women.

Sarah’s fever has broken. Dr. Coady gets very excited because Sarah didn’t die from Rudy’s blood. She tells Paul and Sarah that what she’s learning can end wars in a single generation.

Helena eats the scorpion

Helena runs through the desert. When she falls in exhaustion, Pupok the scorpion talks to her about Sarah. She eats poor Pupok. For Tatiana’s sake, I hope she’s really eating a big, black gummy bear, but the thing she put in her mouth was wriggling as she did it. But, really, how hard is it to eat an imaginary scorpion, I ask you?

Rudy, who has been off chasing Helena, comes back to the compound after a phone call from Arlington. He starts killing everyone in a search for Paul. It’s like a video game up in here with all these dead bodies laying around.

The Big Finish

Paul realizes he’s been played. He takes Sarah to a tunnel where she can escape. On the way he kills the clone Miller, but Miller stabs him while they struggle.

Paul goes to Dr. Coady’s office. She finds him there, surrounded by all her science, and shoots him 3 or 4 times in the chest. But, even with a stab wound to the gut and 4 bullets in his chest, the heroic Paul still has enough life in him to give Coady a dirty look and drop a hand grenade on the floor.

It must have been one hell of a hand grenade, because when it explodes it knocks Sarah down in the tunnel.

Helena finds Sarah in the tunnel

Helena finds Sarah in the tunnel. They leave together. Helena came back for her sestra!

Delphine looks at photos of Cosima and Shay

Delphine sits in front of a pile of photos of Cosima and Shay. She’s watching video of them on her computer as she downs booze as fast as she possibly can. She knew about them all along. As a result, she can’t get blotto fast enough.

Some Thoughts

Virginia Coady seems to be the mad military-industrial-scientific mind that President Dwight D. Eisenhower was so worried about. In the years just after America dropped two atomic bombs on Japan, obliterating hundreds of thousands of people in a flash of radioactive energy, concern over this kind of thinking was fresh on the American conscience. Scientists/soldiers/corporations with power over life and death – who think the ends justify the means – has been a theme of Orphan Black from the beginning. We’re seeing it played out here in the form of Castor experiments on unsuspecting humans.

The scene between Beth and Sarah was beautifully shot, with characters jumping through time and space. We saw depression on Beth’s face, which is the only way Sarah remembers seeing her. And it was pivotal in setting a direction for Sarah in looking at the who of it all.

Mark is an okay guy. He tells Paul he brought Sarah to the Castor compound so Rudy wouldn’t kill her. He tells Paul he fell in love with Gracie. Speaking of love confessions, Paul told Sarah that he loved her, right before he went off to blow himself up in Coady’s office.

The soldier boy clone count is down to Mark and Rudy. (Maybe. Rudy was close to the grenade in the office.) Paul is dead. Farewell to Mr. Hunkalicious, Dylan Bruce.

Someone in Washington was aware of what Coady was doing and supported it. Who, indeed. Everything is uncertain and in flux.

The Title Quotation

From Dwight D. Eisenhower, this week’s quotation comes from the same paragraph as last week.

Such a confederation must be one of equals. The weakest must come to the conference table with the same confidence as do we, protected as we are by our moral, economic, and military strength. That table, though scarred by many past frustrations, cannot be abandoned for the certain agony of the battlefield.

Orphan Black: S3 E5 Scarred by Many Past Frustrations

“Scarred by Many Past Frustrations” is the title of season 3, episode 5 of Orphan Black. Most of the episode deals with Sarah (Tatiana Maslany, a multitude) and Helena in the Castor prison.

To recap this episode, I’ll start with the shorter bits about everyone else including Cosima, Felix (Jordan Gavaris), Mrs. S (Maria Doyle Kennedy), Gracie (Zoé De Grand Maison), Art Bell (Kevin Hanchard) and the arrival of Shay (Ksenia Solo). Alison and Rachel do not appear in this episode.

Everyone Outside of Prison

Everyone is worried about what’s become of Sarah. Art is trying to call her, Mrs. S and Felix are stewing.

Shay comes into the room

Cosima is waiting for her first internet date, Shay. When she comes into the room, she’s stunning. Cosima is reduced to babbling.

Shay and Cosima talk in the bar

Shay is charming, gentle, lovely – she touches Cosima frequently and pretty much wraps her around her little finger. Shay tells her that holistic healing involves nutrition, body work and spiritual counseling. Shay leans close to Cosima and says, “Plus, I can see inside your soul.” As they talk, they are photographed by an unknown watcher.

Cosima suggests they leave. They go to Felix’s apartment. They make sexy eyes at each other and act like they are ready to jump each other’s bones. After a while Shay offers to go, because Cosima seems a bit conflicted about Delphine. Cosima agrees Shay should go, but she doesn’t look like she believes what she’s saying.

Shay and Cosima kiss

Then Shay kisses her instead of going. They end up getting more lesbian germs in Felix’s apartment.

Gracie shows up at Art’s. He learns that she lost the baby. He takes her to Mrs. S and Felix. Mrs. S is healing nicely; she’s not so beat up as she was the last few episodes.

Mrs. S and Felix

There’s a bit of discussion, but eventually they give Gracie a place to stay, shower, eat, and also some of Sarah’s old clothes. Gracie now wants to experience life – the restrictions of her father’s religion need to be cast off.

Gracie dressed like a hooker

Gracie comes downstairs looking like a hooker. She wants to go to a bar. They keep her in the house, but give her alcohol and teach her to dance. She exclaims, “I love alcohol,” and falls on the floor in agony. When the paramedics come, they see her eyes are very bloodshot.

Art meets with Patty (Natalie Krill). We met her in episode 2 after her strange sexual encounter with Rudy and Seth. She’s wearing sunglasses at night because there’s something bloody wrong with her eyes, just like Gracie.

Helena and Sarah in Prison

Helena, who says she once survived 4 months in a broom closet, is back in her cell after killing Parsons (Ari Millen, an army). She has cuffs on her ankles with a bar between them. She examines everything she sees as a potential tool or weapon. Sarah’s in the next cell.

Sarah can talk to Helena in the next cell

Sarah and Helena talk through a grate between their cells. Helena thinks Sarah sent her there and is not friendly. Sarah tries to convince her that Mrs. S did it to protect Kira, but Helena is guarded. She tries to unlock her ankle cuffs with a tiny nail, she talks to her scorpion friend about butter, and she doesn’t trust Sarah. The conversation with her imaginary friend about butter is actually relevant, because Helena is stashing pats of butter from her meals behind a loose block in her cell wall.

Sarah sees where she is

The clone Miller drags Sarah off. As he does, Sarah yells to Helena that the Castor clones are their brothers. While Sarah is gone, Helena notices that one of the bars in the window of her cell door is loose.

Sarah meets Dr. Coady (Kyra Harper), who takes blood from her.

The Castor doctors have the Johanssen baby, which they think will give them genetic material to develop a cure for the male clones. Dr. Coady patches up Mark and tells him to make sure his first ever journal of intimate contacts begins with Gracie. She takes away his wedding ring, which bothers him. Mark may actually care about Gracie.

Paul (Dylan Bruce) shows up at the prison after convincing someone higher up to keep funding the Castor program. He’s not happy to see Sarah there. He wants to be her friend. Sarah tells Helena that Paul is the one who turned her in. He says it was either Helena or Sarah. Helena finally believes Sarah isn’t the one who turned her in.

Paul yells at Dr. Coady about Sarah’s imprisonment. Paul then also goes into the room where Parsons is stored and looks at his journal of intimate contacts. It’s a list of names of women, with a lock of hair from each one.

Sarah in her cell, seated by the grate

Sarah knows Helena must have an escape plan. She wants in on it. Helena says Sarah can be her sandwich. A sandwich is a weak person you take with you because you eat them! Sarah softens Helena up by talking about what a bad mother she is and crying as she explains why she left Kira with Mrs. S so often.

Helena is compassionate and soothing when Sarah cries. The crying apparently works, however, and Helena tells Sarah how she can help with the escape plan.

Sarah starts a fight with Miller and another guard. They knock her out. She is taken to the infirmary, where she steals a pair of tweezers.

Helena unlocks the cuffs on her feet with the tweezers. She uses the bar between the cuffs to pry the loose bar from her cell window. Then she slathers herself with butter and slides out the tiny opening she created. She leaves Sarah behind, saying they are now even.

Helena gets out of her cell

Helena is the master of parkour. She scampers around, jumps from cars to rooftops, climbs straight up a wall and reaches the highest parapet of the razor wire encrusted prison wall. She hesitates there because her heart moves for her seestra. We don’t know if she jumps down to freedom or goes back for Sarah. She is perched there at the end of the episode. The whole camp below her is on high alert, looking for her.

Some Thoughts

The idea that having sex with one of the Castor clones causes sickness is an interesting turn of events. Can’t wait to see where that goes.

Something is going on with Shay. Something mysterious.

The set they are using for the prison looks like an old mission. Adobe walls, vigas, rounded parapets. It’s shot in yellow light and everything outside the walls is dark and invisible. I love that set.

Speaking of sets, what happened to Cosima’s apartment? Why is she always in Felix’s apartment – she even takes dates there.

The way we hear backstory is fascinating. In this episode we heard about Mrs. S’s husband dying in a drunken brawl and we heard about why Sarah ran off with Vic, leaving Kira behind. These tales are revealed in natural ways to enhance character development.

Helena uses the tiny nail she finds to cut her back. She feels a great release from doing it – the scene is framed and shot like sexual ecstasy. I hope at some point Helena’s cutting becomes a bigger topic of conversation.

The Title Quotation

We’re sticking with Dwight D. Eisenhower’s Farewell Address to the Nation in 1961. If only we had paid this much attention at the time. Here’s the location of this episode’s title. Our moral strength, in particular, seems to have been purchased by the 1%.

“Such a confederation must be one of equals. The weakest must come to the conference table with the same confidence as do we, protected as we are by our moral, economic, and military strength. That table, though scarred by many past frustrations, cannot be abandoned for the certain agony of the battlefield.”

Orphan Black: S3 E4 Newer Elements of Our Defense

Orphan Black’s “Newer Elements of Our Defense” begins mere seconds after the end of the last episode when Mark (Ari Millen, an army) was shot in the cornfield.

Sarah and Mark

This episode mostly deals with Sarah (Tatiana Maslany, a multitude) and Mark and their race for genetic material, punctuated with bits from the other clones. Of course, they want the genetic material for different reasons: Sarah to save Helena, Mark to complete his mission.

Sarah performs emergency surgery on Mark.

Sarah manages to evade Bonnie Johannsen (Kristen Booth) and some armed men and get Mark out of the cornfield and into an abandoned house. Thanks to a pair of pliers, a bottle of vodka, and a needle and thread that were conveniently left in the house, they remove the bullet in Mark’s leg and halfway sew him back together. His second wound is a through and through.

When Mark passes out, Sarah finds the motel key in his jacket and heads there. She finds the strong box and sends some images of the contents to Cosima. From this, Cosima realizes that Henrik Johanssen managed to create at least one clone with the genetic material they seek.

Mark uses his super stamina to overcome his two bullet wounds and chase Sarah to the motel. She explains about Henrik’s Castor son. They need a bit of DNA from him to provide the original genome.

Sarah digging

Mark tells Sarah he knows where to find Henrik and Bonnie’s cloned son. They drive to a cemetery and Mark shows Sarah which grave to dig up. Just as she finds the casket, Rudy shows up. He chases Sarah into a barn (boy, barns are everywhere the last couple of weeks).

Mark and Rudy face off

In the only multi-clone shot of the week, Mark pulls rank on Rudy and tells him to stand down from running a shovel through Sarah. Rudy has the tiny casket under one arm. He and Mark embrace, then look at Sarah as they think about their directive to leave no loose ends. That’s the cliffhanger scene of the episode and we are left wondering what they are going to do with the loose end leaning against the hay bales.

Gracie lost her baby. Her mother looks at her.

Gracie (Zoé De Grand Maison) goes with her mother to a creepy cult house where everyone still believes in Henrik’s mad religion. When Gracie loses the baby, Bonnie tells her she is no longer welcome there.

Helena in Prison

Helena stars at her pork chop bone

In Helena’s part of the Orphan Black universe, she realizes while eating dinner that she can fashion a key out of her pork chop bone, which she gnaws into shape.

In preparation for an escape, she gets herself taken to the infirmary. From there she can scout around for an escape plan. The only problem is, to get taken to the infirmary, she will be tranquillized. She ties a cord around her arm to slow the movement of the drug through her blood stream.

The scorpion urges Helena to keep moving.

Even so, she’s groggy while scouting around. She must be cheered on by her little clicking friend the scorpion, who urges her to keep moving.

When the drug wears off, she’s back in her cell. She uses the pork chop bone to get out. She finds another clone: Parsons. We’ll just call Parsons Mr. Topless, okay?

Helena sees that Parsons' brain is exposed

Parsons begs Helena to kill him. She is kind and gentle with him, but obliges him by running a scalpel through his brain. Her delay to perform a mercy killing gives Dr. Coady (Kyra Harper) time to find her and stick her back in her cell. Let’s hope she still has the pork chop bone hidden away.

Cosima Pines for No Woman

Cosima reads the Island of Dr. Moreau

Cosima is at last reading “The Island of Dr. Moreau” in Felix’s (Jordan Gavaris) apartment. She’s on the phone with Scott (Josh Vokey) as she reads. They need some sort of key to unlock what they read.

Felix finds Cosima in his apartment. She hides the book. He says her sweater is horrible – she looks like she was mounted by a llama. Such a horrible sweater could only mean she’s pining for Delphine.

Felix and Cosima in the bar

Felix drags Cosima out to a bar. He photographs her and signs her up for a dating service, despite Cosima’s statement that she pines for no woman.

Alison Makes a Deal

Alison and Donnie (Kristian Bruun) decide to hide all their pills in a storage locker like on Breaking Bad because someone has been following Donnie around.

They load up everything and go to the garage only to find a thug waiting for them. He says that the pills Ramon had were on consignment and that Ramon ran off with the $30,000+. He takes the merchandise and says they must meet with the boss that night.

Alison and Donnie at the drug meeting

They show up that night. Alison gets frisked and sent to talk with the drug boss. Donnie has to wait with the thug.

When Alison gets in the car, she finds Jason Kellerman (Justin Chatwin), her old beau from high school. They smile, giggle, get nostalgic, and shake hands on a drug deal in which Alison promises to double Ramon’s rate. Such a sweet reunion.

Alison and Jason shake

Some Thoughts

Chris Grismer directed this episode. It’s his first turn at directing Orphan Black and I loved some of what he did. There were several beautiful long shots: Sarah and Mark backlit under a bridge, Cosima walking down Felix’s street in a red coat, the yellow-washed military compound. I loved the way everything kind of blurred and reverberated when Bonnie walked through the corn after Mark – very ominous.

I missed the information about how Felix disposed of Seth, who was in his bathtub. Maybe it happened while we weren’t looking. Maybe we’ll find out next week. If Felix cleaned up his apartment, shouldn’t he or Cosima notice a big tank of liquid nitrogen?

Ksenia Solo and Tatiana Maslany kiss in a scene from the previews for next week

The previews show the arrival of Ksenia Solo next week. She’s been advertised as a healer who comes to help Cosima. She arrives as one of the online dates Felix set up for Cosima. The first thing she does is kiss Cosima. If she’s a healer, she mistook Cosima for a succubus.

The Title Quotation

The quotation in the title again comes from Dwight D. Eisenhower. That whole 1961 speech is frightening to contemplate, but this quote is especially scary.

“Crises there will continue to be. In meeting them, whether foreign or domestic, great or small, there is a recurring temptation to feel that some spectacular and costly action could become the miraculous solution to all current difficulties. A huge increase in the newer elements of our defenses; development of unrealistic programs to cure every ill in agriculture; a dramatic expansion in basic and applied research – these and many other possibilities, each possibly promising in itself, may be suggested as the only way to the road we wish to travel. “

Orphan Black: S3 E3 Formalized, Complex, and Costly

“Formalized, Complex, and Costly” is episode 3 of Orphan Black season 3. There’s a big reveal in this episode about the cloned boys and girls.

Let’s start with Seth (Ari Millen, an army), cooling downstairs in Felix’s (Jordan Gavaris) apartment building. For some reason Rudy just leaves him lying there, so Sarah (Tatiana Maslany, a multitude) and Felix drag him upstairs so he can bleed out in Felix’s tub.

Art Bell (Kevin Hanchard) shows up and sees the body. Sarah immediately tells him, “First off, it wasn’t us.”

Sarah Skypes Cosima and shows her and Scott (Josh Vokey) the body. Cosima wants the brain. She’s coming to get it.

Art, who should be doing real cop stuff now, wants to help Sarah find Mark. Off they go. Later, he reveals to Sarah that he was in love with Beth Childs. This explains a lot about why he’s so involved in solving all the mysteries the clones bring him.

Mark and Gracie kiss
Mark and Gracie are honeymooning

Mark and Gracie (Zoé De Grand Maison) are holed up in a motel, being honeymooners between making sure they aren’t followed. Mark confesses he’s still in the Army and wants to find Willard Finch (Nicholas Campbell) because he knows that Henrik Johanssen, Gracie’s father, stored something at Finch’s.

Finch talks to Gracie
Gracie gets the goods from Finch. He’s a horrid old lech.

Gracie goes to Finch’s and returns with a locked strongbox.

The inside of the strong box
Just useless paper?

The box contains notebooks and paper, which Mark dismisses as useless. Probably a big mistake there, buddy. Mark wants something cold, like a tank. (I keep yapping about cold tanks that are as yet undiscovered by anyone, but where is it getting me?)

Paul (Dylan Bruce) delivers Rudy to the military camp. Rudy apologizes to Mother Coady (Kyra Harper) who chews him out for killing Seth. He says, “I had to put him down – protocol.”

Rudy sucks his thumb
Rudy cuddles up to Mother

Later she hugs him and we discovered how fond he is of his thumb.

Dr. Coady tells Paul he has to delay the folks in Washington who want to shut them down because their weapon is defective. She tells him she can cure the soldier boys if she has more time.

Helena
Helena in a cell

Helena is locked in a cell. So much for Dr. Coady being all warm and friendly. Helena tells Rudy he’s the ugliest Mark yet. Helena tells Paul she’s going to machine gun him down one day. She seems calmer and her friend the scorpion isn’t in this episode. She’s keeping a sharp eye on everything going on around her.

soap with pills hidden underneath
We’re selling soap now

Allison and Donnie (Kristian Bruun) are manufacturing soap in the garage, which they use to disguise the pills they are selling all over the neighborhood. Donnie thinks they should have become drug dealers long ago, they are making so much money. But – you want drugs from the Hendrix machine, you gotta vote right in the school trustee election.

Marci
Marci stops by the garage for a face off with her opponent

Alison’s election rival Marci (Amanda Brugel) stops by the garage to attempt a bribe. She offers the Hendrix family a great deal on a piece of real estate. Alison tosses the deal back at her. It’s in another school district. Devious, Marci, but Alison is twice as devious.

Rachel in a big bandage
Rachel is in the hospital

Rachel is in therapy for her aphasia. She’s a bit limp and passive, but when she realizes Delphine is now in charge of Dyad, we see a spark of the old Rachel.

Alexis, the midwife
Call the midwife

Alexis the midwife (Kathryn Alexandre) gets another turn in front of the camera (she’s also the mostly unseen clone double) when Sarah and Art find her as part of their search for Mark.

Alexis tells Sarah that both Helena and Gracie are carrying Henrik’s miraculous babies. Alas, she’s still a true believer. When Sarah and Art are gone, Alexis runs to Bonnie Johanssen (Kristin Booth) and rats them out.

Cosima, Scott and Felix work on Seth's corpse.
Debraining Seth

Cosima and her minion have increased the mess in Felix’s bathroom by removing Seth’s brain from his body.

Sarah finds Gracie in a cafe where she and Art stopped while searching for Mark. She tells Gracie that the baby she’s carrying will be Kira’s cousin. Then she shows Gracie a photo of the other boy clones. Gracie freaks out because she thinks the clones are abominations.

The strong box under a bed
The box is hidden by Gracie

Gracie heads back to the motel, hides the strongbox under the bed, and packs to run. The honeymoon is so over. She looks up to see her mother at the door. Momma Johanssen wants to find Mark, and Gracie tells her where to look.

Cosima looks at lab results
Cosima in the lab

Back in the lab Cosima – who is coughing again – realizes from the genetic markers in Seth’s brain that the boy and girl clones are sisters and brothers. Holy DNA, Batman. They are family!

Sarah gets the big news bulletin from Cosima just as she sneaking into Willard Finch’s barn. Mark is already there. He’s managed to scare Finch into having a heart attack while trying to get him to talk.

Sarah tells Mark they are brother and sister. He has to care about Helena now, because she is his sister.

Bonnie with a rifle
Don’t argue with the lady with the gun

Mark runs to find Gracie. He’s almost to his truck when he’s shot in the leg by Mrs. Johanssen. He crawls into a corn field. She follows. Sarah, hiding in the barn, hears another gun shot.

Some Thoughts

Nicholas Campbell
Nicholas Campbell

One of the advantages of being old is you remember how actors looked long ago. Like tonight’s bad guy Willard Finch. He used to be scorching hot, as I recall.

Felix has a lot of cleaning to do. His apartment is a bloody mess. Kira’s blanket fort is still intact. What is he going to do with the majority of Seth still ensconced in his bathtub? Much of the plot hangs on when Felix cleans.

Much of the plot also hangs on what’s in the undiscovered tank of liquid nitrogen, the strongbox under a motel bed that nobody in the cast will stay in again, and the still unread “The Island of Dr. Moreau.”

Now that the clones know the original genomes came from a sister and brother, are they going to be united in the search for an answer to their defects?

The cliffhanger of the final gunshot was somewhat ruined by a preview of next week showing a live but bloody Mark.

The Title Quotation

From Dwight Eisenhower’s Farewell Address to the Nation in 1961.

In this revolution, research has become central, it also becomes more formalized, complex, and costly. A steadily increasing share is conducted for, by, or at the direction of, the Federal government.

Orphan Black S3 E2: Transitory Sacrifices of Crisis

Orphan Black’s “Transitory Sacrifices of Crisis” begins where the last episode left off, with Sarah (Tatiana Maslany, a multitude) still looking for Helena and the male clone Rudy, AKA Scarface, (Ari Mullen, an army) freed from his basement prison and on the loose with Seth, AKA Mr. Moustache. The time between episodes appears to be just a few hours.

Rudy and the Boys

Ari Millen as Rudy and the other soldier boys gets all the wow scenes with multiple clones in this episode. There are several.

Rudy and Seth think they should share sex.
Both Rudy and Seth think they should share sex with the lovely Patty.

Rudy picks up a willing young woman named Patty (Natalie Krill) for sex, but she nixes the idea when Seth shows up and wants to join in. Later Patty reports the incident to Detective Bell (Kevin Hanchard) – yeah, he’s back on duty. Bell informs Sarah that the boys are loose and on the prowl and they both have a double headed horse tattoo on their left forearms.

Paul (Dylan Bruce) shows up and tells Rudy and Seth to report to base. Rudy asks if the orders come from “Mother.” I’m thinking mother is Dr. Virginia Coady (Kyra Harper). We glimpsed her last week and see more of her this week. She seems to be in charge of the military side of the clone experiments.

Rudy is the rebel. He’s a lot like Sarah in that way. He decides not to follow orders, but to finish the job and get the original genome from Sarah.

Rudy holds Kira and points a gun at Sarah
Rudy tries to get the genome info from Sarah by threatening Kyra.

Rudy hides in Kyra’s (Skyler Wexler) blanket fort in Felix’s (Jordan Gavaris) apartment. He grabs Kyra and tries for force Sarah to talk. She knows nothing. When he realizes that Seth, who is waiting downstairs, is fritzing out like a bad transister, Rudy leaves and releases Kyra. Downstairs he sees that Seth is suffering a hopeless glitch and shoots him. Then he leans down and says, “I love you, brother.”

While we are on the subject of Felix’s apartment, it looks like the tank of liquid nitrogen is inside the blanket fort and has not come to the attention of any of the adults yet.

We also see another male clone at the military base where Helena is held. His name is Miller. More on Miller later.

Mark holds a blow torch to his tattoo
Mark removes his tattoo with a blow torch.

Mark makes a brief appearance in this episode. He removes the horse tattoo from his arm in the most painful way possible.

Sarah and the Girls

Sarah and Cal in the new apartment
Our little family pad

Cal (Michiel Huisman) rents an apartment where he and Sarah and Kyra can play house. Sarah and Kyra love the idea, but it isn’t meant to be. Paul comes by to tell Cal that Sarah better get outta Dodge. Cal goes to Felix’s to warn her and sees Rudy shoot Seth.

Mrs. S has a black eye
Poor Mrs. S is bashed up

Sarah sort of forgives Mrs. S (Maria Doyle Kennedy) for giving up Helena, but only if she will use her contacts to find Paul and get info on where Helena is. Sarah also wants to go after Mark in hopes he knows where Helena is hidden.

I think Mrs. S is the one who inspired the “transitory sacrifices of crisis” choice for the episode title.

Felix
Felix takes great care of Mrs. S

Felix is taking care of Mrs. S, but he joins Sarah in urging her to do something about Helena.

Kira looks at her mom.
Kyra says goodbye to everyone

Sarah decides to send Kyra to safety with Cal. They will go to Iceland.

Alison and Ramon
Alison sees Ramon at a soccer match.

When Ramone (Alex Ozerov) tells Alison that he’s closing down his business to go off to college, Alison and Donnie (Kristian Bruun) buy him out. They buy almost $80,000 worth of pills from him. Alison sees it as a way to make money now that Donnie is out of a job, but also a way to defeat Marci (Amanda Brugel) in the school trustee race. Seems most of Ramone’s clients are soccer moms like Alison. Her new voter base awaits drug delivery, yes indeed.

Cosima in the lab
Cosima is well enough to work

Cosima is feeling much better. She makes reference to some sort of spiritual effect in her recovery. She says as a scientist she needs to be open to everything, which I see as foreshadowing the arrival of Ksenia Solo as a guest. Neither Scott (Josh Vokey) or anyone else can quite explain her rapid recovery. She’s back in the lab looking for answers, and giving Sarah info on the two-headed horse mythology about Castor.

Helena with an eye tracking device over her right eye
Scorpions like mangos, too

Helena is in a military compound. The male clone, Miller, is torturing her as part of a stress test. Helena is given the same strange eye test that earlier cause Seth to glitch out in a minor way. It drives Helena have a conversation with her spirit animal, the scorpion, about wanting to see the mango mentioned in the test.

Dr. Virginia Coady talks to Helena
Have something to eat, my dear.

Dr. Coady stops all the testing because she’s learned that Helena is pregnant. She’s warm and friendly to Helena, gives her food, treats her with respect. Look out for that one, Helena.

In Summary

At the end of the episode, Sarah is no closer to finding Helena. Cal and Kyra are doing a geographical in hopes of keeping Kyra safe. Cosima and Josh haven’t yet started in on decoding “The Island of Dr. Moreau.” We’ve learned that the male clones have some sort of mental connection – Rudy knew what Seth was feeling & Mark decided the tattoo had to go.

I’m eager to see Alison interact with Marci. Amanda Brugel has had fleeting scenes so far, but I think the time is coming when we’ll see more of her and Alison together. I’m also eager to see Ksenia Solo appear.

The Title Quote

The title again comes from Dwight Eisenhower. In his farewell to the nation speech in 1961, there was this paragraph.

“Progress toward these noble goals is persistently threatened by the conflict now engulfing the world. It commands our whole attention, absorbs our very beings. We face a hostile ideology global in scope, atheistic in character, ruthless in purpose, and insidious in method. Unhappily the danger it poses promises to be of indefinite duration. To meet it successfully, there is called for, not so much the emotional and transitory sacrifices of crisis, but rather those which enable us to carry forward steadily, surely, and without complaint the burdens of a prolonged and complex struggle – with liberty the stake. Only thus shall we remain, despite every provocation, on our charted course toward permanent peace and human betterment”

Orphan Black: S3, E1 The Weight of This Combination

Orphan Black kicked off season 3 with “The Weight of This Combination.” The ride was both delightful and scary. We begin mere seconds from where season 2 stopped.

The Female Clones

Tatiany Maslany as Cosima in Orphan Black

The episode opens with a 4 clone scene. It’s a candy colored world where a very pregnant Helena (Tatiana Maslany, a multitude) is surrounded by love and food at her baby shower. Cosima is dressed in a Ukranian folk outfit, Sarah is in black leather, Alison is all in pink and Felix (Jordan Gavaris) grills in a tennis outfit with a martini in his hand.

Helena wakes up from this hallucination trapped in a big coffin-like box, where she conducts a conversation with a scorpion. The scorpion was played by Tatiana Maslany – both voice and all the other noises the scorpion made. I got the idea that the scorpion was as imaginary as the baby shower. Yep, Helena is losing her marbles.

Jordan Gavaris in Orphan Black

Cosima is feeling better and staying at Felix’s place. She amuses herself playing with Kira (Skyler Wexler) and hiding “The Island of Dr. Moreau” from everyone but Scott (Josh Vokey) because she no longer trusts anyone, including Delphine.

Delphine (Evelyne Brochu) breaks up with Cosima but still loves her. Delphine is taking over Rachel’s job and is living a double life as 1) a corporate drone, 2) the protector of all the sisters.

At the now united Hendrix household, Alison can’t stop touching newly jobless Donnie (Kristian Bruun). Alison plans to run for school trustee against the evil Marci (Amanda Brugel).

Maria Doyle Kennedy in Orphan Black

Mrs. S (Maria Doyle Kennedy) confesses to sending off Helena to wherever the scorpions talk, so Sarah is obsessed with getting Helena back throughout the episode. Helena does not get rescued in this episode, in spite of all Sarah’s efforts.

Nobody is paying any attention to the big container of liquid nitrogen Helena left in Felix’s apartment. But Kira starts to play with it, so hopefully it will come to Cosima’s attention the same way she discovered the gold mine inside “The Island of Dr. Moreau.”

Fun with Ferdinand

A creepy guy named Ferdinand (James Frain) shows up at Dyad intending to carry out “Helsinki” which translates to: Kill All The Girl Clones. First he wants to have S & M sex with Rachel. Except Rachel is in a hospital bed with her eye poked out, so Sarah pretends to be Rachel. And while she’s doing that, Alison pretends to be Sarah. Tatiana Maslany is so fabulous at this stuff, it all makes perfect sense.

Somehow Rachel (AKA Sarah) gets rid of Ferdinand, gets Helsinki canceled, and makes sure everyone knows she’s looking for Helena. By the way, Sarah in a Rachel wig is talented with a belt, as the marks on Ferdinand’s butt and neck prove.

The Male Clones

Ari Millen in Orphan Black

There are apparently a whole army of male clones (Ari Millen, an army). Last season we met Mark the Prolethean, the ugly haircut guy who followed Helena into the bar, Scarface the crazy guy in the basement, and a grim soldier outside Helena’s plane. Now we also meet Faux Mohawk and Mr. Moustache. (Scarface and Faux Mohawk may be just one guy. I’m still trying to get a good count of the boy clones.)

Mr. Moustache, who may be named Seth, beat the crap out of Mrs. S while trying to find Ethan Duncan. Mrs. S put up a good fight, though! Mrs. S: ever badass.

The male clones – the soldier boys – are not warm and fuzzy fellows. The male clones run around trying to find and kill the female clones. This lets us meet Krystal Goderich, a previously unknown female clone. We see Krystal making out with Faux Mohawk in an elevator, then going into a hotel room with him. There is one more male clone in this scene. Delphine reports that Krystal survived, so maybe we’ll meet her again.

The male clones all know about each other. The Orphan Black terminology here is “self aware.” Now, if I were a male clone and my job was to kill female clones, I might start to get a little worried about job security. Not these boys.

The Title Quote

Last year the titles were all quotes from Francis Bacon. The first episode this year uses a quote from Dwight D. Eisenhower:

“In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military industrial complex. The potential for the disastrous rise of misplaced power exists and will persist. We must never let the weight of this combination endanger our liberties or democratic processes. We should take nothing for granted. Only an alert and knowledgeable citizenry can compel the proper meshing of the huge industrial and military machinery of defense with our peaceful methods and goals, so that security and liberty may prosper together.”

We’ve left nature vs. nurture in season 2 and are moving on to the military-industrial complex. Project Castor is the military side of the clone experiment, so it follows quite logically.