Orphan Black episode 3, “Beneath Her Heart,” focuses on the Hendrix family past and present. Alison (Tatiana Maslany, one of many) has a breakthrough and Donnie (Kristian Bruun) does some revealing dance steps. This is a recap. Every sentence is a spoiler. Continue reading “Orphan Black S5 E3 Beneath Her Heart”
The Fall season 3 episode 3 is titled “The Gates of Light.” Paul Spector (Jamie Dornan) is strong enough to get up and walk around the hospital, although he’s still in ICU. Beware the spoilers. Continue reading “The Fall S3 E3 The Gates of Light”
Orphan Black gets creepy in “The Stigmata of Progress.” Sarah tries to figure out what’s implanted in her cheek, Felix has big news, the Hendrixes go on an archeological dig, Kira sees strange visions, and Rachel is back in operation.
Spoilers ahead. Continue reading “Orphan Black: S4 E3 The Stigmata of Progress”
Happy Valley S2 E3 begins with Sgt. Catherine Cawood (Sarah Lancashire) talking to a therapist (David Crellin). She either has to get help or retire. Catherine chooses to fill the silence in the therapist’s office with shite.
There will be some unavoidable spoilers in this overview. Continue reading “Happy Valley S2 E3: Sad, Mad, Glad, Scared”
Be glad to start episode 3 of Last Tango in Halifax in your happy place because you’re in for a bumpy night by the end.
Every word that follows is a spoiler. Continue reading “Last Tango in Halifax, Season 3, Episode 3”
“Formalized, Complex, and Costly” is episode 3 of Orphan Black season 3. There’s a big reveal in this episode about the cloned boys and girls.
Let’s start with Seth (Ari Millen, an army), cooling downstairs in Felix’s (Jordan Gavaris) apartment building. For some reason Rudy just leaves him lying there, so Sarah (Tatiana Maslany, a multitude) and Felix drag him upstairs so he can bleed out in Felix’s tub.
Art Bell (Kevin Hanchard) shows up and sees the body. Sarah immediately tells him, “First off, it wasn’t us.”
Sarah Skypes Cosima and shows her and Scott (Josh Vokey) the body. Cosima wants the brain. She’s coming to get it.
Art, who should be doing real cop stuff now, wants to help Sarah find Mark. Off they go. Later, he reveals to Sarah that he was in love with Beth Childs. This explains a lot about why he’s so involved in solving all the mysteries the clones bring him.
Mark and Gracie (Zoé De Grand Maison) are holed up in a motel, being honeymooners between making sure they aren’t followed. Mark confesses he’s still in the Army and wants to find Willard Finch (Nicholas Campbell) because he knows that Henrik Johanssen, Gracie’s father, stored something at Finch’s.
Gracie goes to Finch’s and returns with a locked strongbox.
The box contains notebooks and paper, which Mark dismisses as useless. Probably a big mistake there, buddy. Mark wants something cold, like a tank. (I keep yapping about cold tanks that are as yet undiscovered by anyone, but where is it getting me?)
Paul (Dylan Bruce) delivers Rudy to the military camp. Rudy apologizes to Mother Coady (Kyra Harper) who chews him out for killing Seth. He says, “I had to put him down – protocol.”
Later she hugs him and we discovered how fond he is of his thumb.
Dr. Coady tells Paul he has to delay the folks in Washington who want to shut them down because their weapon is defective. She tells him she can cure the soldier boys if she has more time.
Helena is locked in a cell. So much for Dr. Coady being all warm and friendly. Helena tells Rudy he’s the ugliest Mark yet. Helena tells Paul she’s going to machine gun him down one day. She seems calmer and her friend the scorpion isn’t in this episode. She’s keeping a sharp eye on everything going on around her.
Allison and Donnie (Kristian Bruun) are manufacturing soap in the garage, which they use to disguise the pills they are selling all over the neighborhood. Donnie thinks they should have become drug dealers long ago, they are making so much money. But – you want drugs from the Hendrix machine, you gotta vote right in the school trustee election.
Alison’s election rival Marci (Amanda Brugel) stops by the garage to attempt a bribe. She offers the Hendrix family a great deal on a piece of real estate. Alison tosses the deal back at her. It’s in another school district. Devious, Marci, but Alison is twice as devious.
Rachel is in therapy for her aphasia. She’s a bit limp and passive, but when she realizes Delphine is now in charge of Dyad, we see a spark of the old Rachel.
Alexis the midwife (Kathryn Alexandre) gets another turn in front of the camera (she’s also the mostly unseen clone double) when Sarah and Art find her as part of their search for Mark.
Alexis tells Sarah that both Helena and Gracie are carrying Henrik’s miraculous babies. Alas, she’s still a true believer. When Sarah and Art are gone, Alexis runs to Bonnie Johanssen (Kristin Booth) and rats them out.
Cosima and her minion have increased the mess in Felix’s bathroom by removing Seth’s brain from his body.
Sarah finds Gracie in a cafe where she and Art stopped while searching for Mark. She tells Gracie that the baby she’s carrying will be Kira’s cousin. Then she shows Gracie a photo of the other boy clones. Gracie freaks out because she thinks the clones are abominations.
Gracie heads back to the motel, hides the strongbox under the bed, and packs to run. The honeymoon is so over. She looks up to see her mother at the door. Momma Johanssen wants to find Mark, and Gracie tells her where to look.
Back in the lab Cosima – who is coughing again – realizes from the genetic markers in Seth’s brain that the boy and girl clones are sisters and brothers. Holy DNA, Batman. They are family!
Sarah gets the big news bulletin from Cosima just as she sneaking into Willard Finch’s barn. Mark is already there. He’s managed to scare Finch into having a heart attack while trying to get him to talk.
Sarah tells Mark they are brother and sister. He has to care about Helena now, because she is his sister.
Mark runs to find Gracie. He’s almost to his truck when he’s shot in the leg by Mrs. Johanssen. He crawls into a corn field. She follows. Sarah, hiding in the barn, hears another gun shot.
One of the advantages of being old is you remember how actors looked long ago. Like tonight’s bad guy Willard Finch. He used to be scorching hot, as I recall.
Felix has a lot of cleaning to do. His apartment is a bloody mess. Kira’s blanket fort is still intact. What is he going to do with the majority of Seth still ensconced in his bathtub? Much of the plot hangs on when Felix cleans.
Much of the plot also hangs on what’s in the undiscovered tank of liquid nitrogen, the strongbox under a motel bed that nobody in the cast will stay in again, and the still unread “The Island of Dr. Moreau.”
Now that the clones know the original genomes came from a sister and brother, are they going to be united in the search for an answer to their defects?
The cliffhanger of the final gunshot was somewhat ruined by a preview of next week showing a live but bloody Mark.
The Title Quotation
From Dwight Eisenhower’s Farewell Address to the Nation in 1961.
In this revolution, research has become central, it also becomes more formalized, complex, and costly. A steadily increasing share is conducted for, by, or at the direction of, the Federal government.
Episode 3 of The Fall is patient waiting for the police to gather up enough evidence against Paul Spector (Jamie Dornan) to make an arrest. The police slowly put together clues as the episode plays out. There’s also stark terror at what Paul Spector may do next. For once, an episode isn’t all terrifying: there’s a delightful smile-inducing kissing scene.
There are many spoilers ahead.
Stella Gibson (Gillian Anderson) is giving all the right orders to find cars Paul has stolen, evidence he’s left behind, witnesses who know his whereabouts. She wants to know everything about Paul Spector’s life, but doesn’t want him arrested because he has Rose Stagg.
We don’t know where Paul stashed Rose and whether he killed her or not. Based on Paul’s long jog out of the woods at the beginning of the episode it doesn’t look good for Rose.
It’s slow going. At least it feels slow – this episode actually takes only one day, but the agony of suspense makes every moment feel like an eternity.
Paul edits some video in his hotel room. It’s a woman pleading, but we don’t know more than that.
The police revisit his wife (Bronagh Waugh). She tells them the babysitter was at her house on the night one of the women was killed and she doesn’t know where her husband was that night.
When the police question the babysitter, Katie (Aisling Franciosi) lies and gives Paul an alibi for the night. She tells them she was there with Paul for hours.
She wants to meet with Paul after she lies for him. This teenager really is a danger to herself. Paul tells her a long meandering lie about how he isn’t the killer but he’s pretending to be. He convinces her that he’s merely playing a game with Stella Gibson, that English bitch of a cop.
Katie wants to help him play the game. She has to sneak into the Spector’s house and photograph herself in his former bathroom mirror. She wears a tee shirt with his police rendered image on it.
Tanya Reed Smith (Archie Panjabi) calls Stella and asks to meet her that night in the bar of Stella’s hotel. Tanya wants to apologize for pushing the issue of the fingernail scratches. She says she was being nosy, not clinical. Stella walks away to respond to a call about Katie, the moronic babysitter, breaking into a house. While she’s gone, a lawyer who knows Prof. Reed Smith approaches the table with two margaritas. Because, as you know, a woman sitting alone in a bar could only be there because she wants a man to join her.
When Stella returns, she slides into the booth, gives Tanya a couple of kisses, and thanks Mr. Lawyer In A Suit for the drinks as if he were the waiter. When he leaves Stella laughs about getting rid of the guy. Tanya says, “He knows who I am. He probably knows who you are, too.” Stella blows it off. Kissing women in public places is not a big deal for her.
Reed Smith liked the kissing. She likes it enough to start upstairs with Stella. She backs out at the elevator doors and can’t go through with it. Tanya mumbles an excuse about her upbringing and walks away. She’s probably the only person on the planet who would turn down sex with Gillian Anderson Stella Gibson.
While Stella and Tanya kissed in the bar, Paul found a way to get into Stella’s room. He read and photographed her dream journal, fingered her underwear, stroked her silk blouses. Stella comes in and he hides in the closet. He watches her walk around the room.
Burns (John Lynch) arrived – drunk. He talked about some stuff he did in season 1 related to a man named Monroe. His machinations may get him fired. Burns finally acts on his lust for Stella. She says no. He makes a lunge for her. She punches him in the nose.
Stella tends Burns’ bloody nose in the bathroom. Burns tells Stella the investigators learned Paul Spector was once in a group home run by a pedophile. At some point while they are in the bathroom, Paul sneaks out.
Stella tells Burns that female is the basic human form and maleness is a kind of birth defect. LOL. Smiles are so few in this taut drama, they are very welcome when they come.
When she’s finally alone again, Stella sits down to her computer and sees the weirdly sick wallpaper image Paul installed on it. She grabs her gun and searches the room, he’s gone. Nevertheless, she knows he’s been in her space.
Finally she notices her dream journal. Paul wrote a note in saying how well he understood her now that he’d read her diary. So creepy.
Paul and Katie have late night Skype sex from their respective beds. So much for his aversion to harming children. He’s ready to destroy misguided teenaged girls.
Everything about The Fall is masterful. Allan Cubitt’s writing and directing deserves much of the credit, of course. Additionally, the acting is superb from everyone. Gillian Anderson’s performance is sophisticated and quiet, yet manages to radiate power and depth. Jamie Dornan was born in Belfast, which explains his perfect Irish accent, but all the accents are spot on. Dornan has many scenes alone during which Paul plans or watches. He makes Paul Spector scary even when he’s alone. And the music – the music lays like an undertone at the bottom of every scene, pulsing with suspense and dread. It all adds up to one of the best suspense dramas I’ve ever seen.
“Big in Japan” is episode 3 of season 5 of Lost Girl. Tamsin (Rachel Skarsten) is taking Kenzi’s (Ksenia Solo) place as Bo’s (Anna Silk) bestie. It had to happen that way, but, dang, I miss Kenzi.
I’ll recap the episode in pictures. Many spoilers ahead.
Bo is redecorating. Painting, hanging drapes. Dyson (Kris Holden-Ried) helps – shirtless, of course – and Bo discovers she has no interest in sex. Our favorite succubus is blocked!
All the people in the elevator died. Three had Fae DNA, including this one (Amanda Walsh). The other two were a family man and a bike courier. Dyson worries that Lauren (Zoie Palmer) is in danger because she turned The Morrigan human. Lauren admits to death threats.
Bo tries to figure out why she has no sex drive. Tamsin interrupts and suggests they go out.
Musashi (Scott Yamamura) from the Dal’s Karaoke night picks up Bo and Tamsin. Bo only agrees to go after she realizes that having Tamsin inches from her face incites not a single urge.
Lauren is frightened by things that go bump in the night. But she’s armed and well toned.
Bo wakes up, hungover, with Tamsin in her bed. (They didn’t) Bo tries to feed off a willing Tamsin, but can’t. Still no sex drive.
Look who’s in the bedroom with Bo and Tamsin. Musashi wants bodyguards because of the assassin who’s after him.
Bo and Tamsin take the bodyguard gig. At a tea house, they meet Musashi’s sister (Emily Piggford). She serves but spills hot tea on Musashi and basically calls him a jerk.
Musashi claims to be a hero who can bring light, leap over armies, and cause blizzards.
Oh my, Musashi is set to ascend – to become a god. That’s what heroes do.
Lauren is now scared enough to ask Dyson to train her in self-defense. If he puts his shirt on.
Bo gets sliced in a bodyguarding mishap. Lauren has to sew her up. She still can’t heal herself, hence the needle and thread. She tells Lauren she has no sex drive. The doc thinks it’s psychological.
Bo has no heat for Dyson or Tamsin, but Lauren is a medical professional. She offers to help. No go. Even the good doctor cannot fire up Bo’s inner succubus. Lauren worries about how vulnerable that makes Bo.
Bo is so upset she talks to Trick (Rick Howland) about sex drive. He says Aife lost it for A YEAR! He even uses the word orgasm. Trick thinks it could be psychological. Luckily Tamsin comes in with new info on the case and takes Bo away. Tamsin thinks the assassin was hired by one of the brothers.
Bo pretends to give Musashi’s brother a massage while pumping him for a confession. She realizes she’s lost her charm, too. He jumps up and tries to strangle her. Bo is rescued by the sister.
Bo realizes the sister is the one who ordered the hit. She says it’s because Musashi cannot be allowed to ascend. Seems Musashi is taking credit for his sister’s accomplishments. She’s the hero. If her brother ascends without telling the truth, he will be reduced an Akaname – cleaning toilets for the rest of his life. You can’t pretend to be a hero, but admitting dishonor will save you.
Bo and Tamsin dress up like Ninjas and crash the ascension ceremony. Musashi won’t tell the truth. His sister reveals herself as the hero. She brings the light and she causes a blizzard. Now she’s the god and bubba has to clean toilets. Forever.
Dyson is still teaching Lauren self-defense. He says she should learn to throw from her gut. They talk about how guilty Bo feels about everything.
Love the new kimono. Bo spends a lot of time in this episode looking in mirrors and telling herself she’s okay. But during this self-help mirror talk, a very angry Musashi shows up and stabs her. Makes a big hole right in the new kimono.
Someone finds our bleeding Bo and takes her to Lauren. After she’s stitched up, Bo confesses that she’s responsible for so many losses: her mom, dad, Kyle, Rainer, Hale, Kenzi. Being The One means she loses everyone and will always be alone. Everyone takes a turn telling Bo how much they love her. Well, Tamsin isn’t quite as sweet as the others, but she’s effective. All that love eases her guilt.
All the words of love give Bo her mojo back. Bo’s back, bitches! She sends everyone out of the room but Dyson.
Tamsin and Lauren listen to Bo and Dyson bumping parts in the next room. Lauren says she’s okay with it. She tells Tamsin thank you for helping with Bo.
The kind words and affirmation from Lauren reduce Tamsin to tears.
Wow. This image. Had to give you the full length – couldn’t crop off a bit. Bo goes back to the tea house. Musashi serves her tea before he has to go clean toilets. They have a heart to heart about being chosen to lead, being the hero, being vulnerable and open to the truth.
Bo leaves the heart to heart saying being chosen is bullshit. Look at her in that hat and that red dress. Honey, Agent Carter ain’t got nothing on Bo Dennis.
A late night patient wants the Fae/human switcheroo serum. He threatens the nurse at knife point, but Lauren dispatches him with a well thrown syringe. Thrown from the gut.
Party at the clubhouse! Dyson and Tamsin talk about Tamsin leaving the police and becoming Bo’s partner in the investigating business. Dyson says it’s a good thing, it works.
Lauren brings beer and wine but no news about the DNA of the three Fae from the elevator.
The gang settles in for a night watching horror movies. The candle is burning.
Guess who wakes from the dead? Yep. She kills the nurse, takes her lipstick and says, “I needed that.” When will we find out who the devil she is?
It makes me sad seeing the gang reduced to just 4. They all fit on one couch. Tamsin is great. She’s developing a heart. She’s going to make a good sidekick for Bo. But it’s hard without Kenzi. Damn.
Rachel Skarsten is the reason the phrase “Nordic beauty” was invented.
Why, when sex happens in another room, is it always noisy as furniture throwing? With very vocal, loud moaning? When we are in the same room with a sex scene it is nothing like that. Yeah, the sound effects are funny, but they don’t fit, they don’t belong. That bothers me.
Men have been taking the credit for women’s accomplishments since the origin of the patriarchy. But it’s never been a theme on Lost Girl before. The Lost Girl universe is one of equality: no sexism, no homophobia, no racism. I’m wondering if using this theme now is foreshadowing something ominous about Bo’s father – who may or may not be Hades, King of the Underworld.