Professor Marston and the Wonder Women is more than anything a sweet, if unconventional, love story. A love story that lead to the creation of one of the world’s most famous and beloved female superheroes. Professor Marston and the Wonder Women isn’t an origin story, which is common for superheroes. It’s a creation story. Continue reading “Review: Professor Marston and the Wonder Women”
Good Girls Revolt is an Amazon Prime production about the women’s movement in the late 1960s and early 70s. The story is set in a fictional magazine called “News of the Week,” based on events that took place at “Newsweek Magazine” and written about in a book by Lynn Povich. Continue reading “Review: Good Girls Revolt, season 1”
Gloria Steinem blogs about books at Open Roads Media. The blog is called “Reading our way to the Revolution.” The once monthly column looks at a timeless and timely book. Her latest review is about The Group, a 1963 novel by Mary McCarthy. The Group is the latest review of a book that helped start the feminist revolution.
I read The Group back in 1963. If you haven’t read it, I recommend you do. It’s a great read. This story of 8 women who graduated from Vassar in 1933 lead directly to the more current Sex and the City. And it was a bestseller, destroying the myth that chick lit would never make it. The Group was made into a movie, dubbed a chick flick.
I love what Gloria Steinem has to say about chick flicks and want to quote it:
In truth, anything that has more dialogue than deaths, more emphasis on how we live than how we die, may be called a “chick flick.” Hollywood’s preference for movies full of high-tech chases and gun battles rests mainly on the fact that they can be exported without language problems. Yet dollar for dollar spent on production, so-called “chick flicks” are equally or more profitable than those “prick flicks” seen multiple times by teenage boys.
I am so sick and tired of prick flicks. All that killing, all that shooting, all that violence. And for what? How does it help anything, fix anything, cure anything, change anything?
It’s the stories about people, about real life, that change the world. Stories that reach into our hearts and make us think. Stories create change. Think about The Color Purple or Glee or Transparent or My Left Foot or The L Word or Selma or a hundred other stories that impacted our culture in a positive way. We need more stories that help us understand each other, see each other, accept each other, learn from each other.
Long live the chick flick! Thank you to every filmmaker, every writer, every director, every actor who tells a story that would qualify as a chick flick.
HBO is coming out with a new app for Apple TV, iPad and iPhone called HBO Now that subscribes to all the HBO content for $15 a month. I may have to consider using it, because HBO has suddenly discovered women.
Upcoming on that network is a Billie Jean King film called Battle of the Sexes, about tennis star Billie Jean King. King will be played by Elizabeth Banks. Paul Giamatti will play Bobby Riggs. There’s a lot more to the story of that tennis match than just a tennis match. I hope the film will include all that background and history.
There’s a film called Ms. about the founding of Ms. Magazine and Gloria Steinem. Steinem will be played by Marisa Tomei. Ms. Magazine was an important and powerful inspiration in my life. Gloria Steinem is a woman I admire tremendously. I’m always telling people we need a national holiday named for Gloria Steinem. How could I miss a film about her?
Confirmation is about Anita Hill’s role in the Clarence Thomas Supreme Court confirmation hearings. Hill will be played by Kerry Washington. The thing I recall about Anita Hill at those hearings is how calm and collected she was. She was surrounded by an ocean of pompous asses and she remained steadfast and calm in telling her story.
HBO is planning a series on the Salem witch trials called The Devil You Know. It features a lot of men, but quite a few women, too. Co-writer on the project is Jenji Kohan. I’m sold right there. Among several featured female characters will be Ever Carradine as the wife of a character played by Eddie Izzard.
The biggest thing on HBO, Games of Thrones, has never interested me for even one second. Same with Boardwalk Empire. I’d watch Treme if it’s still possible to watch it, maybe True Blood.
But movies about women, now that’s catching my eye. HBO, you’re getting hard to resist.
I spent last week at a conference in Ghost Ranch, NM. The conference, called Wisdom Sharing, featured Alice Walker, Gloria Steinem and Dr. Chung Hyun Kyung. The marvelous moderator, shown on the left above, was Dr. Melanie Harris.
The location is stunning in its beauty and spirit. The women who were the star attractions were brilliant – powerful speakers, activists for women’s rights, funny, and centered in a forceful but calm wisdom. It was one of the best weeks of my life. My photos are on Flickr.
In addition to the many talks, wisdom circles, and other activities, we watched 3 documentary films. (Trailers for the 3 films are below.)
The first evening was the film Jesus and Buddha which features Dr. Chung Hyun Kyung who is a lay theologian of the Presbyterian Church of Korea, and is also an Associate Professor of Ecumenical Theology at Union Theological Seminary in the U.S. Plus, she’s a Buddhist. Or as she put it, it was both predestination and karma that brought her to Ghost Ranch and her friendship with the other extraordinary speakers.
The film for the next evening was Beauty in Truth, a documentary about the life of Alice Walker. The film was written and directed by Pratibha Parmar, who was also present at the conference. That’s her below, listening to one of the speakers. (I reviewed Beauty in Truth earlier this year.) Parmar worked with Alice Walker on the book Warrior Marks: Female Genital Mutilation and the Sexual Blinding of Women and the ensuing 1993 film Warrior Marks.
The last film we watched was Miss Representation. This film was partly supported by The Women’s Media Center and featured Gloria Steinem. It is about how women and girls are portrayed in the media. The Miss Representation website has many resources and ideas if you are interested in learning more or taking action.
Beauty in Truth and Miss Representation are both available from various streaming sources and are available for screenings in schools or gatherings. PBS broadcast Beauty in Truth and keeps it available. You can get DVD’s of Jesus and Buddha from Old Dog Documentaries.
Jesus and Buddha
Beauty in Truth
A couple of decades ago I realized everything in my life up to that point had been determined by men. I can hear my friend Denise shouting, “It’s the patriarchy, stupid!” That’s not it – at least not completely. The patriarchy is still with us. But inside my head, things have changed.
Let’s start with ancient history. I grew up when the movies were westerns with Roy Rogers or Gene Autry. Or they were war movies with Aldo Ray and Montgomery Clift. Stories were about men. Books were about men. In college, I majored in English and I read dozens of books by dead white men. Men were supposed to rule the world and women were supposed to let them. I lived with a man who controlled and manipulated everything about my life. And I let him.
Then I stopped letting him.
After that, I wanted to think some new thoughts. I wanted to learn about feminism, which had passed me by. I wanted to read books by women, I wanted to see movies about women, hear songs sung by women, and see TV shows about women.
I’m not saying I started hating men. I like men. I have a son who is the finest man you could ever know. It wasn’t about men. It was about women, about finding the feminine, about understanding the female heart and mind, about finding the essence of what it is to be a woman.
The first thing I did was start reading books by women: Alice Walker, Toni Morrison, Edwidge Danicatt, Margaret Atwood, Sara Paretsky, Amy Tan, Mary McCarthy, Annie Proulx, Leslie Marmon Silko, Jeanette Winterson, Sandra Cisneros, Dana Stabenow, Rita Mae Brown, Zora Neale Hurston, Joan Didion, Gloria Steinem, Diana Galbaldon, Nora Roberts, Elizabeth Berg, Janet Evanovich, Sarah Waters, Rita Dove. I didn’t care if it was great literature or a speed-readable romance as long as it was by a woman.
No more war movies, no more westerns, no more guys coming of age (girls coming of age are acceptable), no more buddy films about guys. I became attached to films like “The Secret of Roan Inish” and “Practical Magic” and “Thelma and Louise” and “How to Make an American Quilt” that told stories about women. I decided what to go see based on who the female star was – the male star didn’t matter. Did it have Meryl Streep, Susan Sarandon, Queen Latifa, Sandra Bullock, Meg Ryan, Julie Christie, Angela Bassett, Shirley MacLaine, Holly Hunter, Halle Berry, Alfre Woodard, Julia Roberts? I was there.
I started to get a bit picky, a little more demanding. The woman had to really be there. Be a person who added to the film. If “The Fugitive” advertised Sela Ward and she got offed in the beginning so all we could do was watch the hero run around, I was pissed.
Television had some women to offer. There was Mary Tyler Moore. Carol Burnett. There were shows with a lot of male characters and a few memorable female characters. “China Beach” had both Dana Delany and Marg Helgenberger. “Northern Exposure” had Janine Turner and several other interesting women. “The Days and Nights of Molly Dodd” was all Blair Brown. “Cagney and Lacey” – Woohaw! “Any Day Now” with Annie Potts and Lorraine Toussaint – double woohaw! The four fabulous women on “Sisters” – a quadruple woohaw.
In the last couple of years some really good female led TV has come along. “Saving Grace,” “The Closer,” “In Plain Sight,” “Hawthorne,” “The Good Wife,” “Weeds.” I’m loving it.
And, there was “The L Word.” A show that was practically all women. I so, so loved it. I thought I loved it because I liked Jennifer Beals. I watched every old Jennifer Beals movie that I’d missed over the years. I found dancers, cops, crooks, a naive housewife, a madam, a psychic, a blind wise woman, singers, liars, the bride of Frankenstein and a whole lot of other people, but I didn’t find Jennifer Beals. I only found characters. That’s when I realized the thing that really attracted me was the character of Bette Porter on “The L Word.”
Bette Porter. A strong woman who stands up for herself. She’s not perfect, but she’s powerful and inspiring and a leader. She seems very real there inside the TV. She’s who I’ve been looking for in all the books, in all the movies, in all the TV shows. She’s in the courageous politicians I look up to. She’s in the tech savvy leaders I admire like the founders of BlogHer. She’s in the organizers for charity and the women who fight against injustice. She’s in the writers who tell stories that change the world. She’s in my daughter, who’s raising a kid with no help from the father. She’s in my granddaughters, who don’t take shit from anybody.
Real women I know have courage and strength and power. Maybe even I do. I’ve been trying to figure that one out for about 20 years. I could be close to an answer.
[Reprinted from Two decades of women on First 50 Words. This post was first written in August 2010. I decided to repost it here as well because it’s relevant to why I started this blog.]
Nothing but the credits recapped here, right up to the moment when we see the director’s name. Then we stop. It’s really all you need to know. Continue reading “The L Word Opening Credits (Season Three)”
The regular cast for season 2, in each episode:
- Jennifer Beals: Bette Porter
- Leisha Hailey: Alice Pieszecki
- Laurel Holloman: Tina Kennard
- Mia Kirshner: Jenny Schecter
- Katherine Moennig: Shane McCutcheon
- Pam Grier: Kit Porter
- Rachel Shelley: Helena Peabody
- Erin Daniels: Dana Fairbanks
- Eric Mabius: Tim Haspeth
- Sarah Shahi: Carmen de la Pica Morales
Take a good look at this season 2 poster. Was there some other actress as Carmen who dropped out and they brought in Sarah Shahi? Because that just doesn’t look right.
Everything you need to know about The L Word can be learned from the opening credits. I take you from the first moments up to the director credit and leave you there. What more do you need to know? Continue reading “The L Word Opening Credits (Season Two)”