Perhaps you are aware that I loved Wonder Woman. Let talk about why. I have reasons. Continue reading “10 Things I Loved About Wonder Woman”
The brain dump for this week involves short thoughts on Call the Midwife, Mary Kills People, and Scandal. Let’s get right into it, shall we? Continue reading “Brain Dump: Call the Midwife, Mary Kills People, Scandal”
House of Cards season 5 begins on Netflix on May 30. The creepy President Frank Underwood (Kevin Spacey) sounds even creepier in this trailer. Continue reading “Watch This: Trailer for House of Cards season 5”
House of Cards season 4 comes down to Underwood vs. Underwood in this trailer. Kevin Spacey and Robin Wright are back as Frank and Claire Underwood in this political drama set in the world’s most ruthless centers of power. Continue reading “Watch This: Trailer for House of Cards season 4”
It’s a brain dump day. Just a little bit of one thing or another in disconnected ramblings.
House of Cards
When Frank Underwood (Kevin Spacey) finally has all the power in the world in his hands, he becomes a tyrant and a bigger ass than he ever was. And when Claire Underwood (Robin Wright) has a chance, she chooses to do the right thing. Unlike dear Frank.
House of Cards is more about the relationship between Frank and Claire than it is about political intrigue and power. Season 3 really brings that home, especially the final moments.
Favorite scenes: 1. When Claire shamed the Russian President on Russian TV. 2. When Frank caused Jesus to go all to pieces. 3. When Claire – aw, shucks, that’s too big of a spoiler to share.
I’m surprised by how much I’m enjoying Empire. I know I’m a sucker for any show with music, but I thought this one would be different because I don’t enjoy rap. I get tired of all those male voices in rap. But the music on this show is good, with only an occasional bit of rap and with plenty of women performers in the mix.
I’m also into the characters and the drama. Taraji P. Henson as Cookie Lyons and Terrance Howard as Lucious Lyons show off outstanding acting chops in every episode, with the rest of the cast doing just as well. I’m happy it keeps climbing in the ratings, because that means it will probably be back for another season.
In The Americans, Phillip and Elizabeth Jennings (Matthew Rhys and Keri Russell) have agonized all season over when (or if) to explain to their oldest child Paige (Holly Taylor) that they are Russian spies. Phillip doesn’t want to. Elizabeth wants to but can’t bring herself to do it. It underscores everything that happens this season from what they do as spies to how they relate to each other and their daughter. It’s fascinating to watch their lives and all their assumptions kind of unravel over this issue.
I think we need more geeky young women on TV as role models. Well, we got one. Cierra Ramirez as Mariana on The Fosters turns out to be quite the hacker. I love Mariana the geek! More geeky girls, please.
The release date on Netflix for House of Cards is Friday, February 27. All 13 episodes of season 3 will be available then.
In season 3, Frank Underwood (Kevin Spacey) is the President, Claire (Robin Wright) is First Lady. I forget the exact details of how Frank Underwood manipulated himself into the Presidency. I must go back and review season 2 before Feb. 27.
Most of the season was filmed in Maryland, but the finale was filmed in northern New Mexico in the Santa Fe and Las Vegas area. I’ll definitely be on the lookout for places I recognize in the finale!
Netflix calls this preview a moving poster. It doesn’t show much of anything except the Underwoods looking Presidential.
The official season 3 trailer is much more exciting – and drum laden.
I need the huge ridiculous Grandma fonts to be able to read texts in a film, so I appreciate the solutions that make the text nice and big. I could read almost none of the tiny-sized texts in House of Cards, but I did appreciate the looks that Kevin Spacey threw at the camera after he read one.
I want it big, yes I do. However, I’m rooting for something that keeps the focus on the actor and not a phone.
This is going to continue to happen in films and on television. Soon we’ll be trying to read from wearable devices like tiny screens worn on the wrist. What do you think is the best solution?
I rewatched all of season 3 of Lost Girl on Netflix. I was surprised to see many clues to what happened in season 4 that I’d forgotten about in the months between the two seasons. Now I’m rewatching Lost Girl season 4 and having an epiphany about binge watching.
When I watched season 4 on a weekly basis, I spent a good part of the time bitchy and irritated because the answers weren’t coming fast enough. When I look back over my recaps of season 4, the annoyance shows through. I cared about the characters and I wanted to know what was going to happen to them – and, by damn, I wanted to know right now!
Binge watching season 4 is much less aggravating. Well, true, I know what happened. But also true, I can rewatch episodes of Lost Girl with as much enjoyment as I felt the first time through. I experience it all again. Knowing that I can play the next episode immediately, where more will be revealed about Rainer or The Wanderer or the time on the train or Bo’s strange behavior makes a huge difference. It changes how I feel about the slow reveal of the clues, the seeming detours into things like bird-women who sing opera that don’t turn out to be detours after all.
When I have to wait a week to see the next piece of a show I love, the wait seems insurmountable. Having to wait for season 2 of Last Tango in Halifax to reach PBS sent me into an absolute tizzy. Especially when it was available on the BBC, on YouTube, on every freakin’ place but legal American TV. Geographic restrictions are another horrible annoyance.
I distinctly recall the feeling I had when I reached the last episode of Orange is the New Black. I wanted 1000 more episodes and I wanted them right now! But I’d just spent 13 hours with Orange is the New Black in a big gulp. Even though I wanted more, I could wait. The binge filled me up in a way that a weekly dose of something doesn’t.
I have a friend with no TV. She comes to town for a meeting every couple of months and stays at my place. We watched Orange is the New Black during each visit, a couple of episodes at a time spread out over several months. I started noticing flaws. Flaws! It wasn’t as wonderful when there was a gap in my viewing. The binge has power.
I didn’t watch Fringe until it was off the air. When I’d tried watching it weekly, I lost interest. When I could binge watch, I was fascinated. When I look back at the things I binge watched the past year: Orange is the New Black, The Fall, House of Cards, Bomb Girls, Call the Midwife – I realize that those shows are some of my favorites. Is it because they are truly great shows, or is it because I could watch them in big chunks? “Do I love you because you’re beautiful, or are you beautiful because I love you?”
I still love Lost Girl and The Good Wife and Scandal, Orphan Black and Covert Affairs and other shows I only get to see once a week or in dribs and drabs throughout the year. This is the way TV has always been and I’m willing to go with it. But if I could get a full season of these shows all at once, I would leap at it like a coyote on a cottontail.
Binge watching is so inherently satisfying. It’s instant gratification taken to its highest level. My conclusion is that more and more shows are going to release ready to binge watch. Television is going to change because of that. Electronic storytelling, streaming storytelling, is going to change.
I don’t know if that’s good or bad, but I know it’s going to happen.