We all celebrated the 20th anniversary of the first episode of Buffy the Vampire Slayer last week. What can you watch now that compares? I’m sure you can come up with some ideas of your own. I’d love to hear about them in the comments. I’ll mention three of my favorites. Continue reading “20 Years After Buffy, What’s to Watch?”
The Intervention features 4 couples in various stages of coming together or falling apart. They gather for a weekend with a crackpot plan to stage an intervention in the marriage of one of the couples. Continue reading “Review: The Intervention”
She Knows Media put together a Buffy the Vampire Slayer trivia quiz and actually got Sarah Michelle Gellar to participate in this test of ancient history. Cheer up your day watching Michelle’s sad, sad failure. Continue reading “Sarah Michelle Gellar #Fail!”
Short thoughts on lots of unrelated media. That’s a brain dump.
In Elementary, I like Watson (Lucy Liu) being off in her own place with a hunky guy in her bed. I’m not sure I like the flirty little outfits she’s taken to wearing. The clothes aren’t quite serious enough. Maybe the whole clothing makeover and hunky guy in the bed routine have to do with the fact that Watson is so pissed off with Sherlock (Jonny Lee Miller). Think she’ll ever forgive him for running off to London for 8 months?
Season 2 of The Fall is now showing in the UK. Netflix announced that it will stream season 2 for North American audiences beginning January 16, 2015. Thank you, Netflix for making the trip over the pond so speedy! This cerebral series stars Gillian Anderson and Jamie Dornan. Here’s the official blurb about the new season.
Following Season 1’s gripping cliff-hanger and despite Gibson and Spector never actually meeting on screen, the chemistry between the two characters was electric and the escalating rivalry became the lynchpin of the first season and left the audience crying out for more. This critically-acclaimed series picks up immediately from where series one left off, with Gibson in pursuit of Spector. A personal link from Spector’s past opens up some clues for Gibson but provokes Spector in a way that threatens to jeopardize the whole investigation. Gibson is forced to take ever greater risks but the closer she comes to capturing him, the more Spector trespasses into her private world, delighting in taunting and provoking her. As the net gradually tightens around him he becomes psychologically ever more dangerous and destructive.
I’m planning to review season 2 after it’s been on Netflix for a few days and people have had time to watch it.
State of Affairs
State of Affairs has me all worked up and I haven’t seen the first episode yet. Why am I worked up? Because the ads show Katherine Heigl and Alfre Woodard working together, but when the ad is over the only name that gets mentioned is Katherine Heigl.
But let’s only mention the pretty blonde lady in the ads, okay? That seems really fair.
Just the other day I saw an interesting article at Business Insider saying the way Firefly was promoted basically ruined the show’s chances for success. It’s Amazing How Badly Fox Screwed Up Joss Whedon’s ‘Firefly.’ I hope State of Affairs isn’t doing the same thing.
Aggravation aside, I will be watching when State of Affairs begins tonight. Fingers crossed that the show is better than the promos for the show.
Alfre Woodard photo by Johnson C. Smith University
Joss Whedon announced that the film In Your Eyes will be available to everyone worldwide for $5 via Vimeo. No waiting, no big bucks at the multiplex. Just watch the film whenever you want. When you rent the film, you get to use it for 72 hours.
The times, they are a changin’.
This is the announcement.
Watch the preview for the film.
Angel, Spike, Xander, Mal Reynolds, Jayne, Dr. Horrible, Victor, Topher Brink, Tony Stark, Agent Coulson. Great characters. I enjoy them all. One thing they have in common is that they are some of the on-screen characters under the guiding mind of Joss Whedon. He uses some great characters in his stories – at least half of them are men.
I don’t care about any of those guys. Why? Because everybody writes great male characters for film and TV.
Joss Whedon does something that everybody else doesn’t always do. He writes great female character, too. Speaking as a woman, I can testify to the fact that women are desperate to see great female characters on their various screens. When someone like Joss Whedon gives us that with brilliant consistency, women notice. I pay homage to him today.
Here’s a little treat in the form of a few of the women Joss Whedon invented for the screen, with Joss’s fuzzy and warm face right in the middle. I’m not going to name characters and shows to match up with the faces below. If you don’t already know those facts, you need to embark on a study of Joss Whedon’s filmography immediately.
I love you, Joss, and every woman you ever created.
Whedon on Whedon Women
This is an old speech, from 2006 and Equality Now, but I know Joss Whedon still gets the same question everywhere he goes. It’s worth listening to his answer one more time.
Joss is right. Instead of asking him why he’s doing it right, we should start asking everyone else why they’re doing it wrong.
A full transcript of this speech is available.
— Gloria Steinem (@GloriaSteinem) November 1, 2013
The tweet is referring to this event:
On 4 November, Equality Now will honor award-winning writer, director, producer and Advisory Board member, Joss Whedon, for his work on gender equality at an event in Beverly Hills, California. Chaired by Board member Gloria Steinem and hosted by Paul Reiser.
Joss Whedon’s photo featured above ©Gage Skidmore.
What if you picked the top 3 shows from the fall season that you were the most excited about, the most eager to see, and most wanted to recommend and talk about? That’s the question I asked myself. Here is my answer.
Last Tango in Halifax
Choice number 1, and an all time favorite, is Last Tango in Halifax. This BBC series was shown in the U.S. on PBS.org, where you can still watch all six episodes of season 1.
Last Tango in Halifax is built around Alan (Derek Jacobi) and Celia (Anne Reid). They were in love as teens, and probably should have married but did not because of an interesting plot twist. Sixty years later they find each other again via Facebook. They realize they are still in love and decide to get married. Their story by itself is warm and wonderful and a real treat.
We get more story than just an adventurous Alan and Celia from Last Tango in Halifax, however. The children and grandchildren of these two charming, Facebook using elders get into the mix.
Celia’s daughter Caroline (Sarah Lancashire) is headmistress of a school. She’s brilliant and snotty and sarcastic and positively luminous. Her husband of 18 years (Tony Gardner) recently ran off with another woman. In his absence, Caroline began a relationship with another teacher at her school, a woman named Kate (Nina Sosanya). When the series opens, Caroline has yet to tell anyone in her family that she’s seeing a woman. Her coming out affects each person differently and causes mayhem in several episodes. Caroline, her two sons, and Celia live in a big house with a cottage for Celia. As the season begins, Caroline’s husband arrives and wants to come back home.
Alan’s daughter Gillian (Nicola Walker) is a farmer in Halifax. She’s been a widow for 10 years and runs the farm on her own. Alan and Gillian’s teen aged son live on the farm with her. She builds rock walls, drives tractors, replaces clutches and generally is the perfect self-sufficient woman. Well, except for her habit of choosing inappropriate sex partners like 20 year old boy toys of questionable character who are already engaged to someone else. Gillian’s sexual choices cause mayhem in every episode.
The love stories of this extended group of northern England’s most engaging characters are riveting and often run parallel as everyone in both families gets a second chance at love. The best part? They are already filming season 2.
Give me music and I’ll love you. My favorite episode of Grey’s Anatomy? The musical one. My favorite episode of Buffy the Vampire Slayer? The musical one. I love Glee and Smash (is that even still on?) and I love Nashville.
I’m also pretty darn big on Connie Britton, and she’s the star of this drama, playing country music legend Rayna Jaymes. Connie Britton isn’t a great singer, but she’s good enough. Hayden Panettiere (who is a very good singer) plays Juliette Barnes, a young country star who is trying to unseat Rayna from her throne as the queen of country. There is plenty of musical talent on this show from many other characters. A special favorite is Clare Bowen, who plays Scarlett O’Connor, and possesses a wonderful voice. Lots of guys with guitars and big hats fill out the singing contingent. Rayna’s family is into politics so there’s political drama along with all the music industry goings-on. Rayna and Juliette both have rather messy love lives, further adding to the weekly drama.
I love the music, I love the characters (even Juliette, who we are supposed to hate) and I love the soapy melodrama of Nashville.
Agents of S.H.I.E.L.D
I am so not the target demographic for Agents of S.H.I.E.L.D., but I love it anyway. I mostly love it because it reflects Joss Whedon’s sensibility about what makes a good story. That means that the gender balance is perfection, the women are as powerful and smart as the men and no concept is too ridiculous a stretch of science fiction to entertain.
I happen to believe that we need more geeky female role models for young girls (who are part of the target demographic for this show). Agents of S.H.I.E.L.D. has a female jet pilot warrior commando, a female scientist, and a female hacker. Role models everywhere.
These are the 3 shows I get the most excited about seeing each week from this year’s fall TV season. What are your three?
NOTE: This post was syndicated on BlogHer.com.
I’m a Dollhouse fan, so this tweet from @HostilePoet_17 caught my eye.
— Dara (@HostilePoet_17) September 12, 2013
The tweet lead me to this story in TIME Magazine : Memories Can Now Be Created — And Erased — in a Lab. In TIME, the writer talked about the film Eternal Sunshine of the Spotless Mind, but I’m with Dara, the story makes me think about the series Dollhouse.
Created by Joss Whedon, Dollhouse was on the air for 2 seasons from 2009-2010. The premise was that the residents of the dollhouse, who were captives, could be remade over and over into new people with new skills as needed for new jobs. Their memories were constantly being erased and rebuilt, depending on what the puppet masters needed them to do. Sit them in a special chair, zap their brains, and suddenly they were skilled surgeons or soldiers or equestrians.
Like Orphan Black allows for virtuoso performances from Tatiana Maslany, Dollhouse allowed the lead characters, particularly Eliza Dushku who played Echo, to be a completely different personality every week. All the actors who played “dolls” had the dream job of demonstrating their chops by inhabiting an ever changing array of personalities and characters.
If you are a Whedon fan, you know that Eliza Dushku also worked with Whedon on Buffy the Vampire Slayer and Angel. Other Whedon regulars who appeared in Dollhouse include Fran Kranz as Topher, the mad scientist who rewired everyone’s brain with aplomb, Amy Acker as (mostly) a doctor who helped take care of the dolls, Alexis Denisof as a Senator, Summer Glau as one of the dolls, and Alan Tudyk as a scary character named Alpha.
Harry Lennix, Tahmoh Penikett, and Olivia Williams were in the cast as characters who ran The House and the dolls. Most of the time these characters would be considered “the bad guys” but that was a bit fuzzy on this show. In addition to Echo, other dolls included Enver Gjokaj as Victor and Dichen Lachman as Sierra.
The conflict and struggle in Dollhouse partly came from the fact that the memory wiping and imprinting process was never quite perfect. For example, Echo always had vague ideas about who she really was and struggled to hold on to that. Victor and Sierra were in love. No matter what personality they had to take on, that basic emotion always seemed to creep back in. The struggle to recall who they really were led the dolls to attempt subterfuge and misdirection in an attempt to save their own memories and to escape from the dollhouse.
Mixed in with that overall story arc of the dolls attempting to get back to who they really were, there were the weekly stories centering around whatever action or job needed to be done by the dolls that week.
You could wipe my brain and make me forget that I’d ever heard of Joss Whedon, but I’d only have to watch one episode of Buffy kicking vampire butt or Echo fighting to retain her true self or or Gina Torres decked out in leather and guns aboard The Serenity to fall in love with him and his fictional females all over again.
If you missed Dollhouse the first time around, I suggest you watch it now. And if you’ve already seen it, binge watching a second time is a perfect way to spend a weekend.
You can watch both seasons of Dollhouse on Netflix, Amazon or Hulu.
Like many Whedon creations, Dollhouse inspired an obsessive fandom to create a Wiki for the show. If you feel like getting into the details, the Wiki is your happy place.
Images ©20th Century Fox Television