Orange is the New Black season 5 was both an emotional thrill ride and a disappointment. I want to discuss my likes and dislikes about the latest season. This is not a detailed review. There might be a few spoilers along the way. Continue reading “Orange is the New Black Season 5: Thumbs Up vs. Thumbs Down”
Orange is the New Black season 4 puts viewers through the wringer. Abuse, murder, death, mental illness, surviving rape, corporate greed. It’s dark and horrifying. There are moments of hope, of light. There are ways of dealing. I thought it would good to end my series of posts on the latest season of Orange is the New Black with something brighter. There are spoilers ahead. Continue reading “Orange is the New Black: Finding a Balm for Your Pain”
There are a lot of things wrong with the United States of America. The broken justice (injustice) system is one of the worst. In season 4 of Orange is the New Black, the for-profit aspect of that brokenness is explored in damning detail. Litchfield, a minimum security women’s prison, is turned into a battlefield with corporate greed directing the battle. There are spoilers ahead if you haven’t seen all of season 4. Continue reading “Orange is the New Black’s Damning Portrait of For-Profit Prisons”
Season 4 of Orange is the New Black is on everyone’s mind now. I’ve barely had time to watch it all. This post collects some random observations and stray musings on season 4. It is not meant to be a review of the season, but there are some spoilers. Continue reading “Orange is the New Black: Musings and Observations”
June 12 and the release of season 3 of Orange is the New Black is just far enough away to let me rewatch the first two seasons in a cozy binge.
This is what fascinates me: the series starts out with the main story being about Piper, the privileged white woman who ends up in prison. The regular cast members listed are Taylor Schilling, Michael Harney, Kate Mulgrew, Laura Prepon, Michelle Hurst and Jason Biggs. By the second & third episode some of the actors like Danielle Brooks, Uzo Aduba, Natasha Lyonne, and Laverne Cox begin to show up as guest stars.
Actors we’ve grown to love from the show such as Dascha Polanco, Selenis Levya and Samira Wiley were listed in the ending credits. They didn’t even show up as guest stars early in the series.
I’m struck by how much of the story of what’s happening in Litchfield Prison has moved away from the white characters and how the minor actors in the beginning like Samira Wiley have moved up to become regulars.
As viewers, we have become attached to characters that we might never have had a chance to like and respond to anywhere else but in Orange is the New Black. It’s brilliant how Jinji Kohan and the other writers let Crazy Eyes and Big Boo and Gloria and Nicky and Morello sneak their way into our hearts by bringing each to the front slowly. Not to mention Sister Ingalls (Beth Fowler) and Maritza (Diane Guerrero), Watson (Vicky Jeudy) and many others.
After two years, the most popular characters on OITNB are played by Samira Wiley, Danielle Brooks, Lea DeLaria and Laverne Cox. We no longer have to be lead into Litchfield stories by holding hands with someone white. Because of great writing, great acting talent, great personal presence, the most “other” members of the cast have become the default stars on Orange is the New Black. The story and the characters took off like a runaway train with a momentum that has carried us far from the original story in the book by Piper Kerman on which the series was based.
There are still white people in the story. Piper and Alex are still there, Red is still around, Nicky and Morello are still there, all the correctional officers and prison bosses are still there. But Piper is no longer the chief focus. In season 2, when Vee (Lorraine Toussaint) was around, much of the focus was on her and her effect on everyone at Litchfield. We’ll see where things go in season 3, but I’m 100% behind the diversity. I’d love to see one of the Hispanic characters become more known and important.
We’ve accepted the rainbow of characters who inhabit the prison, we care about them all. It’s a act of writing and planning by Jinji Kohan that I admire and respect. Diversity on our TV screens has an effect on the culture. I can’t wait to see how OITNB brings more of it in season 3.
What I’m waiting to see is the day when a black woman or a Hispanic woman or an Asian woman can be the lead character to lead us into a drama like this one.
Orange is the New Black mixes a lot of serious themes in with all the stories about individual lives and the comedy that the show uses to make its points. The Orange is the New Black theme I want to explore today is power and how it corrupts.
Let’s explore this theme by looking at individual personalities.
Vee (Lorraine Toussaint) is the most blatantly corrupt user of power. She’s willing to destroy lives without a second thought to maintain her income and her grip on her followers. She recruits people for their weaknesses deliberately, knowing that she’ll want to use that weakness at a later time. Her goal is greed, profit, and purely personal. Her grip on power is not accidental. She works for it.
Figueroa (Alysia Reiner) used her power to steal from the prison system. She didn’t feel she was actually hurting anyone with her misuse of funds. So the prison didn’t have a gym or a classroom – not really a problem, right? She used the money to buy expensive things for herself, but she also used it to promote her husband’s political career and to buy his love. She covered up wrongdoing with lies and rationalizations, but not violence.
Caputo (Nick Sandow) thought he was better than Figueroa. He thought if he could just get her job he would fix all the problems Figueroa created with her embezzlement. Yet his second day on the job he told John Bennett to be quiet about being the father of Daya’s baby and left Mendez in jail thinking the baby was his. He perpetrated this injustice to protect his grip on power. Power corrupts instantly. One day he’s a good guy. The next day he’s part of the problem.
Red’s (Kate Mulgrew) power, when she had it, was almost benign by comparison with the others. Yeah, she starved out Piper for a while, but she didn’t bring in drugs and she didn’t try to cheat anyone. She simply wanted to make life in the prison easier for herself. When she lost power she did something stupid that hurt Gina (Abigail Savage), but it was more of an accident than a disregard for Gina’s welfare. When she thought she could use the greenhouse to regain power she still wasn’t doing anything that hurt anybody. Later, she tried to put an end to Vee but couldn’t go through with it. Red’s saving grace is her weakness.
Pennsatucky (Taryn Manning) is a sad case. She gets violent quickly if she feels disrespected. She wants power because it makes her feel respected and loved. When being the poster girl for the anti-abortion movement went bad for her, she latched on to the idea that she could somehow become powerful as a lesbian because of the the lesbian agenda. She’s dangerous, but not very smart.
The thread that connects every story – prisoners and prison officials – is that the quest for power carries with it corruption, lies, manipulation, and frequent disregard for the good of others. The Ghandis, the Mother Teresas, the characters like Poussey (Samira Wiley) who resist corruption – they are an anomaly. Most human beings, when given power, succumb to the need to keep it no matter the consequences to others.
Whatever message Piper Kerman, the original author of the book Orange is the New Black, or Jinji Kohan, the writer of the TV series, had in mind as they wrote, this is one message I get: prison doesn’t work. The current American prison system doesn’t work. One reason why? Power corrupts.
I didn’t even get into Mendez. How about it? Are there other characters you think make interesting points about power Orange is the New Black?
This is my overall impression of season 2 of Orange is the New Black. I will talk about performances and high level story lines, without revealing big spoilers. More detailed discussions of particular episodes or events will come later after people have had plenty of time to watch all 13 episodes.
I watched all 13 episodes in two days, and my eyes felt like I’d just finished one of Diana Gabaldon’s Outlander books when I finally looked up. But the eye strain was worth it.*
The Cast and Credits
The first thing I noticed was who is listed in the main credits. Those people are Taylor Schilling, Uzo Aduba, Danielle Brooks, Michael Harney, Natasha Lyonne, Taryn Manning, Kate Mulgrew, and Jason Biggs. These are the names that show up every week. The cast has been shuffled around a bit, some people have moved up into major roles. Other actors, although very important to season 2, are listed in guest roles or are listed after the main titles roll. Samira Wiley as Poussey is a key actor in season 2, and her name should have been up front, in my opinion.
Fan favorite Laura Prepon shows up in only 3 episodes, but the way the season ends it looks like Alex Vause will be back in full force in season 3. Other favorites who are there, but not necessarily for every episode include Laverne Cox, Lea DeLaria, Yael Stone, Selenis Leyva and many others. All the same officers and prison people are still running the place badly, except Pornstache who only shows up in a couple of episodes.
Lorraine Toussaint, who comes in as a character named Vee, is in 8 episodes. In those 8 episodes she manages to throw the whole prison into quite a state.
In Praise of Brilliant Performances
There are so many brilliant performances in season 2. This is so much of what Orange is the New Black is: a showcase for brilliant talent that we don’t see anywhere else. While that isn’t true of the well-known Lorraine Toussaint, I want to call her out for her performance. She simply stunned in every way.
The cast who’ve been there all along were marvelous again this season. Taylor Schilling, Uzo Adubo, Danielle Brooks and Samira Wiley gave noteworthy performances. Really, everyone in this cast gives a noteworthy performance.
The backstory on each character is what makes us care so much about the women in Litchfield. This season we got more backstory on Piper (Taylor Schilling), Morello (Yael Stone), Sister Ingalls (Beth Fowler), Taystee (Danielle Brooks), Poussey, Miss Rosa (Barbara Rosenblat), Gloria (Selenis Leyva), Suzanne (Uzo Adubo), Black Cindy (Adrienne C. Moore) and Vee.
The Current Story
When the season begins, Piper is pulled from the SHU and taken to Chicago to the trial of the drug kingpin who was Alex’s boss. The trip from one prison to another provides an opportunity for a guest star, something that doesn’t happen often on this show. The guest was Lori Petty. Jodie Foster came back to direct again this season and she directed the Chicago trip episode.
At Litchfield, important plot points in this season are the dangerous conflict between Red (Kate Mulgrew) and Vee, the tension between the pregnant Daya (Dascha Polanco) and the C.O. John (Matt McGorry), the tension between Caputo (Nick Sandow) and Figueroa (Alysia Reiner), and the problems between Healey (Michael Harney) and just about everyone.
There’s a contest between Big Boo (Lea DeLaria) and Nicky (Natasha Lyonne) that leads to lots of funny lesbianing, but hang in there to the end of the season for the best Pensatucky lesbianing laugh of the year. Nicky has serious challenges to face as the season progresses, too.
Piper gets involved in tracing down corruption and finding proof of embezzled funds while dealing with Larry (Jason Biggs), Alex, a death in the family and more than one huge betrayal.
One of my favorite episodes revolved around Valentine’s Day. It revealed so many deep, meaningful insights. Another favorite was an episode where a good bit of the plot dealt with the fact that most of the women were unaware of their female anatomy and the construction of their lady parts in particular. The few who knew enlightened the others in some pretty funny ways.
I’m a ukelele player. I was highly amused by the C.O. (Joel Garland) who played a banjo ukelele while making up songs about nuns and bad mothers. Ukes forever!
The finale was written by Jenji Kohan. It wrapped up some problems, it opened up new problems for next season, and was a terrific way to end the season. It left us wanting more, it satisfied with poetic justice, and it left me convinced that season 3 can’t come soon enough.
*In one scene, Tastee recommends Outlander to Poussey.
I’ve loved Warehouse 13 since first I spied the steampunk version of a facetime phone that Artie uses to communicate. Every gadget and artifact in Warehouse 13 continues to enamor me. The premise of the show is that artifacts from the past – say Lewis Carroll’s looking glass or Alfred Hitchcock’s shower head – contain supernatural powers and must be stored in a warehouse for safekeeping. The artifacts are based on a shared cultural reality, but they cause effects that are twisted and bent. The cast runs all over the world trying to find and safeguard artifacts.
I love the creativity that goes into dreaming up what each artifact is and what it does – it’s sci fi at its very best. I’m fond of a lot of shows on the SyFy channel, but Warehouse 13 is a delight and will remain a favorite long after it departs.
It is in the process of departing. The final season of Warehouse 13 just got underway with six episodes. A long goodbye, or a short goodbye, depending on how you look at it. The final season features the regular cast battling a villain played by Anthony Steward Head. Could anything beat that?
The regulars in the cast include Eddie McClintock as Pete, Saul Rubinek as Artie, Joanne Kelly as Myka, Allison Scagliotti as Claudia, Aaron Ashmore as Steve, and CCH Pounder as Mrs. Frederic. Add to this core cast an imposing array of talented guest stars including Jaime Murray, Kate Mulgrew, Lindsay Wagner, James Marsters, Jeri Ryan, Judd Hirsch, Joe Morton, Dee Wallace and more and you have reached a level of sci fi nirvana. In fact, if someone has been on another sci fi show anywhere in the universe, they might show up in Warehouse 13.
Warehouse 13 is funny, especially Pete, but everyone gets in some good lines. The special effects are both awesome and delightful. The plots are always just a bit off. H.G. Wells, for instance, is a time traveler who shows up from time to time. But on this show H.G. Wells is played by a woman, the gorgeous Jamie Murray. Everything has a creative twist to it.
I plan to cherish these last few episodes and when it’s all over I’ll probably go back and watch all 5 seasons again. So, to the cast and crew and creative geniuses behind of Warehouse 13, I say thanks for the delight, thanks for the entertainment, thanks for the characters. Thanks for that goofy computer with a keyboard from an old typewriter. You made me laugh.
I just finished the last episode of season 1 of Orange is the New Black. It’s a women in prison comedy/drama. My thought as I watched the last few seconds of the stunning season conclusion was, “Please let there be 1000 more episodes of this show.” It’s that good. It’s been renewed for another 13 episodes in season 2, so that only leaves 987 that I’ll be wanting. The first season of 13 episodes runs from September to December in the story of one year in prison, so 3 seasons of equal pacing might be more realistic to expect.
Orange is the New Black is a a Netflix original, created by Jenji Kohan of Weeds. I loved Weeds and I love Orange is the New Black. Apparently I am a huge Jenji Kohan fangirl. Kohan takes characters who are flawed, vulnerable, maybe a little off, often of questionable moral inclinations and she makes me care about them. Her characters aren’t Hannibal Lector, but they aren’t Mother Teresa either. They fall somewhere in between those two extremes, in a place where most of humanity struggles to get through the day.
Orange is the New Black stars Taylor Schilling as Piper Chapman. The series is based on the book Orange Is the New Black: My Year in a Women’s Prison by Piper Kerman. Piper Kerman and her TV self Piper Chapman are blonde, pretty, perfect WASPs who should be successes in life, and who don’t expect to find themselves figuring out how to survive in a prison.
Other well-known actors appearing in the series include Jason Biggs as Larry Bloom, Piper’s fiancee. Laura Prepon is Alex Vause, Piper’s lover from a decade ago. Alex was a drug smuggler and the reason Piper is in prison all these years later. And, oh yeah, Alex is in the same prison. Kate Mulgrew is Red, an inmate who runs the kitchen in the prison. Pablo Shreiber is a corrupt and cruel guard. Michael Harney plays the prison counselor. Natasha Lyonne is one of the inmates.
This is a big cast, the names I mentioned above are ones you may recognize. I feel like I should list the name of every single cast member because every performance is outstanding. Michelle Hurst, Taryn Manning, Samira Wiley, Uzo Aduba, Laverne Cox, Dascha Polanco, Matt McGorry – I didn’t mean to start listing them, but I can’t help it. And there are more names that should be applauded. Every character in this ensemble has a story, makes a real contribution, and every actor in the ensemble produces brilliant work. The acting is true, believable, powerful and at least 85% of the reason the series is so good. The other 15% goes to great writing. My math must be a little off, because I think there should be some percentage given for directing and costuming and set design and that Regina Spektor song at the beginning of every episode. Well, okay, I’ll say that the acting is at least 50% of the reason why this series is so good.
Can you give an entire cast an Emmy for best supporting actress?
A Few Mild Spoilers
Orange is the New Black is both a comedy and a punch-in-the-gut drama. There are a few laugh out loud moments and some running gags that will make you smile. A favorite running gag was the woman who was crying on the phone next to Piper each time she made a phone call. One scene where everyone in the cafeteria stood up and started dry humping everything in sight had me rolling on the floor.
There were moments of cruelty, fear, pain, and brokenness. There were moments of insight. There were moments of love. There are thieves, drug dealers and murderers – and those are just the people in charge of running the prison. There is fornication, masterbation, revenge, overdosing, insanity, sanity, rage, delusion and denial, pragmatism and surprising beauty. Storylines include race politics, religious politics, prison politics, uses for screwdrivers, Shakespearean recitations, and good hair. In short, this series has multitudes to offer and a cast that is capable of delivering it.
Our pretty blonde WASP princess heroine is afraid of everyone at first but soon finds that the women in prison are just like her. She finds people to respect and admire, and to like, which surprises her a bit. Taylor Schilling goes all out in this part. You can be sure there’s plenty of drama and tension involving in getting from fear to admiration.
There is love and relationship drama. With sex. Within the first 30 seconds of episode 1 we see Piper having lesbian shower sex with Alex and straight bathtub sex with Larry. Seems these two super clean moments were flashbacks to happier times as Piper takes her first prison shower, which wasn’t nearly as much fun.
Flashbacks are used often to reveal more about the characters. We see into their childhoods, meet the parents (or lack of parents), see the abuse or the quest for drugs, and learn about the crimes that brought each one to the prison.
One thing I liked about the flashbacks was that the actors could look more like we normally see them. In the prison garb, with no makeup, horrible hair, and possibly awful prosthetic teeth it was a little hard to match up actors faces with the images on imdb.com for the cast. (I do have a tendency to look at cast bios and photos while watching a show.) It took me nearly all 13 episodes to figure out that Taryn Manning was the person playing the crazed Jesus-freak character. That was partly because I could never catch her character’s name and partly because she looked so crazy-scary in the role. Damn, was she good, too.
Laura Prepon never looked bad. Not once. She had blonde hair in Are you There, Chelsea?. She’s been a redhead in some shows. She has black hair here and big black glasses. Her hair never seems to be stringy or wild and she doesn’t need makeup to be stunning. Which partly explains why Piper can’t stay away from her and we have the lovers triangle of Piper, Larry, and Alex through most of season 1. Larry, so straight and normal out there waiting in the real world – Alex, so gorgeous as she offers up her very warm body right here inside the walls. What’s a girl gonna do? I cast my vote for team Alex, drug smuggler though she is. Alex seems to love Piper with a beautiful eternal flame that makes poor Larry’s conditional acceptance pretty lame by comparison. If you’ve read the book and know how this all turns out, don’t rain on my team Alex parade, okay?
Netflix and Original Series
Netflix released House of Cards with Kevin Spacey and Robin Wright as its first original series. It was superb and I look forward to a second season of that series. Their second attempt Hemlock Grove was so bad I couldn’t watch it. They were 1 for 1 when this series came out, so I was unsure which way it was going to go.
Netflix struck gold once again with Jenji Kohan and Orange is the New Black. More like this please, Netflix.
Your turn. What do you think about Orange is the New Black?
Image Credits: Netflix.
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