A new study from the Media, Diversity and Social Change Initiative at the University of Southern California’s Annenberg School for Communication and Journalism provides the data showing what we all know already – older people are ignored, underrepresented, or trivialized in film. Continue reading “Surprise! Old People are Underrepresented in Film”
I’ve tried several times to leave comments on posts such as the most recent “Why It Matters That Male Film Critics Vastly Outnumber Female Film Critics” at Bitch Media. The remarks never seem to make it into the comments. My comments are rather lengthy, too. I decided to follow the rule of my friend Elisa Camahort Page and make my lengthy comments on female reviewers into a post on the topic. Continue reading “On the Need for Female Reviewers”
Lucky for me I’m not a critic. It seems to me that the main job of a critic is to watch a fun and enjoyable movie or TV show and find things wrong with it so as to make it unenjoyable for anyone else to watch. Which leads to my point: Ricki and the Flash is fun and enjoyable. Lukewarm reviews be damned.
Spoilers ahead. Continue reading “Review: Ricki and the Flash”
The Homesman showed up recently on Netflix. I watched immediately.
The movie annoyed me. And the more I think about it, the more annoyed I become.
Spoilers ahead. Continue reading “Review: The Homesman”
I am somewhat (okay, a whole lot) excited about Ricki and The Flash. The first excitement is the star Meryl Streep. Next, there’s the writer Diablo Cody.
But wait! There’s more! Check this out:
“Meryl Streep takes on a whole new gig – a hard-rocking singer/guitarist – for Oscar®-winning director Jonathan Demme and Academy Award®-winning screenwriter Diablo Cody in Ricki and the Flash. In an original and electrifying film loaded with live musical performances, Streep stars as Ricki Rendazzo, a guitar heroine who made a world of mistakes as she followed her dreams of rock-and-roll stardom. Returning home, Ricki gets a shot at redemption and a chance to make things right as she faces the music with her family. Streep stars opposite her real-life daughter Mamie Gummer; Rick Springfield, portraying a Flash member in love with Ricki; Kevin Kline as Ricki’s ex-husband; and Audra McDonald as Kline’s new wife.”
Oh, my, what a cast. Meryl Streep singing rock and roll and slinging a guitar around like she knows what to do with it. Oh, my.
There is something so magical about Meryl Streep. Just a glance at this image of her in her costume and you know she’s going to kill in this part. In real life she’s 65, matronly, wearing glasses and a not very exciting dress. Put her in front of a camera, yell action, and something special happens. I feel lucky to be able to watch what Meryl Streep does and be amazed by it again and again.
Mamie Gummer lets herself look like hell in this film. I love that. I love the smacking that Ricki gets from her family, from her ex husband’s new wife. I love the Rick Springfield, the Kevin Kline, the Audra McDonald. This film better be good, because I love it.
Enough already with the gushing. See what you think of the trailer. The film opens August 7.
Meryl Streep images © 2015 – Sony Pictures Entertainment
Suffragette boasts a dream cast including Meryl Streep, Carey Mulligan, Helena Bonham Carter, Ben Whishaw, Brendan Gleeson and Romola Garai in a story about the early British suffrage movement. Meryl Streep plays the leader of the Suffragettes Emmeline Pankhurst. Continue reading “Watch This: Trailer for Suffragette”
We just watched the 2015 Oscars. The two women who won Best Actress Awards this year were Julianne Moore and Patricia Arquette. Both wonderful actresses – accomplished, talented and deserving.
Sometimes the Oscars give Lifetime Achievement Awards. I want to give an award like that. I want to give the Old Ain’t Dead Best Actress of All Time Award. (There are no prizes and the award means nothing. Sorry.)
How do we judge the best actress of all time? Wins or nominations? Or some variation thereof? Why don’t we look at stats?
Is it Oscar wins? If so, the best actress of all time is Katharine Hepburn with 4 wins and 12 nominations.
Is it Oscar nominations? If so, the best actress of all time is Meryl Streep with 3 wins and 19 nominations.
Either record is phenomenal. To be in 12 films, or 19 films, and do such an outstanding job that your performance is considered worthy of consideration for an Oscar – that’s phenomenal. That’s talent and skill and hard work and love.
I do have an opinion in this stats-based contest between Hepburn and Streep. I’m picking Streep as the winner and here’s why.
Meryl Streep disappears into a part. I’ve seen her in parts where I didn’t even realize it was her, she was so in character. She can be completely different from one film and one character to another.
Katherine Hepburn seems to always be Katherine Hepburn. Not that she couldn’t act – she could. But there was some essential Hepburnness to her voice, her movements, and her posture that was always there no matter the part.
With Meryl Streep, nothing stays the same. There’s no Streep there.
To be fair, Katherine Hepburn was performing in movies in a time when the costuming, the make up, the prosthetics, the technology and techniques were far less sophisticated than they are now.
Even taking that into consideration, I’m still giving the award to Meryl Streep. The Best Actress of All Time is Meryl Streep!
Applause. Applause. Applause. Applause. Applause. Applause.
It’s time for a brain dump. My brain is teeming with thoughts about this and that – mostly movies I watched over the holidays. Short thoughts. Thoughts so short that combining them into one post seems like a grand idea.
A Wife’s Nightmare
A Wife’s Nightmare gave us a Jennifer Beals who was unsure, compliant, nervous, and worried. The gaslighting part of the story was a new acting challenge for Jennifer Beals and she did it very well. I was happy she found her way to some backbone by the end of the story, however. Jennifer Beals is always a pleasure to watch.
Annie is a wonderful update to the familiar story. The new songs were perfect contemporary music. The cast was excellent, particularly Quvenzhané Wallis. Hat tips to older versions of the story were well done.
I had the pleasure of going to the movie with a friend and her two grandchildren who danced in their seats and sang along. Afterwards they agreed that the movie was really good. These two biracial youngsters – ages 3 and 6 – wanted their hair freshly washed for the movie so it would look like “Annie hair.” The importance they placed on looking like Annie reminded me again how critical it is that we see someone who looks like ourselves represented on screens as smart, successful, talented, and worthwhile human beings.
On My Way
On My Way (French title Elle s’en va) is a French film with English subtitles I found on Netflix. Catherine Deneuve is the star, which is what caught my interest. It has 4 stars on Netflix, always a good indicator it’s worth watching. Catherine Deneuve is 71; she’s put on some weight. But whatever it was she had – she’s still got it. She’s still got ALL of it.
Into the Woods
When you start with talent like Stephen Sondheim and Rob Marshall, add in a screenplay by James Lapine, and cast fantastic people like Meryl Streep and Emily Blunt as the players – well, you end up with something utterly brilliant. That is all I have to say: brilliant.
Annie photo ©Sony Pictures. Into the Woods photo ©Walt Disney Studios Motion Pictures.