Orange is the New Black or #OITNB released a date for the start of season 5. And Danielle Brooks released a dollop of news about the new season. Continue reading “#OITNB News Flashes”
Wow, things are looking tense at Litchfield Prison for season 4 of Orange is the New Black. A hundred new women, some new correctional officers, things are changing and it doesn’t look like it’s for the better. Continue reading “Watch This: Trailer for Orange is the New Black season 4”
We won’t see season 4 of Orange is the New Black until June 17, but new photos were just released to whet your curiosity. What do you think is going on in these photos? Continue reading “Season 4 Photos from Orange is the New Black”
I just finished all the episodes of season 3 of Orange is the New Black. I’ll be writing about it in more depth, but I wanted to share some quick thoughts.
Season 3 could be subtitled “I need to be loved.” The sentiment was a theme in many of the episodes and back stories that played out this season. In one episode, Suzanne “Crazy Eyes” (Uzo Aduba) even says those exact words. Loneliness and a need for connection drove so many story lines.
Another theme of season 3 was parenting. Daya (Dascha Polanco) had her baby in season 3, of course, but so many episodes dealt with the difficulties of parenting while incarcerated. Over half of the women in prison have children under the age of 18. The emphasis on how parents and children are torn apart when mothers are in prison gave a very sad feeling to season 3.
The prison is bought by a for-profit corporation in season 3. The private ownership of prisons as sources of profit is an obscene practice and a great shame in the American “justice” system.
Mental health care – or more correctly the lack of mental health care – in the prison system is another theme this season.
Finally, there’s a thread about faith, spirituality and religion running through season 3. Santaria, anyone? Mazel tov!
Laura Prepon was back as Alex, while other favorites disappeared into SHU or plain disappeared. I missed those people.
There were interesting guest stars. Mary Steenbergen was in several episodes as the mother of Pornstache. Blair Brown was in a few episodes as a celebrity in trouble who surrenders herself to Litchfield in the last episode.
New prisoners included Ruby Rose, Lori Petty and Emily Althaus. All of them had a effect on the prison and the inmates in fascinating ways. Speaking of fascinating, some of the new back stories this season were surprising.
Okay. More later about all these topics. If you have overall comments about season 3, please share.
June 12 is almost here, and the Orange is the New Black media machine is gearing up accordingly. Here’s a new preview for season 3.
Last week I was in Texas for my granddaughter’s high school graduation. Afterwards, my family and another family with my granddaughter’s BFF all went out to dinner.
We two families have known each other since the girls were in day care. We’ve been friends ever since. We don’t share the same taste in cars, movies, or anything else. Except for Orange is the New Black. In mid-meal, the other girl’s dad, who is a deputy sheriff, said, “I can hardly wait for season 3 of Orange is the New Black!” Both the 18 year old girls chimed in and said, “Yeah, I love that show.” My own daughter, who doesn’t like any of the same shows I like, even said she liked OITNB.
Really, the earth stopped that day in a Texas Mexican food joint as I took in the momentous occasion of actually knowing real human beings who love a show I love. (Not that people who read this blog aren’t real. But I don’t actually know any of you.)
OMG, people! OITNB is almost here!
Brook Soso. She’s a new inmate on Orange is the New Black. She’s played by Kimiko Glenn, who is at least part Asian. The only other Asian inmate is Chang (Lori Tan Chinn) who was mostly nonverbal in season 1, but does have lines in season 2.
Brook is VERY verbal. Nonstop talking. If she ever shut up she might have to listen to what was going on inside her own head. Not something she’s willing to do.
She’s not good material for a close friendship with Chang. She doesn’t fit in with the black inmates or the Spanish inmates. The white inmates tolerate her badly if at all.
She’s not disruptive like Vee, although she does inspire some good behavior. I’m looking forward to getting to know her as time goes by because she feels like a permanent addition to the cast.
I want to talk about her mostly because she adds another Asian to a cast that is diversity on steroids.
Incessant chatter is her coping mechanism. Because she talks all the time we learn quickly that she’s a flaming liberal, that she is up on all the latest liberal causes, and that she has the liberal agenda down and wants to tell you all about it. She’s in prison for some sort of political protest, but we don’t know what yet. She’s optimistic and bright-eyed and cheerful. I hope it doesn’t get beaten out of her by the system.
When she first arrives at Litchfield, Soso’s scared of the showers. To be fair, the shower drains do urp up raw sewage on a regular basis. She goes unshowered for so long that everyone notices and complaints are filed about her stink. Bell (Catherine Curtin) gets the job of making her take a shower.
Soso tries passive resistance in protest to the forced shower, but she’s quickly picked up and carried to the showers. When she’s finally forced into the shower, she cries.
Soso, upset with her treatment, decides to go on a hunger strike. Passive resistance didn’t work so well for showers, but it may work better where eating is concerned.
Mendez (Pablo Schreiber) tangles with her in the cafeteria, where she announces loudly that she’s on a hunger strike in protest of the deplorable conditions in Litchfield. She wants others to join her.
As time goes by, she does get some people to join her hunger strike. That has some interesting consequences. Unfortunately, none of the consequences result in a lessening of her verbal diarrhea. One member of the cast does find a way to shut her up, but I don’t want to mention how, just in case you haven’t seen that part yet.
I’m glad they added an Asian character to the mix. When I reviewed August: Osage County, I suggested that the Native American actress Misty Upham be added to the cast of OITNB. I still think a Native American character would be a good idea. In fact, how about more than one Asian addition, and more than one Native American addition? We are, after all, peering into a multiplicity of women on this show.
I said quite a bit about Laverne Cox in Why Representation on TV Matters back in February – go read it. Today I just want to offer my congratulations to her for being on the cover of TIME, and to TIME for putting her on the cover.
Laverne Cox is using the opportunity to talk, not about herself, but about the violence and threats to transgender people and particularly transgender women of color. She has a powerful message that I hope everyone will listen to with an open heart.
This makes me so happy! I love these people, I love these faces. “You an’ me, we goin’ be friends.”
Here’s the new season in 3 words from the cast.
Random thoughts and observations on this and that as seen on my teevee.
The Walking Dead
Did you see the episode of The Walking Dead called “The Grove?” Brighton Sharbino and Kyla Kenedy as the two young girls were fantastic. Brighton, in particular, was 100% convincing. Very impressed to see such outstanding acting from two young actors.
I’m loving what they’ve done with The Walking Dead this season: splitting everyone up and charting their journeys to find each other again. (Assuming that they will be reunited at Terminus.) It’s given them a way to let characters develop with full episodes devoted almost exclusively to just one or two characters.
What about this kiss in the episode “100” of Glee. Glee has never been about grown up sex. Yes, there have been relationships but they are immature high school kinds of things. Even the teachers have immature relationships on Glee.
But in the episode called “100” (as in the 100th episode) we see a grown up Brittany, (Heather Morris) dragged into adulthood by numbers and a failure of joy.
Brittany evolved. Who’d a thunk that?
Couple that with a sort-of-grown-up Santana (Naya Rivera). I say sort of grown up because Santana still has a mouth on her that needs to embrace tolerance and forgiveness – mature ideas she hasn’t mastered yet. Nevertheless, Brittany and Santana exchange a kiss that is the first grown up, adult looking kiss I’ve seen on Glee.
Person of Interest
A whole episode of Person of Interest was built around Root (Amy Acker). The episode was called “Root Path.” Most of the time, Root is only on the screen for a few seconds. Even then she’s the most interesting thing in the show – mysterious, powerful, illusive. You know what would make me really happy? An episode that featured only Sarah Shahi and Amy Acker together for a whole show.
Is Castle getting better this season? It seems like the writing has improved. The stories are flat out good. Last year Castle frequently put me to sleep, but there is none of that this year.
The crazy adjustable bed that Stef’s mom gave Stef and Lena as a wedding gift on The Fosters is keeping them apart. I say we start a Kickstarter campaign to get Stef and Lena a new bed. A nice flat one. Or, as they put it on OITNB,
— Orange Is the New… (@OITNB) November 15, 2013
This show gets more fascinating each week with all kinds of complicated loyalty questions and emotional issues. Keri Russell and Matthew Rhys impress me in a new way in every episode. Keri Russell’s character slamming that guy’s arm over and over again with a trunk lid was really intense and surely will make her face the fact that she’s cracking. Plus Margo Martindale was back this week, which is guaranteed to make me happy.
Still ahead this week are Grey’s Anatomy and Scandal. Must dump brain before then!
What is burning in your brain from this week’s TV?
Laverne Cox and CeCe McDonald were the guests on Democracy Now on Feb. 19, 2014. This is how Amy Goodman introduced the program and the two women. As background for this post, I’m going to quote the entire introduction.
After serving 19 months in prison, the African-American transgender activist CeCe McDonald is free. She was arrested after using deadly force to protect herself from a group of people who attacked her on the streets of Minneapolis. Her case helped turn a national spotlight on the violence and discrimination faced by transgender women of color. In 2011, McDonald and two friends were walking past a Minneapolis bar when they were reportedly accosted with homophobic, transphobic and racist slurs. McDonald was hit with a bar glass that cut open her face, requiring 11 stitches. A brawl ensued, and one of the people who had confronted McDonald and her friends, 47-year-old Dean Schmitz, was killed. Facing up to 80 years in prison for his death, McDonald took a plea deal that sentenced her to 41 months. In the eyes of her supporters, CeCe McDonald was jailed for defending herself against the bigotry and violence that transgender people so often face and that is so rarely punished. At the time of the attack, the murder rate for gay and transgender people in this country was at an all-time high. The National Coalition of Anti-Violence Programs documented 30 hate-related murders of LGBT people in 2011; 40 percent of the victims were transgender women of color. Transgender teens have higher rates of homelessness, and nearly half of all African-American transgender people — 47 percent — have been incarcerated at some point.
McDonald joins us on her first trip to New York City. We are also joined by one of her supporters, Laverne Cox, a transgender actress, producer and activist who stars in the popular Netflix show, “Orange is the New Black.” She plays Sophia Burset, a transgender woman in prison for using credit card fraud to finance her transition. She is producing a documentary about McDonald called “Free CeCe.” We also speak to Alisha Williams, staff attorney with the Sylvia Rivera Law Project.
“I very easily could have been CeCe,” Laverne Cox says. “Many times I’ve walked down the street of New York, and I’ve experienced harassment. I was kicked once on the street, and very easily that could have escalated into a situation that CeCe faced, and it’s a situation that too many transwomen of color face all over this country. The act of merely walking down the street is often a contested act, not only from the citizenry, but also from the police.”
Laverne Cox has been everywhere lately. She gave the keynote address to 2014 National Conference for LGBT Equality: Creating Change. Cox has also appeared on The Katie Couric Show. After the much criticized questions in the Katie Couric interview, Cox gave Salon this interview: The post-Katie Couric shift: Laverne Cox tells Salon why the media’s so clueless. (Related to bad interviews, this Democracy Now episode also talked about @JanetMock and her interview with Piers Morgan.)
Can a TV show change the world?
Laverne Cox has been an actress since 2000, but Orange is the New Black has given her an unexpected platform and visibility. OITNB has given transgender people in general an unexpected platform and visibility. Justice for transgender people, for trans women of color, is now a topic of conversation all across the country.
It isn’t so much about Laverne Cox, as that she’s suddenly been given this moment because of OITNB. She’s been given visibility, and she’s making good use of it.
Cox seized the opportunity to promote change, up the stakes in her activism, and be a voice to whom the media will listen. She’s wonderfully suited to be a leader and public voice for the trans community. She’s brainy, she’s articulate, and she’s charismatic.
You may say that change would come eventually, that demands for justice and equality from the transgender community would eventually be heard, but I think it would have been a longer time coming. It would have been a harder struggle.
A TV show about women in prison with a sympathetic and likeable transgender woman’s story as part of the ensemble has made change possible sooner. It has given activists like Laverne Cox an opportunity to be heard by a wide audience.
Giving representation to marginalized or minority parts of society on TV shows can change the world. What we see on TV matters. It matters to real people.