BBC America released 10 new images from season 5 of Orphan Black. They also issued a warning that “walls are closing in” on Sarah when nearly all her sister clones and their allies are “brought to heel” by Rachel. Apparently that includes Sarah’s daughter, Kira. Continue reading “Orphan Black Season 5 Photos Released”
Orphan Black ends season 4 with “From Dancing Mice to Psychopaths.” We didn’t see any dancing mice. We saw one very welcome face and one hugely dangerous psychopath. Spoilers everywhere in this recap. Continue reading “Orphan Black S4 E10 From Dancing Mice to Psychopaths”
Orphan Black episode 8 is “The Redesign of Natural Objects,” an episode full of tension, surprises, possible betrayals, danger, and new hope. If you don’t mind holding your breath in fear through an entire episode, then this is the episode for you. Continue reading “Orphan Black S4 E8 The Redesign of Natural Objects”
Orphan Black, “The Antisocialism of Sex” explores how each individual responds to losing everything. The last episode of Orphan Black left everyone feeling defeated and hopeless. Each person reacts in character. Beware the spoilers. Continue reading “Orphan Black S4 E7 The Antisocialism of Sex”
Orphan Black season 4, episode 5 is “Human Raw Material.” All that raw genetic material is manipulated at Brightborn into perfect babies and that’s where a lot of the action takes place in this episode. Continue reading “Orphan Black S4 E5 Human Raw Material”
Orphan Black gets creepy in “The Stigmata of Progress.” Sarah tries to figure out what’s implanted in her cheek, Felix has big news, the Hendrixes go on an archeological dig, Kira sees strange visions, and Rachel is back in operation.
Spoilers ahead. Continue reading “Orphan Black: S4 E3 The Stigmata of Progress”
Orphan Black season 4 episode 2 “Transgressive Border Crossing” begins with Mika’s (Tatiana Maslany – everywoman) phone call to Sarah in Iceland telling her to run because the neolutionists are coming after Kendall Malone (Alison Steadman). She runs.
“History Yet to Be Written” is absolute perfection as a season 3 finale for Orphan Black. It takes us back in time to tie up questions, while opening up new directions for season 4. There are some losses and some happy moments. I’m going to start with the technical achievement of the season: the four clone dinner party.
— Orphan Black (@OrphanBlack) June 21, 2015
Alison (Tatiana Maslany, a multitude) wins the school trustee election by 56 votes. She gathers everyone in the bubble gum world of Bubbles for a family dinner. They toast each other, even clink glasses. This season it’s Donnie (Kristian Bruun) who moves around the scene, filling wine glasses. They are all safe and happy and have hope for the future science to come. This scene is bound to be a favorite topic because of the difficulty of filming it.
Okay, how did episode 10 get us to this happy family moment? I’m going to summarize out of order, but the big reveal is that the Neolutionists from season 1 have been in charge of both Dyad and Topside all along.
Kendall Malone, the original
Art Bell (Kevin Hanchard) brings Sarah and Felix (Jordan Gavaris) into a big warehouse where Scott (Josh Vokey) is constructing a clean room of sorts out of plastic sheets. When they are sure everything is ready, Mrs. S (Maria Doyle Kennedy) brings her mother into the room. Kendall (Alison Steadman) complains all the way about her treatment, and because Mrs. S is herding her along with a baseball bat in her hand.
Cosima meets Kendall, and tells her that Kendall is actually the older sister of the clones. Cosima disarms Kendall with charm and takes blood samples from her.
Mrs. S burns with rage at her mother. It seems Kendall had something to do with John Sadler’s death. Mrs. S unveils a tub and several bottles of sulfuric acid, which she tells her mother she plans to use on her.
Mrs. S tells Kendall that Kira (Skyler Wexler) is Kendall’s niece. She asks Kendall to explain who she is. Kendall said Duncan had come to her 5 or 6 years after he’d harvested her. Duncan was in fear for his life from something called Neolution. He said they’d poisoned the science and corrupted his wife, Susan. He’d hidden Kendall from everyone.
Duncan told her there was one child outside it all, lost in the foster system. Kendall sent him to her daughter, the rebel. Siobhan had the connections to hide the child and Kendall sent the child to her. So Kendall put Sarah and Mrs. S together, who have been blood relatives all along. Mrs. S reacts to this news by forgiving her mother. Maria Doyle Kennedy performed this emotional moment of release with perfection.
Siobhan Sadler is actually a blood relation of all the clones. Isn’t that an interesting new fact?
Sarah and Felix find Mark (Ari Millen, an army). They bring him to the warehouse where he pretends to be Rudy and calls Dr. Coady (Kyra Harper) with the address about where they are. When she arrives with armed men, Ferdinand kills her driver and takes her captive.
Ferdinand (James Frain) comes to the warehouse for the blood he was promised by Sarah. At that moment, Delphine calls with the news that the blood will go to Neolution. Delphine tells Sarah not to let him have any blood and to tell him Rachel is still alive. Ferdinand is quite interested in this bit of news about Rachel and in the announcement that they are all just pawns of Neolution.
Ferdinand calls Neolutionists “genetically obsessed zealots” and says he hates them.
Ferdinand kills his helper with Siobhan’s baseball bat. It’s the acid bath for the poor fellow. Ferdinand tells them to hide Kendall away, he doesn’t want to know where. He says he’ll be in touch. I guess Ferdinand is going to be one of the good guys now.
Sarah and Mrs. S take Kendall to Iceland.
The episode began with Rachel’s dream of ice and love, and it ends with the joyous reunion of Sarah and Kira (Skyler Wexler) on a vast plane of snow.
Helena spends a lot of time in the Hendrix garage in this episode. First she’s reunited with Jesse (Patrick J. Adams). Jesse seems as happy to see her as she is to see him.
In his tow truck, which is half-in, half-out of the Hendrix garage, Helena climbs on Jesse’s lap and tells him “I have science babies inside me, but you are my first.” Helena’s lust is pure animal instinct, just like the rest of her personality. Before they can actually get it on, she gets summoned to help the sestras. Both of them promise to return to the moment.
Rudy is following Alison around during the election proceedings. Alison lures him to her house and he is met in the garage by Helena in assassin mode. She’s duct taped weapons to her hands and is ready to fight to the death.
Rudy dies, partly from a wound from Helena but mostly because he was dying anyway like the other Castor clones. They have a tender moment discussing their childhoods before he dies. Helena can go from assassin to empathetic listener in 1/10 of a second.
Ferdinand shows up thinking he’s going to take over from Delphine (Evelyne Brochu). Sarah offers him a deal to get some of the genetic material from the original, but only if the perverted Castor military experiment goes away.
Delphine goes to check on Rachel (or what she thinks is Rachel). She realizes it’s Krystal when she sees the good manicure on Rachel’s hand. Krystal wakes up, scared and confused.
Now that she knows about the Krystal deception and that Rachel is in Austria someplace, Delphine has Dr. Nealon (Tom McCamus) put in custody. She questions him and discovers that Neolution has been orchestrating everything from the first moment. He calls Castor and Leda Neolution’s Adam and Eve. He says there’s a place for her at Neolution. She turns down the job.
Nealon squiggles his jaw, leaps up and pins Delphine to a table. He tries to insert a worm from his mouth into Delphine. Luckily she’s packing and she shoots him and takes the worm as a specimen.
Delphine was invited to the family dinner but didn’t go. She texted Cosima to meet her outside. Cosima says, “I understand why you did what you did. I’m sorry to make you have to make so many hard decisions.” Delphine asks her to keep the blood safe and to make sure Kendall is safe.
Delphine tears up and looks at Cosima with a great deal of love. Delphine gives Cosima what looks like a heartfelt and passionate goodbye kiss, and leaves, saying, “My love to all the sisters.”
Delphine parks in a parking garage. She realizes someone is following her and turns. She says, “What will happen to her?” and is shot. We don’t know who shot her and we don’t know if she dies. Whoever shot her walked loudly, perhaps from wearing high heels?
The opening scene is Rachel waking from a dream about playing in the snow with her parents. She gets up and discovers she has a bionic eye and a museum-like display of finches in her room. She has no idea where she is or who is holding her.
Charlotte (Cynthia Galant) enters the room and says Rachel is going to be her new mom. Then Susan Duncan (Rosemary Dunsmore) enters and says, “Hello, dear Rachel. Welcome home.” Rachel answers, “Mother.”
Cosima attempts an apology to Shay (Ksenia Solo), who is understandably upset by the death threat from Delphine. Cosima still can’t tell Shay anything about who she really is and Shay angrily sends her away.
Later Delphine shows up at Shay’s apartment. She tells Shay that she’s sorry, that she knows Cosima really cares for Shay, and that Cosima and Shay are a good fit.
Delphine says she won’t be around any more. She tells Shay to tell Cosima that she should tell everything to Shay if she wants. She gives Shay a card to show Cosima as proof that she means it.
We know how Kendall, Mrs. S and Sarah connect. What about Felix? A bit of history yet to write in season 4?
The count of male clones is down to only Mark. And he’s helping the sestras. All the murder-machine male clones are dead.
We can’t tell from the episode, but I think Delphine is actually dead. Based on this interview with John Fawcett, and this tweet, it seems she won’t be back.
And thanks for your questions, support, sense of humour, art, sense of solidarity…just thanks. You guys are the best. Bisous.
— Evelyne (@EvelyneBrochu) June 21, 2015
A big bisou to you, Evelyne. Love you.
I’m sure there will be mourning for Delphine and talk about the dead lesbian trope, but I actually feel all right about Delphine. It works with the story better than the dead lesbian story usually does. However, if Delphine really is dead, what’s going to happen with the worm Nealon apparently carried around in his mouth on the regular?
Shay, on the other hand, may be around for season 4. Based on this tweet it looks like she’s here for a while. Maybe she’ll be let in on the secrets like Felix, and become another important member of Clone Club.
‘WHATEVER COMES NEXT WE WILL FACE IT TOGETHER’ I Love U#CloneClub. ThankU4 accepting me into ur world. ThankU@OrphanBlack 4 a wicked season. — Ksenia Solo (@KseniaSolo) June 21, 2015
It looks like Krystal will be around for season 4, which makes me very happy. I liked her a lot. Who knows, at the end of season 4 we might have a FIVE clone scene as a grand finale!
Ferdinand and Rachel definitely have a thing, but he hates Neolutionists and Rachel’s mother is apparently a Neolutionist. Where will that go in season 4?
What do the Proletheans have to do with all this? If Helena carries her child to birth, or if they do something with the frozen embryos they have, will that be a corruption of the clone genome or a correction? More fodder for season 4.
I love this show! Three cheers for season 3 and much anticipation for season 4.
The Title Quotation
Winding up a season of foresight from Dwight David Eisenhower, we close with this thought.
“Down the long lane of the history yet to be written America knows that this world of ours, ever growing smaller, must avoid becoming a community of dreadful fear and hate, and be, instead, a proud confederation of mutual trust and respect.”
Episode 6 of season 3 of Orphan Black is “Certain Agony of the Battlefield.” Lots of plot twists and huge developments mark this episode as a turning point in several ways.
Before I get into that, I want to give a multitude of kudos to the director, Helen Shaver, for creating this episode’s surreal, hallucinogenic, and magical world. Shaver also directed an episode in season 2, Ipsa Scientia Potestas Est. Can she be the permanent director for Orphan Black please?
The recap will be divided into doings at the Hendrix household, doings at Dyad, and doings at the Castor compound.
The Hendrix Drug Machine
Alison (Tatiana Maslany, a multitude) and Donnie (Kristian Bruun) are dancing on the bed in their underwear, tossing money in the air, and having a very sexy time celebrating their filthy lucre. Who knew Donnie could twerk?
They pay off Jason (Justin Chatwin) the 30K or so they owe him, and Donnie still has enough to put $10,000 cash down on a fast car.
Alison has the idea that she can buy her mother out of her store, Bubbles. It will be perfect way to launder all their drug money. She takes Jason and Donnie there to talk about the possibility. Jason thinks it’s perfect.
At Dyad: Sex and Science
Cosima, on the other hand, has been screwing her brains out for 5 days with Shay (Ksenia Solo).
Cosima is missing calls, missing work, showing up late. Scott (Josh Vokey) is mad at her. Delphine (Evelyne Brochu) returns and she’s none to happy with Cosima’s absences either. In fact, Delphine looks at Cosima like she’d like to slap her or spit nails at her or something equally angry.
Delphine talks about trying to protect Dyad and the sisters, but Cosima doesn’t trust her or welcome her return. Delphine knows they processed the samples from Seth’s brain and she shows them that the same faulty protein they found in Seth (Ari Millen, an army) is also in Gracie. She suggests they follow up.
Felix brings Gracie into Dyad. As Delphine and Cosima wait for her outside the elevator doors, they look miles apart. Delphine told Cosima she missed her. Cosima didn’t respond.
Felix sneaks off to have a chat with Rachel, who spends her time in a wheelchair painting with watercolors. He wants to know about Castor so he can find Sarah. Rachel wants out of there.
Scott notices the symbols Rachel is putting in her paintings. He takes one and compares it with the symbols in “The Island of Dr. Moreau.”
Delphine and Cosima work together to examine Gracie. They tell her that whatever Mark infected her with affects different people differently. They tell her the defect is contagious.
After getting in so much trouble for not doing her job, Cosima goes to Shay’s with the intention of telling her they need to slow down. But when she sees Shay all she wants to do is “make out for 7 hours straight.” Shay encourages her to talk. Cosima just wants to make out. Their smooch-fest is interrupted by a call from Scott, who says he thinks Rachel knows Duncan’s key.
At the Castor Compound
It’s been 5 days since Sarah disappeared into the Castor prison. Felix (Jordan Gavaris) is frantic. Mrs. S (Maria Doyle Kennedy) tries to keep him calm, but he’s breaking. Gracie (Zoé De Grand Maison) is still at Mrs. S’s house. They Skype with Kira (Skyler Wexler) in Iceland, who wants to know why Sarah isn’t talking to her.
Paul (Dylan Bruce) is off in Arlington talking to a guy named Benchman (Tom Barnett). He gives him the log books showing sexual contacts that the Castor clones tracked. He whistleblows on Dr. Coady, who is doing unlawful experiments involving civilian females who have sex with the Castor boys. Benchman wants more evidence.
Sarah spins through fever induced hallucinations and strange dreams. Everything appears strange, surreal, part wishful thinking and part reality. She sees Kira and follows her around an empty Castor compound.
Sarah climbs into Kira’s blanket fort and emerges in a room where she sees herself being pumped full of Rudy’s blood.
Sarah dreams she sees Charlotte (Cynthia Galant) who wants to lead her down a tunnel into the light. Sarah resists.
In her fevered dream, she talks to Beth. Beth tells her to stop worrying about why and start finding out who.
Paul arrives and sees Sarah feeling very sick. Her temperature is 103. Dr. Coady says she’s treating her, but Sarah tells him differently.
Paul arrests Dr. Coady and takes over the compound. He puts a lot of people in the stockade. Among the few he trusts is Mark. Paul and Mark go to Coady’s office, where all the science information is stored. They find the evidence Paul needs. Sexual contact with the Castor clones causes sterility in women.
Sarah’s fever has broken. Dr. Coady gets very excited because Sarah didn’t die from Rudy’s blood. She tells Paul and Sarah that what she’s learning can end wars in a single generation.
Helena runs through the desert. When she falls in exhaustion, Pupok the scorpion talks to her about Sarah. She eats poor Pupok. For Tatiana’s sake, I hope she’s really eating a big, black gummy bear, but the thing she put in her mouth was wriggling as she did it. But, really, how hard is it to eat an imaginary scorpion, I ask you?
Rudy, who has been off chasing Helena, comes back to the compound after a phone call from Arlington. He starts killing everyone in a search for Paul. It’s like a video game up in here with all these dead bodies laying around.
The Big Finish
Paul realizes he’s been played. He takes Sarah to a tunnel where she can escape. On the way he kills the clone Miller, but Miller stabs him while they struggle.
Paul goes to Dr. Coady’s office. She finds him there, surrounded by all her science, and shoots him 3 or 4 times in the chest. But, even with a stab wound to the gut and 4 bullets in his chest, the heroic Paul still has enough life in him to give Coady a dirty look and drop a hand grenade on the floor.
It must have been one hell of a hand grenade, because when it explodes it knocks Sarah down in the tunnel.
Helena finds Sarah in the tunnel. They leave together. Helena came back for her sestra!
Delphine sits in front of a pile of photos of Cosima and Shay. She’s watching video of them on her computer as she downs booze as fast as she possibly can. She knew about them all along. As a result, she can’t get blotto fast enough.
Virginia Coady seems to be the mad military-industrial-scientific mind that President Dwight D. Eisenhower was so worried about. In the years just after America dropped two atomic bombs on Japan, obliterating hundreds of thousands of people in a flash of radioactive energy, concern over this kind of thinking was fresh on the American conscience. Scientists/soldiers/corporations with power over life and death – who think the ends justify the means – has been a theme of Orphan Black from the beginning. We’re seeing it played out here in the form of Castor experiments on unsuspecting humans.
The scene between Beth and Sarah was beautifully shot, with characters jumping through time and space. We saw depression on Beth’s face, which is the only way Sarah remembers seeing her. And it was pivotal in setting a direction for Sarah in looking at the who of it all.
Mark is an okay guy. He tells Paul he brought Sarah to the Castor compound so Rudy wouldn’t kill her. He tells Paul he fell in love with Gracie. Speaking of love confessions, Paul told Sarah that he loved her, right before he went off to blow himself up in Coady’s office.
The soldier boy clone count is down to Mark and Rudy. (Maybe. Rudy was close to the grenade in the office.) Paul is dead. Farewell to Mr. Hunkalicious, Dylan Bruce.
Someone in Washington was aware of what Coady was doing and supported it. Who, indeed. Everything is uncertain and in flux.
The Title Quotation
From Dwight D. Eisenhower, this week’s quotation comes from the same paragraph as last week.
Such a confederation must be one of equals. The weakest must come to the conference table with the same confidence as do we, protected as we are by our moral, economic, and military strength. That table, though scarred by many past frustrations, cannot be abandoned for the certain agony of the battlefield.
Orphan Black’s “Transitory Sacrifices of Crisis” begins where the last episode left off, with Sarah (Tatiana Maslany, a multitude) still looking for Helena and the male clone Rudy, AKA Scarface, (Ari Mullen, an army) freed from his basement prison and on the loose with Seth, AKA Mr. Moustache. The time between episodes appears to be just a few hours.
Rudy and the Boys
Ari Millen as Rudy and the other soldier boys gets all the wow scenes with multiple clones in this episode. There are several.
Rudy picks up a willing young woman named Patty (Natalie Krill) for sex, but she nixes the idea when Seth shows up and wants to join in. Later Patty reports the incident to Detective Bell (Kevin Hanchard) – yeah, he’s back on duty. Bell informs Sarah that the boys are loose and on the prowl and they both have a double headed horse tattoo on their left forearms.
Paul (Dylan Bruce) shows up and tells Rudy and Seth to report to base. Rudy asks if the orders come from “Mother.” I’m thinking mother is Dr. Virginia Coady (Kyra Harper). We glimpsed her last week and see more of her this week. She seems to be in charge of the military side of the clone experiments.
Rudy is the rebel. He’s a lot like Sarah in that way. He decides not to follow orders, but to finish the job and get the original genome from Sarah.
Rudy hides in Kyra’s (Skyler Wexler) blanket fort in Felix’s (Jordan Gavaris) apartment. He grabs Kyra and tries for force Sarah to talk. She knows nothing. When he realizes that Seth, who is waiting downstairs, is fritzing out like a bad transister, Rudy leaves and releases Kyra. Downstairs he sees that Seth is suffering a hopeless glitch and shoots him. Then he leans down and says, “I love you, brother.”
While we are on the subject of Felix’s apartment, it looks like the tank of liquid nitrogen is inside the blanket fort and has not come to the attention of any of the adults yet.
We also see another male clone at the military base where Helena is held. His name is Miller. More on Miller later.
Mark makes a brief appearance in this episode. He removes the horse tattoo from his arm in the most painful way possible.
Sarah and the Girls
Cal (Michiel Huisman) rents an apartment where he and Sarah and Kyra can play house. Sarah and Kyra love the idea, but it isn’t meant to be. Paul comes by to tell Cal that Sarah better get outta Dodge. Cal goes to Felix’s to warn her and sees Rudy shoot Seth.
Sarah sort of forgives Mrs. S (Maria Doyle Kennedy) for giving up Helena, but only if she will use her contacts to find Paul and get info on where Helena is. Sarah also wants to go after Mark in hopes he knows where Helena is hidden.
I think Mrs. S is the one who inspired the “transitory sacrifices of crisis” choice for the episode title.
Felix is taking care of Mrs. S, but he joins Sarah in urging her to do something about Helena.
Sarah decides to send Kyra to safety with Cal. They will go to Iceland.
When Ramone (Alex Ozerov) tells Alison that he’s closing down his business to go off to college, Alison and Donnie (Kristian Bruun) buy him out. They buy almost $80,000 worth of pills from him. Alison sees it as a way to make money now that Donnie is out of a job, but also a way to defeat Marci (Amanda Brugel) in the school trustee race. Seems most of Ramone’s clients are soccer moms like Alison. Her new voter base awaits drug delivery, yes indeed.
Cosima is feeling much better. She makes reference to some sort of spiritual effect in her recovery. She says as a scientist she needs to be open to everything, which I see as foreshadowing the arrival of Ksenia Solo as a guest. Neither Scott (Josh Vokey) or anyone else can quite explain her rapid recovery. She’s back in the lab looking for answers, and giving Sarah info on the two-headed horse mythology about Castor.
Helena is in a military compound. The male clone, Miller, is torturing her as part of a stress test. Helena is given the same strange eye test that earlier cause Seth to glitch out in a minor way. It drives Helena have a conversation with her spirit animal, the scorpion, about wanting to see the mango mentioned in the test.
Dr. Coady stops all the testing because she’s learned that Helena is pregnant. She’s warm and friendly to Helena, gives her food, treats her with respect. Look out for that one, Helena.
At the end of the episode, Sarah is no closer to finding Helena. Cal and Kyra are doing a geographical in hopes of keeping Kyra safe. Cosima and Josh haven’t yet started in on decoding “The Island of Dr. Moreau.” We’ve learned that the male clones have some sort of mental connection – Rudy knew what Seth was feeling & Mark decided the tattoo had to go.
I’m eager to see Alison interact with Marci. Amanda Brugel has had fleeting scenes so far, but I think the time is coming when we’ll see more of her and Alison together. I’m also eager to see Ksenia Solo appear.
The Title Quote
The title again comes from Dwight Eisenhower. In his farewell to the nation speech in 1961, there was this paragraph.
“Progress toward these noble goals is persistently threatened by the conflict now engulfing the world. It commands our whole attention, absorbs our very beings. We face a hostile ideology global in scope, atheistic in character, ruthless in purpose, and insidious in method. Unhappily the danger it poses promises to be of indefinite duration. To meet it successfully, there is called for, not so much the emotional and transitory sacrifices of crisis, but rather those which enable us to carry forward steadily, surely, and without complaint the burdens of a prolonged and complex struggle – with liberty the stake. Only thus shall we remain, despite every provocation, on our charted course toward permanent peace and human betterment”