You, Me & Her is a short film (20 minutes) from writer and director Sarah Doyle. The film recently screened at Etheria Film Night. I’m not sure if it has a release date, distribution, or if it will be posted to some streaming service soon. It’s definitely worth watching for. I hope to get a chance to see it.
The plot is that 30 different versions of one person come from alternate universes and appear to Anna (Shannon Woodward). She decides she is the worst of the 30 versions of herself. Nothing like low self-esteem to make a woman do something crazy.
Tina Majorino and Paula Jai Parker are featured in the film.
The film’s poster is interesting. It shows that they aren’t doing an Orphan Black kind of thing. All 30 of the versions of Anna from the parallel universes apparently look just alike.
Take a look at the trailer.
It looks funny and touching and I love all the sci-fi stuff about parallel universes, worm holes and breaks in the continuum. If there is anywhere to see this short film, let me know!
All the season openers for the week have aired now. Let’s talk about how they did.
The two that I thought did the best job starting the new season off with a bang were Castle and Bones.
Castle jumped right out of the gate with action, conflict and new situations. Beckett is busy in Washington D.C. in a new job and the newly engaged couple are missing each other. Castle can’t keep from meddling in her cases and trying to keep their relationship exactly like it was before. Alexis comes home with a boyfriend in tow – a boyfriend who makes a mess in the kitchen cooking vegan steaks out of hunks of papaya. The episode was fast, fun, and gave us a glimpse into where the season is headed with Beckett in D.C. and Castle in NYC.
Yes, Bones can be formulaic. However, this week was hilarious, with Bones and Booth going undercover as a couple of Jersey shore types to solve a murder at a couples retreat. In other storylines, Angela wants to quit working at the Jeffersonian, and Sweets is having a crisis of his own about his career path. Camille has been targeted by a recurring bad guy who is messing with her identity, credit, and finances. We had a fun plot line to get us going and ongoing problems for future episodes. Perfection.
And the Others Are . . .
Much as I love Nashville, it got off to a slow start, mainly because Rayna spent the majority of the episode in a coma. Connie Britton is the soul of this show, and we simply cannot have her lying in a bed doing nothing. Juliette released a new album while pretending to be concerned about Rayna’s condition, Scarlett quit her job as a waitress at the BlueBird to go record an album on Rayna’s new record label, Gunnar might be growing up a bit, Teddy’s girlfriend is lying to him about being pregnant, and Deacon is blaming himself for every bad thing that ever happened on the face of the earth. Deacon is caught in one of the most grandiose shame spirals ever – much credit to Charles Esten for playing it so powerfully. Rayna finally woke up at the end of the episode which means I’m really looking forward to next week.
Chicago Fire was a bit same-old, same-old. The plot mainly revolved around Taylor Kinney’s character Severide. An arsonist is out to get Severide with personal attacks. Renée is home from Paris, pregnant and wanting Severide to be her baby daddy. Good grief, why does everyone want Severide for their baby daddy? Shay, who hasn’t managed to get pregnant yet herself, points out to Severide that the math on Renée’s due date doesn’t add up. Man, what a week Severide is having. I know Severide had high hopes for Renée – heaven knows they were sexy together – but I think being busy shooting people with a rifle on a rooftop in Person of Interest puts her in the she’s just not that into you category. The question is, what reason will the writers dream up for him to use to dump her. Arithmetic?
Speaking of Person of Interest, the dream pairing Sarah Shahi and Amy Acker didn’t have any scenes together this week. Sarah Shahi was shooting people from a rooftop and not interested in finding a baby daddy. Amy Acker was being mysterious while having conversations with a shrink. I’m looking forward to seeing where her story arc takes us.
The Grey’s Marathon
Grey’s Anatomy charged into its 10th season with a two-hour opener. My first thought was how cute Tina Majorino looked with her short hair. She’s my favorite of the new doctors, along with Gaius Charles, who always reminds me of Friday Night Lights, which always makes me happy. All that cute and happy screeched to a halt when Shane sent Heather to look for Richard who’s been lying electrocuted in a puddle of water ever since the end of last season. Yep, Heather steps in the water and gets electrocuted. Even Derek and his magical brain surgery skills cannot save her. The rest of the first-year interns bond over Heather’s death and their daunting assignment to tell her mother stories about what a great person she was. Tina, I’m gonna miss you.
Yang and Bailey manage to save Richard while arguing about how to do it for 2 hours.
In other parts of the Grey’s universe, Callie is hurt and angry at Arizona. They fight and cry for 2 hours. One light moment in the Callie and Arizona crisis comes when Karev advises Arizona to apologize to Callie by saying, “Sorry I’m such a slut.”
Christina and Owen break up again, but they keep having sex because they want to create a perfect last-time-we-ever-had-sex to remember.
Meredith has a new baby named Bailey and some further medical complication which keeps her in her bed. Her hospital room is the calm eye of the storm where everyone goes from time to time to hold the baby and have a quiet moment.
Lots of other stuff happened: Kepner decides who she actually loves this week, Karev remains a chick magnet, and lots of people need heroic medical help. Hang on, Grey’s is underway for a 10th year.
Developer Diversity: The Mars/Venus Thing and WordPress Moderator: Karen Arnold
Panelists: Suzette Franck, Alison Barrett, Daryl L. L. Houston, Virginia DeBolt, Mark Casias
The discussion was about how to get more women in tech fields, among other things.
One of my talking points whenever I get to talk about this is to bring in how pop culture affects perception. I like to bring up the acceptance of gay couples on TV, the changing acceptance of openly gay people in our everyday world, and the changing acceptance of the idea of gay marriage. I think the visibility of gay characters on TV has changed the majority attitude of society. It’s my example of what needs to happen to visibility for girls in tech.
If that worked for LGBT visibility, why wouldn’t it work for women in tech? Why wouldn’t it work for girls who are interested in science and math, but who drop the idea around middle school in favor of being popular or not viewed as geeky and weird? If they saw a lot of geeky teen girls being successful and in leadership roles in popular shows, I think it would change attitudes.
If you can get girls through middle school still owning up to their interest in science and math, they can go on to careers in those fields. But they hit middle school and nerdy girls get teased and bullied and don’t get the attention of cute boys. That could be changed to a large degree by pop culture. We need to reframe and reset the popular image of female geeks.
One of the audience members at the panel discussion pointed out the geeky women in both NCIS shows, and one on Numb3rs. That’s great, but those aren’t shows that young girls are watching. There is a geeky female character on Big Bang Theory. I think young girls probably watch this show. Am I missing any current shows?
Where we really need geeky female characters are on shows like Pretty Little Liars that millions and millions of teen and pre-teen girls are watching.
We need more characters like Tina Majorino as Mac on Veronica Mars or Alyson Hannigan as Willow on Buffy the Vampire Slayer or Miranda Cosgrove as Carly on iCarly.
A lot more characters, not just one every few years. In fact, I’ll say that every show aimed at pre-teens should feature a geeky female character – hackers, programmers, scientists, and engineers who are teen girls or young women and are leading characters in an engaging drama or comedy. Geeky girls with lots of friends, interesting adventures, and a great personality.
This Veronica Mars movie sneak peak was released at the recent San Diego Comic Con (SDCC). In case you aren’t aware of the back story, the money for this movie was raised in a Kickstarter project. The funding goal was raised in almost seconds (just a slight exaggeration). The Kickstarter project raised millions beyond its goal. It is one of the biggest fan-driven fund raising events to date and the start of a new trend in how movies get made.
Fans will get their movie in 2014.
If you missed Veronica Mars when it was a TV series years ago, it’s available via streaming services, and it’s worth watching. She’s a high school girl who helps out in her dad’s detective agency. I know, high school kids – I’m so beyond that – but it’s a good show.