Her cases in point are Girls vs. Enlightened and Scandal. Here’s what she said about why Girls survived and Enlightened did not:
And it wasn’t that Enlightened didn’t provide really great personal-essay fodder, because a lot of its episodes posed giant philosophical questions about what it means to be a person in our day and age. It was a little weird and offbeat, but then a lot of more popular things — I’m back at Girls again — are, and they survive.
Enlightened, I have come to believe, died from something simpler: a lack of “buzz.” It was missing the entropic quality which kicks in somewhere between a thing being good and it being perceived as such by a large number of people, and that damned it.
Then she gets into the Twitter storm around Scandal:
I spent the rest of the year thinking about just what buzz is. In large part, lately, it seems to be a matter of Twitter. The most accessible example of that is Scandal.
She talks about the effect of all that tweeting and how it begats more conversation.
I think it’s helped the show’s word of mouth. You see, journalists — good ones! — write entire articles about the Twitter storm that arrives reliably on Thursdays. That produces more articles about the show than otherwise. And the effort replicates itself endlessly. People read the articles about the tweets, and decide to join in. People tweet the articles about the tweeting to each other. People like me wonder what all the tweeting means and write year-end pieces about it. And so on.
Good social media and success
Is the secret to success related to social media and nothing else? Should only new shows that appeal to the crowd that tweets be approved? Should the most important hire for any new project be the social media director?
Here’s an example of my own. Orange is the New Black. Brilliant social media work around this show keeps it in the conversation every week. This is a show that appeared in one big batch – a full season on Netflix posted all at once meant most people watched all 13 episodes in a day or two of binge watching. Over until next season, right? Been there done that, right?
No, because Orange is the New Black won’t let itself fade away. Constant updates with Pinterest ready photos, quotes from the characters, jokes about the characters, images for every occasion – all that issues forth from whoever the team is at Orange is the New Black who do these things. And it works! The first season is well over, the second season is yet to come, but #OITNB is a hashtag in constant use. The buzz works.
Hashtag to the past
The buzz doesn’t apply only the current shows. A show like Enlightened may not make it now, but I feel sure there will continue to be viewers talking about it, complete with hashtags, for a long time. Look at past shows like Firefly, The L Word, The X Files, Buffy the Vampire Slayer and others. These shows are still under discussion on Twitter every day.
I remember a couple of years ago, let’s say 2011, I tweeted something about the episode of Buffy the Vampire Slayer in which Buffy’s mother dies. That series ended in 2003. Nevertheless, my tweet brought a complainer out of the Twitterverse who berated me for revealing such an important spoiler because she hadn’t watched that episode yet.
It made me aware that shows never end now, not with on demand and streaming services and sets of DVDs. There’s always someone out there who is just getting in on the buzz for the first time, even if the show is 15 years old. Everything is a spoiler to someone.
Here’s something I find myself doing. I didn’t watch Friday Night Lights when it first started, even though all sorts of people were telling me it was a great show. When it was completely over, I binge watched it all and found it one of the best shows ever on TV. I was years late to the Friday Night Lights party, but I was talking about it and thinking about it and tweeting about it as if it were fresh, because it was fresh to me. Not long ago, I did the same thing with Fringe.
The point is, hashtag buzz can keep a show alive for years, even after it’s over and gone from the weekly schedule. Buzz can generate current success, but it can also generate a brand of belated success.
The social media dam broke 2013, but it broke the past as well. Where digital media is concerned, the past is no more. Everything is in the eternal now.
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Lost Girl continues to confound our expectations in “Of all the Gin Joints” by using opera to restore bits of Bo’s lost memory and by putting Lauren in the middle of a plot we don’t yet understand.
Episode 6 begins with a woman (Lara Jean Chorostaki) singing an aria to an audience of one. She wears a white dress covered with feathers. After her song ends, she tries to run away. A man stops her in her tracks with a whistle that does to people what Hale’s siren song does – it brings her to her knees in submission. It also makes me hold my ears at home while reaching for the volume control. She recovers enough to continue running.
At a certain familiar gin joint, Bo (Anna Silk) and Kenzi (Ksenia Solo) conduct parallel disconnected monologues. Kenzi’s is about reading a note from Tamsin about how she has to go somewhere. (Again with the missing cast members in season 4.) Bo’s monologue is about witness signatures on dark contracts and really knowing yourself. When they finish their unrelated speeches, the say how glad they are to have each other to talk to again.
In walks the opera singer, who collapses at their feet. Yeah, of all the gin joints in all the towns in the world, she stumbled into this one. They get her into a booth. When the singer sees Bo she says, “You,” and mutters a whole string of excited Russian, which Kenzi translates to I found you and I came just like you told me to. Bo claims never to have seen her before.
Trick (Rick Howland) installs the singer in his lair and brings her things to help her get better. Bo wants to talk to her but Trick says she needs to rest and heal. Ianka is an alchemist, a rare descendant of bird people.
Trick says, “The alchemist’s song evokes powerful memories.”
Bo wants to know what kind of memories since she’s been looking for a few of those lately. Trick says some of the memories can take life.
Disco music, packing boxes, Lauren’s apartment: a happy Lauren (Zoie Palmer) moves her hips to the beat as she fills boxes. The door is wide open as usual. In walks Evony (Emmanuelle Vaugier) bearing pizza and beer. Pizza and beer have an effect on Dr. Lewis, as I recall.
Evony wants to help her move – wants Lauren to party while packing with Dark Belch beer from Evony’s own microbrewery – wants Lauren to call her Evony. In a shout out to Words with Friends fans, Evony calls the pizza za and plops it down on a cardboard box labeled “mini electron microscope.” For some reason, I find this cardboard box to the coolest thing in Lauren’s whole apartment.
Evony slides a box out of her way and Lauren tells her to be careful. It holds her entire Star Trek DVD collection and her Khan collectible action figures. I think this makes Lauren super cool in her special nerdy way, but Evony thinks she has something even cooler. She hands Lauren some old journals.
Bo finds Dyson (Kris Holden-Ried) in the Dal. He informs her that Lauren has gone with the dark. Bo says, guess what – me, too. She says her hand was forced by The Wanderer or Raynor or whoever the bastard is. Dyson wants to fix it. Bo wants sex. Dyson says it’s forbidden between dark and light.
That argument stops Bo for not even a millesecond. She drags Dyson to a back room and starts tearing off his clothes. Trick finds them and says, “What’s wrong with you. Get your brains out of each others pants.” Bo is unconvinced that giving up her quickie is a good idea until she hears that Ianka’s awake.
From Ianka, Bo learns that Ianka sang for her when they met before. Bo made Ianka promise to find her.
She sings. It takes Bo back to running in the woods in the white nightgown, to the train, but the memory is vague. Bo wants her to sing more, but Ianka says they had a deal. She’d sing and Bo would help her get her freedom.
Ianka says she needs to sing her special aria for an audience to feed, but she’s only been allowed to sing for a powerful dude called Bamber. Ianka says Bo knew she would not remember their deal, and that she should look in the handle of her knife.
Bo finds a paper in her knife. It says, “Ianka, you will sing for me and I will bring you freedom.” Bo recognizes her own handwriting on the note.
From upstairs, a loud guy yells for Ianka. He says he owns her. Bo goes upstairs and makes a “nobody owns her” speech about Ianka. Bamber (Alex Karzis) says she’s been in his family for centuries. He’s wearing a beaded and embroidered outfit that would make Liberace jealous of his wardrobe.
Bo mentions the Emancipation Proclamation. He mentions the GPS in Ianka’s necklace. Bo says that the famous aria needs to be sung. She appeals to his ego and convinces him he’s generous enough to make this happen.
Lauren learns the journals are by famous scientists. You know, Einstein, Curie – like that. Evony implies that they were Fae and says she has a whole vault full of them and tosses a few more into Lauren’s lap.
Lauren reads aloud from one, an entry about experimenting with tuberculosis on humans. She immediately thinks it was a dark Fae doctor writing the journal, but Evony tells her the doctor was human. They have an ethical discussion about scientific research. Weird.
Evony wants Lauren to feel free. Lauren says if she agrees to work with the dark Fae, it will have to be on her own terms. Evony says, “Fine. Scout’s honor.” Golly, I believe her, don’t you?
Trick and Kenzi talk at the Dal. Trick wants her to leave because an alchemist’s song can hurt humans. Hale (K.C. Collins) walks in and Kenzi goes all twitterpated. She smooths her hair and looks at Hale with expectation.
Hale walks right past Kenzi and hugs Ianka. Ianka squeals and hugs Hale like an old friend.
As everyone gathers to hear the famous aria, Kenzi – who might be a tad jealous – catalogs to Bo all of Ianka’s failings and says singer means whore in Russian. Well, not really. Bo, who isn’t really paying attention to Kenzi in this conversation either, says Ianka is the key to her finding Raynor.
Ianka sings and Bo remembers more about the train. She remembers finding a crown with the name Isabeau inscribed on the inside. She remembers being angry at seeing the crown.
A tall bald guy, Marcus, (Colin Lawrence) enters and stops the song. (Gee, he looks a lot like Kit Porter’s son.) Marcus says the singer is wired to explode. He’s got a gizmo in his hand that will detonate the necklace.
Marcus and Bamber are ready to start a war over possession of the alchemist.
Trick tells them to cool it because unrest will bring the Una Mens. Ianka gets taken to Trick’s lair once again, to heal and rest. Bo wants to take a closer look at the crystals in her necklace. Trick tells her that liquid volcanic argon can freeze the crystals so they won’t explore.
Bo sends Kenzi off to the volcanic liquid argon store. I’m not making this shit up, people.
Evony and Lauren are laughing, flirtatious. Lauren starts a Doctor’s Log Star Date journal entry about being on the couch with Evony. She’s letting her inner Trekkie out in front of Evony. It feels intimate and more open than she’s been with anyone lately. Lauren notices that the beer they are drinking is 25% alcohol. Oops. She’s tipsy.
Kenzi, who’s come in through the ever-open door, sees their behavior and asks the alternate reality Lauren to go get the real Lauren for her.
Ianka likes seeing Hale’s face. He likes seeing hers. They smile, hug, kiss. Bo happens to see the kissing. Oh oh.
Lauren reaches into her cabinet for a canister of liquid volcanic argon. What, you don’t keep a few vials in your pantry?
Lauren explains that Evony (Evony? says Kenzi) is helping her find a new place. Kenzi sniffs the beer bottle and says, “Hmm, this doesn’t smell like Kool Aid.” Lauren gives her a serious I’m-not-really-drinking-the-kool-aid look and asks how Bo is. Kenzi says, “She misses you. We all do.”
Lauren clicks into scientist mode and realizes something about the clear quartz Kenzi mentioned.
In Trick’s basement, Marcus is planning to take Ianka and go. Bo confronts him, but leaves when he threatens to blow up the crystals with his gizmo. (Not that gizmo. The gizmo in his hand. Oh, never mind.)
Upstairs. Dyson has made a receiver, which they use to listen to a conversation between Marcus and Ianka. They all hit the floor because they think he pressed the detonator. Nothing goes boom.
Kenzi arrives to tell them that the detonator didn’t detonate anything because of the transparency of the necklace, which of course, she learned from Dr. Lauren.
How is Lauren, asks Bo. Kenzi says, “Good, in a general alone sense.” Such a liar. Kenzi asks where Hale is. Bo says he’s around probably. Such a liar. Their conversations may be disconnected, but they still protect each other in matters of the heart.
Marcus and Ianka are gone. Bo finds out where using her succubus charms on Bamber, who claims Marcus is a radical bent on hatred.
Dyson does something that makes Bo say, “I love the sight of you.” This makes her realize that Ianka and Marcus are in love. She thinks Ianka and Marcus are going to use songs to kill all the bambers.
Kenzi says, “Hale’s gone and I haven’t even told him that I . . .”
Bo and Kenzi arrive to tell Ianka not to sing. She denies the song will be a death note. Instead it will tell her and Marcus’ families about their love.
Marcus lets the pretty girl in the feathered dress down by telling her some things are bigger than love. He blows his horrible whistle thing to make her sing a death song, but Hale shows up and sirens Marcus. Marcus aims his big gun at Hale. Bo gets between Hale and the gun. Marcus aims his big gun at Bo. Ianka gets between Bo and the gun. Marcus aims his big gun at Ianka. They’re lined up like soul train.
Marcus makes the mistake of calling Ianka a bitch and she sings a death knell that kills him. Take that, buster. The song hurts Kenzi and Hale, but not Bo for some reason. Hale picks up the suffering Kenzi and carries her off.
The song weakens Ianka so much she collapses. Bo holds her and promises her freedom. Ianka will die to be free. She says stories of the unaligned succubus made her believe she could be free. Bo says I’m not unaligned any more. Ianka says, “Your heart is what you want it to be.”
Ianka puts something in Bo’s hand, says, “For you. As you wished,” and dies in Bo’s lap.
On a bench, Kenzi is moaning about the pain in her ears. Hale sits beside her. “You’re finally here.”
Hale’s remark must make sense to Kenzi. She says I’ve always been here and kisses Hale. It’s a sweet, tender kiss, unlike Bo’s kissing of late. The exact opposite of Bo, in fact. Bo’s been all wham bam thank you wolfie for a while. Hale and Kenzi cuddle on the bench. Hale’s ears are bleeding, but he doesn’t let Kenzi know it.
In her bedroom, Bo opens the thing Ianka gave her. It glows and creates music that takes her back to the train. She sits in front of a mirror. A light colored hand print appears at her throat, makes Bo stand up and say, “No. I can’t do this.” Bo puts the lid back on the thing. Dyson comes into the room, sees Bo looking upset. He says, “Bo.” She just looks at him. She’s confused, stunned.
Evony gives Lauren the key to the dark science facility and the key to Lauren’s new condo. Lauren says, “I’ll never trust you.”
I wouldn’t respect you if you did, answers Evony. She tells Lauren, “This was fun.”
Lauren kisses Evony. Yes, she really does.
Evony says, “This could be the beginning of a beautiful . . . something.” She doesn’t say friendship as the nods in this episode to Casablanca would require. She comments that she knows Lauren has really gone dark because she can taste it.
The second Evony leaves, Lauren digs out a mirror and some tweezers. She pulls a layer of something off her lip and puts it in a petri dish. A little sample of Evony in a petri dish – what’s Lauren going to do with that? She looks very satisfied with her sample. She raises her beer bottle and toasts, “To it beginning.”
Bo deals with her problems the only ways she knows how. With sex. Rough and impersonal sex.
Dyson keeps telling her to look at him but she won’t. She keeps her eyes firmly closed. Finally she clamps a hand over his mouth to shut him up so she can get on with it. “Don’t tell me what to do.”
They pull apart. “It’s okay.” Dyson says, “No one owns you.”
She’s afraid she’ll become like Marcus, bitter and choking on thoughts of revenge. She says she doesn’t even know the other Bo. The Bo who spent a month on a train hatching a plan and who joined the dark, willingly.
She kneels in front of the mirror. We see a hand print at her throat.
He marked me! Who, asks Dyson. The Wanderer. Raynor. He might be my father.
Three of The Una Mens appear in the room, complaining that the codex of laws have been broken. By Dyson. He responds with wolf growls.
The Una Mens can growl, too. The episode ends with snarling.
Lauren is up to something, but I’m afraid to predict what it might be. There’s no predicting season 4 of Lost Girl. No predicting.
Bo’s Fae Alzheimers is is causing havoc. And dragging on. And on.
Kenzi and Hale are acting like they’re a thing now. That’s actually sweet and charming and hopelessly romantic.
Inappropriate as it was, devious as it was, I really enjoyed the light-hearted exchanges, near flirting, and laughter between Lauren and Evony.
The Bo and Dyson sex scenes this season have been strictly sex with no feelings – something Bo boasted about to Lauren earlier, but now are reality. She seems to be using him without regard for his feelings, and he’s letting it happen!
Speaking of sex, since Bo learned 3+ seasons ago that she was Fae and a succubus, her sexual nature has been the one thing about her identity that she was able to comprehend and master. But now even that part of her is turning hellish and torturous. Our Bo is in deep trouble.
Bo was supposed to be babysitting Vex but he’s nowhere around. Where’s Tamsin, what’s up with Bruce, and will we ever find out what happened to Crystal? What happened to Bo on the train? Will Bo ever be the Bo we love again? Who is Bo’s father? Did Bo and Lauren break up while they were frantically kissing in the last episode and not tell us? The never ending tension in every single story line is killing me. Can’t we resolve at least one of them?
If they were going to make references to Casablanca, couldn’t they have found a reason to include “As Time Goes By” in the soundtrack as well?
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On Christmas Eve, the BBC announced that a series 3 of Last Tango in Halifax is a go. The announcement quotes writer Sally Wainwright.
Writer and executive producer Sally Wainwright says: “I’m so happy we’ve got a third series, it’s so exciting to be able to take these characters further and to find out loads more stuff about them. What’s so great about writing for characters like Celia and Alan is that there is a wealth of back story to explore. Series three will be a whole new emotional ball game.”
The characters Sally Wainwright created in Last Tango in Halifax are hugely popular in America as well.
The third series of the drama goes into production in 2014, and will be broadcast later in 2014.
Awards for the series include 2 British Academy Television Awards (Best Drama Series and Best Writer). BAFTA nominations included Derek Jacobi, Anne Reid and Sarah Lancashire in the Best Actor, Best Actress and Best Supporting Actress categories. It’s received 3 Royal Television Society North West Awards. It’s been shortlisted for Best Drama Series at the Broadcast Awards 2014.
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Girl in Progress is a coming of age story about a girl who writes her own coming of age story based on research on the coming of age genre, then attempts to live it out according to plan.
Starring in this 2012 film are Eva Mendez as the mother, Cierra Ramirez as the girl in progress, Matthew Modine as the mother’s married boyfriend, and Patricia Arquette as the girl’s teacher.
Ansiedad, the girl in progress, is Cierra Ramirez; you may know her from The Fosters. She’s an extremely bright and creative teen who is captured by a remark her English teacher makes about coming of age tales. She has an interesting reltionship with her English teacher.
The mother of this wise but naive teen is often gone, either working or conducting inappropriate relationships with married men. In her absence, Ansiedad plots out a complete coming of age story for herself which includes stealing, hanging with the mean girls, dumping her best friend, losing her virginity and leaving home. She then proceeds to live this plan out so she can have the needed epiphany that will carry her into adulthood.
The movie is out on DVD and available from streaming services now. Take a look at the trailer for the film.
I have to admit I watched the film because my granddaughter recommended it to me. She’s in the throes of her own coming of age saga right now, which is why the movie appealed to her. I found it good as well, even at my advanced stage in life. On a scale of 10 stars, I would give it at least 7.
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Old Ain’t Dead began on July 16, 2013. Since that day, about 120 posts have appeared. Normally, I’d give you the top 10 posts of the year, but Old Ain’t Dead is still a baby. In light of our 6 months of operation, I’m only going to list the top 5 posts. Next year, I’ll aim for 10. Hope you’ll stick around for it.
We begin this episode of Lost Girl back in the conversation in which The Keeper (Christine Horne) tells Bo (Anna Silk) her blood has spoken and she’s dark.
Bo calls bullshit on The Keeper, but, alas, the gargoyle read her blood when he took that chunk out of her arm. Bo wants to know how something so momentous could happen without her approval. Seems it’s a mystery for her and whoever led the dark recently – that would be Vex (Paul Amos). The Keeper tells Bo to leave. Bo says, “If anyone’s taking a leave, it’s you and your circle jerk of doom.” She planned this as her grand exit remark, but The Keeper adds, “If you see the human doctor or that terrorist pet of yours, tell them we will see them soon. Their deaths will be most painful.”
Bo tries sucking the chi from everyone in the room, but as soon as she does it goes right back where it came from and Bo collapses on the floor.
Bo’s current choices are, 1) Pay fealty to the leader of the dark Fae, or 2) die. I hate it when The Keeper gets in the last word.
Bo and Kenzi (Ksenia Solo) go to some joint where the purpose of the place is either to make a whole lot of 69 jokes or else let Bo fill up on sexual chi.
I’ve said for 4 seasons that Bo needs a place she can pop in on her way home, a place away from her love life, to fill up on sex. A gym full of Amazons, or a biker bar full of dudes in leather jackets. A place to service her needs. All of a sudden such a place appears, serving up just what Bo craves. Welcome to Club 69. Take a number.
Once Bo’s recharged the old double D’s – her batteries, you silly – she blames her current problem on The Wanderer. She’s ready to find him and plans to use Vex to help her.
Kenzi thinks maybe Dyson could help, but he’s still off somewhere searching for Lauren (Zoie Palmer).
Dyson isn’t the only person MIA in this episode: Hale is missing, too. Every episode so far in season 4 has had missing persons. Is this a meaningful statement on the “lostness” of everyone in season 4, or is it budget cuts?
Bo and Kenzi storm The Morrigan’s place to discover that Evony (Emanuelle Vaugier) is back and très happy that Bo has joined the dark Fae. Since Bo thought Evony was dead, she is a bit surprised finding her here. Bo says she’s having her dark conversion annulled as soon as she gets Vex.
The Morrigan invites them to a dark Fae party. The Morrigan says Bo can get out of being dark Fae if she shows proof she was tricked before the next full moon – which is that night.
Trick (Rick Howland) promises to do dinner with someone on the phone if they will get him intel on The Wanderer. When he hangs up the phone, he looks at a pulsating seed or nut thingy. Whatever it is, it requires worrisome music as it pulsates. Trick locks it in his vault.
A man appears out of the dark to tell Trick he’s been summoned by the Una Mens for an inquisition on his life.
Kenzi, Bo, and Tamsin (Rachel Skarsten) arrive at the dark Fae party. Kenzi goes straight for the food and booze. Evony offers Bo a human to feed on. Bo sends the human and her human friends packing. Evony finds Bo’s refusal to feed off the human lame. She argues that at least the dark Fae are honest about what they do, unlike the light Fae who pretend they are better than the dark.
Evony shepherds Bo outside where they continue to argue about whether or not Bo is going to stay dark and be loyal to The Morrigan. The Morrigan repeats the story that Vex is who they both need to find. The Morrigan is “giving her every resource” to find him. To prove what a good friend she is now, Evony turns Bo around to see this.
Lauren walks across a grassy field, looking so gorgeous it’s likes she’s a Valentine’s Day commercial.
Bo smiles as Lauren walks closer in slo-mo. As Bo watches this heavenly creature approach, she frowns slightly – maybe things aren’t entirely perfect in the situation.
While the Bo and Lauren reunion is going on, Trick is before The Keeper for his inquisition. We learn the story of the Una Mens. When the Blood King became corrupt, a council was made of members willing to sacrifice their individual flaws to form a single soul without ego or ambition. The Blood King agreed, then betrayed the Una Mens. The deal involved every one of the six council members swallowing a seed of the sacred papyrus plant to be blessed as a single vessel of humility and justice. The king stole his seed and vanished. (Hey, Keeper, I think Trick has it in his vault.)
The Keeper says if the Blood King swallows the sacred seed, he can be unchallenged and take his place among them. Trick likes the unchallenged part of her remarks.
Bo and Lauren find a quiet room at the party, where they say they have a lot to talk about but can’t stop kissing long enough to say much or eat the quiche a waiter offers. Bo, in her new none-too-tender way, is ready to rip Lauren’s dress off her right there at the party. Lauren doesn’t seem offended, she only wants more kisses.
Kenzi and Tamsin are filling plates off a table covered with 9000 kinds of food, when Kenzi picks up some sushi and discovers Bruce under it. The sushi table is actually Bruce (Ron Archer). Kenzi calls him brushi.
He says it’s his punishment. He’s shirtless (hey, someone’s gotta do it – Dyson’s not here) and Kenzi pulls a tablecloth off a nearby table to wrap around him. The bride and groom whose party this is lay dead under the table, but Kenzi is more interested in Bruce. Bruce, however, feels bad because they read their vows in iambic pentameter – so lovely.
Bo and Lauren continue kissing as fast as they can. Lauren says, “Bo, I’m so glad you’re here.” She pauses, “Why are you here?” Equally interesting but unasked by Bo: why is Lauren here?
“Vex worked with The Wanderer to turn me dark.” You’re dark? asks Lauren. Lauren says she’s hiding from the Una Mens. That does not sound right – the Una Mens isn’t who had her captive in the last episode, even though they threatened Bo with Lauren’s name. Bo and Lauren promise to tell each other everything, but instead start kissing again.
Evony comes and and goes back to business. She wants a blood oath that Bo will bring Vex to her. In exchange, she offers the means to find him.
In walks Pietra (Samantha Espie) who is super pumped to be going on an adventure with Bo as one of “Evony’s Angels.” Evony explains that Bo also needs a certain drug that only you-know-who can provide to make Vex compliant. Evony leaves with the Scavenger and tells Bo and Lauren they have a few minutes to collect themselves.
Not much time, says Lauren. Bo figures waste not, want not, and grabs Lauren for another kiss.
Bo, Lauren and Pietra take off in the dead bride and groom’s limo to search for Vex. A Just Married sign and a string of cans decorate the back. Pietra does some scavenging and comes back with a huge knife.
The knife is the key to Vex being able to cut out some poison which prevents him from leaving town. Vex is expecting Pietra to bring him the knife.
Bruce, still shirtless, but not for long so enjoy it while you can, tells Kenzi he can be saved if another Fae masters him until his punishment is fulfilled. Kenzi immediately tells Tamsin, who is, what – 3 weeks old by now – to master Bruce.
Tamsin grabs a mic from the D.J. (so convenient there’s a D.J. at this party) and says she’s gonna master all over the big guy, Bruce.
Wait one sec. You can’t just declare yourself a master. You have to duel for it with the current master. Evony calls out the “dualist.”
The dualist is a bad ass chick that isn’t going to take any shit off of anyone. Unfortunately she doesn’t have any lines, so I can’t find a credit for her name. Just call her Awesome Personified for now.
On the street where Pietra is attempting to attract the attention of Vex by marching about with the big knife, Lauren gives Bo a syringe full of Socrates’ own hallucinogenic for subduing Vex.
Bo wants to talk because they could be there a while. She wants to know about their break, about Taft, about who Karen is. The heart-to-heart is interrupted when a tall blonde who looks like she’s auditioning for a part as a walker on The Walking Dead stumbles up and snatches the big knife. Clearly, Vex’s mesmering at work. Bo takes off after the walker.
She finds Vex in a warehouse. She tells him he and The Wanderer are going to undo making her dark Fae. He says he knows nothing about a Wanderer but legends. She intends to haul him back to the Morrigan.
Through a misshap with the girl who was on her way to The Walking Dead, Vex shoots the drug into Bo. We see that Vex’s hand is seriously messed up. We also see that Vex’s messed up hand looks something like a glimpse of arm we saw in episode 4 when Lauren’s captor revealed himself.
Bo wakes on a bed, paralyzed. Vex is boiling up something to help him with some surgery.
He must cut off his hand with the giant knife in order to save his own life. He’s the last mesmer and not about to go quietly into that good night. Bo urges Vex not to amputate his own hand. Lauren didn’t do a full amputation – just a break. Now they are back together again and Bo is humming heart happy songs.
Vex is annoyed by her happy heart and ready to cut off his right hand, Ginger, because he’ll still be able to dance with Fred, his left hand. Most guys name their junk, but not Vex.
At the party Evony flips a coin and Tamsin gets to pick the weapons for the duel over Bruce. She chooses to dance. Lucky us, there is a D.J. handy to spin some tunes.
Dance to the death commences. Tamsin’s been getting lessons from Kenzi, but she’s pretty terrible, although I judged her twerking improved.
Awesome Personified, however, is awesome, and clearly going to win the battle to remain the master of Bruce.
But wait, Tamsin has a secret weapon.
Tamsin goes skeletor on the dualist and kills her right there. One way to dance to the death, I guess. Tamsin’s a bit surprised and upset by her Valkyrie powers but the Morrigan says, “Well done, our little blooming warrior princess.”
Back at the warehouse, Bo regains some movement. Vex drinks the stuff he’s been brewing and THWACK, he chops off the hand just as Bo is able to get off the bed.
Oh, gross. She picks up the hand. Don’t mesmers bleed?
Vex uncovers a red sports car that looks like it should belong to Agent Colson on Agents of S.H.I.E.L.D and which he will now have trouble driving. The missing hand, you know.
Bo chases after him and learns that she should have been talking to The Morrigan’s archivist if she wanted answers. Bo realizes The Morrigan played her. Vex wants her to “take the stick” if he takes the clutch and together they can drive off in the hot red sports car.
We miss the whole car driving experience and go straight to The Morrigan’s office for the next scene. Bo gives Evony the hand in a bag of ice, but Evony wants ALL of Vex to get rid of the Una Mens. Bo says she won’t let him be tortured. Evony says okay, if Bo agrees to be responsible for him. She says fine, so now Bo is babysitting Vex again.
Bo says, “Archivist. Now.” The Morrigan says, “Oh, you figured it out.”
The archivist (Clint Butler) enters and pulls a layer of skin off his bald head. Any pledge to the dark shows up there. He hands the flap of skin to Bo. The Morrigan, peaking over her shoulder, says, “There’s your signature. And there’s your sponsor.”
Bo reads from the flap of skin, “Who’s Raynor?”
Evony hasn’t a clue. Bo wants her to tear it up because she obviously had nothing to do with the agreement. Evony says it’s a binding agreement and the only person who can change it is her sponsor.
Bo snatches Vex’s hand back. Lauren walks in. Evony conveniently leaves her own office so Bo and Lauren can share doleful eye contact.
Cut to the Dungeon. The Keeper is still questioning Trick. She offers him the job of The Ash. He wants it.
Bo wants to take Lauren back to her place to share a giant claw-footed bathtub.
Lauren makes one of those awful speeches she does periodically when she’s protecting someone. (Speaking of Crystal, where do you think she is?) She says she can’t go back with the light. The light never looked for her, but the dark offered her protection. No one else came. With the dark she can come and go as she pleases. Lauren says, I feel free. Bo says, I could free you.
Lauren says, How? Bo says I could claim you. Lauren thinks that’s not freedom.
Lauren pats Bo’s shoulder. “It’s gonna be okay, Bo. Now that you’re dark, I’ll see you around.” I’ll see you around? What is Lauren doing?
Maybe Bo recognizes that Lauren’s speech closely resembles the cover story speech she delivered at Taft’s lab, because she says, “When you’re ready to come back to your real family, let me know.” Even so, Bo looks crushed as she leaves. No happy heart songs now.
Kenzi and Bruce talk in Kenzi’s bedroom. (Kenzi’s bedroom again. Hello room.) She tells him he’s free and he should spread his wings and fly. Tamsin, who is pretending to sleep nearby, smiles at this suggestion. I wonder, can Valkyries fly?
Bo brings Vex’s hand in a copper bucket of ice to the Dal. A drink and a talk with Trick at the Dal is the closest Bo has come to doing something normal since she’s been back. He tells her he’s been named the acting Ash. They drink to how odd it is that Trick is the head of the light and Bo is the darling of the dark.
She asks about Raynor. Trick says they need to look in the King’s book of records.
There’s a rush of dramatic music and we see something spilled on the floor but I cannot tell what it is. Maybe the empty container that once held that pulsing seed?
The Archivist enters the dungeon where he gives the succubus declaration, AKA the hunk of skin from his bald head, to The Keeper. She looks at it and opens a big book.
She looks for the name Raynor. When she finds it the letters go all squiggly. She says, “No. It cannot be. Never again.”
“The Wanderer” plays as the credits roll.
The Bo and Lauren reunion is less than perfect, I suspect because Lauren is once again, for the millionth time, doing something she doesn’t want to do because someone she cares about is in danger. If I’m right, that may mean Ali Liebert isn’t finished with Lost Girl yet.
The name Raynor comes from a root word that means king or leader. In Norse the meaning of the name Raynor is warrior from the gods. I’m thinking that means The Wanderer. The music at the end was a big clue, but the name tipped me off long before the final credits.
I’m not convinced that Vex is the guy who was holding Lauren and Crystal in episode 4. It didn’t sound like Vex on the speaker. Why would Vex call her Karen? But the hand looked wonky like Vex’s hand. Who else could it be and how did Lauren get delivered to The Morrigan?
Since Bo can be healed by sexual chi, I’ve indulged in wishful thinking that the cruel, not-our-regular Bo we’ve seen in the previous episodes this season would be healed by Lauren’s return. Healing love, don’t you know. It almost seemed like that was happening, but it didn’t quite. The jury is still out on whether Bo can return to her pure heart.
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A poem should not mean But be. – Ars Poetica by Archibald MacLeish.
This season on Lost Girl storylines just are. No transitions, no explanations, no clarifications. They are what they are. Like the poet said, we must be willing to let it be, no matter how badly our minds want to fill in the blanks.
Bo (Anna Silk) and Dyson (Kris Holden-Ried) are boxing. Bo complains about being restless. Dyson says you have to lay low, they’re looking for you. Bo says, so they want to kill me – so what. Dyson says the Una Mens power is ancient. Bo points out that’s the last thing on her mind. Dyson asks if she wants to talk about that first thing on her mind.
Bo pauses, is there any word? Dyson says not lately, but it’s better if she stays away. Then he says Lauren’s smart, she can take care of herself.
Oh, now Bo remembers Lauren. As soon as we realize this new fact, Bo strips off her boxing gloves and says she might as well juice up if she has to protect herself.
She grabs Dyson by his junk and wants sex. He’s willing and they start tearing off their clothes and going at it. They’re rough about it. Not Buffy and Spike destroying a building rough, but definitely not tender.
A stone gargoyle appears. It startles them and disappears.
It’s the first of several appearances the stone boy will make, but it doesn’t distract the succubus from her sex drive for long.
At the clubhouse an older teen Tamsin (Eliana Jones) is being schooled in the art of twerking by Kenzi (Ksenia Solo). We all know that the way to escape being labeled a child is to twerk, right? Kenzi’s brushing Tamsin’s hair and comments that not a single strand came out on the brush.
Bo arrives but cannot enter because of a guard spell on the doors that flares up. Kenzi runs to fix it because “it’s only supposed to block out malicious Fae.” Can you say foreshadowing?
Kenzi gives Bo a huge hug. It’s apparently one of many, because Bo asks how long the incessant hugging is going to last.
Bo and Kenzi leave teen Tamsin at home to watch The X Files so they can go boozing at a Dal made very sad by the approach of the Una Mens. Trick is nowhere in sight, but Bo puts music on and gets everyone in the place dancing. Bo Bo is back, says Kenz.
Massimo (Tim Rozen) is at the Dal, wanting payment from Kenzi for his faux fae sparkle cream. She promises he’ll get it and lifts a jar of the stuff from his pocket while smiling into his eyes with succubus-like charm.
Back at the clubhouse, teen Tamsin gets a visit from a couple of guys in hoods and robes. She goes all skeletor on them and then bends over with a pain in her back accompanied by the sound of bones cracking. When Bo and Kenzi get home, the place is emptied out. They’ve been robbed.
They find a naked Tamsin, who is finally the grown up Rachel Skarsten we’ve been waiting for. She says, I think I grew again.
Bo and Tamsin are at the police station, reporting the robbery to Dyson.
Bo and Dyson talk about sex but because of Tamsin’s baby ears they refer to it as going shopping. It’s flirtatious and sounds like fun to Tamsin, who wants to go shopping with them. Bo jumps up with the excuse that she needs to use the facilities and dashes off, leaving Dyson stuck babysitting Tamsin.
Tamsin points to a book of mug shots where a photo of Lauren in circled in red. Who’s this? she asks. Dyson says it’s someone who’s lost and Tamsin has to help him find her.
Cut to a dark room where Crystal (Ali Liebert) is handcuffed to a pipe. She says, It’s all my fault. They told me they wouldn’t hurt you. Lauren (Zoie Palmer), who finally sports her own blonde hair, wants to know who they are.
A voice comes from a speaker. Long time no see Lauren, or should I call you Karen?
Kenzi looks for Massimo and gets thrown in a van by a couple of thugs. Bo appears and saves her. Bo says since when to you fly solo? I’m back. Kenzi says it’s my problem. She tells Bo that the problem is with Massimo and Bo gets upset that Kenzi knows him. Bo thinks Massimo sucks.
Bo and Kenzi go to Massimo’s place. Bo tells him the rune glass didn’t work, it didn’t kill her. He says, I gave it to Tamsin to mark you, to allow you to transcend planes to be collected. She wants to know who took her but he won’t say.
Bo says she wants their stuff back and then he’s going to leave Kenzi alone. He still wants payment, which he will take in the form of something that grows in Lauren’s apartment on her green wall. Bo says they will get the herb, but if he doesn’t keep his end of the bargain, she will kill him. She looks like she means it, too. What happened to all those I’m not a murderer speeches she used to make?
Back in the dark room where Lauren and Crystal are held, Crystal confesses, I slept with you to keep you close. They made me. But after I did, it was different. It was more. I’m thinking when a woman who can keep a succubus happy visits your bed, her mad skills definitely should make an impression. Is that the kind of “more” Crystal means? Nah, probably not.
Lauren nods her head. Spybanged – I’ve been here before. In your shoes, actually.
Lauren makes a confession of her own. She has a brother who’s an eco-terrorist. She made pipe bombs for him to blow up pipelines. Eleven people got killed by one of her pipe bombs. She says, not a day goes by that I don’t hate myself. She’s been running ever since. Lauren says, I don’t know why I’m telling you this. I never even told Bo.
The voice on the speaker wants Lauren to look under a tarp, where a drawer full of science equipment waits. If she doesn’t provide some science within an hour, Crystal dies. Is Lauren really going to have to go through this again?
At Lauren’s Kenzi looks for the right plant as she and Bo talk about Lauren. Like why did she go with Taft? Kenzi says Lauren was one of the good ones. Bo says I always thought you were on Dyson. Kenzi guiltily asks on, what do you mean on? Bo explains she means team Dyson.
Bo finds the wanted poster for Karen Beattie. She says I didn’t know Lauren at all. I don’t even know her name. Why does everyone lie to me, she asks. Except you, Kenzi, which is why I love you. Opps, goes Kenzi’s face. They try to leave with the herb but flames bar the door.
At the police station, Tamsin is helping Dyson check Lauren’s phone records. No phone calls for the last two days. She wonders if she was a good cop. She wants to know if Bo is Dyson’s girlfriend. He qualifies his answer by explaining about Lauren. What does love feel like, asks Tamsin.
At Lauren’s apartment, Bo and Kenzi discuss how to get past the flames. Kenzi says maybe it’s the Sparkle Plenty gleam cream and a shower might help, but she doesn’t want to wash her hair.
Bo solves the problem by dumping water on Kenzi’s head. At least Kenzi can get through the door now. Bo stays behind and digs through Lauren’s stuff. She finds a gift box – the card reads “For giving me the freedom to love. And I do.” Inside is a necklace.
Bo assumes the gift was for her and clutches it to her heart. Well, as close as she can get to her heart with those boobs cantilevered up so high by her engineering marvel of a bra. She looks soft and moved – the Bo we used to know before this Bo who threatens to murder people showed up.
Bam, up pops the gargoyle. Bo turns to the gargoyle but it’s gone. Who’s there? she asks. Wanderer? She tells whatever it is that she won’t be taken again. She finally catches a glimpse of the gargoyle. It’s mouth is bloody and Bo has a bite on her arm. Kenzi returns to fix the flames at the door and finds Bo with a bloody arm.
Cut to Tamsin, who is bleeding from her shoulder blades.
Kenzi bandages Bo’s arm and makes her own all-inclusive confession. She owes Massimo a lot. She’s been stealing from Trick and from Hale. She can’t get a permanent Fae power no matter how much she tries. She’s been feeling helpless and not able and a liability. She kissed Dyson. But she thinks she only really wants to kiss Hale. She’s alone.
Bo says she’s not alone, she has Bo. Kenzi says, you left me, Bo. What if you leave again? As hard as I try, I’m just not one of you. Bo says what’s going on? Of all the things I’m in the dark about, I never thought it would be you.
Dyson calls and says he’s lost Tamsin. Bo asks Kenzi what she saw of theirs at Massimo’s. Kenzi mentions her hair brush, which Bo thinks Massimo wants because of the mad value of Valkyrie hair.
Massimo shows up at the clubhouse and tells Tamsin they are friends and she is supposed to go with him. He takes her to his place where he tapes her to a chair and cuts off a hunk of hair.
Tamsin squirms about in the chair and moves her shoulders as he explains that she tried to kill Bo. That’s why Bo hates me, she says. He’s only interested in the hair.
Bo arrives to tell him not to cut a woman’s hair when she doesn’t want it. He puts his razor to Bo’s throat and we hear a powerful command, “Stop. Release,” from Tamsin.
Bo and Massimo are startled by Tamsin, who has sprouted a wing span of about 15 feet. That’s new.
In lockup, Lauren reports that the elder she’s supposed to diagnose needs to stop eating his own kind because he has “mad fae” disease. She takes off her handcuffs and chains, calling them child’s play. She doesn’t remove Crystal’s handcuffs, however. For some reason, the dude on the speaker has to do that.
Come on out, Hale, Lauren says.
A metal door clangs open, a shaft of light illuminates Lauren, and she stares in amazement. All we see is a bit of arm. You’re not Hale, she says.
At Massimo’s pad, Tamsin wants to kill him, figuring she kills because she’s dark. Plus the fact that she announces that she’s the Harbinger of Death. Bo tells her she can be whatever she want to be. Tamsin says you despise me. Bo says we fought but I never hated you. In fact I thought you were incredible.
Bo hugs Tamsin, gives her a full body shot of succubus charm. The wings retract, the murder goes out of her eyes, and Tamsin says that’s what love feels like.
Massimo says when a Valkyrie gets her wings it’s her last life. Bo accuses him of sending the gargoyles, but he says they only serve their masters.
She succubus kisses him and blurts out, you’re human! That how you got into our house.
I’m a Druid he says, you need me.
She takes the lock of Valkyrie hair. He begs for it back. He cries, saying it’s for his mommie. Bo says, mommie issues – take a number. Bo walks out and tosses the hair in a flaming cauldron. Massimo screams and jumps into the cauldron, too. Bo says no, but she smiles: cruel.
Bo’s back in boxing gloves hitting the punching bag. She tells Kenzi she’s not mad about Dyson. Bo says that Druid potion that marked her needed to be a kiss from someone who would never betray her. Kenzi says, but I did. Bo says, no. You and me found each other and we are family. We stick together even though we fight and screw up.
Forgiven and accepted, Kenzi beams.
In Kenzi’s bedroom, Dyson is telling bedtime stories to Tamsin to get her to sleep. It’s season 4 and we just now see Kenzi’s bedroom. It’s strung with twinkly lights but otherwise is so dark you can’t tell much about it, which is a problem because I want to look around. Kenzi comes in. Dyson and Kenzi talk quietly on her bed.
Dyson tells her she doesn’t have to be Fae to have a place among them. He offers to teach her how to be “more.” He tells her he’s lost Lauren and he needs to find her.
Bo walks into the dungeon where the Keeper (Christine Horne) held Vex. You have not been summoned to appear before us, the Keeper says.
Bo says, I go where I want when I want. I don’t live by your rules. Kill me if you can.
The Keeper says, we are not interested in your proposal. Our intention was to eliminate the unaligned succubus.
Bo says, yeah, here.
Your blood has spoken. You have chosen a side.
You are dark.
Lauren is the lost girl in this episode and Bo’s heart seems hardened. We are not back to normal yet. Plus memory losses are still an issue.
References to building pipe bombs and spybangs and the value of Valkyrie hair go way back to past seasons. Nice. Also nice the way Lauren’s living wall turned out to be meaningful.
Bo is told she’s dark whether she chose to be or not. That’s an interesting twist. Will she remember her words to Tamsin that she can be whatever she wants? And if it’s her blood that has placed her in the dark camp, what about her Blood King grandfather, who is light? Aife is dark. The Wanderer, who may or may not be her father, is dark. Does she really have a choice?
Dyson is always willing to have sex with Bo, but he doesn’t regard her as his despite her willingness to have sex with him. Does this mean Lauren is still a factor in a love triangle? Most importantly, why doesn’t Bo show any interest in rushing off to save her?
Brava Ksenia Solo! I love the joy of the endless quip from Kenzi, I do. But thanks to the writers for giving Ksenia Solo the chance to show her considerable range and depth this season. So much talent.
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If you have Netflix and haven’t watched the first season of House of Cards I recommend you watch it. It’s excellent in every possible way storytelling and acting can be excellent. The first season won 3 Emmy awards.
Season 2 will be released February 14, 2014. Here’s the trailer from Netflix.
Among the many featured actors in the series are Kevin Spacey, Michael Gill, Robin Wright, and Kate Mara. Kevin Spacey carries the lead as the ruthlessly ambitious Francis Underwood.
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The Golden Globe nominees for 2014 were announced last week. It’s worth mentioning the number of names in the female categories that are women over 40. There were at least 2 of the 5 nominees in each category who are over 40.
I have to confess that one of my favorites, Tatiana Maslany, is in the under 40 group. That said, I’m loving how many of the nominations went to women over 40 – some of them several decades over 40. I celebrate them all!
Look at the names of women over 40 who scored awards nominations this year.
Best Actress in a Mini-Series or TV Movie: Helena Bonham Carter, Jessica Lange and Helen Mirren
Best Actress in a Motion Picture, Drama: Cate Blanchett, Sandra Bullock, Emma Thompson and Judi Dench
Best Actress In A Motion Picture, Musical or Comedy: Meryl Streep, Julia Louis-Dreyfus and Julie Delpy
Best Actress in a TV Series, Comedy: Julia Louis-Dreyfus, Amy Poehler and Edie Falco
Best Actress in a TV Series, Drama: Julianna Margulies and Robin Wright
Best Supporting Actress in a Motion Picture: Julia Roberts and June Squibb
Best Supporting Actress in a Series, Mini-Series or TV Movie: Jacqueline Bissett, Janet McTeer, Monica Potter and Sofia Vergara
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Bo (Anna Silk) is back in command of most of the scenes in Lost Girl this episode, but she’s not quite in command of her memory yet. I’m usually the queen of willing suspension of disbelief, but this episode strained even my willingness to gloss over strange plot points. Oh, who cares, Bo is back!
Dyson (Kris Holden-Ried) and Clio (Mia Kirshner) pop into view on the train. Dyson is disoriented and in pain.
Clio explains (exposition is her middle name) that his pain is transcendental in nature because he isn’t an elemental (not because he’s been reading too much Ralph Waldo Emerson). Clio, the elemental, can blow red smoke rings in his ear to save him from trancendentalism.
A strange conductor appears and Dyson asks about Bo. Every time he says the word “Bo” the entire train shakes. And he says Bo a lot! They hear screams. Clio says it’s damsels (damsels?) who are trapped and trying to get out. She says they have to get out of there and find his girl.
Bo meanwhile is running through the woods in her white nightgown and Keds. Every succubus wears Keds with her nightgowns, right? She finds a house and goes inside. The furniture is covered with sheets. She hears arguing about what a shit hole this is and that it will only be for one night. A family walks in.
They are the Jenkins family, played by Lochlyn Munro, Chloe Rose and Katherine Ashby. Bo stares at them, says “Home?” and the daughter bashes her on the head with an iron skillet. Ouch.
A barefooted woman approaches a man working at a vent. It looks like its full of papers that were hidden there. Is that a wanted poster for Karen Beatie? The woman talks to the man about his piano and how she could have made him a star. Then she touches him and he turns to a puddle of goo. We know who can turn people into stars and/or puddles of goo, don’t we?
She turns to face the camera and we see that Evony (Emmanuelle Vaugier ), the once famous Morrigan, has problems. Getting trapped by Vex behind a painting of yourself apparently isn’t good for your eyes.
At the cafe, Lauren (Zoie Palmer) has reorganized the place, which she explains to Crystal (Ali Liebert) with scientific precision. She asks Crystal if she likes it and Crystal says, “Yeah, I do like.” Of course, she isn’t talking about the sugar and salt placement and whether the vinegar is next to the ketchup. She’s talking about the woman in the bad wig.
Actually, maybe Crystal does like where the sugar is, because she snakes around Lauren to get it. Lauren says, “Crystal, I can’t,” once again. Methinks she doth protest a lot.
Bo wakes up. The two Jenkins women are staring at her. Bo asks, “Were you on the train? What happened to all the smoke? Does this have something to do with Lauren?” Julia, the daughter, says, “Bitch, I think your brain broke.”
Sounds like Kenzi, does Julia. Bo says, “I am so hungry.” The mother says, “Would you like something to eat?” Bo says, “Please do not ask me that.” The father walks in from hanging a whole line of shoes on the clothesline right outside the window. Hungry Bo looks at his hunkiness. Julia says, “Could you please not look at my Dad like he’s a hot dog.” When the mother tells her to be polite, Bo says, “She reminds me of my friend. It’s comforting.”
Dad says Bo has to go. She asks to use the ladies room and instead wanders all over the house.
Dyson and Clio find Bo’s room on the train. The nurse person tells them Bo’s gone. Dyson and Clio go to the back of the train and find a scrap of the white nightgown. Clio explains that if Bo jumped from the train the transcendental delirium that had affected him could kill her. Well, an elemental could save her. Maybe.
They hold the scrap of material and leap from the train.
Bo wanders in a basement in the house, finds a room with a metal door that looks like a cell. The Jenkins crew shows up with papa aiming a double barreled shotgun at Bo and generally being in a hurry for her to get going. They say they are protecting Julia from a ghost. Papa explains how they are haunted and on this exact day each year they lock themselves in these cells until morning to escape the ghost. “Dealing with weird shit is kinda what I do,” says Bo. “I can help.”
Papa doesn’t want help. The girl protests that there is no ghost. They explain that you cannot go outside past the shoes.
Bo agrees to leave. Dad locks up Julia.
Kenzi’s favorite Druid, Massimo (Tim Rozon), walks in to Lauren’s old apartment, where a woman is doing Evony’s nails. He says, “All of a sudden you can’t live without me.” Oh, the scene with the vent must have been in Lauren’s apartment, too. I see it now.
Why is Evony living in Lauren’s apartment? Didn’t it belong to the light Fae?
Evony wants Massimo to grow her eyeball back. And he better do it right. He promises a perfect imperial brown eye with a slight touch of green near the cornea.
Bo enters Julia’s cell. Bo’s lock picking skills are definitely returning. She calls Julia “Kenz,” and asks what’s going on.
Julia shows her a scrap book filled with news clippings about Jenkins family members who killed their whole families. Her dad saw his father shoot his entire family. They think a ghost makes them do it. Bo offers to help get her out of there.
Dyson and Clio and in the woods, tracking Bo’s scent. Until Dyson loses it. But, of course, Clio knows where to find Lazy John (Darren Frost).
Seems Lazy John was buried in the woods by monkeys. (Monkeys? Global warming has forced all the monkeys to move to Canada?) Clio asks if he’s seen a succubus running through the woods. He won’t talk unless he gets what he wants.
Clio knows what he wants. She whips off her shoe and offers to let him suck “just one” of her perfectly manicured toes. No deal, he wants Dyson’s toes. I’m heartbroken to report that we did not get to see Dyson getting his toes sucked by Lazy John. But afterwards, Dyson said, “We won’t ever speak of this,” as they head in the right direction to find Bo.
Bo and Julia are making their escape through the shoes. The shoes are there because the ghost has to try on every pair – slows her down, you see. And you have to walk backwards by the shoes because a ghost can’t jump into you when you’re going backwards. At which point Bo realizes the ghost is a body jumper. Too late, because it jumps into Julia even as Bo figures it out.
Papa with his shotgun thinks he’s going to have to kill Julia because the thing is in her. Bo tries to calm him down. Turns out he was the one who killed his whole family, not his father as he led everyone to believe.
Bo feels for the guy. She knows what it’s like to have something inside you that you can’t control.
Sparks fly from the light fixtures and the fire in the fireplace flares up. Julia rises up and talks in the same kind of strange voice Bo uses when she’s Bo-the-all-powerful. Julia claims to be pure evil. Bo tells mama and papa Jenkins to go hide, and with blue eyes flashing, she faces off with evil Julia.
At the cafe, Crystal brings Lauren a tip. Lauren goes straight to the sexual tension and says, “I’m sorry, I just have a lot on my mind.”
Crystal says, “I get it.” Lauren ask her why she’s there. Crystal explains that she thinks she’s bad luck and that her dreams of being the best singer in the big city were too much. She’s settled for smaller dreams. She shows Lauren an ad for a 10 acre farm, which she wants to buy. Crystal says, “I know you’re not on the market, but if you ever want to grab some pizza and beer and vent, you know where I live.”
Lauren doesn’t think she knows where Crystal lives, but it seems Crystal put her address in with the tip. Does Lauren like this? Yes, she does.
At the house in the woods, Bo and Julia are tossing each other around the room when Dyson arrives and grabs Julia. This apparently drives the chumby (gumby? jumbie?) body jumper right out of Julia and gives Bo a chance to say hello to Dyson.
Their hug fest is interrupted by Clio, who houses the chumby now. She tries to stab Dyson.
Lauren knocks on Crystal’s door. She’s brought beer, pizza and venting.
Crystal answers the door in a tank top and undies. Lordy.
They’ve subdued Clio now, so the jumbie jumps back into Julia, who promptly slices open her mother’s throat. Clio offers to get a peony plant to stop the bleeding. Dyson wants Bo to go or she’ll die, but Bo says she’s got it, she can handle it.
Crystal and Lauren are on the floor, leaning on her bed, doing the venting and drinking and eating just like they said they would.
Pizza and beer and venting must be a great aphrodisiac because Lauren finally stopped saying I can’t and switched to yes, yes, yes. Although the experience is vigorous to the max, the red hair stays in place. How can that be?
Dyson and Bo chase Julia into the woods, where Bo heals her by sucking the chi and the chumby out of her.
Suddenly Bo is in a whole other place, with a woman in old garb – the gumbie? She tells the woman to stop torturing the Jenkins family. The woman shows her reinactments of how she was tortured by the Jenkins family as a witch. How they tried to prove to her fiancé Noah that she was a witch by holding her underwater. This didn’t kill her, not because she is a witch, but because she’s an elemental. Boy, the elementals are taking over the place.
The older Jenkins leveled his double barreled shotgun (same gun?) at the woman and her Noah. He killed them both with a single blast. Then he buried them in two different graves. That’s her problem – the separate graves.
Bo wakes up suddenly. Oh, the whole reinactment in some other place was a dream. Okay. Even so, Bo feels all the anger. The chumby is trying to take over Bo. Dyson urges her to fight.
By the way, Massimo came through. Evony likes the new eye. She kisses him. He says, “What was that?” She says she realizes now she’s been far too nice. She wants to kill the succubus. Massimo says, “She’s gone. I helped Tamsin get rid of her for you.”
With Bo gone, Evony plans to take over everything. Massimo looks a bit concerned with this news.
Bo is still struggling with the gumby anger. She says, “Separate forever.” Clio jumps up and down in excitement. She says, “I know. If we bury them together it will end the gumbies need for vengeance.”
Bo gives Dyson a big kiss, says she can fight the chumby inside her, and sends him off to find the graves. Dyson and Clio find the graves and transfer all the bones into a single grave. Dyson finds wedding rings among the bones. Dyson has wedding rings, therefore, Bo appears.
Dyson puts a ring on Bo, a ring on himself, and recites some marriage vows as if he were Noah about loving her in sickness and in death. She does the same.
This drives the jumbie out of Bo and the ghosts of the two dead lovers do a little happy dance above the graves until they settle together in one. Bo, who is apparently back to herself now, looks at her ring finger, says, “Wait. Are we?” Dyson answers, “Ready to go home.” She says, “Hell yes.”
Lauren walks into Ronny’s Cafe all happy, still chipper about her enthusiastic yes from last night. And damn, what should happen but the phone rings and Ronny says some guy has been calling every 10 minutes asking about a Karen. She keeps walking and heads out the back.
Julia Jenkins, back to her normal Kenzi-clone self, is thanking Bo and offering to share some better fashions than the mud spattered nightgown. Bo gives her a slip of paper with contact information on it. Oh, I hope that means that Chloe Rose will be coming back again. It would be fun to see the real Kenzi and this near-Kenzi crossing verbal swords in the same room!
Lauren goes to Crystal’s and tells her she has to leave town. Crystal wants to come. Lauren says no. Crystal promises not to tell anyone who Lauren is.
Dyson, Bo and Clio and walking down a road in the woods, headed home. Dyson asks Clio to do the ear thing to Bo.
Instead Clio grabs Bo and holds a knife to her throat. She wants to collect money for delivering Bo. This doesn’t go over well with Bo, who is sick of being lied to and double crossed, and who sucks Clio down to a limp mess in the middle of the road. She doesn’t completely drain her, however, because dying with a smile on her face is too good for her. They killed Mia on The L Word, they killed her on Defiance, but our Bo has a heart of gold and she proves it. Mia lives!
Bo and Dyson walk away from Clio and talk about heading home. Later in the car, Bo is leaning on Dyson’s shoulder as he drives. They’re holding hands. She says, “I can’t wait to see everyone. Kenzi. Hale. Trick.” Hmm, isn’t there a name missing from that list? Dyson says, “Someday we’re going to have to talk about what happened on that train.” Bo says, “What train?” Dyson says, “I don’t know.” But Bo will figure out what happened to her one way or another.
Lauren is beside the road, trying to hitch a ride. Who should stop for her but Crystal. Lauren hops in, says, “I’m really happy to see you.” Crystal answers, “I’m really sorry.” Someone appears from the back seat and holds a cloth over Lauren’s nose, knocking her out. Big questions for next week: who was in the back seat and why did Crystal betray Lauren?
Bo and Dyson drive past Crystal’s car stopped on the side of the road. Bo says, “Should we stop?” Dyson says, “Whoever that is can fix their own flat tire.”
Welcome back, Bo. We missed you.
Bo and Lauren were in the same neck of the woods through this entire episode. So close, yet so far away.
Is the illogical crap in the plot lines part of the memory issue afflicting everyone on Lost Girl? Please.
Not a word was said about Bo’s father in this episode. Want to bet me that they drag that particular point out to the last episode of season 4?
Just when Lauren started trusting that temptress Crystal, we learn she’s sold Lauren out. Man, the worst things happen to Lauren. Plus, this rules out any future horizontal mamboing between Lauren and Crystal, which is a crying shame. Come on, y’all, Bo and Lauren are on a break – Lauren can mambo where she wants. It seems doing the mambo with anyone but Bo results in betrayal, however. Is there some deeper message in that?
It would have been nice for Dyson and Clio to take a moment to fill the grave full of reunited bones back in. You know, instead of walking off leaving the grave wide open. That’s like Bette and Tina stumbling off for the bed while leaving the gas on full blast under the stir fry. We worry over these details, dear writers and editors.
I hope we haven’t seen the last of Mia Kirshner and Ali Liebert!
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