Orphan Black: Variable and Full of Perturbation

Only two episodes of Orphan Black remain in season 2 after this week’s “Variable and Full of Perturbation.” This episode introduced quite a lot of variation and perturbation to resolve in that time, especially with a new clone Tony (Tatiana Maslany) showing up.

Yep, Tony. Formerly Antoinette Zwicky, now a trans man named Tony. He’s a bit of a thug with too much long hair and sparse, wispy facial hair. (I can’t believe I once complained about Cal’s hair and beard.)

The introduction of a trans clone ties a blue ribbon and big bow on the nurture position in the nature vs. nurture debate that has been ongoing since this show began. Rachel even said, “nurture prevails” last week. I’m not saying your upbringing makes you trans. I’m saying your biology doesn’t determine your individuality.

Tony’s buddy Sammy is killed by “suits.” His dying words are for Tony to find Beth Childs. Since suspended cop Art Bell (Kevin Hanchard) still has Beth’s phone, Tony reaches Art. Art takes him to Felix (Jordan Gavaris) who quips, “Holy Tilda Swinton” at the sight of Tony. Felix and Art want to hear the message for Beth, Tony wants to know what’s going on, and nobody trusts anybody.

Holy Tilda Swinton, what have we got here?
Holy Tilda Swinton, what have we got here?

While at a standoff over who will give who what information first, Tony takes a bath at Felix’s place, first showing off his monster package bulging in a pair of tight shorts. Felix definitely notices. There’s a bit of sizzle between them.

Oh, weird alert.
Oh, weird alert.

Tony tries getting information out of Felix with sex. It’s a little strange with Tony looking so much like Felix’s favorite sister and all. Felix pulls back.

Who is this person with my face?
Who is this person with my face?

Tony finds paintings of the clones in the apartment. Felix still won’t reveal anything to Tony. Tony still won’t reveal anything to Felix. Tony’s about to give up and leave when Sarah arrives.

Sarah, meet Tony. Tony, meet Sarah.
Sarah, meet Tony. Tony, meet Sarah.

With Sarah there, we finally get the message from Sammy (who Felix and Sarah assume was Tony’s monitor) to Beth Childs. Sammy was ex-military like Paul. The message is, “Tell Beth, keep the faith. Paul’s like me. He’s on it. He’s a ghost.”

Speaking of Paul, Rachel spends the whole episode trying to find him. He’s disappeared.

Allison

Allison goes home from rehab to find Donnie (Kristian Bruun) drunk in bed. Later that night she finds him in the basement, packing to leave.

Family therapy
Family therapy

Now that they are finally using the C word together, they have a bit of mutual talk therapy. They both confess their problems with murdering people. Once they are honest with each other, it’s clear that they actually do care about each other. Instead of leaving the family, Donnie shows Allison Leekie’s body in the trunk of the car. And he mentions that he shot Leekie with Allison’s gun. Boy, do they have a lot to do.

Sarah, Cosima, Delphine, Duncan, Mrs. S, Rachel and Kira

Sarah, Kira (Skyler Wexler), Ethan Duncan (Andrew Gillies), and Mrs. S (Maria Doyle Kennedy) are all at Mrs. S’s place, waiting to see if they are going to give Duncan and his floppy disks to Dyad. Duncan is taken with Kira. He reads to her from and old copy of The Island of Doctor Moreau, a copy he used to read to Rachel. He gives Kira the book. Duncan tells Sarah that he can cure Cosima – no question about it.

At Dyad, Rachel tells Dolphine (Evelyne Brochu) that Leekie died of a heart attack and that she, Rachel, is in charge. She dispatches Delphine to get Duncan. Delphine thinks Rachel killed Leekie and the situation for Cosima is more urgent than ever.

Cosima has more or less forgiven Delphine over the Kira stem cell incident. They have a talk in which Delphine assures Cosima that she loves her. Cosima says, “You have to love all of us.” Cure one, cure them all. Delphine says she does love all of them and Cosima finally admits, “I love you, too.”

Delphine convinces Mrs. S and Sarah to let Duncan go into Dyad. When Rachel meets him again, she is cold and professional. He tells her what equipment he needs. Then he tells her that Sarah’s fertility was a failure, not a success. “You were all barren by design.” Rachel is frozen in place on the outside, but inside she cracks. Inside she throws a tantrum, tossing everything on her desk, throwing furniture, and hanging on to her emotions by the thinnest of threads.

Scott is in on the truth.
Scott is in on the truth.

When Delphine shows up at the lab with Duncan in tow, Cosima says it feels strange to meet her “maker.” Scott (Josh Vokey) is there to help. (Cosima told Scott that she is 324B21.) All of them are ready to get to work when Cosima has a seizure. She’s writhing on the floor with blood gushing from her mouth.

At Mrs. S’s, Kira wakes up early. She sneaks out of bed and sits on the floor with the copy of The Island of Doctor Moreau. She smiles as she leafs through the pages, which are filled with hand-written scientific drawings, chemical equations, and annotations in the text.

Helena was only mentioned in passing in this episode. Presumably she is still with the Prolethians, being impregnated with her own eggs fertilized by God’s representative on earth, Henrik.

The quote for the episode title, “Variable and Full of Perturbation,” comes from Francis Bacon’s Novum Organon, and reads:

the spirit of man (according as it is meted out to different individuals) is in fact a thing variable and full of perturbation, and governed as it were by chance.

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The World’s Greatest Actresses on The Ellen Show

What happens when Ellen gets her hands on the imagination of an Academy Award winning actress? Some really amazing actresses known for awesome performances show up on The Ellen Show. They sit down and talk about the latest film they worked on and have a nice chat with Ellen. But that isn’t enough for Ellen. See what Ellen does with Meryl Streep and Emma Thompson.

You might want to get a tissue before you start watching, because you are going to laugh until you cry.

Funny Stuff: The L Word

Let’s talk about the funny stuff on The L Word. Showtime is celebrating Gay Pride Month by showing full seasons of The L Word and Queer as Folk in June. Episodes of both will be on Monday through Friday in June, and then on Thursday nights through November.

There are a lot of serious things one could say about The L Word, but I only want to talk about this: it could be hilarious!

There were plenty of funny exchanges by eye contact only between Bette and Tina. Like when Phyllis showed up at their door with Joyce to annouce they were a couple. Or when the carpenter didn’t seem to realize she was a dyke. Yeah, comic eye contact.

The things Shane would do for Carmen were definitely funny. Love the shoes though, Shane.

The basketball game was a scream. Jenny with her coffee. Alice in her pearls, squeeking when she got the ball. Bette being ultra-competitive. Helena making baskets behind her back. Papi talking trash.

Alice. That’s all. Alice.

Share. What made you laugh the hardest on The L Word?

Orphan Black: Knowledge of Causes, and Secret Motion of Things

“Knowledge of Causes, and Secret Motion of Things,” episode 7 of season 2 of Orphan Black, gives us some shocking surprises, some slapstick laughs, and another turn of the screw on the momentous stakes involved for everyone.

As usual, everything revolves around Sarah, but I’ll start with Allison’s story since much of the action in this episode takes place in rehab.

Allison (Tatiana Maslany, one of many) trusts Vic (Michael Mando) with the truth about the scarf in the disposal incident. Not long after this revelation she discovers that he’s trading the info to Det. Deangelis (Inga Cadranel) for his freedom.

Just call his name, Felix will be right there.
Just call his name, Felix will be there.

Allison immediately calls Felix (Jordan Gavaris) for help. He shows up and confronts Vic with Allison. Dear old Vic agrees to do what they want if he can see Sarah first.

Sarah agrees to come help Allison. For the talk with Sarah, Vic carefully sets a book in position. Does it contain a camera?

What was in that tea?
What was in that tea?

Vic wants to atone to Sarah. She instantly says, “I atone you,” and tries to leave, but he persists. He says he wants her back, right before he passes out by diving headfirst into Allison’s name tag art supplies. Felix announces, with the cutest possible grin, that he spiked Vic’s tea.

It’s family day – or as Felix terms it, public flagellation day. Donnie (Kristian Bruun) and the kids are coming. They cannot leave Victor decorating the floor of Allison’s room. What follows next is a sort of Three Stooges interlude with Allison and Felix dragging an inert Vic about looking for a place to hide him. Det. Deangelis is chasing around after them, looking to meet up with Vic.

I'm Sarah. No, I'm Allison. No, I'm Donnie.
I’m Sarah. No, I’m Allison. No, I’m Donnie.

While Allison and Felix haul Vic hither and yon, Sarah has to pretend to be Allison who is pretending to be Donnie in a role playing scene with Donnie. Donnie, as you might guess from the body language, is pretending to be Allison. The whole thing goes badly and Sarah flees to Allison’s room.

Donnie can't believe his eyes.
Donnie can’t believe his eyes.

Donnie follows and discovers Allison and Sarah together. It comes out that Donnie didn’t know what was going on. He didn’t know people were coming into the house in the middle of the night doing strange things to Allison’s sleeping body. He thought he was doing an experiment in “long-term social metrics” for Dr. Leekie. The fact that he’s been a dope for years makes him very angry. I’ll get to the results of that anger later, because a lot happens before then.

Cosima, with Delphine (Evelyne Brochu) in loving attendance, gets stem cells injected into her uterus. Delphine thinks it will put Cosima on the road to recovery.

Let's get you well.
Let’s get you well

Cosima overhears a conversation in the hallways and learns that the stem cells came from Kira’s tooth. She is angry with Delphine, shouts that it’s her decision about using Kira’s cells. Delphine counters that there is no decision, there’s only one way forward and this is it. Cosima tells Dephine to get out of her lab.

Sarah and Mrs. S (Maria Doyle Kennedy) dig through the heaps of detritus in Ethan Duncan’s house looking for a red box with no label. When they finally find it, Sarah takes off in response to a phone call from Cal. As Mrs. S is leaving with Duncan (Andrew Gillies), she learns that the red box contains 3 floppy disks on which the science they all want so desperately to recover is stored. My memory of floppy disks is that they held kilobytes of data, not megabytes or terabytes. Why only 3?

Cal discovered that his computer was hacked. He leaves it behind and takes Kira to meet Sarah. Sarah will take Kira with her. As Sarah is preparing to leave with Kira, she gets a call from Cosima. We don’t know if Cosima has forgiven Delphine, but she has reached the point in her sickness that she’s willing to ask Sarah for more DNA from Kira. Kira overhears Cal and Sarah arguing about a tooth, and pulls one of her loose teeth herself, offering it to Sarah for Cosima.

Oh my, she's a surprise.
Oh my, she’s a surprise.

Leekie phones a whole new character, Dr. Marion Bowles (Michelle Forbes). She is Rachel’s superior, Leekie’s superior, maybe the boss of the whole operation. She wants the science back, she wants Sarah Manning to stop causing them problems, she wants Rachel handled. She’s wearing the most gorgeous white coat I’ve ever seen.

A new character at the top of the pyramid at this point throws everything into question. Do we really know who the bad guys are, do we know who’s in charge, what the goals are? Is she in charge of the Prolethians, too? Is this pointing to a new direction for season 3 to explore?

Mrs. S takes Duncan to her place. Then she walks right into Dyad and Leekie’s (Matt Frewer) office. She makes a deal for the missing science data and Ethan Duncan that guarantees Kira’s safety. Duncan wants to see Rachel before he cooperates.

Hello, father
Hello, father.

Paul (Dylan Bruce) takes Rachel to Mrs. S’s house to see her father. When Rachel sees her father she tears up. She seems almost human. Almost normal. There was some discussion last week about Rachel’s possible Narcissistic Personality Disorder. If that’s the case, she’s looking at the man who raised her to think she was special, and she reacts with more emotion than we’ve seen from her. 

Rachel goes back to the lab and summons Dr. Leekie. She calls Dr. Bowles in front of Leekie and tells her that the problem is handled. In the battle for supremacy between Rachel and Aldous Leekie, Rachel wins.

Rachel tells Leekie to leave. She says, “Don’t get in your car, don’t go home. You might survive. It’s foolish to spare you but you raised me. Nurture prevails.”

Leekie goes outside the Dyad Institute. He’s on foot. Donnie lurks there waiting for him. Donnie gets Leekie in his car by pointing a gun at him. Donnie accuses Leekie of ruining his marriage and making his wife hate him. He pounds his gun on the steering wheel for emphasis and accidentally kills Leekie right there in the family sedan.

To summarize, Leekie’s kaput, Cal may have gone home, there’s a new boss in town, Kira wants to help, Rachel is ruthless but loves her daddy, Cosima and Delphine had a very big fight, Allison and Donnie had a very big fight, and Donnie created bloody hell in the family car.

The Francis Bacon quote for this episode is from his unfinished utopian vision of the future, “New Atlantis,”

The end of our foundation is the knowledge of causes, and secret motions of things; and the enlarging of the bounds of human empire, to the effecting of all things possible.

All images ©BBC America

Binge Watching VS. One Hour a Week

I rewatched all of season 3 of Lost Girl on Netflix. I was surprised to see many clues to what happened in season 4 that I’d forgotten about in the months between the two seasons. Now I’m rewatching Lost Girl season 4 and having an epiphany about binge watching.

Check this out
Kenzi from Lost Girl

When I watched season 4 on a weekly basis, I spent a good part of the time bitchy and irritated because the answers weren’t coming fast enough. When I look back over my recaps of season 4, the annoyance shows through. I cared about the characters and I wanted to know what was going to happen to them – and, by damn, I wanted to know right now!

Binge watching season 4 is much less aggravating. Well, true, I know what happened. But also true, I can rewatch episodes of Lost Girl with as much enjoyment as I felt the first time through. I experience it all again. Knowing that I can play the next episode immediately, where more will be revealed about Rainer or The Wanderer or the time on the train or Bo’s strange behavior makes a huge difference. It changes how I feel about the slow reveal of the clues, the seeming detours into things like bird-women who sing opera that don’t turn out to be detours after all.

alan and celia
Alan and Celia from Last Tango in Halifax

When I have to wait a week to see the next piece of a show I love, the wait seems insurmountable. Having to wait for season 2 of Last Tango in Halifax to reach PBS sent me into an absolute tizzy. Especially when it was available on the BBC, on YouTube, on every freakin’ place but legal American TV. Geographic restrictions are another horrible annoyance.

Orange is the New Black cast

I distinctly recall the feeling I had when I reached the last episode of Orange is the New Black. I wanted 1000 more episodes and I wanted them right now! But I’d just spent 13 hours with Orange is the New Black in a big gulp. Even though I wanted more, I could wait. The binge filled me up in a way that a weekly dose of something doesn’t.

I have a friend with no TV. She comes to town for a meeting every couple of months and stays at my place. We watched Orange is the New Black during each visit, a couple of episodes at a time spread out over several months. I started noticing flaws. Flaws! It wasn’t as wonderful when there was a gap in my viewing. The binge has power.

The Fringe cast
The Fringe

I didn’t watch Fringe until it was off the air. When I’d tried watching it weekly, I lost interest. When I could binge watch, I was fascinated. When I look back at the things I binge watched the past year: Orange is the New Black, The Fall, House of Cards, Bomb Girls, Call the Midwife  – I realize that those shows are some of my favorites. Is it because they are truly great shows, or is it because I could watch them in big chunks? “Do I love you because you’re beautiful, or are you beautiful because I love you?”

I still love Lost Girl and The Good Wife and Scandal, Orphan Black and Covert Affairs and other shows I only get to see once a week or in dribs and drabs throughout the year. This is the way TV has always been and I’m willing to go with it. But if I could get a full season of these shows all at once, I would leap at it like a coyote on a cottontail.

Conclusions?

Binge watching is so inherently satisfying. It’s instant gratification taken to its highest level. My conclusion is that more and more shows are going to release ready to binge watch. Television is going to change because of that. Electronic storytelling, streaming storytelling, is going to change.

I don’t know if that’s good or bad, but I know it’s going to happen.

Orphan Black: To Hound Nature in Her Wanderings

The “To Hound Nature in Her Wanderings” episode of Orphan Black brings Sarah some answers, but everyone is still suspect and no one can be trusted.

Sarah and Helena (Tatiana Maslany squared) are in a pickup on their way to Cold River. Helena refuses to tell Sarah where it is, because she knows Sarah won’t need her if she does. The scenes between Sarah and Helena grow more and more charming as Helena is revealed in greater depth. They spend the night in a tent and Helena asks Sarah about Kira – she wonders if she could have children, too. She says, “I am very good with children.”

Sarah wants to know what the Prolethians took from Helena, but Helena claims she doesn’t know. When they turn out the lantern for the night, we see Paul (Dylan Bruce) lurking in the dark outside their camp.

There’s a hilarious scene of Sarah and Helena driving. “Sugar Sugar” comes on the radio. Helena sings along with enthusiasm. Sugar is her thing, indeed.

What Tatiana Maslany does with Helena in this episode is masterful. Her uninhibited off key singing, her playfulness in the tent, her vulnerability when she asks about babies, her growl of a laugh later in a bar scene, her unbridled sexuality when she’s attracted to a man, her brutality when threatened – Tatiana’s bringing Helena into personhood with so much affection and skill. That Tatiana Maslany can do that with Sarah, Allison and Cosima still floating in her head is just amazing.

Inga Cadranel
Allison is stuck in rehab.

Allison is still in rehab. She’s reluctant to participate in group. The door opens and into group walks Victor (Michael Mando). You remember Victor: Sarah’s former boyfriend who got his finger chopped off for a drug debt and who Allison maced in a parking lot. Yeah, that Victor. He’s all Zen now, full of the wisdom of recovery. When Allison threatens Donnie’s (Kristian Bruun) privates because he failed to bring the kids to visit her, Victor steps in to defuse the argument. Later we learn that Victor is actually in cahoots with Detective DeAngelis (Inga Cadranel). She promised he won’t go to jail for his crimes if he rats on Allison.

Allison, incidentally, can handle a basketball with one arm in a sling.

Take your medicine and don't ask where it came from.
Take your medicine and don’t ask where it came from.

Cosima gets injections from Delphine (Evelyne Brochu). The injections may or may not be helping her. Delphine hired Scott (Josh Vokey) to come to Dyad to do gene sequencing. I haven’t previously mentioned Josh Vokey, who is fabulous as a naive geek, because the character wasn’t central, but he takes a central role in this episode. He reveals that he knows the samples he’s been given are clones, but he doesn’t realize that Cosima is a clone. He figures out that the stem cell injections Cosima is getting came not from a clone but a female relative. Perhaps a daughter. Is that daughter spelled K-I-R-A? We don’t know. Dephine makes Scott swear not to tell Cosima this news.

Sarah and Helena arrive in front of a church. It’s the church in the photo of Ethan Duncan, the Swan Man. Sarah instructs Helena to wait in the truck while she goes inside to investigate. Sarah finds photos of a building. The church deacon (Jane Spidell) tells her it was the Cold River Institute. Cold River is closed and all the records are in the church basement. The deacon also identifies the photo of Ethan Duncan as “Mr. Peckham” and mentions that Maggie Chen was also digging about in the old records. Sarah finds lots of info about the clones, but nothing about Andrew Peckham in the records.

Art Bell (Kevin Hanchard) emptied Helena’s locker and took all the contents to Felix’s (Jordan Gavaris) apartment for help digging through it. A phone call from Sarah gets them looking for someone named Peckham, and they give Sarah an address.

Helena, of course, did not wait obediently in the truck while Sarah was doing this. She goes into a bar, starts drinking, almost breaks the finger of an asshole who thinks he can have her just because he wants her, and takes a liking to Jesse (Patrick J. Adams) who is nice to her. Both Paul and the Prolethian errand boy Mark (Ari Millen) watch her every move in the bar.

Helena's boyfriend
Helena’s boyfriend

When Helena and Jesse start kissing, asshole breaks in and wants a turn. Helena beans Mr. Asshole with a pool ball, tosses him on the pool table and climbs on with the intention of poking out his eyes. Helena gets arrested for smashing heads in the bar. In the police station she asks for her boyfriend. She’s told she’s been released and can leave with her sister.

When Helena looks up to see her sister, it’s Gracie (Zoé De Grand Maison), hiding her inflamed suture marks from the police with a hand over her mouth. Gracie and Mark tell Helena they have her babies and she agrees to go with them. Mark gives her Jesse’s baseball cap. I think he gives it to her to try to gain her trust, but it has the name of Jesse’s business on it, which may come in handy later.

Sarah leaves Helena to the cops and goes to Peckham’s house. Who opens the door but Mrs. S (Maria Doyle Kennedy). Good heavens, is there anything Mrs. S doesn’t know? She’s wearing a Pussy Riot shirt. Someone who wants to hurt Sarah wouldn’t wear a Pussy Riot shirt, would she?

Mrs. S knows all
Mrs. S knows all

Mrs. S is trying to get Andrew Peckham (Andrew Gillies)  out of his hoarder’s horror of a house, off to somewhere to do her mysterious bidding. When Peckham sees Sarah he looks her over with great interest, decides she isn’t Rachel, and asks to be taken to Rachel.

Is it Andrew or is it Ethan?
Is it Andrew or is it Ethan?

He cannot be taken to Rachel, however. He’s been hiding from Dyad for 20 years because Aldous Leekie killed his wife Susan and took over the LEDA project for Dyad.

What was LEDA doing?
What was LEDA about?

Sarah wants to know what Project LEDA was all about. Peckham/Duncan tells her it was a proof of concept experiment to see if they could actually clone a human and because they “wanted girl babies.”

While Sarah and Peckham/Duncan are talking, Siobhan goes outside and confronts Paul. Yes, she knows who Paul is. Everything Mrs. S does in this episode is so momentous, we have to go to commercial immediately after. Her every line of dialog is a bomb dropping. She tells Paul that the hoarder inside in his filthy kitchen talking to Sarah is the only hope that any of the clones have and that Paul better back off and let them go.

Kudos to Kathryn Alexandre and the Faces We Never See

Kathryn Alexandre
Kathryn Alexandre

Kathryn Alexandre is Tatiana Maslany’s acting double. She plays whatever clone is opposite Tatiana in a scene. When we see Helena and Sarah in a scene together in a truck or a tent, we have to remember that it was filmed twice. When we see Sarah in the driver’s seat of the truck, the actor beside her doing Helena is Kathryn Alexandre. They film it again with Tatiana in the passenger seat doing Helena while Kathryn Alexandre sits in the driver’s seat and plays Sarah. In the finished version, we never see Kathryn’s face.

It’s time to acknowledge how important Kathryn Alexandre is to Orphan Black. When we see chemistry, warmth, and closeness between Helena and Sarah, it’s actually something happening with Tatiana and Kathryn. Not just the warm fuzzy scenes, but the fight scenes, the dangerous scenes, the funny scenes. If they have to film it 2 times, 3 times, 4 times, to get all the clones in a scene together, Kathryn is there giving Tatiana a partner to act with and react to.

Much of what we see in Orphan Black is illusion, built from brilliant editing, brilliant makeup and brilliant acting. When we see it as a finished piece it is so perfectly executed it’s hard to remember how it was created. Let’s step back from the illusion and look behind the curtain to praise the hidden people who build the show. Here’s to Kathryn Alexandre and everyone else we don’t see in Orphan Black. You are all awesome!

The quote from Francis Bacon for this episode comes from the 1623 De Augmentis Scientiarum:

For you have but to hound nature in her wanderings, and you will be able when you like to lead and drive her afterwards to the same place again.

Some images from IMDB © Jan Thijs 2013. Some screen shots from BBC America.

What’s the Best Thing on TV: Your TV Favorites

Okay. Your turn. Give me your TV favorites.

I’m always going on and on about what I think is good, what I think you should be watching. Want to talk back and give me some of your advice? Now’s your chance.

Let’s talk about what you like and why you like it.

Speak now.

What’s the best thing on TV? Is it something I’ve never mentioned on Old Ain’t Dead? Why is it the best thing on TV?

What should I be watching that I’m not already watching? What new seasons should I be waiting for with baited breath? What shows should I catch up on with Netflix?

Speak quickly, I cannot hold my breath for very long.

(In case you aren’t familiar with the face in the images accompanying the post, let me explain.)

Orphan Black: Ipsa Scientia Potestas Est

The Orphan Black episode “Ipsa Scientia Potestas Est” begins in Rachel’s bloody apartment. Daniel’s body litters the floor, Helena’s signature art drawn in blood decorates the walls. Dr. Leakie (Matt Frewer) thinks Rachel (Tatiana Maslany) should take a kinder, gentler approach to the situation. She thinks not.

Paul (Dylan Bruce) will replace Daniel as Rachel’s monitor. Paul is the universal monitor: he’s monitored Beth, Sarah, and now Rachel.

Rachel orders Leekie to shut down the tests until Sarah comes to heel.
Rachel orders Leekie to shut down the tests until Sarah comes to heel.

Sarah takes her super-hugger of a twin sister to Felix’s (Jordan Gavaris) place. Helena needs to get out of her bloody wedding dress and clean up. Sarah tells Helena to behave and calls her Meathead. Helena objects with, “Don’t call me this,” but the nickname seems to symbolize the developing bond and affection between them.

Felix wants nothing to do with babysitting Helena – he has a hot date with the morgue boy – and delivers Helena to Detective Bell (Kevin Hanchard) for safekeeping.

Delphine (Evelyne Brochu) learns there is a new stem cell line, compatible with Cosima, that could help her. They go to Dr. Leekie’s office in search of it and he finds them there. Turns out that Leekie is willing to defy Rachel’s directive to shut down the help for Cosima by giving her an injection of the stem cells. He also tells Cosima that the clone’s original genome was destroyed in a fire 20 years ago. We heard about this fire before in relation to Project LEDA.

Paul is now Rachel's henchman.
Paul is now Rachel’s henchman.

Paul’s first job as Rachel’s new monitor is to take the gun that Daniel used to kill the cop at Cal’s house and put Felix’s fingerprints all over it. He manages to do that by interrupting Felix’s love fest. Paul calls Sarah and says Rachel wants them all – Sarah, Helena, and Kira – or Felix goes down for murder. Rachel isn’t asking for Felix, which shoots down my budding theory that he might be a clone, too.

I can ignore you forever, Artie baby.
I can ignore you forever, Artie baby.

At Art Bell’s apartment, Helena is silent. She watches fish while Art asks questions about Maggie Chen and the Prolethians. Finally he feeds her, which loosens her up and she begins to talk. Interestingly, she asks as many questions as she answers, and her questions are intelligent ones. Also, she does love the powdered donuts.

I gave her darkness
I gave her darkness

Helena mimes poking the eyes out of one of her early tormentors. From art works we’ve seen of Helena’s where the eyes were X-ed out of a nun, I’m guessing her tormentor was a nun. She mentions a locker and the Swan Man who played God. Then she uses the lid off a sardine can to open her handcuffs and leaves Art cuffed to the wall. She goes to a storage unit (locker) where she has a motorcycle.

Cal (Michiel Huisman) and Kira (Skyler Wexler) are still playing house in the camper. Cal is being a great dad, Kira is being quick-witted and showing signs of ESP. Cal’s hiding a gun and carrying a fake ID. He assures Sarah when she calls that they are close enough to come get her whenever she’s ready.

At the Prolethian compound, Gracie’s (Zoé De Grand Maison) mouth was sutured shut as punishment for Helena’s escape. Henrik (Peter Outerbridge) and her mother Bonnie (Kristin Booth) tell her that, “She can rot,” if she refuses to talk about what happened. If they don’t find Helena, Gracie will carry the egg currently reproducing itself in a Petri dish.

Yes, Helena can come up with GPS coordinates off the top of her head.
Why, yes, Helena can come up with GPS coordinates off the top of her head.

Sarah and Art are in pursuit of Helena. Helena helped out by leaving some GPS coordinates at Art Bell’s. They find the locker and learn that Ethan Duncan is still alive. On the back of a recent photo of him is says “Swan Man.” Helena has taken off with a sniper rifle.

Guess what Paul’s second job as Rachel’s new monitor is? Sex slave.

Helena sets up the rifle in a apartment across from Rachel’s. As she takes aim and prepares to eliminate the problem that is Rachel, we see Rachel and Paul have sex. It’s weird sex. Rachel demands complete control. She orchestrates Paul’s every move and slaps him when he thinks for himself. Rachel demonstrates a kind of ruthless eagerness that is creepy and disturbing. She’s extremely turned on, but it’s the power and control that excite her, not the actual sex.

Helena, watching, says, “Pretty, dirty, sexy Rachel – like my mother.” Is there some woman somewhere that Helena once called mother?

Art and Sarah arrive and want Helena to put the gun down.

Love the light in this scene
Love the light in this scene

Helena wants Sarah to look at what Rachel is doing, at the “unfaithful” Paul. Sarah begs her not to shoot. She explains that Felix will be in trouble if Rachel dies. Sarah walks in front of the rifle and says she doesn’t care about Paul.

Don't shoot
Don’t shoot

Sarah uses tears and some clever talk to convince Helena that they are family now, that they need to care for each other, and that Felix is part of that family. Finally Helena puts down the gun.

Seestra
Seestra

Helena and Sarah join hands. They walk out of the room with arms around each other. Sarah calls Helena Meathead again, and Helena responds, “Don’t call me this.” In the car, Helena tells Sarah that they need to go to Cold River, the place of screams.

Give back Felix
Give back Felix

Sarah meets Dr. Leekie in a bar. She demands Felix in return for Ethan Duncan, who is still alive. Leekie mentions that Cosima is sick – news to Sarah. When Sarah leaves, we realize Paul followed Leekie there. It’s really hard to tell where the real loyalties are with Paul and Leekie. They are ciphers, willing to double-cross anyone, but we aren’t sure why.

This episode was written by Tony Elliott, who is responsible for much of the writing in season 2. It was directed by Helen Shaver. She shared quite a bit about the experience on her Twitter account. Tatiana seemed to enjoy having her as a director.

The quotation from Francis Bacon used in the title, with English translation:

Ipsa scientia potestas est. Knowledge itself is power.”

Some photos from BBC America, some ©Jan Thijs 2013. via IMDB.

Watch This: Trailer for The Mysteries of Laura

The Mysteries of Laura stars Debra Messing. It’s based on a successful series from Spain. Laura’s a cop and a single mom, struggling to cope with the demands of modern life. Plus, she’s a crack shot.

I’m willing to give it a chance because of Debra Messing, but The Mysteries of Laura might be a little ditzy for my taste. I’ve enjoyed everything Debra Messing has every done – especially the recent Smash – so I’m hoping she elevates it from just silly into really funny.

This show will start in the fall on NBC.

I missed this one in my post about women led shows coming to TV. I’m always looking for shows like this. Please let me know if you find more I’ve overlooked.

Watch This: Trailer for Proof

Proof, the new Jennifer Beals drama coming to TNT, released an official trailer. Looks like there’s going to be some action built into the this character’s story. I don’t know if you follow Jennifer Beals on Twitter, but she shows a strong interest in science in her Twitter life. I’m thinking this whip-smart scientist part is going to fit her perfectly.

Also starring in Proof are Matthew Modine and Joe Morton. Check out Matthew Modine in this preview. Why do men look so good with gray in their hair while women aren’t supposed to be gray? I hope Joe Morton has time to do this and still be Olivia Pope’s dad on Scandal because he is the essence of danger there.

The producer for this show is Kyra Sedgwick. In case you thought acting was her only gig, she’s been producing since 1996.