Marie Bach Hansen in Secrets We Keep

Secrets We Keep (Reservatet), Danish crime drama

Secrets We Keep was originally titled Reservatet which translates to “The Reserve,” a wealthy neighborhood north of Copenhagen, Denmark. It’s a dark drama of wealth, power, exploitation, and murder. There are no spoilers in this review.

Secrets We Keep is both fascinating and infuriating. It’s a fascinating mystery with surprising reveals, red herrings making various people look guilty, and suspense. It’s infuriating because some of the characters are so imbued with wealth and privilege that they are unable to think with any moral clarity.

Marie Bach Hansen, Lukas Zuperka, and Simon Sears in Secrets We Keep
Mike, Cecilie, and their son Viggo

Two families live in close proximity. Both employ Filipino women as au pairs. Their normal lives are disrupted when one of the au pairs disappears.

Cecilie (Marie Bach Hansen) is married to Mike (Simon Sears). They have a 14 year old son Viggo (Lukas Zuperka) and a toddler. Angel (Excel Busano) works for them. They treat Angel well. Viggo is very close to her.

Danica Curcic in Secrets We Keep
Katarina is the one you’ll love to hate

Next door live Katarina (Danica Curcic) and Rasmus (Lars Ranthe) with their 14 year old son Oscar (Frode Bilde Rønsholt). The two boys are good friends. Both are part of a group text of young boys who take and share revealing, even pornographic, images of women and girls. Oscar is the instigator in this group and has a drone which he uses to get many videos he shouldn’t be getting.

Their au pair, Ruby (Donna Levkovski), is the one who disappears. Katarina is disdainful of Ruby and treats her badly.

Excel Busano in Secrets We Keep
That’s Angel in the center

There are a lot of Filipino women in Denmark. They are devout, hard working, and send their money back home. Angel’s sister keeps asking her for more money than she makes.

When Ruby is finally found the police suspect murder. She was pregnant, another complication. Was she raped?

The series is about people with class and privilege vs. vulnerable and unprotected members of society who work for the rich. Cecilie has a strong sense of right and wrong. She helps the policewoman Aicha (Sara Fanta Traore) with everything she learns, even when it looks bad for her own family. Katarina, on the other hand, is argumentative and hostile toward the police.

Despite the difference between the two women in the end wealth and power protect them from any consequences in Ruby’s death. That was the frustrating part of the ending for me: there were no consequences for any of the crimes committed in the series. Does the good we see in Cecilie or the bad we see in Katarina make any difference when it comes down to holding on to power and position? This series is saying that wealth and privilege corrupt even the good. That old expression, “Absolute power corrupts absolutely,” seems to apply here.

The policewoman, Aicha, figures it out but doesn’t have the evidence to prove it.

I wanted the characters to be more fully fleshed out. The two women needed exploring. The two young boys Oscar and Viggo were key but were largely undeveloped. Some of the Filipino women needed more backstory as well, especially Angel.

Secrets We Keep was written by a woman, Ingeborg Topsøe, and directed by Per Fly. It’s a mix of Danish, Filipino, and English. It’s streaming on Netflix.

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Comments

9 responses to “Secrets We Keep (Reservatet), Danish crime drama”

  1. Stephen Sossaman Avatar

    I have not yet seen Secrets We Keep, but I plan to, so thank you for the heads-up. The review reminds me of why I generally prefer foreign films, as unlike American films, they are seemingly made for adults who apparently do not (unlike the American market) require reassuring happy endings in which criminals always get caught and punished, corruption is redressed, love wins, and all is right in the world — or at least right enough for us to not to fret. I think citizens should fret more. Your review suggests a reaction that I wish more TV evoked, a heightened not lessened awareness of economic, political, and social problems.That might make our voting and daily behavior a little more mindful and helpful.

    1. Virginia DeBolt Avatar

      Excellent points. We do demand a happy ending from Hollywood most of the time.

  2. Suzanne Brisendine Avatar
    Suzanne Brisendine

    Enjoyed this on several levels – a good mystery, Hansen’s character trying to do the right thing, the unfair protections afforded wealth and social privilege. Also check out Marie Bach Hansen in The Legacy (2014-2017, PBS Passport/Masterpiece). She plays another complex morally grounded person, younger, different role (not glamorous). Great to see her gain more visibility via Netflix series. Ever since discovering the Danish series Borgen, I pay attention when a Danish series is offered to American audiences. And BTW, agree with Stephen S about the need to fret more, and not expect happy endings.

    1. Virginia DeBolt Avatar

      With Borgen as the glue, I’m convinced that the Danes are making some of the best television available. For example, Rita and Dicte are also excellent. Thanks for the tip about The Legacy.

      1. Suzanne Brisendine Avatar
        Suzanne Brisendine

        Also enjoyed Dicte – memorable in an emotional way, which later tells me how much I value a show, more than memory of “what happened”, if that makes sense.

        Have not seen Rita so thanks for that tip!

      2. Virginia DeBolt Avatar

        Dicte is a favorite, but I truly love the rebel Rita. It’s streaming on Netflix now, too.

  3. […] was that gun-toting right wing wives are a scourge on the American soul. Also, like the message in The Secrets We Keep, the rich get away with everything and manage to exist above the […]

  4. Stephen Sossaman Avatar

    Spoiler ahead, if you, visitor to this site, have not seen the series and do not like spoilers.

    I finally watched Secrets We Keep and was dazzled. Here is a film, as you mentioned, Virginia, about how some wealthy people exploit their servants from abroad. The ethical and moral issues do not stop there, as you know, since the film also explores the extent to which parents presumably of any economic level will sometimes betray ethics to protect their children. Easier for the wealthy to do, but they aren’t the only ones.

    As crime entertainment, the series fulfills the genre requirements: multiple suspects (so we viewers can play detective), one earnest and honest character who persists, one honest but harried police investigator discouraged by the boss.

    In another thread on your blog I expressed annoyance at gratuitous sex scenes that told us nothing about characters, missing the opportunity to show the writer’s notion of the connection between a character’s sexual being, and her or his behavior in the world.

    In Secrets We Keep, we have a sex scene that advances not just character revelation, but plot, too. Mike takes Cecilie against a big window, apparently as usual, apparently consensually, but that rough-sex scene is observed by an impressionable teenage boy, and arguably leads to the crime. Rough sex might sometimes emulate rape with the consent of both parties, but Oscar probably does not understand the difference.

    The ending was very powerful: Cecilie realizing what the theme seems to be, that the affluent do often get away with crimes, and conspire to help each other do it, and protect their children from the consequences of their actions, and it isn’t necessarily easy or even possible to do anything about it. That she is also complicit.

    Any film that is intensely concerned with ethical dilemmas, and with exploitation of the poor, and that still manages to work well within the crime genre as entertainment, is a good film, I think. The audience is not reassured, but discomforted. It would be nice to live in a simple and just world, and have no ethical dilemmas ourselves, but we do not. This is not happy-ending American mass entertainment.

    1. Virginia DeBolt Avatar

      Thank you for the insightful and thoughtful comment. You made some excellent observations.

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