The Nightingale is brutal and shocking and horrifying. It’s set in Tasmania in 1825. A young Irish mother and an Aboriginal man set out on a journey of revenge and enlightenment. There are spoilers about the beginning of the story ahead.Continue Reading: Review: The Nightingale
Coming to theaters in August are 3 films featuring diverse stories about women that are worth your time and dollars. They are After the Wedding, The Nightingale, and The Kitchen.Continue Reading: 3 Reasons to Hit the Multiplex in August
The final episode of season 3 of The Fall is “Their Solitary Way.” The story did not end the way Stella Gibson (Gillian Anderson) wanted. It didn’t end well for Paul Spector (Jamie Dornan) either. Everyone Paul Spector came into contact with was damaged by knowing him. Beware the spoilers. Continue Reading: The Fall S3 E6 Their Solitary Way
The Fall episode 4 is “The Hell Within Him” is a collection of revolting developments. Beware the spoilers Continue Reading: The Fall S3 E4 The Hell Within Him
Are you ready for the epic battle between Stella Gibson (Gillian Anderson) and Paul Spector (Jamie Dornan)? Here we go! The Fall season 3, episode 1 is “Silence and Suffering.” It begins seconds after the finale of season 2. Beware the spoilers. Continue Reading: The Fall S3 E1 Silence and Suffering
The Fall ends season 2 with a 90 minute episode. Whether this is really the end is up for debate in the last few seconds of the episode. Until then we have a very satisfactory accumulation of evidence for putting Paul Spector (Jamie Dornan) in prison forever.Continue Reading: The Fall S2 E6 What is in me Dark Illumine
The Fall episode 5 is called “The Perilous Edge of Battle.” Paul Spector (Jamie Dornan) has fallen. If the police can produce the evidence, he’ll be out of circulation forever. It’s one of the tensest and most nail-biting episodes in this suspense-filled series.
Here are the basics of the episode. Spoilers everywhere.
Paul goes through his sopping wet house. He dries out his murder books, then burns them. He takes his computer apart and smashes the hard drive with a hammer.
Jim Burns (John Lynch) goes to see the pedophile priest in hopes of learning something about Paul. Burns can hardly stand to talk to this disgusting man, and I can hardly stand to watch the self-righteous ass tell how much the boys he abused loved it.
The actor playing the priest is Sean McGinley. He did a masterful job of being heinous. In a series about one of the creepiest, most heinous villains ever, this guy provides creepy beyond the creepy. The only useful thing Burns learns is that Paul started writing about the women he followed while still a young teen. So they know he keeps journals.
The police are watching every move that everyone makes. They have officers and cameras on all the principals. Stella Gibson (Gillian Anderson) is still holding off on arresting Spector until they know where Rose Stagg (Valene Kane) is.
Katie (Aisling Franciosi) does errands for Paul. She goes to a bank and withdraws a lot of money. She goes to Paul’s hotel room and is in the process of destroying evidence for him when the police break in and arrest her. The voyeuristic hotel desk clerk saw what she was doing. He gets arrested, too, but the police may not ask him the right questions.
Paul leaves his house wearing a back pack. He runs fast, evading a number of police who are watching him. He runs into the Botanical Gardens and goes into one of the buildings. He drops his computer into a pond. When he leaves he’s changed his clothing.
Stella is watching Paul, Katie, and everything else that happens from the police station. She’s kept in the loop with the help of a police officer known only as Control (Orla Mullan) who tracks everyone’s whereabouts on multiple computer screens.
We experience a lot of this episode with Stella as she watches various monitors showing suspects, interrogations, and cells. Stella’s anxiety and concern while following the action this way transfers to the audience, because we are feeling it with her. It’s an interesting technique to use in this episode in particular, because it increases tension. It shifts some of the focus away from Paul Spector, who’s had more than enough attention from the camera, and back to the police pursuit as they close in on him.
When Paul leaves the Botanical Gardens he sneaks out in a way that doesn’t use any of the exits the police are watching. James Tyler (Brian Milligan) – the guy who was beating his wife in season 1 – just happens to see him. Tyler attacks him and forces him at gunpoint to make phone calls to figure out where the women’s shelter is that his wife is hiding in. Someone sees the gun and calls the police.
Dani Ferrington (Niamh McGrady) responds to the call and realizes that it’s Spector. She’s on the phone with Stella. Shots are fired and the thug with Tyler is killed. Officer Ferrington is hit, too, but is wearing a vest. Stella tells her to just hold Spector there. The police talk to him as if he were the victim of an attack by the gunman – taking his statement. He starts to think he’s going to get away.
When Spector thinks he’s free to leave, Stella sends Officer Anderson (Colin Morgan) to arrest him for abducting Rose Stagg. No mention is made of the other women, the other crimes. He’s finally in custody.
The police then arrest Sally Ann Spector (Bronagh Waugh) because they know she lied about Paul’s alibis. When she gets interrogated by the police at the station she tells the truth. Or what she thinks is the truth.
Katie doesn’t get questioned yet because they can’t yet find an appropriate adult to be with her.
When Paul is questioned he is insolent but totally silent. He doesn’t even ask for a lawyer. Maybe he still thinks he smarter than our girl Stella. Pffft!
Paul’s phone has video of Rose Stagg begging to be released. Stella watches it with tears in her eyes. The begging goes on and on and on. The camera slowly closes in on Stella’s face as she watches – the terror and horror of it reflects in her eyes, her face. Suddenly Paul Spector’s face is on the video, saying, “Why the fuck are you watching this? You sick shit.”
There’s DNA on the scissors (the ones with Paul’s fingerprint) that belongs to the guy he stabbed. They’ve got him for that murder, now.
Paul is put in a cell for the night and Stella has a brainstorm.
She finds Officer McNally (Bronagh Taggart). She undoes McNally’s hair without asking her permission. The moment is sensuous and charged, and not something a superior should be doing to a junior officer without explanation.
McNally holds her breath. Stella looks her over carefully, and says, “There’s something I’d like you to do.”
Stella gets McNally dressed up in a short skirt, brushes her hair and adds some lipstick. Paul’s exact type. She sends McNally into his cell to announce he’s being further arrested for the murder of Joseph Brawley and the attempted murder of Ann Brawley. McNally leaves and Stella watches Paul react to having the young, dark-haired, beautiful officer in his cell.
The last scene is the police finding the burned out car that Paul drove with Rose in the trunk. When they look in the truck, it’s full of all kinds of stuff. It’s hard to tell if there’s a body in there or not. One of the bits of stuff in the trunk might be an arm.
I’ve said several times how much I love Gillian Anderson as Stella Gibson. I hope she continues as a character with new cases. But maybe her future cases could involve crimes not about sexual predators. My nerves can’t take it.
Episode 4 of The Fall begins with the forensics people digging through DS Stella Gibson’s (Gillian Anderson) hotel room. They take her computer and her dream diary to examine for clues. As this is happening, Paul Spector (Jamie Dornan) is reading her diary from the photographs he took. It isn’t even my diary and his intrusion into her dreams makes me feel invaded.
Stella prints out the image Paul installed on her computer as wallpaper. It’s a painting of an incubus atop a sleeping woman. She and her supervisor Jim Burns (John Lynch) assume the figures are meant to be Stella and Paul. Really now, did Allan Cubitt have to pick a painting of an incubus for the bad guy? Because there’s a certain succubus I’m fond of and I don’t want the bad reputation of this incubus spilling over into her Fae world.
Stella shows Burns the CCTV from the hotel of Paul, Stella and Burns entering her room. They realize Paul was in the room for 45 minutes – including the time they were discussing his childhood in a group home. Therefore, he knows they are on to him.
Burns apologizes for his drunken behavior the night before.
Stella says, “I nearly made the same mistake as you last night.” She’s referring to her advances to Tanya Reed Smith (Archie Panjabi) but he doesn’t know that. She concludes, “We all have physical, emotional needs that can only be met by interaction with another person. Trick is to ask someone appropriate to meet them.”
Stella hears the story of how Paul went to a client’s house – Liz Tyler – in season 1 and encouraged a client to report her husband’s abuse. Stella clicks to the fact that Paul is a bereavement counselor. She learns that it was Paul who went to counsel Annie Brawley (Karen Hassan). He’s scheduled to go again.
Stella rushes to the hospital, drags Annie from her room in the nick of time as Paul arrives. Stella and Annie talk after Paul leaves. Annie finally remembers how she saw him the night she thought she lost her driver’s license. She realizes he is the man who attacked her. Now they have him!
The police go talk to Liz Tyler (Séainín Brennan) again about Paul’s advice as a counselor. She’s in a women’s shelter. When they talk to James Tyler (Brian Milligan) he’s belligerent and angry. He thinks Paul Spector had sex with his wife.
Spector’s daughter is missing him terribly. Paul’s wife Sally Ann (Bronagh Waugh) tracks him down at the hospital by opening his mail. He goes off with her to see the kids at a birthday party.
The police have enough evidence now to send in a technical team to put cameras in the Spector’s house. While they are doing it, one of the cops falls through the ceiling of the master bedroom. As Burns puts it – a colossal cock up! To cover up this disaster, Stella tells them to make it look like a pipe broke in the attic so the house floods. The police leave without finishing.
When the Spectors get home from the birthday party, Paul sends the wife and kids to her parents. Their sopping wet house isn’t safe. He suspiciously examines everything in the house. His handwritten journals of all his murders are still there.
There were two odd things about the cop falling through the ceiling. They showed the cop walking around in the attic. It was all 2 x 12 joists – with no insulation. If he had misstepped or fallen, he wouldn’t have broken through those 2 x 12s. A foot might have broken through the ceiling, but not his whole body. Secondly, when Paul found his murder books, they were between the joists above the bed in the master bedroom. They were not in the ceiling in his daughter’s bedroom where he normally put them.
The police find a body of a woman fitting Rose’s description in the woods. Stella rushes to the scene, filled with guilt. She meets a handsome young officer: DS Tom Anderson (Colin Morgan). Later she asks to have him transferred to her team.
When Tanya Reed Smith arrives the conversation is businesslike. Stella asks her if she’s okay being the one to examine the body. They both dread finding Rose. Reed Smith says she’s okay to do the exam.
It isn’t Rose. Both Stella and Tanya breath a sigh of relief.
Katie (Aisling Franciosi), the super-stupid teenage babysitter, thinks she’s in love with Paul. She’s rewriting her diary to give him an alibi for every night of the strangler’s murders.
Paul studies up on Katie’s girlfriend Daisy (Tara Lee).
Paul wants Katie to come to the dark side and do something awful to Daisy. He wants her to learn to take pleasure in other people’s suffering. His pupils are the size of dimes as he talks to her. He’s aroused by the thought of getting her to do something evil.
At the end of the long day, Stella goes to Tanya’s office at the morgue. They do not talk about what happened the night before. Stella goes to sleep on the couch in Tanya’s office. Is she waiting for Tanya to finish up so they can leave together? Not clear. Tanya wakes her up to tell her she’s going to change clothes. While she’s changing, Stella wanders into the morgue and stares at the body of the woman they found in the woods. Just then, DS Tom Anderson calls her with the news they found a suicide note. The woman is not one of Paul’s victims.
Tanya finds Stella and asks what she’s doing. The last line of the episode is Stella’s answer, “Wondering where Rose is.”
Gillian Anderson’s performance in this episode is amazingly nuanced. Tiny movements in her expression write emotions in subtle but powerful ways. This character Stella Gibson is a tough cop, calm in every situation. She’s not one to show emotion. But we see it in Gillian Anderson’s face even when Stella Gibson thinks she’s hiding it.
They’re close to catching Paul Spector. I don’t want this story and Stella Gibson’s story to end. She’s a fabulous character and I don’t want her story to end when Paul Spector is caught. I could watch her forever!
Episode 3 of The Fall is patient waiting for the police to gather up enough evidence against Paul Spector (Jamie Dornan) to make an arrest. The police slowly put together clues as the episode plays out. There’s also stark terror at what Paul Spector may do next. For once, an episode isn’t all terrifying: there’s a delightful smile-inducing kissing scene.
There are many spoilers ahead.
Stella Gibson (Gillian Anderson) is giving all the right orders to find cars Paul has stolen, evidence he’s left behind, witnesses who know his whereabouts. She wants to know everything about Paul Spector’s life, but doesn’t want him arrested because he has Rose Stagg.
We don’t know where Paul stashed Rose and whether he killed her or not. Based on Paul’s long jog out of the woods at the beginning of the episode it doesn’t look good for Rose.
It’s slow going. At least it feels slow – this episode actually takes only one day, but the agony of suspense makes every moment feel like an eternity.
Paul edits some video in his hotel room. It’s a woman pleading, but we don’t know more than that.
The police revisit his wife (Bronagh Waugh). She tells them the babysitter was at her house on the night one of the women was killed and she doesn’t know where her husband was that night.
When the police question the babysitter, Katie (Aisling Franciosi) lies and gives Paul an alibi for the night. She tells them she was there with Paul for hours.
She wants to meet with Paul after she lies for him. This teenager really is a danger to herself. Paul tells her a long meandering lie about how he isn’t the killer but he’s pretending to be. He convinces her that he’s merely playing a game with Stella Gibson, that English bitch of a cop.
Katie wants to help him play the game. She has to sneak into the Spector’s house and photograph herself in his former bathroom mirror. She wears a tee shirt with his police rendered image on it.
Tanya Reed Smith (Archie Panjabi) calls Stella and asks to meet her that night in the bar of Stella’s hotel. Tanya wants to apologize for pushing the issue of the fingernail scratches. She says she was being nosy, not clinical. Stella walks away to respond to a call about Katie, the moronic babysitter, breaking into a house. While she’s gone, a lawyer who knows Prof. Reed Smith approaches the table with two margaritas. Because, as you know, a woman sitting alone in a bar could only be there because she wants a man to join her.
When Stella returns, she slides into the booth, gives Tanya a couple of kisses, and thanks Mr. Lawyer In A Suit for the drinks as if he were the waiter. When he leaves Stella laughs about getting rid of the guy. Tanya says, “He knows who I am. He probably knows who you are, too.” Stella blows it off. Kissing women in public places is not a big deal for her.
Reed Smith liked the kissing. She likes it enough to start upstairs with Stella. She backs out at the elevator doors and can’t go through with it. Tanya mumbles an excuse about her upbringing and walks away. She’s probably the only person on the planet who would turn down sex with Gillian Anderson Stella Gibson.
While Stella and Tanya kissed in the bar, Paul found a way to get into Stella’s room. He read and photographed her dream journal, fingered her underwear, stroked her silk blouses. Stella comes in and he hides in the closet. He watches her walk around the room.
Burns (John Lynch) arrived – drunk. He talked about some stuff he did in season 1 related to a man named Monroe. His machinations may get him fired. Burns finally acts on his lust for Stella. She says no. He makes a lunge for her. She punches him in the nose.
Stella tends Burns’ bloody nose in the bathroom. Burns tells Stella the investigators learned Paul Spector was once in a group home run by a pedophile. At some point while they are in the bathroom, Paul sneaks out.
Stella tells Burns that female is the basic human form and maleness is a kind of birth defect. LOL. Smiles are so few in this taut drama, they are very welcome when they come.
When she’s finally alone again, Stella sits down to her computer and sees the weirdly sick wallpaper image Paul installed on it. She grabs her gun and searches the room, he’s gone. Nevertheless, she knows he’s been in her space.
Finally she notices her dream journal. Paul wrote a note in saying how well he understood her now that he’d read her diary. So creepy.
Paul and Katie have late night Skype sex from their respective beds. So much for his aversion to harming children. He’s ready to destroy misguided teenaged girls.
Everything about The Fall is masterful. Allan Cubitt’s writing and directing deserves much of the credit, of course. Additionally, the acting is superb from everyone. Gillian Anderson’s performance is sophisticated and quiet, yet manages to radiate power and depth. Jamie Dornan was born in Belfast, which explains his perfect Irish accent, but all the accents are spot on. Dornan has many scenes alone during which Paul plans or watches. He makes Paul Spector scary even when he’s alone. And the music – the music lays like an undertone at the bottom of every scene, pulsing with suspense and dread. It all adds up to one of the best suspense dramas I’ve ever seen.
The tension is unbearable and scary as hell in episode 2 of The Fall. Season 1 was more cerebral. Now the tension is mounting, and the danger has gone way up.
There are spoilers.
The music, the pace, and Jamie Dornan’s performance as a menacing killer make everything about this episode terrifying. The music is breath-holding, tense, yet pulsing, moving. Who knew the sound of a gong could be so nerve-wracking? Writer and Director Allan Cubitt has created something very scary here.
Stella Gibson (Gillian Anderson) wakes from a dream. She’s sleeping on a cot in her office. She writes her dream in a journal.
Paul Spector (Jamie Dornan) takes Rose Stagg (Valene Kane) out of her house after making her write a note to her family. She tries to outsmart him. She tries to fight him. She tries pleading with him. It doesn’t work. He stashes her in the abandoned building he found near his in-laws place. The one where he tried some funny business with a manikin in season 1.
Stella Gibson is a lap swimmer. She works out that way. If that is really Gillian Anderson swimming laps, she’s an outstanding swimmer.
Detective Superintendent Gibson realizes immediately that Paul has taken Rose when Rose misses an appointment. The look of dread on Gillian Anderson’s face is telling.
Stella’s boss ACC Jim Burns (John Lynch) isn’t convinced they have an abduction on their hands. The police go to the Stagg house and look around. Rose’s little girl tells PC Dani Ferrington (Niamh McGready) about the man who came in the night and taught her the Peter Piper tongue twister. The boss is finally convinced.
Paul is the bereavement counselor for his own escaped victim, Annie Brawley (Karen Hassan). Oh my god! He alone with her in her hospital room. When he realizes she doesn’t recognize him, he actually does a decent job of counseling her. He tells her to think about the future and forget the past. Once they connect the scissors that killed her brother with the guy in her hospital room counseling her, it’s going to get crazy.
The Spector’s former babysitter Katie (Aisling Franciosi) is doing some crazy 16 year-old-shit. She takes the Spector’s daughter Olivia (Sarah Beattie) to attract Paul’s attention. Later she goes to Paul’s sleazy hotel room hoping for some sort of sexual adventure. He does not provide sex, but he is really tempted to strangle her. She’s going to get herself killed the way she’s acting.
Paul won’t have sex with Katie because she’s a child. He actually tells her to think about what she’s doing because every decision has consequences. He doesn’t want his wife to have an abortion because that would be killing a child. He’s got a thing about children, but it doesn’t carry over into the murder of grown women. As Bo Dennis, AKA Lost Girl, might say, “Mommie issues, get in line.”
Stella and pathologist Tanya Reed Smith (Archie Panjabi) realize that by revealing the police sketch of “Peter” to the press, they may have lead the killer straight to Rose. Tanya was friends with Rose before any of this started. They both feel responsible and guilty about Rose’s abduction.
Prof. Reed Smith confirms that the scissors they found could be the murder weapon. It’s a hilarious scene to watch when Stella and Tanya discuss the scissors as a possible murder weapon. They’re standing over a nude Joe Brawley on a lab table. They’re looking at the puncture wounds in his back. His bare butt is just inches from Gillian Anderson’s face. It cracked me up, and there are very few scenes in this series that make me smile.
They get a print from the scissors belonging to Paul Spector. Stella finally has a name for the killer. Stella realizes they’ve interviewed him and remembers seeing him in the hallway of the police headquarters.
With Rose missing and the killer’s name in her hand, Stella gets a little frantic to fill in all the blanks that were ignored when they questioned him as a witness in season 1 and when they interviewed his wife. Stella wants everything redone: interviews, checking stories. She’s almost yelling, showing some emotion, losing her cool. Since Stella is a very cool number, this is revealing of her concern for Rose Stagg.
Paul calls her on Rose’s phone. There’s blood on the phone. Stella calls him Peter and doesn’t let on she knows his real name. She reminds him Rose has two children and asks what he’s going to do with her. He answers, “No one can outwit death.” He throws away the phone. He drives away in Rose Stagg’s car and we hear someone making noises in the trunk.