Last Tango in Halifax, Season 3, Episode 3

Be glad to start episode 3 of Last Tango in Halifax in your happy place because you’re in for a bumpy night by the end.

Every word that follows is a spoiler. Continue reading “Last Tango in Halifax, Season 3, Episode 3”


Last Tango in Halifax: Season 3 Episode 2

Episode 2 of Last Tango in Halifax in season 3 of this BBC series is a painful one. Pain from old wounds and betrayals still unforgiven come forth from the past to color and hurt again today. It begins mere minutes from where episode 1 ended.

Every spoiler imaginable ahead. Continue reading “Last Tango in Halifax: Season 3 Episode 2”

Last Tango in Halifax, season 3 episode 1

Last Tango in Halifax begins season 3 on Valentine’s Day. Several important things happen on Valentine’s Day that require a lot of processing on the part of the characters in Last Tango in Halifax.

I’m changing the way I recap Last Tango in Halifax for series 3. I’m going to be much briefer and rely more on images to tell the story. I’ll leave out most of the details and only hit the high points. Hope you like this way of doing it. Continue reading “Last Tango in Halifax, season 3 episode 1”

Another Dead Lesbian and the Question of Representation

Warning: Last Tango in Halifax spoilers.

My mission on this blog is to mention, support, and promote things I like. I usually don’t mention things I don’t like. Today is an exception. I want to talk about something I don’t like: the kill-the-lesbian trope.

This subject is fresh on my mind because Kate McKenzie was killed off on Last Tango in Halifax in episode 4 of season 3, but I could have written about the topic once a month since the birth of the blog and still have plenty of subject matter.

When I recapped the episode in which Kate died, I did it as a straight report on the story as writer Sally Wainwright wrote it. It’s her story, her creation. She can write it as she wants. (I took to heart a tweet from Shonda Rhimes about fans who think they can tell her how to write her stories.)

I don’t want to tell Sally Wainwright how to write a good story. She knows. She’s written wonderful female characters in Scott & Bailey, in Happy Valley, and in Last Tango in Halifax. I thank her for all of them.

I think this character is part of a larger discussion about media in general and LBGT / woman of color representation in particular.What I do want to explore are the implications of picking this particular character, Kate McKenzie – played by Nina Sosanya – to die. I think this character is part of a larger discussion about media in general and LBGT / woman of color representation in particular.

Kate’s death means that a story about this lesbian couple – one of them a woman of color – is over. There will be no married life struggles, no child raising drama, no representation of two brilliant successful lesbians living a normal life in modern day Britain.

Kate’s death means that a woman of color in a leading role as a lesbian is gone. Her presence in this story, not just as a lesbian but as a woman of color, was significant to many people and to society as a whole. The number 1 search term that brings people to this blog is “Nina Sosanya.” The number 1 post on this blog week after week is about Nina Sosanya. This says to me that she represents something to a majority of people interested in Last Tango.

Kate’s death means that Celia – played by Anne Reid – doesn’t have to grapple with her homophobia, her racism. Kate is gone and with her an important and much needed character arc for Celia.

Kate’s death means that Caroline – played by Sarah Lancashire – will live without love from now on, will grieve for what she’s lost from now on.

Interviews, Quotes, and Comments

Sally Wainwright

Sally Wainwright’s first interview after the episode was with Diva Magazine. When asked why she killed off Kate she said,

It was a really massive decision. And it just felt it wasn’t as… [long pause]. It didn’t give the series as much emotional impact as we normally like to give the audience. I suppose that’s why we made that decision. But I am sad, and I’m really aware that I’ve upset a lot of people.

Later, she was asked why Kate and not John (played by Tony Gardner)? Her answer,

The narrative was that Caroline and Celia had fallen out so badly with Celia not going to the wedding. They weren’t going to speak to each other ever again. Narratively, nothing can ever bring this mother and daughter back together again. And then of course when there’s this huge, massive catastrophe in the family, people do rally round. People do get back together. So it was a narrative decision. It was more about the relationship between Celia and Caroline, and what that gave us.

Celia and Caroline fight regularly and viciously. And make up. That’s been part of their narrative all along. I find it hard to believe that someone had to die for them to make up.

When asked if Caroline would meet another woman, Sally Wainwright answered,

No. And she’s not going to meet another man either.

Nina Sosanya

Nina Sosanya’s first interview after Kate’s death was with Cultbox. When asked for her reaction when she heard about Kate’s death she said,

I was warned before I read the script – which was kind of them – and my honest initial reaction was ‘oh that’s a good idea!’, because the drama is great, but then slowly it dawned on me that I wouldn’t be in it anymore! So that was a bit of a slow burn, but it was off for me because from an outside opinion I could completely see why that’s a great story turn.

But it was quite devastating to have to say goodbye to that relationship, particularly with Sarah, because you build up a working relationship that’s quite unique. It was really sad.

Nina didn’t know at the start of series 3 that she was going to be off the show is how I read that. Assuming she really is off the show. In episode 4 – the funeral episode – she was there as she appeared in Caroline’s grieving visualizations. She may be around for a while in Caroline’s imagination.

When asked about playing Kate as a ghost she said,

Yes, that’s quite an interesting thing to play, because you’re not really playing the character anymore, you playing it as imagined by someone else. So that was a challenge, it was quite good really.

 And would she work with Sally Wainwright again? Yes, definitely!

Lady Parts

A powerful post on Lady Parts deserves a reading. It’s titled Lesbian Lives Matter. Read the entire post, please. Here’s a bit of particular interest.

There is great division in the lesbian fan community right now. Some people are very angry from years of disappointments and have banned the show, much like they did with “The L Word,” “Grey’s Anatomy,” “Chicago Fire” and countless other shows that let us down. Some do not want to bite the hand that feeds us and are worried that the show might be canceled and Caroline might never get another chance at happiness.

Well, I don’t want the show canceled, but I do want this to be a teaching moment, for Wainwright and everyone who follows her. I want us to scream loud enough, I want them to hear, and I want to finally earn their respect. Lesbian lives matter. Queer lives matter. Stories on television matter. They give voice to those who are struggling to be heard, and they give a face and a familiarity to the Other.

I Want to Have Them Here

A Tumblr blog called “I Want to Have Them Here” posted an piece called In Memory of Kate McKenzie.  They suggest an action that would be an example of what Lady Parts called a teaching moment.

. . . it wouldn’t be right to let this wonderful couple and all that they represent, simply fade away without their significance being recognised therefore we are proposing a highly visible demonstration of our gratitude for the gift that is Kate & Caroline and our appreciation of the two sublime actresses who portrayed them so skilfully and honestly.

We are co-opting the phenomenon of Lovers’ Locks, a symbol of everlasting love. It says a lot about how we would have preferred the script to have gone as well as a warm embodiment of our feelings for the characters and their relationship as lesbians.

The suggestion is to put lover’s locks in a fence near the Red Production offices at in Salford in England. (The address is in the article.) I think this is a quiet, gentle act that could build into news that many writers and producers would notice and think about.

After Ellen

The final quote comes from a piece on After Ellen by Elaine Atwell. Elaine is mad as hell and doesn’t want to take it any more, as are many fans who are fatigued by the kill-the-lesbian trope. Here’s a quote:

. . . writers, producers, and showrunners have no qualms at all about taking our faith and our love and our loyalty and shoving it right back in our faces. Sure, they love us when we offer nothing but praise. They collect the GLAAD awards like Greek gods courting temple sacrifices. They eagerly repeat the stories of how their characters gave real life people the courage to come out. They pat themselves on the back so hard and so often it’s a wonder they’re not all in a constant state of cramp. But when we dare to object, when we express fatigue or frustration with being force-fed the same tired cliches again and again, then the same queer women who formed a vital part of their fan base become a nuisance. When we complain, they call us shrill. And when we try to sneak the characters under our T-shirts and spirit them away to the worlds of Tumblr or fan fiction, places we know we can at least keep them safe, they call us crazy.

Shows with lesbian characters should all be bowing before “After Ellen” and thanking them for all the support, the articles, the recaps, the free publicity, the interviews. When “After Ellen” gets mad, much of the lesbian population gets mad with them. A teachable moment.

What is the kill-the-lesbian Trope?

There’s a wiki called TV Tropes. It has a page called Bury Your Gays. This page, with it’s links to other similar pages, is an education in the frequency with which the trope is used to kill off gay characters. Read and get educated. A quote (emphasis mine):

Please note that sometimes gay characters die in fiction because in fiction sometimes people die (this is particularly true of soldiers at war, where Sitch Sexuality and Anyone Can Die are both common tropes); this isn’t an if-then correlation, and it’s not always meant to “teach us something” or indicative of some prejudice on the part of the creator – particularly if it was written after 1960. The problem isn’t when gay characters are killed off: the problem is when gay characters are killed off far more often than straight characters, or when they’re killed off because they are gay.

Under that are examples from anime, comic books, fan works, film, literature, TV, music, theater, video games, web comics, web original, and western animation. Open and look at all of them. If you’ve heard of this trope before but never really seen it documented, open and look at all the examples. An educational moment.

In the TV section alone, examples come from Chicago Fire, True Blood, Will and Grace, Ally McBeal, The Andromeda Strain, Battlestar Gallactica, Bramwell, Cold Case, Damages, Dark Angel, Dirty Sexy Money, Foyle’s War, Hex, Hollyoaks, Emmerdale, House, Lost, The Sopranos, Supernatural, Veronica Mars, Warehouse 13, Boardwalk Empire, The Tudors, Buffy the Vampire Slayer, Hemlock Grove, The Killing, American Horror Story and more and more. Now Last Tango in Halifax can be added to the ever growing list.

The Issue of Representation

Pop culture and representations of society and its multitude of individuals in our media matter. LBGT representation, women’s representation, men’s representation, the representation of the handicapped, the disabled, the old, the representation of people of color, the representation of races, religions, belief systems: it all matters.

Television, film, YouTube, advertising, media of any kind teaches us who we are. Teaches us what our culture believes we are. Teaches us what we can and cannot be.

Taking the route of killing off yet another gay character teaches us that gay people are expendable and not worth keeping around. It’s a plot device that needs to be examined by every creative person who writes for TV, film or any other medium. It matters how LGBT characters are handled in the media. Representation matters.

Why Are We So Attached to Kate?

Update: 8/20/2015: Why do we mourn so angrily when our favorite characters are killed off? Here’s a fascinating article at The Mary Sue called The Psychology of Fandom: Why We Get Attached to Fictional Characters that explains what’s happening in our brains and thoughts when a favorite character departs suddenly.

Dicte: A Danish series about a Crime Reporter

Netflix is now streaming the Danish series Dicte. The series is named for the title character, Dicte Svendsen, played by Iben Hjejle. Dicte is a crime reporter who goes back to her hometown of Aarhus after a divorce.  She has an 18 year old daughter named Rose (Emilie Kruse) and an ex-husband (Lars Ranthe) who hopes for a reconciliation.

Mild spoilers ahead. Continue reading “Dicte: A Danish series about a Crime Reporter”

Review: Wentworth

Wentworth is frequently mentioned when the conversation turns to Orange is the New Black. The Australian women’s prison drama is now on Netflix. I binge watched both seasons of the show and now understand why the two shows are so often mentioned in the same breath.

Danielle Cormack as Bea and Nicole de Silva as Franky.
Nicole de Silva as Franky and Danielle Cormack as Bea.

This review of Wentworth will tell you a little about the show and the cast. I’m not going to point out every parallel between Wentworth and Orange is the New Black because I think you’ll pick them up on your own.

Wentworth Basics

Wentworth is a remake of an Australian show called Prisoner which ran from 1979 to 1986. The current show began in 2013. The first two seasons have won awards for best drama and best actress for Nicole de Silva. Netflix currently has the first 2 seasons, so an American can catch up without any delays. In some locales around the world where the show is available, it’s called Wentworth Prison.

Season 3 is currently underway on Australian TV, but it will be some time before the current season reaches American Netflix viewers. The show has an up-to-date Facebook page with photos from season 3. [Note: Season 3 of Wentworth is now on American Netflix.]

The Wentworth Story

Nicole de Silva plays Franky
Franky doing her thing

It’s an ensemble cast with many complex characters. The two nominal lead characters are Franky (Nicole de Silva) and Bea (Danielle Cormack). The story starts with Bea’s arrival in the prison for the attempted murder of her abusive husband.

Danielle Cormack as Bea
Bea seems like such a nice lady.

Much of the action takes place in the laundry, the cafeteria, or in the common areas of each cell block. There’s also an infirmary where prisoners end up with some frequency.

The characters are mostly white. There are some racial politics, but the main themes are around power and control.

Season 1 major cast members
Season 1 major cast members

Starting from the bottom left, the major characters in season 1 in the photograph are:

  • Franky, a lesbian with a big crew who wants to be top dog. She’s very sexy and she uses it strategically.
  • Bea, a newcomer who is concerned about her teenaged daughter (Georgia Flood) and who is learning to survive the prison system. She gains the respect of the prisoners and so becomes an irritant to Franky in her quest to overturn Jacs.
  • Will Jackson, a correctional officer who is married to the Governor in episode 1. That governor gets killed and a new one comes in. He goes a little nuts over his wife’s death, but he’s basically a good guy.
  • Vera Bennett (Kate Atkinson), a correctional officer with a meek personality, an abusive mother, and a belief in following the rules.
  • Erica Davidson (Leeanna Walsman), the new governor who says she believes in treating people well but doesn’t always do that once she’s in power. She has a massive case of the hots for Franky.
  • Jacs Holt (Kris McQuade), who is top dog and can arrange a murder with very few words. She holds on to her power with vicious intensity. Her son Braydon (Reef Ireland) will date Bea’s daughter – and not for good reasons.
  • Doreen, who has a good heart and lots of love to give. She has trouble doing some of the things Franky wants her to do to help Franky gain power.
  • Matt Fletcher (Aaron Jeffery) a correctional officer who drinks too much, is troubled, but ultimately wants to see justice in the prison system.
  • Liz Birdsworth (Celia Ireland), another troubled character who spends her time trying to keep peace in the prison and stop the women from hurting each other over power struggles.

Not in the photo is Boomer (Katrina Milosevic) who is a large, strong woman Franky uses as her muscle. Jacs’ muscle is primarily provided by Simone (Alexandra Fowler).

We don’t get the back story on every character. There are occasional flashbacks to a character’s past, but not for everyone. Sometimes we don’t know why characters are in prison.

The major season 2 cast
The major season 2 cast

There are some cast changes in season 2, as well as some character growth. From the left in the photograph:

  • Will Jackson
  • Joan Ferguson (Pamela Rabe) is the new governor. She manipulative, obsessive, ruthless, and has a secret vendetta she uses her position to carry out.
  • Vera, who goes gaga over Governor Ferguson and tries to be just like her. Vera finally develops a backbone, but doesn’t use it well.
  • Matt Fletcher
  • Liz, who, much to her chagrin, is out on parole for part of season 2.
  • Bea, who becomes obsessed with thoughts of revenge against anyone in the Holt family both in and out of prison. She’s smart enough to find ways to carry out her revenge schemes.
  • Boomer
  • Franky, who has some triumphs and some failures in season 2.
  • Doreen, who falls for a male prisoner – Nash Taylor (Luke McKenzie) – who comes to help build a garden. She also has a particular importance for Governor Ferguson.

Not shown in the photo is Socratis Otto as Maxine, a trans woman. (Otto is male.) Also worth mentioning are Katherine Beck as Sky, a weird addict who joins Franky’s crew and Georgia Chara as Jess, whose attempts at seducing Fletcher are important to the story arc.

Some Thoughts on Wentworth

Gritty drama is a good description of Wentworth. The characters are fascinating – multi-layered, mostly women. There is everything from the basest evil to sublime redemption depicted among this large cast.

Shareena Clanton as Doreen
Doreen, you’re my fave!

My favorite character is Doreen. Shareena Clanton, who plays Doreen, is very young and bursting with talent. She’s one of the few characters who doesn’t have some dark inner flaw that makes her hurt other people. (At least if she does, we don’t learn about it in the first two seasons.) Shareena Clanton is an actress to watch, in my opinion.

The acting is superb from everyone in the cast. Every performance is on the mark, every character believable. The story lines and the progress of each character through the two seasons are clear and well written.

There are many women’s names listed among writers and directors, which I count as a very good thing.

In summary, this drama about a women’s prison is well-acted, well-written and very good. I completely recommend it. Five stars, or however many the maximum number of stars might be, I give to Wentworth.

Happy Valley, S1 E6

Everything goes to hell in Catherine’s life and work in the season finale of Happy Valley. Hang on for the ride! There are spoilers everywhere.

Continue reading “Happy Valley, S1 E6”

Happy Valley, S1, E5

Episode 5 of Happy Valley winds down a long road to recovery for Catherine Cawood (Sarah Lancashire). The journey is as much mental as physical for Catherine, and it isn’t an easy trip. There are spoilers ahead.
Continue reading “Happy Valley, S1, E5”

Happy Valley S1, E4

Episode 4 of Happy Valley was directed by the series creator Sally Wainwright. In this episode the police finally learn about the kidnapping. And things get brutal. There are spoilers in every paragraph.
Continue reading “Happy Valley S1, E4”

Happy Valley S1, E3

By the end of episode 3 of Happy Valley everyone – the police and the kidnappers alike – are hanging on by their last nerve. The stakes go way up in this episode, and our heroine Catherine (Sarah Lancashire) is coming unraveled. Far be it from writer Sally Wainwright to ever let the tension drop before the tale is told. There will be spoilers!
Continue reading “Happy Valley S1, E3”