The cast of Orange is the New Black is busy doing publicity for season 2. There are interviews and talk shows and all kinds of press going on. I thought I’d collect a few of these videos right here for you to enjoy.
If you an obsessed fan like I am, you probably enjoy seeing the cast members being themselves in front of a camera instead of playing a part. Also, it’s nice to see them in street clothing.
This one is from MSNBC and features Lea DeLaria and Matt McGorry. Aww, they’re holding hands.
From HuffPostLive with Dascha Polanco and Lea DeLaria.
A Hey You Guys interview with Jason Biggs and Laura Prepon.
Another from Hey You Guys with Taylor Schilling and Danielle Brooks.
This one is a little heavy on the PR, but interesting.
This is from the Today Show. It’s old embed code, so it may not work on all devices. I apologize if it affects you. The interview included Taylor Schilling, Laura Prepon, Jason Biggs and Uzo Aduba.
This is my overall impression of season 2 of Orange is the New Black. I will talk about performances and high level story lines, without revealing big spoilers. More detailed discussions of particular episodes or events will come later after people have had plenty of time to watch all 13 episodes.
I watched all 13 episodes in two days, and my eyes felt like I’d just finished one of Diana Gabaldon’s Outlander books when I finally looked up. But the eye strain was worth it.*
The Cast and Credits
The first thing I noticed was who is listed in the main credits. Those people are Taylor Schilling, Uzo Aduba, Danielle Brooks, Michael Harney, Natasha Lyonne, Taryn Manning, Kate Mulgrew, and Jason Biggs. These are the names that show up every week. The cast has been shuffled around a bit, some people have moved up into major roles. Other actors, although very important to season 2, are listed in guest roles or are listed after the main titles roll. Samira Wiley as Poussey is a key actor in season 2, and her name should have been up front, in my opinion.
Fan favorite Laura Prepon shows up in only 3 episodes, but the way the season ends it looks like Alex Vause will be back in full force in season 3. Other favorites who are there, but not necessarily for every episode include Laverne Cox, Lea DeLaria, Yael Stone, Selenis Leyva and many others. All the same officers and prison people are still running the place badly, except Pornstache who only shows up in a couple of episodes.
Lorraine Toussaint, who comes in as a character named Vee, is in 8 episodes. In those 8 episodes she manages to throw the whole prison into quite a state.
In Praise of Brilliant Performances
There are so many brilliant performances in season 2. This is so much of what Orange is the New Black is: a showcase for brilliant talent that we don’t see anywhere else. While that isn’t true of the well-known Lorraine Toussaint, I want to call her out for her performance. She simply stunned in every way.
The cast who’ve been there all along were marvelous again this season. Taylor Schilling, Uzo Adubo, Danielle Brooks and Samira Wiley gave noteworthy performances. Really, everyone in this cast gives a noteworthy performance.
The backstory on each character is what makes us care so much about the women in Litchfield. This season we got more backstory on Piper (Taylor Schilling), Morello (Yael Stone), Sister Ingalls (Beth Fowler), Taystee (Danielle Brooks), Poussey, Miss Rosa (Barbara Rosenblat), Gloria (Selenis Leyva), Suzanne (Uzo Adubo), Black Cindy (Adrienne C. Moore) and Vee.
The Current Story
When the season begins, Piper is pulled from the SHU and taken to Chicago to the trial of the drug kingpin who was Alex’s boss. The trip from one prison to another provides an opportunity for a guest star, something that doesn’t happen often on this show. The guest was Lori Petty. Jodie Foster came back to direct again this season and she directed the Chicago trip episode.
At Litchfield, important plot points in this season are the dangerous conflict between Red (Kate Mulgrew) and Vee, the tension between the pregnant Daya (Dascha Polanco) and the C.O. John (Matt McGorry), the tension between Caputo (Nick Sandow) and Figueroa (Alysia Reiner), and the problems between Healey (Michael Harney) and just about everyone.
There’s a contest between Big Boo (Lea DeLaria) and Nicky (Natasha Lyonne) that leads to lots of funny lesbianing, but hang in there to the end of the season for the best Pensatucky lesbianing laugh of the year. Nicky has serious challenges to face as the season progresses, too.
Piper gets involved in tracing down corruption and finding proof of embezzled funds while dealing with Larry (Jason Biggs), Alex, a death in the family and more than one huge betrayal.
One of my favorite episodes revolved around Valentine’s Day. It revealed so many deep, meaningful insights. Another favorite was an episode where a good bit of the plot dealt with the fact that most of the women were unaware of their female anatomy and the construction of their lady parts in particular. The few who knew enlightened the others in some pretty funny ways.
I’m a ukelele player. I was highly amused by the C.O. (Joel Garland) who played a banjo ukelele while making up songs about nuns and bad mothers. Ukes forever!
The finale was written by Jenji Kohan. It wrapped up some problems, it opened up new problems for next season, and was a terrific way to end the season. It left us wanting more, it satisfied with poetic justice, and it left me convinced that season 3 can’t come soon enough.
*In one scene, Tastee recommends Outlander to Poussey.
We have a serious problem with our entertainment. We think we own it. We think we own the stories, the characters, the actors. We think it’s ours to dictate and control. If it isn’t the way we want it to be, we get vicious.
Entertainment is a gift to us, created and conceived for our enjoyment by someone else. We don’t know or own that someone else.
It’s the Internet. It’s Twitter. It’s message boards. You can say whatever lame-brained thing you want and send it out into the world. It’s so easy, even I can do it.
At some point on the message boards, the character of Skyler seemed to drop out of the conversation, and people transferred their negative feelings directly to me. The already harsh online comments became outright personal attacks. One such post read: “Could somebody tell me where I can find Anna Gunn so I can kill her?” Besides being frightened (and taking steps to ensure my safety), I was also astonished: how had disliking a character spiraled into homicidal rage at the actress playing her?
Before I started this blog, I was putting an occasional pop culture post on one of my other blogs. That’s where you’ll find Dear Lesbian Bloggers, Isn’t it Time to Forgive? The post is about the resentment many directed toward The L Word. In that post, I stated,
I surfed around among many lesbian writers, sampling what they had to say about The L Word. I was surprised when I discovered a plethora of complaints, vilifications, and shaming. Nobody liked Ilene Chaiken. Nobody was satisfied with the plot. The characters were all too pretty. It wasn’t realistic. Everyone was mad because Dana died. Everyone hated Jenny. And on, an on, and on.
On the blog Dorothy Surrenders the other day, I saw On Faith and Fandom. She was talking about the attacks on two actresses because of their personal beliefs.
Which leads me to the recent heated fandom debates – to put it very mildly; you should see the email folder I’ve made for all the messages – over Rachel Skarsten of “Lost Girl” and most recently Laura Prepon of “Orange Is the New Black.” Both have been tied to churches that are reportedly anti-gay.
Fans argued that it was okay to hate a character and the person who plays her because of a religious belief. Even though before they knew this one personal thing about the person, they loved the character and the actor playing her. Nothing about the show or the character changed.
Love a show? Then watch it.
Is there some show you love? Breaking Bad or Orange is the New Black, perhaps. Yea! Then watch it for your entertainment pleasure. It’s a gift to you from a network and a creator and a producer and a huge crew and a lot of actors who work for months to bring you said entertainment. If the show you love has a message or a larger cultural meaning about good and evil or visibility for LGBT people or some other topic dear to your heart, good for it! You can support the show on that basis.
If the show you love has a character you like or don’t like (because every drama has to have a protagonists AND an antagonist or nothing dramatic happens) then good for the show’s creators for giving you characters that make you care.
The thing is, it’s fiction. It’s story. It’s made up. The actors are not the characters. And neither the actors or the characters belong to you. You don’t get to judge entertainment based on the actor’s personal lives. You don’t get to hate them when the characters they play don’t do exactly what you want. Just because you feel invested in a story or character, it’s still mass entertainment and not your personal possession.
Here’s how Shonda Rhimes (Gray’s Anatomy, Private Practice, Scandal) put it on Twitter:
People who tweet seeking advice on how to be a writer = awesome. People who tweet GIVING advice on how I can write stuff they want = crazy.
When I was a kid, my Uncle Bill was a theater manager. That was back in the day when Elizabeth Taylor was a huge star. She was on her 5th or 6th marriage, and I commented to Uncle Bill about not wanting to see her latest movie because she got married all the time. He said, “Look at her her acting. Look at the work. That’s all that matters.”
Look at the work. A lot of people did a lot of work to tell you a story. Watch it with pleasure or don’t watch it at all. But don’t threaten to harm the people telling you the stories.
I just finished the last episode of season 1 of Orange is the New Black. It’s a women in prison comedy/drama. My thought as I watched the last few seconds of the stunning season conclusion was, “Please let there be 1000 more episodes of this show.” It’s that good. It’s been renewed for another 13 episodes in season 2, so that only leaves 987 that I’ll be wanting. The first season of 13 episodes runs from September to December in the story of one year in prison, so 3 seasons of equal pacing might be more realistic to expect.
Orange is the New Black is a a Netflix original, created by Jenji Kohan of Weeds. I loved Weeds and I love Orange is the New Black. Apparently I am a huge Jenji Kohan fangirl. Kohan takes characters who are flawed, vulnerable, maybe a little off, often of questionable moral inclinations and she makes me care about them. Her characters aren’t Hannibal Lector, but they aren’t Mother Teresa either. They fall somewhere in between those two extremes, in a place where most of humanity struggles to get through the day.
Orange is the New Black stars Taylor Schilling as Piper Chapman. The series is based on the book Orange Is the New Black: My Year in a Women’s Prison by Piper Kerman. Piper Kerman and her TV self Piper Chapman are blonde, pretty, perfect WASPs who should be successes in life, and who don’t expect to find themselves figuring out how to survive in a prison.
Other well-known actors appearing in the series include Jason Biggs as Larry Bloom, Piper’s fiancee. Laura Prepon is Alex Vause, Piper’s lover from a decade ago. Alex was a drug smuggler and the reason Piper is in prison all these years later. And, oh yeah, Alex is in the same prison. Kate Mulgrew is Red, an inmate who runs the kitchen in the prison. Pablo Shreiber is a corrupt and cruel guard. Michael Harney plays the prison counselor. Natasha Lyonne is one of the inmates.
This is a big cast, the names I mentioned above are ones you may recognize. I feel like I should list the name of every single cast member because every performance is outstanding. Michelle Hurst, Taryn Manning, Samira Wiley, Uzo Aduba, Laverne Cox, Dascha Polanco, Matt McGorry – I didn’t mean to start listing them, but I can’t help it. And there are more names that should be applauded. Every character in this ensemble has a story, makes a real contribution, and every actor in the ensemble produces brilliant work. The acting is true, believable, powerful and at least 85% of the reason the series is so good. The other 15% goes to great writing. My math must be a little off, because I think there should be some percentage given for directing and costuming and set design and that Regina Spektor song at the beginning of every episode. Well, okay, I’ll say that the acting is at least 50% of the reason why this series is so good.
Can you give an entire cast an Emmy for best supporting actress?
A Few Mild Spoilers
Orange is the New Black is both a comedy and a punch-in-the-gut drama. There are a few laugh out loud moments and some running gags that will make you smile. A favorite running gag was the woman who was crying on the phone next to Piper each time she made a phone call. One scene where everyone in the cafeteria stood up and started dry humping everything in sight had me rolling on the floor.
There were moments of cruelty, fear, pain, and brokenness. There were moments of insight. There were moments of love. There are thieves, drug dealers and murderers – and those are just the people in charge of running the prison. There is fornication, masterbation, revenge, overdosing, insanity, sanity, rage, delusion and denial, pragmatism and surprising beauty. Storylines include race politics, religious politics, prison politics, uses for screwdrivers, Shakespearean recitations, and good hair. In short, this series has multitudes to offer and a cast that is capable of delivering it.
Our pretty blonde WASP princess heroine is afraid of everyone at first but soon finds that the women in prison are just like her. She finds people to respect and admire, and to like, which surprises her a bit. Taylor Schilling goes all out in this part. You can be sure there’s plenty of drama and tension involving in getting from fear to admiration.
There is love and relationship drama. With sex. Within the first 30 seconds of episode 1 we see Piper having lesbian shower sex with Alex and straight bathtub sex with Larry. Seems these two super clean moments were flashbacks to happier times as Piper takes her first prison shower, which wasn’t nearly as much fun.
Flashbacks are used often to reveal more about the characters. We see into their childhoods, meet the parents (or lack of parents), see the abuse or the quest for drugs, and learn about the crimes that brought each one to the prison.
One thing I liked about the flashbacks was that the actors could look more like we normally see them. In the prison garb, with no makeup, horrible hair, and possibly awful prosthetic teeth it was a little hard to match up actors faces with the images on imdb.com for the cast. (I do have a tendency to look at cast bios and photos while watching a show.) It took me nearly all 13 episodes to figure out that Taryn Manning was the person playing the crazed Jesus-freak character. That was partly because I could never catch her character’s name and partly because she looked so crazy-scary in the role. Damn, was she good, too.
Laura Prepon never looked bad. Not once. She had blonde hair in Are you There, Chelsea?. She’s been a redhead in some shows. She has black hair here and big black glasses. Her hair never seems to be stringy or wild and she doesn’t need makeup to be stunning. Which partly explains why Piper can’t stay away from her and we have the lovers triangle of Piper, Larry, and Alex through most of season 1. Larry, so straight and normal out there waiting in the real world – Alex, so gorgeous as she offers up her very warm body right here inside the walls. What’s a girl gonna do? I cast my vote for team Alex, drug smuggler though she is. Alex seems to love Piper with a beautiful eternal flame that makes poor Larry’s conditional acceptance pretty lame by comparison. If you’ve read the book and know how this all turns out, don’t rain on my team Alex parade, okay?
Netflix and Original Series
Netflix released House of Cards with Kevin Spacey and Robin Wright as its first original series. It was superb and I look forward to a second season of that series. Their second attempt Hemlock Grove was so bad I couldn’t watch it. They were 1 for 1 when this series came out, so I was unsure which way it was going to go.
Netflix struck gold once again with Jenji Kohan and Orange is the New Black. More like this please, Netflix.
Your turn. What do you think about Orange is the New Black?
Image Credits: Netflix.
Disclosure: The link to Amazon is an affiliate link.