Mack and Rita stars Diane Keaton. It has a female director (Katie Aselton). Of course those credentials made me want to watch it. The premise of the story – a 30 year old temporarily occupies her 70 year old body – has promise, the but implementation of that idea was not great.
The French Dispatch, from director Wes Anderson, brings a sumptuous feast of visual images, coupled with an all star cast, to a tale about a magazine. The magazine is The French Dispatch of the Liberty, Kansas Evening Sun. This American magazine, published in France, brought news of the world back to the homeland.
I found How to Make an American Quilt, a 25 year old gem, on Netflix in a queue of films directed by women. I remember loving it, wanting more films like it, and holding it as an example of what I wanted movies to be. I decided to watch it again to see how it held up all these years …
Impulse is an action-packed YouTube original. At its heart, it’s about sexual violence and assault. Wrapped around that heart is a blanket of mystery and sci fi about special powers. It’s a compelling combination, and very well done.
A few quick looks at this and that today. Two new TV series started this week, The Fix and The Village. I found a movie about two women in their 70s who fall back in love after not seeing each other for 50 years. It’s called For 80 Days (80 egunean).
If I had to describe Lady Bird with one word it would be real. This coming of age story for Christine “Lady Bird” McPherson feels absolutely, perfectly, nailed it, real for a certain type of kid growing up in America.
Lady Bird isn’t about Lady Bird Johnson, my original thought when I saw the title. It’s a mother-daughter story starring Saoirse Ronan and Laurie Metcalf.
Grace and Frankie season 3 is the best yet. It fine tunes relationships and how they work – or don’t work. It’s hilarious, it’s heartfelt, and it’s true to life.
Last week in the “Do Mail Robots Dream of Electric Sheep” episode of The Americans, Lois Smith was a guest star. It was an important episode of The Americans because it showed the Russian spy, Elizabeth (Keri Russell) as she begins to grasp the horror of what she does as a spy.
