My standard disclaimer about top 10 end of year lists: there are many things I don’t see on TV because I don’t have the right channels or subscriptions. If I overlook your favorite, that may be why. Here are the best TV shows I saw in 2017 (even if they weren’t released in 2017). Continue reading “10 Great TV Series Directed Wholly or Partly by Women from 2017”
The Handmaid’s Tale was originally a novel from prolific writer Margaret Atwood. I read it about 30 years ago when it came out, but my memory is sketchy. My sketchy memory left me free to watch the new television series The Handmaid’s Tale with fresh eyes. This is a review of season 1. Continue reading “Review: Season 1 of The Handmaid’s Tale”
Meadowland is a drama about losing a child and how individuals deal with grief. It received glowing reviews when it first came out, I was eager to see it. The opportunity finally arrived with Netflix adding Meadowland to its lineup. Continue reading “Review: Meadowland”
Meadowland starts next weekend in theaters. It will be available on Video on Demand the following week. It stars Olivia Wilde and Luke Wilson as parents whose child is abducted. Here’s the synopsis.
In the hazy aftermath of an unimaginable loss, married couple Sarah (Olivia Wilde) and Phil (Luke Wilson) come unhinged – recklessly ignoring the repercussions. Phil, a New York City cop, starts to lose sight of his morals as Sarah puts herself in increasingly dangerous situations, falling deeper into her own fever dream. The directorial debut of cinematographer Reed Morano, Meadowland is a visceral exploration of grief and hope. Featuring Giovanni Ribisi, Elisabeth Moss, Ty Simpkins, John Leguizamo, Kevin Corrigan and Merritt Weaver.
From the preview, it looks like Olivia Wilde and Luke Wilson get called upon to do more in their parts than we have seen them do before. According to reviewers who saw the film at festivals, both give outstanding, deep performances.
Director Reed Morano is pulling double-duty as cinematographer in this one. Check the image in the poster and up at the top. Olivia Wilde is looking out of the frame, lost somewhere. I expect Morano’s bringing her cinematographer ‘s eye to her directing process.
If you see the film, please share your impressions in the comments. I’d especially like to know if any trigger warnings for parents who have lost a child should be included in conversation about the film.