The Fall, S2 E2: Night Darkens the Street

The tension is unbearable and scary as hell in episode 2 of The Fall. Season 1 was more cerebral. Now the tension is mounting, and the danger has gone way up.

There are spoilers.

Jamie Dornan is terrifying as Paul Spector in The Fall
Jamie Dornan is terrifying as Paul Spector in The Fall

The music, the pace, and Jamie Dornan’s performance as a menacing killer make everything about this episode terrifying. The music is breath-holding, tense, yet pulsing, moving. Who knew the sound of a gong could be so nerve-wracking? Writer and Director Allan Cubitt has created something very scary here.

Stella Gibson (Gillian Anderson) wakes from a dream. She’s sleeping on a cot in her office. She writes her dream in a journal.

Paul Spector (Jamie Dornan) takes Rose Stagg (Valene Kane) out of her house after making her write a note to her family. She tries to outsmart him. She tries to fight him. She tries pleading with him. It doesn’t work. He stashes her in the abandoned building he found near his in-laws place.  The one where he tried some funny business with a manikin in season 1.

Stella Gibson is a lap swimmer. She works out that way. If that is really Gillian Anderson swimming laps, she’s an outstanding swimmer.

Detective Superintendent Gibson realizes immediately that Paul has taken Rose when Rose misses an appointment. The look of dread on Gillian Anderson’s face is telling.

Stella’s boss ACC Jim Burns (John Lynch) isn’t convinced they have an abduction on their hands. The police go to the Stagg house and look around. Rose’s little girl tells PC Dani Ferrington (Niamh McGready) about the man who came in the night and taught her the Peter Piper tongue twister. The boss is finally convinced.

Paul is the bereavement counselor for his own escaped victim, Annie Brawley (Karen Hassan). Oh my god! He alone with her in her hospital room. When he realizes she doesn’t recognize him, he actually does a decent job of counseling her. He tells her to think about the future and forget the past. Once they connect the scissors that killed her brother with the guy in her hospital room counseling her, it’s going to get crazy.

The Spector’s former babysitter Katie (Aisling Franciosi) is doing some crazy 16 year-old-shit. She takes the Spector’s daughter Olivia (Sarah Beattie) to attract Paul’s attention. Later she goes to Paul’s sleazy hotel room hoping for some sort of sexual adventure. He does not provide sex, but he is really tempted to strangle her. She’s going to get herself killed the way she’s acting.

Paul won’t have sex with Katie because she’s a child. He actually tells her to think about what she’s doing because every decision has consequences. He doesn’t want his wife to have an abortion because that would be killing a child. He’s got a thing about children, but it doesn’t carry over into the murder of grown women. As Bo Dennis, AKA Lost Girl, might say, “Mommie issues, get in line.”

Stella and pathologist Tanya Reed Smith (Archie Panjabi) realize that by revealing the police sketch of “Peter” to the press, they may have lead the killer straight to Rose. Tanya was friends with Rose before any of this started. They both feel responsible and guilty about Rose’s abduction.

A naked butt right under my nose? Huh?
A naked butt right under my nose? Huh?

Prof. Reed Smith confirms that the scissors they found could be the murder weapon. It’s a hilarious scene to watch when Stella and Tanya discuss the scissors as a possible murder weapon. They’re standing over a nude Joe Brawley on a lab table. They’re looking at the puncture wounds in his back. His bare butt is just inches from Gillian Anderson’s face. It cracked me up, and there are very few scenes in this series that make me smile.

They get a print from the scissors belonging to Paul Spector. Stella finally has a name for the killer. Stella realizes they’ve interviewed him and remembers seeing him in the hallway of the police headquarters.

With Rose missing and the killer’s name in her hand, Stella gets a little frantic to fill in all the blanks that were ignored when they questioned him as a witness in season 1 and when they interviewed his wife. Stella wants everything redone: interviews, checking stories. She’s almost yelling, showing some emotion, losing her cool. Since Stella is a very cool number, this is revealing of her concern for Rose Stagg.

Paul calls her on Rose’s phone. There’s blood on the phone. Stella calls him Peter and doesn’t let on she knows his real name. She reminds him Rose has two children and asks what he’s going to do with her. He answers, “No one can outwit death.” He throws away the phone. He drives away in Rose Stagg’s car and we hear someone making noises in the trunk.

The Fall S2 E1: These Troublesome Disguises

The BBC’s The Fall season 2 is now on Netflix. I’m going to review one episode a day until all 6 episodes are recapped. There are lots of spoilers.

A Quick Review of Season 1

Detective Superintendent Stella Gibson (Gillian Anderson) is called to Belfast, Northern Ireland, to help the police with the murders of dark-haired 30-something women. She realizes the deaths are due to one man and the police put together a group to catch him. The series shows both the killer and the police in parallel scenes, so we know from the beginning who the killer is, but the police do not.

The killer, Paul Spector (Jamie Dornan), is a bereavement counselor. He’s married with two children and a very good father. In season one he helped a woman whose husband was abusive get away from her abuser.

By the end of season 1, the police are close to figuring out who the strangler is, but haven’t captured him.

Professor Tanya Reed Smith (Archie Panjabi) has a friend from college who was almost strangled by her boyfriend about 9 years ago. Her name is Rose Stagg (Valene Kane) and she agrees to supply the police with a sketch of the man, whom she knew as Peter.

Paul’s last victim in season 1, Annie Brawley (Karen Hassan), got away when her brother interrupted Paul. Paul killed the brother by stabbing him with decorating scissors. Paul ran and didn’t finish the job with Annie.

Season 2

The Fall season 2, episode 1 shows us how close the killer Paul Spector is getting to being caught. This is episode 1, so he won’t be caught yet. But he WILL dig himself deeper and deeper into trouble.

A kind and gentle Stella Gibson interviews one of Spector's victims.
A kind and gentle Stella Gibson interviews one of Spector’s victims who got away, Annie Brawley.

Several people know (or almost realize) that Paul Spector is the killer: the former babysitter Katie (Aisling Franciosi) accuses him directly when he sneaks into her house to tell her to shut up about him.

The police have released the sketch of “Peter” and it’s in the newspaper. When Paul Spector sees it, he sneaks into Rose Stagg’s house to shut her up. It’s creepy and scary because he walks right by her sleeping husband. He talks to her little girl, teaches her the Peter Piper tongue twister, and puts her back to bed. Then he accosts Rose.

Paul’s wife Sally Ann (Bronagh Waugh) figures out that he’s been lying about everything, but she doesn’t realize he’s a killer. She thinks he’s been having an affair with the 15 year-old babysitter, because that’s what he told her. He’s a good husband to Sally Ann, who does not fit his victim profile. However, she’s so unhappy with him, she’s thinking of aborting the child she’s carrying. She takes the kids and leaves him.

Paul can sneak into anyplace. In the same way he sneaks into his victim’s homes before he kills them, he sneaks into his wife’s house to deliver a secret note and several Barbie dolls to his daughter. The little girl hides the secret note in the same place in the ceiling where Paul hides the souvenirs from his kills! Yep, daddy, the kid knows you hide stuff up there.

Paul meets a woman on a train and is already thinking about killing her. She’s looking at his sketch in the newspaper as they talk and she doesn’t realize it’s him.

Paul is recommended as a bereavement counselor for the victim who got away, Annie Brawley! Oh, crap.

Stella Gibson talks to her officers.
Of course he will kill again.

Ten days have passed since the last kill and the last clue and the police are starting to believe that Paul will never kill again – ’cause he promised, you know. But Detective Stella Gibson knows better. She says the hunt is still on and that serial killers only stop killing when they get caught. She understands the killers mind and she wants to honor the women he’s killed by stopping him.

The press are after Stella for having sex with the married cop who got killed the following day. She wears a uniform instead of her signature silk blouse to a press conference where she knows she’ll be blasted with questions about him. She says it’s so she’ll look as unfeminine as possible. The uniform is less provocative than an unbuttoned at the top silk blouse. But let’s fact it, that’s still Gillian Anderson inside the thing.

In addition to the press, the police pathologist Tanya Reed Smith also has questions about Stella’s night with the cop. There were fingernail scratches on the cop’s back that Dr. Reed Smith hasn’t been able to account for with the cop’s wife. Stella admits to doing it.

Despite the repercussions from her unfortunately timed night of sex, Stella is still absolutely admirable.

  • She’s so gentle with the victim who got away. Annie cannot remember much about the night she was attacked. Stella knows Annie needs time, but she’s also in a hurry to find the killer. She shares with Annie how to use a rubber band to snap her wrist when bad thoughts overwhelm her. Stella says that once upon a time the rubber band trick helped her.
  • Stella can’t be intimidated. When the gang of neighborhood thugs who are friends with the wife abuser surround her on a dark night, Stella shows not an ounce of fear.
  • Stella gets into the head of the killer with spooky intelligence.

She’s kind, she’s brave. She’s amazing. Let’s hear it for Stella Gibson!

At the end of the episode, the police find the huge pair of scissors Paul used to kill Joseph Brawley. Yippee, a clue.

The music is wonderful. Suspenseful. Especially the bell or gong that rings like an omen of danger or like an over-sized clock ticking. The music is important in keeping you moving through numerous stretches with no dialog. The reflective pace of the action makes the suspense and Paul Spector more terrifying.

The story is told, as it was in season 1, with alternating shots of the detective and the killer. They often mirror the others actions. If one is climbing stairs, the other is too. They are connected in many ways, in addition to Stella’s uncanny ability to get inside Paul Spector’s head.

Next Week: The Fall, The Fall, The Fall

The Fall, season 2, begins on Netflix at midnight tonight, January 16. Starting Monday and for the next six days, Old Ain’t Dead will be dedicated to The Fall.

On Monday and Tuesday of next week, there will also be recaps of the two shows I’ve been recapping on Monday and Tuesday.

The Fall is a suspense-filled psychological cat-and-mouse game with Gillian Anderson as Detective Superintendent Stella Gibson and Jamie Dornan as serial killer Paul Spector.

I’ve written on this blog about The Fall before. You can read those posts here:

There were several lesser mentions of The Fall on Old Ain’t Dead as well.

Next week you’ll be able to read a recap of each episode and share my reactions to the acting, the writing, the directing, and the music in this BBC series. If you watch along with me on Netflix (or have seen season 2 already on the BBC) I’d love for you to share your opinions and responses to the series.

I picked several videos to share with you to give you a sense of the characters, to show you some scenes from the first season, and to whet your appetite for this excruciatingly suspenseful drama.

The Fall Videos and Interviews

Season 2 of The Fall with Gillian Anderson and Jamie Dornan

The BBC released a season 2 preview for The Fall without mentioning the date when it will be shown. They merely say “coming soon.”

It’s been about a year since my enthusiastic review of season 1 in “The Fall: Mystery Great from the BBC.” Both Gillian Anderson and Jamie Dornan will be back for the new 6 episode run.

Jamie Dornan is the serial killer Paul Spector. He’s pursued by the Dublin Police Service and Stella Gibson, a Detective Superintendent played by a spectacular Gillian Anderson. At the end of series 1, Stella Gibson had figured out who the killer was, but she hadn’t captured him.

As you can see in the preview, Paul Spector is spying on his pursuer and keeping ahead of her every move. The MO of this particular serial killer is that he studies his subjects carefully while planning a kill. Is that what he’s planning for the detective? She is hardly a gullible and weak damsel who will be easy to kill.

A face in the cast that American audiences will recognize is the motorcycle riding pathologist, played by Archie Panjabi.

As I mentioned in my review of season 1, this brilliant series is slow-paced and intellectual. The audience has known from the start who the killer was, seeing into his life, work, marriage, family and killer’s mentality. At the same time, the audience has been inside the workings of the police and the analytical mind of Stella Gibson. Gibson is as complex as the man she’s hunting. The two are both angel and devil, each in their own way.

Season 1 is available in the U.S. on Netflix. If you missed this excellent mystery I urge you to catch up on season 1 and be on the lookout for season 2. It will be on BBC Two in the U.K.

Recap: Last Tango in Halifax, S2, E6

The final episode of season 2 of Last Tango in Halifax lurches to a grim beginning and works its way through a lot of laughs to a mostly happy season conclusion.

On the farm, the morning after her confession to Caroline (Sarah Lancashire), Gillian (Nicola Walker) prods Caroline awake.

Are you going to tell?
Are you going to tell?

Caroline struggles to sit up. Gillian asks immediately, before Caroline is even upright, if she is going to turn her in to the police.

Beautiful when hungover
Beautiful when hungover

They are both wrecked, hungover, puffy. They look beautiful: real and honest. They conduct a raw, open discussion of the humiliations Eddie did to Gillian. Gillian says, “If I hadn’t done it to him, Caroline, he would have done it to me.”

Breakfast at Muriel's
Breakfast at Muriel’s

Celia (Anne Reid) and Alan (Derek Jacobi) spent the night at Muriel’s (Gemma Jones). They’re having breakfast when Murial suggests she’d like to do some sort of hen party for Celia the night before the wedding.

Celia and Alan tease Muriel about wanting a wild night – in Amsterdam – with strippers and lap dancers and pole dancing. Muriel says she doesn’t mind going to Amsterdam for the art galleries. Alan and Celia have a hilarious conversation at Muriel’s expense.

Why did you tell me?
Why did you tell me?

Caroline and Gillian move to the table – nursing their hangovers with tea – still processing Gillian’s confession. Caroline thinks Gillian told her because she needed to tell someone.

I don't know why
I don’t know why

Caroline asks if Gillian wants her to turn her in. “No. No.” Gillian says, “Now I’ve buggered everything up.”

Caroline says, “I’m not going to turn you in.”

Celia and Alan drive away from Muriel’s. In spite of their teasing, they like the idea of a stag night for Alan and a hen night for Celia. Celia even plans to invite Muriel.

Caroline and Gillian drive to the hotel where they left the Land Rover and Caroline’s phone the night before.

Here's Lawrence
Here’s Lawrence back again.

Kate (Nina Sosayna) arrives at Caroline’s house with Lawrence (Louis Greatorex) in tow. He called Kate the night before when John (Tony Gardner) disappeared on him. Kate says he left messages for his mother about where he was but refused to call John.

John offers lame excuses for why he went out, leaving Lawrence alone. The home phone rings.

You bloody idiot
You bloody idiot

Caroline shouts, “Where’s Lawrence!” John says he’s fine, minimizes the whole event and shuts the door in Kate’s face. Kate stares at the door, says, “No problem. Anytime.”

Caroline calls John an idiot. He tells her that Lawrence slept at Kate’s, an idea suggested by William.

Caroline hangs up. Before she leaves the hotel, she turns to Gillian. “I think you’re right about you and Robbie.”

“Yeah, I really like him,” Gillian answers.

“No. You said it could never be a good idea – you and him. Move on. You’re a nice person, you’re a good mother, you work hard. Something appalling happened. Move on. If I’m keeping a secret for you, you need to stay away from him. Surely you can see that.”

When Caroline reaches her home in Harrogate, John is still hanging about fixing soup for Lawrence. John tells her that Judith (Ronni Ancona) won’t get rid of the baby. Caroline says, “You’ll be divorced. You could marry her.” John says that won’t be happening.

May I come inside?
May I come inside?

Caroline gets cleaned up and takes flowers to Kate, to say thank you about Lawrence. Caroline asks Kate if she can come in.

She asks if Kate has a birthing partner (yes, her mum) and if Kate has anyone (no).

Would you give me another chance?
Would you give me another chance?

Caroline wanders nervously through a story approximating what she did the previous night and why she didn’t respond to Lawrence until she gets to her real point. Caroline and Kate had something really nice between them, Caroline says, and asks one more time for Kate to take her back. She promises to do better.

Still no.
Still no.

“No. Thank you.” Kate answers gently. From my seat, I don’t see how she can resist the painful pleading in Caroline’s eyes, but she is firm in her refusal. Kate’s breaking Caroline’s heart and mine, too.

Alan and Harry (Paul Copley) explain an elaborate plan for Alan’s stag night involving an overnight trip on Harry’s boat which will bring them to the hotel by 10 AM. Harry’s boat needs a lot of work before then.

you're not going to spend a night in that crate.
You’re not going to spend a night in that crate.

Celia tells them that her party with Caroline, Gillian and Muriel will be paintballing. She’s not serious, but Harry wants to go to her party.

Later, Caroline and her mom are in the kitchen at Harrogate. Celia suggests maybe John could walk her down the aisle – give her away. Caroline gives all the reasons why that can’t be. She mentions all the tricks Celia has played on John over the years.

That was comical.
That was comical.

Celia has a good laugh remembering the time John snapped all the tendons in his ankle, the time she let all the air out of his tires, and some other wonderful memories which eventually prove to her that John wouldn’t be the best choice for walking her down the aisle.

You can't mention that one.
You can’t mention that one.

Harry and Alan are in Halifax, figuring out their speeches for the wedding and what stories Harry is permitted to tell about Alan.

Gillian enters and says she wants to go to the cemetery tomorrow for her mum’s birthday.

It was my fault the bungalow fell through
It was my fault the bungalow fell through

Next day Alan and Gillian sit on a bench at the cemetery with little Calamity in a carrier. Alan admits that when his renters didn’t have enough money to buy his house, he didn’t have the heart to toss them out to put the house on the market. That’s why the deal on the bungalow fell through. Gillian thinks he’s always been too kind for his own good.

Gillian goes off to the grave of an uncle who was killed in the war. Alan has a graveside chat with his dead wife and says he hopes she approves of him getting wed again. Why didn’t he do this months ago, if it needed doing?

It's a sign
It’s a sign

Like a blessing, a gust of wind blows flowers from a tree where Alan is standing. They rain around him like snow. He catches one blossom in his hand and takes it as a sign.

She's ready
She’s ready

A montage covering several months shows us Harry and Alan working on the boat with Celia’s assistance, shows us Caroline alone and lonely, shows us Gillian alone and lonely, and finally a boat that is ready for use.

Near Christmas, Caroline learns that Kate’s gone to the hospital with some bleeding. Caroline rushes off to be with her. She finds Kate sitting alone in the waiting room. Caroline sits down beside her. They don’t touch.

It might be nothing.
It might be nothing.

Caroline assures Kate that she’s fine. She’s 20+ weeks now. However, four miscarriages would make anybody jumpy and Kate is scared. When they call Kate back she allows Caroline to go with her.

Kate clutches Caroline’s hand as they begin the ultrasound. As Caroline looks at the ultrasound readout with Kate’s hand in hers, we see a light in Caroline’s eyes for the first time in months. Kate’s fine. The baby is fine. Kate asks about sex and learns the baby is female. As Kate relaxes from her fears, she realizes she’s holding Caroline’s hand and drops it, saying, “Sorry.” Out goes the light in Caroline’s eyes.

Caroline, Lawrence, Alan and Celia have dinner in Harrogate. Alan explains that his brother Ted can’t make the wedding because he broke a leg.

Celia wants Caroline to call Kate about the wedding because she offered to play “The Arrival of the Queen of Sheba” for it. Caroline tells Celia to call Kate herself.

William arrives home from Oxford, with his laundry, and sits down at the table. William’s looking very grown up with a new hair cut. He has a girlfriend he wants to bring to the wedding.

Does she know you're a puff?
Does she know you’re a puff?

Lawrence says, “Does she know you’re a puff?” and William says “I’ve been meaning to break this to you, and I know you’ll be disappointed, but I’m not gay.”

Alan, Lawrence and William whisper some secret plan when the woman are clearing the table. Ted (Timothy West) calls and Alan talks to him about the weather as Gillian sneaks him in Caroline’s door.

I didn't really break my leg
I didn’t really break my leg

Alan jumps up in surprise, hugs his brother. They laugh about how surprised and happy they are that he made it. Ted hugs Celia and grabs her ass. “Always a handful!”

The stag party
The stag party

Alan, Ted, Harry, Raff (Josh Bolt) and Robbie (Dean Andrews) share drinks at Alan’s stag party. As they laugh at silly jokes, Alan suggests to Robbie that he and Gillian should get back together. Raff agrees.

The hen party
The hen party

The hen party is more elegant but just as funny. It includes Celia, Muriel, Caroline and Gillian.

I’ve been waiting for a serious scene between the formidable duo of Anne Reid and Gemma Jones. We finally get it when Caroline and Gillian go off to the restroom together.

Celia tells her sister how miserable her marriage was. Muriel knows that Celia has never forgiven her for Frank but she’s truly glad that Celia is happy now. It might be the first honest conversation Celia’s had with Muriel in years.

The wedding scenes begin with a shot of Kate’s fingers on a piano keyboard. Celia looks lovely but I don’t like what Caroline and Gillian are wearing. (Nicola Walker didn’t like the dress either.) Caroline walks her mom down the aisle.

Getting wed
Getting wed

As Alan and Celia recite their vows (which Anne Reid does with extraordinary meaning, I must say) we see everyone’s reactions to the words. Gillian looks troubled, Caroline is stealing glances at Kate, Kate is stealing glances at Caroline, Robbie’s date looks hopeful while Robbie steals glances at Gillian. Kate plays them out with a ragtime tune and the party begins.

At the party, Caroline gives a beautiful speech that reflects my thoughts about Celia and Alan’s story exactly. Harry gives a charming speech. When it’s Alan’s turn to speak, he takes the microphone and leaves the table. No one knows what he’s doing.

You have a beautiful body
You have a beautiful body

Alan performs a song and dance, complete with backup dancers and singers attired in kilts. The lyrics are “If I said you had a beautiful body, would you hold it against me?” The song is perfect – funny and embarrassing – and the party is off to a great start.

Time to dance! Alan and Celia dance every dance. They do dance beautifully together, don’t they?

Kate comes up to Caroline and says she’s going. Kate says, “Have a nice Christmas.”

“How likely is that?” Caroline asks, then immediately regrets it. “Sorry. You . . . you have a nice Christmas, too.” Kate leaves the party.

Wallflowers
Wallflowers

Caroline and Gillian sit at a table, partnerless. It’s a beautiful party, but it’s passing them by. Gillian decides to cut in on Robbie for a dance. “Not Robbie,” says Caroline, but Gillian does it. A brief conversation and Robbie pulls her close.

You are a challenge
You are a challenge

Roberta Flack’s romantic version of “Will You Still Love Me Tomorrow” plays and everyone snuggles in a slow dance.

Kate returns. She marches across the dance floor to stand in front of a surprised Caroline. “I got in, shut the door and turned round and came straight back. Do you want to dance?”

Do you want to dance
Do you want to dance?

Their situations reversed, Caroline is the insecure one now. She wants to know if this is “forever” and Kate quips, “forever’s a mighty long time.”

finally
Caroline’s coming out kiss.

The moment they’re close and touching, they kiss. A long, lingering, very public kiss. Lawrence covers his eyes, Gillian smiles, William beams, Muriel isn’t appalled, Alan is happy, and Celia groans. Caroline and Kate are oblivious to anything but each other.

There’s a beautiful exterior shot of the hotel, laced with snow early the next morning – Christmas day – and a room tour of the still snoozing guests.

The renewly wed
The renewly wed

Alan and Celia hold hands as they spoon.

A single room
Just one room

Caroline and Kate finally shared a room at the hotel.

Cut for a beat to John and Judith, who are passed out on Judith’s couch with empty bottles littering the table in front of them.

What have I done?
What have I done?

Gillian wakes up in the hotel with Robbie and wonders what fresh hell she’s gotten herself into now.

Season 2 closes with smiles, some story lines tied up with gaily colored ribbons, and a few tempting issues to make us eager for season 3.

Bravo. Bravo to the cast and crew. Bravo to Sally Wainwright for her wonderful storytelling. Bravo!

Recap: Last Tango in Halifax S2, E5

Episode 5 of Last Tango in Halifax begins in Harrogate where the Elliots are packing a car with William’s (Edward Ashley) things as he sets off for Oxford.

house for sale
House for sale

A for sale sign is outside the driveway. John (Tony Gardner) and Caroline (Sarah Lancashire) take a moment to share a rancorous discussion about their divorce papers as John carries out William’s luggage.

Saying goodbye
Saying goodbye

Everyone comes outside to see William off, including Celia (Anne Reid) and Alan (Derek Jacobi) who are making tea in the cottage. Hugs and handshakes and Lawrence’s (Louis Greatorex), “Finally we get rid of him,” and William is off with John driving.

A hug from mom
A hug from mom

Caroline looks torn as her eldest drives away from the nest to begin college. Celia follows her down the driveway as the car disappears and wraps her in a hug. “Big day,” Celia says.

They talk about mundane things for a moment. Celia says she and Alan are going to Ripponden to help with the baby. She says, “It’s a shame that bungalow fell through.”

Caroline asks about Celia’s wedding plans. Celia says they are on hold because of Alan’s brother Ted in New Zealand. They can’t plan a date around all of them who want to come from there.

Celia wants to know if there have been any inquiries about the house. Caroline says not this week.

She's so alone

Caroline walks into the kitchen and stands there, utterly alone. Beautiful image, even though it’s full of pain. This kitchen, with its big window, has been a wonderful frame for some lovely shots, but this one is exceptional.

At the farm Ellie (Katherine Rose Morley) hands off the baby, dirty nappy and all, to Raff (Josh Bolt). He passes the baby to Gillian (Nicola Walker) for burping and a diaper change.

dirty nappy
Is that a dirty nappy?

Everyone calls the baby Calamity. Gillian says, “Calamity, is there no end to your shining wealth of talents,” in regard to her dirty nappy. In spite of everything that’s wrong in Gillian’s life, and there’s plenty wrong, little Emily Jane makes her happy. Perhaps she sees a bit of redemption in her grandchild’s eyes.

Ellie has moved in at the farm, with cash coming from her mother to help out. Raff says he, Ellie and Calamity are eating at Robbie’s that night. Cheryl is cooking. (Cheryl? Who is Cheryl?)

The two young people leave for school and Gillian is alone with the baby.

I'm pregnant
I’m pregnant

Kate (Nina Sosanya) enters Caroline’s office. She sits down across the desk from Caroline and tells her she’s pregnant. She’s past 12 weeks now and is cautiously thinking about the future. She asks for arrangements to be made for her to work part time after the baby comes. Caroline asks for time to work out the logistics.

As Kate is leaving, Caroline says, “Congratulation.” Kate smiles and says, “Thank you,” but Caroline cannot look at her.

Congratulations
Congratulations

As soon as Kate closes the door, Caroline begins to cry.

Gillian loads a trailer with sheep as Alan and Celia arrive. She tells them the baby is with Harry (Paul Copley) down at the wharf. Celia goes inside to use the bathroom. Gillian tells Alan the relatives in New Zealand keep Skyping about a date to come to the wedding. Alan says Celia won’t set a date, but his story isn’t like Celia’s on this topic. He says it’s because of Celia’s sister, Muriel.

At the wharf, Harry has a boat where he plans to live. He’s going to install a stove, a satellite dish, and a drinks cabinet.

Take it for a spin
Take it for a spin

He says losing Maurice made him want to seize the day. He wants to take them for a spin and Alan is ready to jump aboard. Celia grabs Alan’s coattails and won’t let him go. She tells Harry he’s a dozy old sod. I’m not sure what that means, but I don’t think it’s a compliment.

Alan and Celia have dinner at the farm with Gillian. Gillian tells them Robbie (Dean Andrews) has a new girlfriend named Cheryl. She’s a cop like Robbie, blonde, gorgeous and 15 years younger than him. Celia talks about John being back with Judith like a bad habit.

Tell me about your sister.
Tell me about your sister

Gillian says, “Celia, tell me about your sister. I didn’t know you had a sister. Shame the wedding plans have got bogged down because of her.”

Celia says it’s because of Ted. No, says Gillian. There’s no problem with Ted coming from New Zealand. You set a date, they turn up. Celia isn’t thrilled about her daughter-in-law calling her bluff.

Can I move in with my dad?
Can I move in with my dad?

Caroline and Lawrence are having a quiet dinner. He asks if he can move in with his dad. Caroline thinks this is a bad idea, but Lawrence says at least his dad isn’t boring. Before they can finish talking about Lawrence’s idea, Gillian calls.

Let's talk about the wedding.
The wedding is bogged down

Gillian tells Caroline that the wedding is bogged down. Caroline says, yeah because of Ted. No says Gillian, it’s because of Muriel. She wants to move it along for her dad’s sake.

It's because of Muriel
It’s because of Muriel

Caroline says she’s not surprised. Muriel and her mom are chalk and cheese. Gillian asks Caroline to ring Muriel so they can get things moving. Caroline says it will be complicated.

Gillian goes into the living room where Celia and Alan are playing Trivial Pursuit. Celia says, “Sherlock Holmes, the Beatles, Shakespeare,” before Alan even reads the question because that’s the answer to everything.

Why don't Caroline and I plan the wedding
Why don’t Caroline and I plan the wedding

Gillian suggests she and Caroline organize the wedding. They can check out venues, make up an invite list. Gillian says Celia can cross anyone out. Celia agrees just as her phone rings. It’s Muriel (Gemma Jones). Celia answers with false cheer.

She seems to be smiling
She seems to be smiling

Celia speaks with apparent warmth to Muriel, but it looks forced. Muriel is enthusiastic about Alan Buttershaw and how wonderful everything is. She asks when the wedding is. Celia says she and Alan were going to pop down to tell her all about it. That’s news to Alan.

Meanwhile Caroline calls back and tells Gillian that Muriel didn’t even know about the wedding. She says she will have to face Armageddon with Celia because of letting Muriel know. Gillian tells Caroline that she offered to organize the wedding. Caroline hesitates but Gillian convinces her to help.

It's an impression you've given
It’s an impression you’ve given

Alone in their bedroom later, Celia complains about Muriel finding out. Alan says if you don’t want her at the wedding, we won’t invite her. Celia says why wouldn’t she want her there. Alan says, “It’s an impression you’ve given.”

Celia has a long list of old resentments about Muriel, which she airs to Alan.

In Harrogate, John arrives. He’s supposed to be taking Lawrence for the weekend.

Does she want it
Does she want it?

John says, “Just so you’re aware. Judith’s pregnant.” Caroline says, “How? Is it yours? Does she want it?” He stumbles and stutters a lot, and says things may be a little bit fraught and it isn’t a good weekend to take Lawrence. Lawrence gets in the car and won’t be moved.

Caroline goes to the farm. She arrives just as Robbie and his new girlfriend Cheryl (Rachel Leskovac) are leaving with Raff, Ellie and the baby.

I'm Robbie's other half
I’m Robbie’s other half

Caroline endears herself to Gillian by pronouncing Cheryl annoying. Caroline wants to take Gillian to lunch.

A wedding venue
A wedding venue

They pull into the same hotel where Caroline took Kate, but they are there to consider it as a possible venue for the wedding. They sit down for drinks and Caroline tells Gillian that Muriel stole a boy named Frank from her mom when they were younger. She married him. That’s two women who stole men from Celia. Ouch. And Celia does hold tight to her resentments.

A wedding planner gives them brochures and offers to take them round to look at the venue after lunch.

At Muriel’s, Celia and Alan conduct a conversation in the car, as they are prone to do. Celia doesn’t want her sister to know that her marriage was unhappy. She doesn’t want her sister to know that Caroline plays on the girl’s team. Both Alan and I find Muriel perfectly acceptable, but every word poor Muriel utters irritates Celia.

What does your daughter do, Alan?
What does your daughter do, Alan?

Over tea, Muriel thinks Celia must be proud of William, wants to know what Alan’s daughter does, wants to know about Caroline and John and is full of questions. When she leaves to make more tea Celia says, “I don’t know how much more of this I can take.”

Can we talk about packages and deals?
Can we talk about packages and deals?

The wedding planner shows Caroline and Gillian around, talks about deals, offers them champagne. They’ve already been drinking wine at lunch.

I'm going out
I’m going out

Judith (Ronni Ancona) tries to work as John and Lawrence watch TV in her tiny flat. She can’t concentrate and goes out. Lawrence thinks she’s too old to be pregnant. John follows Judith out the door, ostensibly because she shouldn’t be drinking.

Isn't he still doing his A levels?
Isn’t he still doing his A levels?

The conversation at Muriel’s moved to the garden, where they talk about Harry. Alan says he and Harry share a great grandchild, which makes Muriel ask about Raff still being in school and irritates Celia even more.

Caroline calls Celia to explain that she thinks Celia would love the hotel as a venue. The only available date is December 24. As Caroline is talking to her mother, Gillian realizes that the waiters and the wedding planner think that she and Caroline are the ones getting married. Celia asks Caroline to email photos as Gillian goes into a contagious giggling fit.

They think I'm another one of your women
They think I’m another one of your women

“They think you and I are getting married,” Gillian giggles. She acts coquettish with her hair, and says, “I’m going to finish with you if you aren’t careful.” Caroline continues the conversation with her mum by punctuating it with laughter, and can hardly say goodbye to her mother before she and Gillian burst out in loud guffaws. Another toast with champagne seems in order.

By nightfall, Gillian and Caroline must take a cab to the farm because they are both too drunk to drive.

Dad's gone
Dad’s gone

Lawrence calls his mom and asks to be picked up because his dad is gone. He says, “I”m sorry I said you were boring.” Caroline’s forgotten her phone at the hotel bar so she doesn’t get his message.

I booked two separate room.
I booked two separate rooms

At the farm, Gillian and Caroline flop on the couch side by side. Gillian asks what happened with Kate. Caroline says, “I booked two separate rooms for our romantic getaway.”

“You did not,” says Gillian.

Caroline says she’s tried to apologize but Kate won’t listen. “I really blew it. I only realize now how lovely it was. How precious. Now I’m in this box with bad written on it. But I’m not bad, just arrogant . . . inept . . . selfish . . . repressed . . . emotionally crippled.”

“What about you and Robbie?” Caroline asks. Gillian sits up, goes for more liquor.

Celia and Alan study the emailed photos of the hotel. Alan also looks at the photos on Muriel’s bedroom wall, including ones of Kenneth and Frank. He says Muriel seems fond of Celia, even though Celia isn’t fond of her. Celia drags out even more resentments about her sister. Alan has a more mature point of view. In a stroke of brilliance, he tells Celia that Muriel is very plain compared with her and hasn’t made him laugh even once.

Judith and John arrive back at her flat in the midst of a drunken argument. Lawrence is not there.

In Halifax, Gillian tells Caroline about going out with Robbie early on. She says she’s always been fond of him. But she says it will never work with Robbie.

“I’ve never told anyone this,” Gillian says.

I want to tell
I want to tell

“Don’t tell me something you’re gonna regret.”

“I want to tell. I  . . . I murdered him. Eddie. The only proper family Robbie ever had. I murdered him.”

He knocked me about.
He knocked me about.

Gillian talks about her marriage to Eddie. He beat her, pinned her down and burned her with cigarettes. She says she’s shed blood in every room of this house. He knocked her teeth out. He humiliated her in ways she won’t name. Caroline listens without speaking, but her face says volumes. Gillian thinks her Dad and Robbie know there was more to it than what she told the police.

Nicola Walker is stunning in this scene. Stunning. In a show filled with outstanding actors and acting, this powerful scene stands out. Amazing performances from both Nicola Walker and Sarah Lancashire.

In the morning Gillian wakes up on a couch in her living room. Caroline is asleep on the other. Gillian runs to the kitchen and throws up.

Pure terror
Pure terror

She turns to look at Caroline with terror on her face as she remembers what she confessed the night before.

The precipitating moment setting off the story of Last Tango in Halifax was the reunion of Celia and Alan. Alan leaving the farm set off a chain of external events for Gillian, leading directly to last night’s confession. Caroline’s journey, on the other hand, is internal. It began before Celia and Alan even found each other. Caroline and Gillian have been yin and yang every step of the way.

Yet, here they are, because of their parents, telling each other things they’ve never said to anyone before.

Recap: Last Tango in Halifax, S2 E4

This episode of Last Tango in Halifax begins in the cafe where Celia (Anne Reid) and Alan (Derek Jacobi) continue to talk about the death of Eddie. Alan says he is an accessory after the fact.

Celia says he probably did the best thing under the circumstances. He tells her that Robbie and the police asked lots of questions. He says that’s why, 10 years on, he doesn’t mind putting a little distance between himself and Gillian (Nicola Walker).

Who's car is that
Who’s car is that?

Raff (Josh Bolt) walks up the road from school and sees a strange car in front of the house. He finds John (Tony Gardner) inside, working at his computer, and watching the baby. Raff doesn’t understand why Gillian asked John to babysit. John’s explanation is a bit lame. Raff tells John he can leave, but John says he’s invited for supper.

Get your name on the birth certificate
Get your name on the birth certificate

John asks about Ellie (Katherine Rose Morley) and Raff explains that he doesn’t know how things are with her legally. He doesn’t know if Ellie left the baby with him or if she can just come back and take it.

John, because this is really his business – right? – tells Raff he must go to the registrar and get his name on the birth certificate. Because mothers have all the rights where kids are concerned, look at all the problems he’s having with his kids. Raff says, oh, I thought that was because you had a fling with Judith. Good one, Raff!

Rugby at 9:30
Rugby at 9:30

In Harrogate, Caroline is lining out Celia on the boys’ schedules for the weekend. Lawrence (Louis Greatorex) has a rugby game in the morning. Lawrence says he’s invited Angus (Felix Johnson) for a sleepover. When Celia hears the name Angus she asks, “Is he Scottish?” in a funny callback to the first time she heard the name Kate McKenzie. William (Edward Ashley) is going to work. (William’s back!) William throws down his newspaper and complains about his job.

Something literary for a name
Something literary for a name

John has assembled Raff, Ellie, Harry (Paul Copley) and Maurice (Roy Barraclough) in the registry office to get the birth certificate filled out for the little girl. No one seems to question his right to do this, although Harry and Maurice do want to know why he’s hanging about. He explains he’s writing a novel about farming and that he’s Celia’s son in law. Everyone groans.

They argue over names. John wants a literary name. Raff likes Elsie. Ellie does not. They finally agree on Emily Jane, which prompts John to quote Emily Jane Brontë. I’m the one groaning now.

John’s phone rings. It’s Lawrence, who learns that his dad is in Halifax.

We put both surnames
We put both surnames

John, Raff, and the newly named Emily Jane Greenwood Wallace stop by the grocery. They show Gillian the birth certificate. Raff says they put both surnames, because they couldn’t decide which to use. Gillian likes the new name, and comments that it’s a lot of name for a 6 and a half pound girl. That’s hilarious, because the baby they are hauling around, supposedly less than a week old, can sit up and hold up her head.

A weekend getaway
A weekend getaway

Caroline’s black SUV rolls down the highway toward the weekend getaway. The camera does love Yorkshire, doesn’t it? My gratitude to whoever finds these gorgeous locations. As they walk up to the hotel, Caroline and Kate (Nina Sosanya) talk about Celia wanting Caroline to call Alan Dad.

A happy moment
A happy moment

Caroline smiles happily at Kate and they go inside to register. Caroline tells the desk clerk, “We have reservations.”

In Harrogate, Alan and Celia are rehashing the Eddie story once again. Alan just can’t let it go. He keeps coming back to his notion that maybe it wasn’t suicide at all. Celia says, “Let’s live with what’s on the table.” The doorbell rings and Lawrence answers it thinking it’s Angus.

Oh, you're alan and celia
Oh, you’re Alan and Celia

It’s Judith (Ronni Ancona). She’s looking for John. Celia says she doesn’t know where he is. Celia says, “So you’re her, eh? You’re the whore.”

Angus arrives, Alan’s phone rings. Judith suddenly realizes who Alan and Celia are and gets all gushy about how sweet their story is. On the phone, Raff is talking over very loud music.

You can't name a baby that
They named her Calamity Jane

In all the commotion Alan cannot hear Raff telling him the baby’s name. He thinks it’s Calamity Jane. He says, “You can’t name a baby that.” Finally, he gets the name right. Lawrence tells Judith that John’s in Halifax and she leaves.

Caroline is sitting alone in the hotel drinking wine. Kate walks up and asks if she can sit there.

An angry woman
Now you made her mad

Kate is very angry, which Caroline can see, but she tries to make small talk about Greg (Marcus Garvey) anyway, and tells Kate she looks beautiful.

Kate says, “You’re unbelievable. I was so happy to be here, that you were going to treat me like your partner when we were outside the house. And then you go and book two separate rooms. Mentally I’ve left. Physically I’m here because Greg’s coming.”

Caroline tries to explain and they talk over each other for a while. Kate says, “You’re not fooling anyone. It just looks sad.”

Caroline says, “I’m not trying to fool anyone.” She says, “I was going to book a double room when I rang but I couldn’t.” She whispers they can still sleep together.

Kate says, “Sod it. Sneaking around like a couple of idiots from a 1970s bedroom comedy. I’m not having it.”

I panicked
I panicked

Caroline says, “I panicked.”

Kate says, “You have a doctor of philosophy. You’re 46 years old. You have the welfare of 857 children on your hands on a daily basis. You don’t panic. You’ve blown it.”

Greg is here
Greg is here

Greg arrives, he’s checked in, he can stay for dinner. Kate’s really happy to see him.

At the farm it’s dinner time. Gillian is grilling John about the novel he’s writing. Gillian bounces the baby on one knee as she eats. This baby is in so many scenes, plus it’s handled so quickly at times, that I’m wondering if it isn’t a very real looking baby created in one of those studios where they build dinosaurs and vampires.

Raff wants to know if he’s in John’s novel. Gillian says, “Am I your muse?” She calls the baby Calamity, which Raff says he hope doesn’t stick. A knock at the door prompts Gillian to say in a silly voice, “Why, Calam, that sounds like a knock at the door.”

Could we have more Nicola Walker doing silly voices, please?

I'm sorry
I’m sorry

It’s Robbie (Dean Andrews) at the door. He says, “I’m sorry. I overreacted. It was a long time ago and you had a lot to deal with. I’m sorry.” So, Robbie didn’t dump Gillian as she assumed he would. Gillian introduces the baby by her new name as well as her Calamity nickname and invites him in for tea.

You remember him
Remember that time?

At the hotel, Greg and Kate share a grand time talking about the good old days and people they know. Caroline is in misery.

Judith knocks on the farmhouse door. She introduces herself and Gillian says, “Well, well, well,” and gives her a once over.

It's my idea!
It’s my idea!

Judith carries a handful of typed paper. When she sees John she says, “You bastard. You stole my story.” They argue at length about who had the idea to write a novel about Alan and Celia’s story and to include the sheep farmer in the tale. Each claims the idea as their own.

Judith gets really wound up and tells Robbie about how John and Gillian slept together. She gives Robbie the complete details about the night it happened.

John blusters, tells Robbie off, says he’s no good for the kind and wonderful Gillian. He says Robbie preys on her and tells him to get lost. Robbie asks Gillian if it’s true and after some hemming and hawing, she admits the part about sleeping with John is true.

Kapow
KAPOW

Robbie slugs John.

Dumb and dumber
Dumb and Dumber

Lawrence and Angus manage to get drunk and make a huge mess. Just as Celia is berating them about it, Alan comes in to say William’s in outpatient.

At the hotel, Greg is ready to talk about the baby. He excuses himself to go to the bathroom first. Caroline says she can’t stand Greg. Kate says, “Okay. Good night then.”

Looking back
You blew it, Caroline

Caroline leaves to go to her room. She looks back sadly but doesn’t say anything. Kate stays at the table, clinching her teeth. If she had nails to crunch, she’d be spitting them.

Celia brings home a beat up William. He sits down with Alan as Celia goes to make tea.

I couldn't stand it anymore
I couldn’t stand it anymore

William tells Alan he left work because he couldn’t stand it. He was getting cash to meet a girl he likes at a club when he was attacked by two guys who beat him up.

Alan gives him a talk about confidence and what a smashing fellow he is. By the time Alan finishes, William is feeling better. Alan is the best granddad ever, even to William.

I know actors love the meaty parts, the villainous parts, because they are so much fun to act. I hope Derek Jacobi enjoys playing the charming and lovely Alan as much as I enjoy watching him at it. Charming, lovely male characters are so rare. We need more of them.

In the morning, Caroline is eating breakfast when Kate comes in. Caroline asks her where she was last night. Caroline looked everywhere for her.

I was in Greg's room
I was in Greg’s room

Kate says she went to Greg’s room for a night cap. Oh, Caroline says, you’ve made a start. Kate says no, we just talked.

Greg won't work for me
Greg won’t work for me

Caroline apologizes. She says, “I was a coward. I won’t be again. But if we are going to be parents, this bloke is the wrong person.”

Kate says, “He’s perfect from my point of view.”

Caroline sighs, leans back in a long pause. Then she says she’s going to have to give up on the idea of keeping the house. It’s unrealistic.

Kate says, “I want to have a child. I don’t need your blessing. Not after yesterday. And what you just said about the house shows me you were doing for the wrong reasons anyway. It will always be about you.”

“Are you dumping me?” Caroline asks.

“I don’t think anything ever started, did it? Just embarrassed fumbles.” Caroline looks unbearably sad. Kate tells her she and Greg didn’t do anything last night but they plan to and she’s staying there again tonight. Kate tells her she blew it before Greg even showed up. Kate gets up to leave.

Grow up
Grow up

This is hard for me, Caroline says. “Yeah, well, grow up. You think it’s easy for anyone?” says Kate.

If season 2 is about Caroline learning to be out and proud, she’s made a big mess of it so far.

Quite a shiner
Quite a shiner

At the farm, John has a bruised eye matching almost exactly the one William has. Yes, he spent the night at the farm. No, I don’t know where he slept.

I know Raff slept on the couch with the baby beside him in a box because Judith drank two bottles of wine and all the medicinal brandy in the time it takes Gillian to tie one shoelace, then passed out in Raff’s bed.

Gillian tells Raff that Robbie’s fallen out with her again. Forgiving the distant past is easier than forgiving recent betrayals – I’m backing Robbie on this.

The phone rings at the farm. It’s Harry with bad news.

Alan and Celia are tormenting Lawrence and Angus with conversation about food as they lay hungover on the couch, rugby practice forgotten. The phone rings and Gillian asks to talk to Celia. She wants Celia to tell her Dad something that will upset him.

Maurice is dead
Maurice is dead

Celia takes Alan aside and tells him that Maurice died. Apparently it was a stroke.

He was a great guy
He was a great guy

Gillian and her dad cry over Maurice while 60 miles apart. She talks to John about it.

He was fine the last time I saw him
He was fine the last time I saw him

Alan cries about Maurice with Celia.

Caroline arrives home. Alone. She has tea in the cottage with her mother. Celia tells her about buying the bungalow and not giving her money for the big house. Caroline assures her it’s okay, she just didn’t want to face up to letting the house go.

I blew it
I blew it

Celia asks about Kate and Caroline says, “I’ve blown it.” Good lord, does she look sad. She’s had her face smacked into her own inadequacies in the relationship department by Kate. Will she grow from it or continue to squirm in her own fears? Now she’s finally facing the house issue realistically. Caroline, I cannot wait to see what you do in the next episode.

Maurice was a kind and honest man
Maurice was a kind and honest man

Move forward a few days to Maurice’s funeral. Alan speaks. He mentions how badly he feels about not having Maurice at the wedding because he wasn’t able to choose between Harry and Maurice as his best man.

What should she say
What can she say?

Caroline enters a classroom where Kate is picking up papers. Caroline looks like she wants to say about 100 things, but she asks about Greg and Kate says they did the deed.

I'm leaving this room
I’m leaving this room

Caroline seems to want to say more but Kate says she finished what she came into the room to do and she’s leaving it. She walks out without another word, leaving us looking at another broken-hearted expression on Caroline’s face.

Everyone from the funeral has gone out to a pub for a drink in Maurice’s honor. Alan says that he and Celia should get married again – a big do – invite everybody. He asks Harry to be the best man. Harry hesitates and Gillian says, do it. Then she asks to make sure she’s invited.

Yes
Yes

Alan thinks to ask Celia if she’ll marry him again. She says yes and gives him a kiss. Raff says, “Get a room,” and the episode ends with a laugh.

Recap: Last Tango in Halifax S2, E3

This episode of Last Tango in Halifax opens with the two great granddads (Derek Jacobi and Paul Copley) as well as Alan’s other sidekick (Roy Barraclough) with the baby at the pub. They talk about what the little girl should be named.

What about a name?
What about a name?

Both of Alan’s sidekicks think they were asked to be the best man and are hurt because they weren’t invited to the wedding. Alan tells them neither of them were asked to be best man and they should let it drop.

Celia (Anne Reid) is in Harrogate picking up bits to take back to Halifax. She’s in the kitchen telling Kate (Nina Sosanya) about how shocked and unprepared Raff (Josh Bolt) and Ellie (Katherine Rose Morley) are to be parents. Celia thinks they are scared of the baby.

John (Tony Gardner) comes in to ask Celia several questions about Gillian (Nicola Walker), all of which Celia ignores. As far as Celia is concerned, John isn’t even in the room.

I know a few names for little girls
I know a few names for little girls

Kate asks if it’s really Raff’s and Celia says that’s been confirmed by the chemist. Ellie’s parents aren’t helping with the baby so Ellie and the baby are at the farm. Celia says the child hasn’t even got a name. Kate rattles off 4837 girls’ names as in a long monologue. Then she says, “I don’t know. It all depends on what Caroline (Sarah Lancashire) thinks.” Oops.

Celia and John both say, “You and Caroline?”

Celia doesn’t know how ladies have babies, although John opines that they do. Celia says Caroline wouldn’t want to go through all that again at her age. Kate glances down and says, “No,” but she points out that both of them are still capable of having a child. John asks if they are serious about a child and Kate tells him of course not.

Celia asks where Caroline is and Kate says she had to stay late for a school production of King Lear. Celia leaves saying, “Tell her to pop round, but not tonight. If she has to sit through King Lear she’ll just want to lie down.” Since Derek Jacobi recently did a production of King Lear and is an old hand at Shakespeare, I found this very funny.

John calls Gillian
John calls Gillian

John immediately calls Gillian. She’s squirting something into the mouths of her sheep, but manages to answer the phone. He asks her how things are and she says, “Complicated.” He says he thinks about her all the time and she says, “About putting money in the farm?” He says, well, yes, but he’s been writing again. He’s writing about his real life and Gillian is the star of the story.

Too messy
Too messy

John asks Gillian out for a drink or dinner. She says, “I can’t. Too messy.”

the parents
The Parents

Alan and Harry arrive at the farm with the baby to find Raff and Ellie playing video games. When they don’t respond to the need for a clean nappy, Harry turns off the TV.

The Blitz was real
the Blitz was real

They complain and he says, “It’s not real. Me and your granddad lived through the Blitz.” Ellie smarts off and Harry says they know everything except how to avoid getting pregnant. Raff throws the game controller and runs upstairs.

Raff wants to get a job
Raff wants to get a job

Alan goes to him. He is the world’s greatest grandad. Raff is crying and scared and talking about needing to get a job and quit school. Alan encourages him to stay in school. Raff thinks going to school now is ridiculous.

Later, Alan and Celia chat on the phone. While they are talking, Celia’s on the computer. She books an appointment on a real estate web site to look at a house – a bungalow, she calls it. Alan talks about the mess things are in with the baby and Celia tells him not to get stressed. She says, “I’m missing you.” Celia brings up the topic of girls’ names again, and suggests Cordelia and Goneril from King Lear. The way she says Goneril it sounds like a social disease. Anne Reid is having fun with Shakespeare tonight.

Caroline is home
Caroline is home

Caroline arrives home. She sees Kate sleeping on a couch and smiles affectionately. She walks over to Kate, kneels down on the floor beside her, caresses her cheek to wake her up. When Kate opens her eyes, Caroline says, “You’ve been crying.” Kate tells her she was feeling a bit sorry for herself. Caroline says, “Was it John? My mother?” Kate shakes her head no. Caroline asks if Kate wants to tell her about it in bed, and Kate says yes.

A dangerous kiss
A dangerous kiss

Caroline gives Kate a brief kiss. Almost immediately, Kate says, “Have you been eating peanuts?” Caroline ate some popcorn during the play, which was peanutty enough to set Kate off into an allergic reaction. Kate lies down on the floor, panting and wheezing. Caroline grabs an EpiPen device from Kate’s purse and shoots Kate in the leg with it as she calls for an ambulance.

What ARE you doing?
What ARE you doing?

Lawrence (Louis Greatorex) walks by just as Caroline is bent over Kate, vigorously rubbing her leg to encourage the epinephrine on its way. Caroline’s been calm and in control through the whole scene, holding Kate’s hand while efficiently giving her the shot, but she gets flustered and funny when she tries to explain their position on the floor to Lawrence.

Caroline tells Kate she’s so sorry about the popcorn. Kate says she was crying about a baby. The conversation with Celia and John did upset her, after all.

Get to bed
Get to bed

Gillian tells Raff to get to bed. He’s full of excuses about why he doesn’t want to sleep in the room with Ellie and the baby. Gillian goes to get him a blanket and, from behind Raff’s back, signals to Robbie that she wants him to come upstairs. He will.

At breakfast the next morning, Caroline explains about Kate being in the hospital to Celia as John comes in demanding his computer and papers, which Caroline says she confiscated.

Faded fruit
Faded fruit? Nah.

Caroline mocks John’s writing. He’s compared her to overripe fruit, but the sheep farmer in his story has the body of a teenaged boy. He also has 70-somethings in his story who reunite after 60 years. She threatens to ring Gillian to share the story she’s found, but finally tosses the whole mess, including the computer, across the counter to him. John grabs it all and leaves the room. Celia wants to know why he’s even there. Caroline says he has no where else to go and asks Celia if she’s made any decisions about the money Caroline wants to buy John out. Celia says no. Celia asks about Kate’s baby remarks.

Caroline chases off Lawrence, who’s in the middle of his cereal, and closes the kitchen door. By the way, William’s absence has been explained so far in series 2 by saying he has a job, but shouldn’t he be home for breakfast? I miss William.

I want to talk her out of it
I want to talk her out of it

Caroline first tells Celia that Kate’s house is on the market. Then she admits Kate does want a baby. Caroline says, “It’s unlikely that she’d get pregnant. She’s 42. She was pregnant 4 times when she was married to Richard and she never got past 12 weeks.”

Caroline plans to take her to a little hotel for her birthday next week and try to talk her out of it – for Kate’s sake, she explains – so she won’t be tearful and unhappy if it doesn’t happen. She asks Celia to watch the boys so she and Kate can have the weekend away.

Celia says she and Alan are going to look at a bungalow over at Ripponden.

smashing view
smashing view

They take the baby to see the bungalow. Alan is doing everything with that baby. The bungalow has a gorgeous view, they love the house, but they aren’t sure they can afford it.

Why not sell your little house
Why not sell your little house

After viewing the bungalow, they stop for tea and have an argument. They argue with so much love, even while being utterly honest. Celia wants him to offer his renters an opportunity to buy his house. Alan says Caroline should sell her great big house and move into something more suitable in size. Celia thinks Raff should be allowed to quit school and take responsibility for his child.

Back at the farm, Celia is in the kitchen looking at the web site with photos of the bungalow as Robbie (Dean Andrews) prepares dinner. Alan’s asleep in the living room. Robbie asks if Gillian and Alan are all right now. Robbie says something was up that whole 2 weeks you were in Harrogate. Celia says, it was something about Gillian’s mother being disappointed. “Oh,” Celia remembers, “I know what it was. Gillian had an abortion when she was 15. Had to leave school.”

Not good news for Robbie
Not good news for Robbie

We know that Gillian dated Robbie before Eddie, but Celia doesn’t. Her remarks hit Robbie hard.

An evening at home
An evening at home

Caroline and Kate snuggle in front of the TV. (This is the sort of homey relationship stuff I wanted to see in episode 2.) Kate says she asked Greg – her sperm donor of choice – to pop over for her birthday. Caroline says, “I made plans for your birthday.” Kate thought Caroline would want to meet Greg. They go back and forth on the issue a bit.

I thought you'd want to meet him
I thought you’d want to meet him

Caroline tells her about the weekend away plan and they decide they could meet him at the hotel. Caroline talks about what would happen if Kate did get pregnant and lost the baby. Kate wants to try anyway. Caroline talks about Kate’s career and that she has what it takes to move up. Career be damned. Kate wants to be somebody’s mom.

Don't be daft
Don’t be daft

At the farm, Raff looks at Alan and Celia sleeping in front of the TV on the couch and says to Ellie, “Maybe we should get married.” She answers, “Don’t be daft.”

Robbie sits in the kitchen, waiting. The moment Gillian arrives from work, he leaves, saying there’s a casserole in the oven. “What’s up?” Gillian asks.

“Did you have an abortion when you were 15? Was it mine?”

Gillian says yes. She asks how he knows. He wants to know why she didn’t tell him. Gillian says there was no point in telling him. She said, “I’m sorry.”

He gets in his truck and she says, “Are you dumping me?” He answers, “I just don’t want to be here for a bit.”

I spared you
I spared you

Gillian says, “I was the one who had to leave school. I was the one who never got a crack at my A levels. I never told you but I never inflicted anything on you either.” Robbie drives off.

That's poisonous
What did you say, Celia?

Gillian goes inside, furious. She sends Raff to get Ellie and says, “Robbie’s gone.” She tells her dad that Celia told Robbie about the abortion and that the baby was Robbie’s. Alan had no idea it was Robbie’s before now.

Celia says she’s sorry. She didn’t know.

Gillian is unusually articulate in her anger. “But what you do know, Celia, what you must know, is that’s a pretty indiscreet thing to be saying about somebody to people.” Celia apologizes again.

I'm sorry
Poisonous

Gillian says, “That’s poisonous, saying something like that to somebody when you’ve got no idea of the consequences.”

Not my dad's?
Not my dad’s?

Raff asks what’s going on and Gillian tells him the whole story. He’s shocked both by the abortion and by the Robbie revelation.

Alan says, “Celia made a mistake, she’s apologized.” Celia wants to go back to Harrogate and Alan says he’ll go, too. Gillian blames Celia, blames Harrogate, blames Alan for defending Celia.

Don't you dare
Don’t you dare

Gillian talks about how much he’s changed and that she doesn’t like it. Alan gets in her face and says, “I’ve spent my life watching you go out with unsuitable buggers. Have I ever fallen out with you about it? Ever? Don’t you dare say anything about Celia to me.”

When Derek Jacobi puts power in his voice, you hear every imperial majesty he’s ever played hiding inside sweet, kindhearted Alan.

In Harrogate, Celia tells Caroline the story about how Alan put up with Gillian’s green hair and pink eyebrows, her shoplifting, her wild behavior, and all sorts of things that we hadn’t heard about before. Caroline offers to call Gillian, but Celia says not to because Gillian doesn’t like her. Kate leaves for school.

On the farm, Raff calls Gillian inside to answer the phone. It’s pouring rain and Gillian is stacking hay in the barn. Gillian may still be a mess all these decades after being so broken at age 15, but she works like a dog on that farm. Inside, Raff holds the baby awkwardly and says Ellie is gone. When Gillian finally reaches the phone, it’s Caroline. So much for Caroline listening to her mother.

Caroline was in the car with Lawrence, on the way to school when she phoned Gillian. Caroline apologizes for her mother. They have an unfriendly conversation. When Caroline asks about the baby, Gillian softens and says, “I don’t know what the hell I’m doing. I don’t know whether I’m coming or going.” She says she’s sorry for having a go at Celia and asks Caroline to apologize for her. Caroline promises to keep an eye on Alan for her.

Celia enters her little flat with both a Guardian and a Daily Mail and a carton of milk. Alan is on the phone with his renters, who do want to buy his house. Celia says, are you sure that’s what you want to do? I’m not forcing you, I’m not manipulating you. Alan says, “You can manipulate me any time you want.” Celia asks about Gillian and Alan says, “Bugger Gillian.” Celia doesn’t like all the bad feelings between them.

Celia will tell Caroline she won’t be giving her any money. She plans to tell Caroline after she and Kate get back from their weekend. Parallel to this, Caroline is telling Lawrence about the weekend away with Kate.

Why don't you and Miss McKenzie just come to school together?
Why don’t you and Miss McKenzie come to school together?

At the school, Kate is getting out of one car, Caroline and Lawrence out of another. Lawrence says, “Why don’t you and Miss McKenzie come to school together?” Caroline says it’s because they don’t always leave at the same time. Yeah, right.

Lawrence replies, “Everyone knows, you know. You need to stop kidding yourself because you just look like a hypocrite, which is not a cool message to be sending out to the 2.7% of the kids in this school who will one day turn out to be muff munching shirt lifters.” The promos and PR for season 2 talked about Caroline’s struggle to be out and proud. It would certainly be an interesting twist if Lawrence’s macho machinations are a precipitating factor for Caroline in that journey.

Caroline can only get out, “I see,” as Lawrence jumps out into the rain. Lawrence walks with a friend and invites him over to get pissed and trash the place while his granny is babysitting.

John arrives at the farm. Gillian called and invited him. They make tea. Gillian tells him she’s up shit creek without a paddle. “It’s a bit mad, you and me,” she says.  She tells him the story we’ve heard before about Eddie’s death.

Gillian tells about Eddie
Gillian tells about Eddie

She also tells him that Robbie never cared for anyone but Eddie and her. She thinks she’s ruined it for good with Robbie and that she’s nervous about getting in any deeper with Robbie.

I love you
I love you

Meanwhile, Celia and Alan are in a lovely restaurant talking about how much they love each other and how happy they are. Celia feels guilty about what she told Robbie, but Alan tells her not to worry about it. Alan tells her more about the story of Eddie’s death.

I still have nightmares
I still have nightmares

Alan says Gillian actually finished Eddie off with a block of wood. She didn’t just stand and wait for him to die, as they said before. Robbie knew it and called the police. Alan has nightmares about it to this day. “I sometimes wonder if it weren’t even suicide,” Alan says. “The point is – I’ve done enough for her over the years. We’re buying this bungalow and I’m putting it all behind me.”

John’s selling his merits to Gillian and thinks they could be good together. He offers to watch the baby while Gillian goes to work. He says he can do babies.

oh, gillian
Gillian, really? Really?

Gillian leans over and kisses him.

Recap: Last Tango in Halifax, S2, E2

At the registry office, Celia (Anne Reid) sits in a very pretty suit clutching a bouquet as episode 2 of Last Tango in Halifax begins. We’re mere minutes from the end of episode 1 when Gillian ran out the farmhouse door after finding the card from the Registry Office.

A man in an apron sits beside Celia, asking how long it will take. Alan (Derek Jacobi) drags in a policeman. He lassoed them to be witnesses to the wedding, but has to promise them both a £20 note to get them to stay. Celia looks like she has many misgivings about these two being at her wedding instead of her family but Alan breezes along as if he doesn’t see it.

Gillian (Nicola Walker)  slams the Land Rover into a parking spot and runs into the Registry Office.

Gillian bursts into the wedding
Gillian bursts into the wedding

Gillian’s upset, angry, hurt, defensive. She berates everyone, angrily blaming her father’s behavior on Celia. She walks out, comes back to yell some more, and leaves again.

Celia says she’s a bit shaken. She wants to ring Caroline. Alan says they should ignore Gillian. Celia said getting married in secret was supposed to be a bit of fun. Alan insists they shouldn’t let it make any difference.

Gillian cries
Gillian undone

Gillian, outside in her car, is falling to pieces. Caroline (Sarah Lancashire) phones, but Gillian lets it go to voice mail. Instead, Gillian calls Robbie (Dean Andrews) and wants to meet him during his lunch time.

John calls Caroline
John calls Caroline

John (Tony Gardner), at Judith’s (Ronni Ancona), calls Caroline (Sarah Lancashire) and says he wants to talk to her soon. Caroline tells him to come to her office at 1:30.

Robbie and Gillian meet in a pub. It’s so nice that she has someone to call now. I remember an earlier scene where Gillian really needed someone to talk with and there was no one there for her. Robbie is. Robbie tells Gillian he thinks she’s overreacting. He tells her she can’t be jealous. She responds, “I’m not jealous.” Then she goes on to make all sorts of jealous remarks about how posh Caroline is. She talks about how much she and Alan have been at odds the last two weeks. When Robbie asks what they’re at odds about, she won’t explain. Finally Robbie says, “Should we get married and not tell anyone?” This elicits a big smile from Gillian. The scene ends so we don’t know if it was a serious proposal or if Gillian gave a serious answer.

In Caroline’s office, John is telling Caroline that he wants everything to go back like it was. He’s disheveled and rumpled and looks pathetic.

I've moved on
I’ve moved on

Caroline considers his remarks with a serious expression, walks around her desk to sit beside him, and says, “I’ve moved on. You have to get used to that.”

“My publisher’s dropped me.” John says. She offers him tea in an act of kindness or perhaps pity.

When Gillian returns to the farm, Celia and Alan are waiting inside. Gillian says, “I may have overreacted.”

Alan says, “It were just meant to be a bit of fun, an adventure. Nobody was excluding anybody. Why would you think it was all about you?”

Gillian says she thought it was because of what he said to her when he learned she’d slept with John. Alan and Celia try to explain their behavior, but Gillian continues to fuss.

Accept what I've said
Accept what I’ve said

Alan stands up to go and tells Gillian, “I’ve said what I’ve said. It’s true. If you’re not prepared to accept it, there’s very little I can do.” It’s an unusually firm dismissal of Gillian’s feelings from Alan and not in keeping with his character up to this point, which makes me wonder what’s really going on. Gillian looks at Celia and says, “What have you done to him? He didn’t used to be like this!”

Alan says, “We’re married now. We expected our surprise to make everyone happy. Not this.” Gillian apologizes again for overreacting. When they drive off, Gillian mimes shooting herself in the head, and walks back to the house pulling her hair.

Raff (Josh Bolt) calls. He wants to bring Ellie (Katherine Rose Morley) home for tea. Gillian says okay. “Your granddad’s got married.”

Two cars pull in to Caroline’s house. Caroline and Lawrence (Louis Greatorex) are in Caroline’s SUV, Kate (Nina Sosanya) drives up in a smaller, sportier car. Caroline gets out and greets Kate with, “Have a good day?” This must be their routine now that Kate’s moved in. Meanwhile, Lawrence continues to sit in the car and look daggers at Kate.

In the kitchen, Caroline tells everyone she thinks Celia and Alan got married. She says it’s just as well they did it on their own because she wouldn’t have had time to go. Kate says, “Yes, you would.” Caroline says, “Kate, I haven’t got time to get divorced, much less go to someone else’s wedding.”

You ARE going to find time
You ARE going to find time

Kate levels a stare at her, “You ARE going to find time to get divorced.” In return, Caroline gives Kate a beautiful, loving smile. We have to read a lot into that smile. We see Alan and Celia talking, laughing, holding hands, snuggling – we see Gillian and Robbie working together at the farm, talking, supporting each other – but we haven’t seen much interaction between Caroline and Kate. I think that one smile is pulling a heavy load.

Lawrence said he heard John was at school today looking hung over. Kate wants to know what they talked about. Caroline says she’ll tell her later.

Lawrence plants a seed
Lawrence plants a seed

Caroline leaves the room for a moment, and Lawrence says, “It’s not rocket science why they didn’t invite you.”

When Caroline comes back, Kate says, “You don’t they didn’t invite anyone to the wedding because of me.” Caroline says, “What makes you think that?”

Raff and Ellie are at the farm, having tea with Gillian and Robbie. Gillian curses Caroline, Celia and everything that has anything to do with Harrogate and her dad leaving the farm.

Mrs. Buttershaw
Mrs. Buttershaw

Celia and Alan arrive in Harrogate. They relax in the car a few minutes taking about being married, what they used to do with their time before they were together (they don’t remember). Alan whispers, “It’s our wedding night.”

Inside, Caroline pours champagne and offers congratulations. She tells them Kate has gone home to her own place for the night while they sort out a few things.

Congratulations
Congratulations

She said William has a job in town and Lawrence is upstairs sulking. He got in trouble for his remarks to Kate. Alan explains that it’s nonsense to think that their decision had anything to do with Kate.

Caroline tells them about John losing his publisher, which means he can’t afford to buy her out. She wants to buy John out. She says she’s getting the house evaluated, but she thinks it’s worth about £850,000. She asks her mother for £100,000. Plus, she plans to ask Kate to sell her house to contribute, too. Suddenly she realizes she’s talking to them about money on their wedding day and sends them off with the bottle of champagne.

Celia stays behind a moment. She tells Caroline that the hurried secret wedding was actually because of the consultant’s warning in the hospital that Alan probably wouldn’t survive another heart attack. Alan likes to pretend they just did it for a bit of fun, but that they really just wanted to get it done.

The continuity in this scene drove me crazy. The level of champagne in the glasses changed every time the camera angle changed.

Robbie and Gillian are washing dishes when Raff asks if Ellie can stay the night there. Gillian quickly says no. Raff says, “The thing is. She’s pregnant. It’s mine. She’s 8 months. Her parents chucked her out.”

Next morning, Gillian calls Alan and tells him Raff wants to leave school. When Alan wants to know why, she says, “There’s a girl involved. It’s a man thing.” Celia says she’ll drive Alan over to Halifax.

What a conversation!
What a conversation!

Caroline and Kate are deep in conversation as they walk to assembly. Caroline asked Kate to sell her house. Kate says it’s so early in their relationship. She’s concerned about how settled they are and Caroline says, “I want to spend the rest of my life with you.” The audience hasn’t seen the degree of depth developed between these two that would make us believe Caroline is ready to make that powerful a statement, but Kate is moved by it. They are in the hall behind a huge room full singing students. Kate grins, “I can’t kiss you here.” Caroline smiles, too, and says, “You really can’t.” They look as if they might, anyway.

No, you really can't.
No, you really can’t.

Caroline says things are just moving faster than expected because of her need to buy out John. Kate promises to get her house evaluated. Then she says, “I would have brought it up later, when things were more settled, but I want you to know I want to have a baby.” Caroline looks stunned, then laughs. Kate says, “I’m serious,” just as the singing ends and Caroline has to turn to walk down the aisle for assembly.

At the farm, Gillian tells Celia and Alan that Ellie is inside and pregnant. Gillian is taking her to the doctor in a few minutes. Raff is convinced it’s his.

I think it's contractions
I think it’s contractions

Inside, Ellie is having contractions. Guess the 8 months number was a little off. Alan, who needs zero excitement about now, says he’ll get her to hospital and Gillian should go get Raff.

Celia calls Caroline to tell her she’s delivering babies. The question is whether it’s really Raff’s. Celia tells Caroline not to worry about money. She asks if Caroline’s talked to Kate. Caroline says yes, but she hesitates to explain about Kate wanting a baby. It’s hard to tell just yet what difference, if any, that’s going to make.

I can't sell that house
I can’t sell that house

Celia says, why don’t you just sell the house? Caroline says, “I can’t sell that house.” She’s mentioned before how attached she is to that particular house. Will she let it ruin her relationships with everyone to keep it?

In Ellie’s hospital room, she’s clutching Alan’s arm during her contractions and talking about how she doesn’t want a baby. He tries to be reassuring. She tries to pretend she’s not even there. Raff arrives. The midwife says it will still be a few hours. Gillian wants to know if Ellie’s rung her mom and says she will if Ellie hasn’t.

Alan and Celia snack on junk food in the hall, talking about how Celia almost died giving birth to Caroline.

That was before the swinging 60s
That was before the swinging 60s

They discuss the fact that Raff and Ellie are the same age they were when they fell in love. Celia says, “We never would have carried on like that.” Alan says, “They do now. We were before the swinging 60s.” Alan says, “I’m very good with babies. I never thought I’d live to be a great granddad.” He says he’d have to help with money to keep Raff in school. Celia says, I can’t see Caroline short either over this house business.

Gillian reports that Ellie’s parents can’t be found.

Judith arrives home with a sack of rattling bottles. She immediately pours a drink in a dirty cup from beside her computer. John is there with black trash bags full of his belongings. He says he’s going to get a flat near the university. He tells her about his publisher. She says he was just lucky for a while and that he’s never dared to do anything properly dangerous. She tells him to piss off.

Caroline and Kate are walking beside a playing field outside the school. Lawrence and a friend watch from across the field. The friend says, “Do they snog (I think that’s the word he used). Lawrence says, “I don’t know.” He also says he might move in with his dad.

Kate is talking about a baby. She has a donor in mind. A guy she went to university with named Greg. She says he’s nice, clever, good, like Caroline – one of the grown ups. Kate says it would be so easy because they could just “do it.” Caroline says, does he want children. Kate says it’s more about whether Kate and Caroline want children.

I need to meet him
I need to meet him

Caroline, with very defensive body language, asks questions about Greg, his marriage and betrays that she might be a bit jealous. She says, “I need to meet him.” Kate says okay.

Caroline says, “Why didn’t you and Richard?” (Richard is Kate’s ex husband.) Kate answers, “We did. Four times. It never got beyond 12 weeks.” So much loss in Kate’s past – that tells us a lot more about her than we’ve known before. Caroline says, “Oh, God. I’m sorry.” Caroline tells her she’s not daft to want a baby. Kate says I wouldn’t do it on my own. We’d be talking sleepless nights and nappies. Caroline says, “I could do all that.”

Speaking of babies, Ellie’s pushing and Raff’s fainting and Alan’s coaching her along with the midwife (more excitement Alan doesn’t need). Ellie asks him to call her granddad. Guess who he is? Harry, Alan’s mate (Paul Copley).

John strides across the university campus with his black trash bags. He approaches his office as he calls Gillian. He says, “I know you’re seeing Robbie, but we know that’s just a disaster.”

“Really?” says Gillian.

“Really,” he says. “You also said you needed an investment in the farm. Caroline wants to buy my half of the house. It would be 400, 450 grand, cash.”

Gillian says, “You think you can just buy me?” He, of course, says no. He asks to see her on the weekend. She asks if they can have the conversation later.

It’s a girl. 6 pounds 3 ounces. Ellie’s mother (Susan Cookson) finally shows up and says this is the first she’s heard of Ellie’s pregnancy. Harry’s arrived. The adults take turns blaming each other as they argue in the hallway. Raff and Ellie are in her room.

It's a girl
It’s a girl

Alan holds the baby as Celia says, Well, we got married and we got a baby. They kiss as the camera closes in on the baby.

Recap: Last Tango in Halifax, S2, E1

Season 2 of Last Tango in Halifax begins with Celia (Anne Reid) in a hospital corridor phoning Caroline (Sarah Lancashire) to tell her than Alan (Derek Jacobi) has come round and, “is feeling rather perky.”

Gillian at Alan's bedside
Gillian at Alan’s bedside

A very happy Gillian (Nicola Walker) and Raff (Josh Bolt) are at Alan’s bedside. Gillian mentions that she thinks she loves Celia, Raff chimes in, “So do I.” Alan tells Raff to keep his hands off – Celia is his. Alan’s smiling and joking. Perky, indeed.

Outside the hospital, Celia, Gillian and Raff make plans for Celia to stay in Halifax at the farm until Alan is released. Celia comments that she’ll get Caroline to bring her some things.

Thank you for making him so happy
Thank you for making him so happy

Gillian gives Celia a hug and says, “Thank you. Thank you for making him so happy. I think you brought him back. You mustn’t fall out with him again.”

Celia answers, “I am NEVER gonna fall out with him again. Ever. About anything!”

Robbie helps out on the farm
Robbie helps out on the farm

Robbie (Dean Andrews) has taken it upon himself to help work the farm. We see him repairing fences as Gillian and Celia drive up. When they are all in kitchen, Robbie serves tea. He says he’s made a lasagne.

On the phone, Celia and Caroline discuss Caroline’s trip to the farm. Celia tells her Gillian’s invited her to stay the night and Caroline says okay. When Caroline tells John (Tony Gardner) she’ll be staying in Halifax, he wants to come with her – we know he wants to see Gillian again, but she does not. She tells him to stay home with the boys.

It really is all about you.
It really is all about you.

John explains how he really needs to go apologize because if it hadn’t been for him, Alan wouldn’t have had the heart attack. Caroline says, “It really is all about you.” She says when she gets back they need to work out what’s what between them.

As Caroline leaves, John immediately texts Gillian. She responds with Don’t. Text. Me.

We'll do something tomorrow
We’ll do something tomorrow

Caroline calls Kate (Nina Sosanya)  as she’s driving to Halifax. She explains she won’t be able to see Kate that night but wants to see her the next night. Kate is still a little unsure of her ground with Caroline and every conversation they have is fraught with importance to her.

At the farm, Celia is taking part in Gillian’s family life, which includes Robbie and Gillian teasing Raff about a girl named Ellie. John can’t get Gillian to take his calls or texts, so he calls Celia’s phone and after a few moments of inquiry about Alan, asks to speak to Gillian. Gillian takes the phone because Celia hands it to her.

Gillian talks to John
Gillian talks to John

With Robbie, Raff and Celia listening to her end of the conversation, Gillian tries to tell John to get lost in words that don’t reveal to her listeners what she’s doing. He won’t take the hint. He tells her he thinks he’s a little bit in love with her. He wants to meet up. She says no. She says, “Did you get my text message?” Finally she has to hang up on him while pretending to give him a cherry goodbye.

He calls Judith.

Alan says he gets to come home on Monday. Gillian, Celia and Caroline are clustered around him. Gillian wants to know what the prognosis is and what the doctor told him he could do and could not do. Alan is evasive about it with Gillian. He suggests Gillian and Caroline go have a cuppa.

Let's do it
Let’s do it

Celia sits on the bed beside Alan and says, “Bugger everyone. Let’s get married immediately.” He wants to as well. And he wants to do it in secret without telling anyone. Celia isn’t sure about this idea and questions him gently, but definitely doesn’t fall out with him about it. She agrees to keep it a secret.  She wants to know what the doctor said. He will only answer, “I’m A-1.”

In the hospital cafeteria Caroline and Gillian talk. Gillian says she wonders if you can die of a broken heart. She thought that’s what made her father have a heart attack. Then Gillian asks about Kate.

I didn't want it to be like that, actually
I didn’t want it to be like that, actually

Caroline says she wishes everyone didn’t know about it, because she and Kate aren’t quite sure where they are themselves. Caroline wanted to get it all sorted through with Kate before it became public knowledge. Gillian says, “Yeah, the whole world is looking at you like they want you to make an announcement.”

Gillian says, “I want to tell you something.” She’s going to confess to the sex-with-John-mess. She bumbles and stumbles, doubles round and round, and explains badly.

I want to tell you something
I want to tell you something

Before Gillian can get it out, Caroline says, “You slept with John.” She expects Gillian to say, no that’s not it. Instead Gillian says, “I was pissed. It was my birthday. I felt sorry for him.”

“Oh, you really have slept with John? What was it like?”

“I don’t actually remember very much about it. Except that it happened. Are you hating me?”

Caroline says no. Gillian continues to apologize. Caroline is smiling. She says, “You can have him.” Gillian answers, “I don’t want him.” Caroline is actually laughing, trying to deal. Caroline realizes that was the night she was propping Judith up in casualty. She was in hospital with one of John’s women and he was off screwing another one. “Blimey,” she says, and finally looks serious. Gillian attempts a joke with a movie quote.

The 3 women pile in the Land Rover to head for the farm. When they enter, Caroline asks about Paul. Gillian says she finally got shut of him by sending him to his granny’s. Gillian goes off to make tea. Things are awkward between Gillian and Caroline now. Caroline says she thinks she’ll go back home. Celia asks Caroline if she’d mind if she and Alan came to live in her flat – it has no stairs. Caroline says it’s fine by her.

Celia walks Caroline out to her car. Caroline tells her about Gillian and John.

Gillian told me about John
Gillian told me about John

Caroline asks, “How do people do that? Why is everything so casual and meaningless?” She says she’s a bit shocked. She says, “Do you think before Judith, John was  . . . ” That’s really what’s on her mind – has this been a more frequent thing with John than she knows. Celia promises not to say anything to Gillian about knowing.

Next morning, Celia arrives at the hospital to bring Alan home. They are so happy to see each other, happy to be together.

Atop a scenic rock
Atop a scenic rock

As soon as he’s released, they head for a scenic spot atop a rock which drops off before them for a fabulous view. All the outdoor shots of the countryside around Yorkshire are beautiful, but the camera loves this spot. We see the rock and the spectacular views from every angle as they talk. Alan says he wants to do everything now. He asks her if she’s ever fancied skiing. She says no and they laugh. They talk about their youth and things they did in that spot as teens. Celia says she and her mother scattered her father’s ashes from there. They talk about old friends who are no longer with them. Yet here they are, alive, together, and happy. He wants to pop over to the registry office. She asks again if they are serious about not telling anyone. He insists they are.

At the registry office, they make an appointment for the wedding to be tomorrow at 11 AM. They take the appointment time with them on a card.

Gillian greets them at the farm (she’s chopping wood with an ax, not a log splitter). She asks if they’ve set a date and they say no. They tell Gillian they want to live in Celia’s flat while Alan’s recovering.

Gillian isn't happy about Alan leaving
Gillian isn’t happy about Alan leaving

Gillian doesn’t take the news well. She wants Alan near her. Celia says her flat has no stairs and she can take care of him 24/7, unlike Gillian, who has to work. Gillian accepts the decision reluctantly. She wants to come with them to help get him set up the next day.

Celia and Alan go up to the bedroom, where they lay on the bed laughing and talking. They are so easy with each other, so happy together.

A Troubled Gillian
A troubled Gillian

Downstairs, Gillian listens to them laughing. She looks troubled and worried.

Next morning as they drive to Harrogate, Celia tells Alan about Gillian sleeping with John. It upsets him. He shakes his head in disgust.

Gillian is coming?
Gillian is coming?

Caroline enters the kitchen and tells John that Gillian is coming and Kate is there. He wants all the details about Gillian arriving. Instead, Caroline tells him Kate’s moving in.

John gets upset about Kate moving in. Caroline says, “After what happened here on Saturday night, you have no business talking about what other people are doing.” This angry conversation has something to do with Judith.

When Celia, Alan and Gillian arrive in Harrogate, Gillian sees Caroline’s gorgeous house and says, “You did all right for yourself here, Dad.” He responds by berating her about John. She tries to explain, but he’s not having it. He calls her a name, some British slang my American ears couldn’t make sense of. However, it isn’t the worst thing he could have called her, which is what Gillian expected.

In the kitchen, Kate says she’s put her bags in Caroline’s bedroom. “How permanent is this?” she asks. Caroline says they need to talk it through properly.

How permanant is this?
How permanent is this?

Caroline leans on the counter, gives Kate an affectionate smile, and says, “Is this what you want?”

“Do you need to ask?” Kate says.

In Celia’s little flat, Alan calls Gillian an “ongoing disappointment.” She tries again to defend herself and talks about how much she regrets what happened. Alan tells Celia, “She were pregnant when she were 15. She broke her mother’s heart.” Gillian is stung by this and by his disapproval.

In the middle of this tense moment, Caroline pops in. She invites them to dinner. She tells them Kate is there. She says she didn’t plan it exactly, and asks them to bear with her. She tells the story about Saturday night when she arrived back unexpectedly to find a drunk Judith (Ronni Ancona) falling down her stairs in a bathrobe, a drunken John dressed only in his underwear, and two upset boys witnessing the whole thing.

You're not supposed to be here
You’re not supposed to be here

Caroline tells them John said, “You have friends round, I have friends round.” She told John to have things cleaned up by the morning. He said, “Whatever,” as Judith threw up on the floor.

Caroline went to Kate’s with the boys. When she got back in the morning she asked John to move out. He refused. Caroline explains that she asked Kate to move in “in the hopes that at some point he will get the message.” Well, it seems Kate was wise to be a little concerned about her status in the household. Caroline’s motives don’t look entirely pure if this description to her mother is used to judge her commitment to Kate.

John lurks around like a schoolboy, asking questions about Gillian, trying to catch a glimpse of her.

Gillian wants out of there. Her father’s condemnation has her ready to run. John tries to chase her down, but Caroline beats him to her. Caroline wants Gillian to come inside. John peeks at them through the mail slot. He’s hilarious doing it, like something out of a Shakespeare comedy.

Gillian wonders why Caroline told Celia about her and John. Caroline doesn’t offer a very good reason, but she sees that Gillian is upset about her father knowing. Gillian tells Caroline about having an abortion at 15 and that her father just told her it broke her mother’s heart.

As Gillian heads off in the car, John speeds out, runs down the driveway and hops in beside her. He tells her she can’t ignore him. She wants him to get out. He says, “We had sex.” She says, “Boy, am I paying for it now!”

They argue and try to explain themselves. He says his publisher’s dropped him. She reveals she’s worried about the farm and money issues. Wow, does anyone have pure motives around here? He wants to come over. She says, “I’m seeing Robbie.” I don’t know what this means to a Brit, but to an American “seeing someone” implies sex. This finally gets John out of her car.

the celia death stare
the Celia death stare

John goes inside and joins everyone at dinner. Things are incredibly awkward. Celia gives John a death stare.

Morning on the farm, Gillian gathers the sheep and loads them in a trailer. Parallel to this are school children filing into assembly. Gillian and Caroline are at work herding their charges, unaware of their parents’ plans. Later Gillian is cleaning and finds the card with the appointment for the wedding on it.

Gillian calls Caroline and tells her about the secret wedding. Gillian is really bothered by the idea of not being there for her dad’s wedding. Caroline says she can be there if Gillian can. They talk a bit more, and Caroline says maybe they wanted to avoid a fuss. Caroline’s not nearly as upset as Gillian.

Gillian hangs up on Caroline and runs out the door.