Neil deGrasse Tyson hosts a continuation of the old Carl Sagan series, COSMOS: A Spacetime Odyssey. The new 13-part series premieres Sunday, March 9 at 9/8c on FOX. It will also appear on the National Geographic channel.
Last night’s episode of Nashville, “It’s All Wrong, But It’s All Right” finally showed the very long evolution of Juliette Barnes, played by Hayden Panettiere, in a light that makes her a more likable character.
For a long while, Juliette Barnes has been the antagonist, the bad girl we love to hate. At the same time, we’ve peered into her troubled and broken life, her drug-addicted mother, her penchant for choosing the wrong men, her desire to achieve success with her music. The way she’s dealt with all those issues hasn’t always endeared her to us.
The precipitating plot that drove this evolution of Juliette Barnes went like this. She said something that was video edited to put her in a bad light. The video went viral and her fans, her label, and everyone else turned against her. Concerts were cancelled, CD sales tanked. She was maligned by bad media.
In the midst of this media storm, she is inducted into the Grand Ole Opry. Her label insists that she use her moment on the stage accepting her award to apologize to everyone on the planet for being a terrible person.
Instead she writes a new song with Deacon (Charles Esten) that tells everyone on the planet they can shove it.
It’s a move that could wreck her career. As soon as she walks off the stage her label drops her. People with the power to move products decide to deny her shelf space in stores. Nevertheless, it was a great move from my point of view.
In past episodes, Juliette has struggled to be independent, to make the kind of music she wants, to direct her own life and career. She hasn’t done it well. She made a lot of bad decisions and alienated a lot of people. In all her efforts to grow up and take control of her own destiny she’s mis-stepped and manipulated in all the wrong ways.
Her statement with the song did two things. It proved her talent. It told everyone they had to take her as she is, that she had to be what she is and not something manufactured. Her refusal to cave to the demands of her label ultimately set her free. As far as picking the right man, she’s still working on that one, but a character can’t solve ALL her problems in one episode.
Her character arc can develop now in new, more positive ways.
Kudos to Hayden Panettiere for her willingness to play that character we all love to hate for two seasons. Kudos to writer Callie Khouri for the way she’s slowly moved Juliette being into a better, stronger person.
Yesterday there was an announcement in The Hollywood Reporter that the series The Fosters has an order for a 5 part web series that will focus on the group home where the character Callie is currently living.
Defiance has a full-fledged video game to complement its TV show. Some shows have less complex games that run as apps on a smart phone rather than as multiplayer games on a gaming device.
Many networks have apps that give you exclusive information on your phone or tablet that you watch while watching the show on your TV.
Most TV shows have Facebook pages where photos and video clips are posted regularly.
The show and the actors in a show may be expected to use Twitter and Instagram to communicate with fans while a show is on the air.
Some shows, Orange is the New Black for example, make extensive use of images that can be shared on Pinterest.
From the prospective of the TV show, this is all marketing, PR, outreach: the essentials of success. From the perspective of a fan, it’s a bit overwhelming. There’s so much you have to keep track of if you want to know all about your favorite show or your favorite actor. Add to that all the Tumblr blogs, or blogs like this one, that bring you even more about your favorite shows.
How much time do you spend on a 2nd screen – your computer or tablet – exploring all the media surrounding your favorite TV shows?
And, thanks for reading. I know there’s a lot out there to choose from. I appreciate your attention.
It’s “End of a Line” on Lost Girl. Everyone but Bo thinks Rainer is evil, the line between life and death is permeable, and someone we love dies. (Say it isn’t so!)
Kenzi (Ksenia Solo) and Tamsin (Rachel Skarsten) are picking a movie to help distract them from the fact that Bo has locked them out over the Rainer situation, when Bo (Anna Silk) walks into the room. Bo likes zombie movies, too. Kenzi wants to know she isn’t brainwashed and that she still has a best friend. (Lauren suggested brainwashing in the last episode, too.)
To prove she isn’t brainwashed, Bo makes a speech about how things weren’t perfect with Dyson and Lauren is all buddy buddy with The Morrigan, but with Rainer, Bo finally feels like she provided something to a relationship. She and Rainer want the same things. It’s bigger than love.
Is she brainwashed? I really hope so.
Bo picks up Jerry Maguire from the videos and tells Kenzi, you complete me. Tamsin blurts out, “Hale wants Kenzi to move in with him.” Bo can’t believe Kenzi would be leaving her. Not so much fun when it happens to her.
Bo goes downstairs to gather snacks for the movie-watching party. A zombie (oops, in the Fae world they are called revenants, not zombies) staggers into the kitchen. Bo stabs him with the ever-present kitchen sword but he keeps coming.
Something slices off the revenant’s head. Who steps into the frame while resheathing her sword but Acacia (Linda Hamilton). She has a reanimated hand and an idea that the vision before her must be Bo. In a show full of awesome women, Linda Hamilton merely steps in front of the camera and the awesome goes up by about 1000%.
Tamsin shoves Acacia against a wall and says, “You’re supposed to be dead!” Seems Acacia got lucky. Massimo reattached her hand after The Wanderer’s crows cut it off. She’s a revenant hunter now. When she hears that Rainer is Bo’s “boyfriend,” she’s ready to leave but Tamsin holds her back.
Tamsin finds a Wanderer card on the revenant. Bo says Rainer left last night to go the battlefield to pay his respects to the dead. Tamsin thinks maybe he intends to reanimate them. Acacia is also skeptical. Bo finally says, “All right, get your coats,” and they head off to investigate. Tamsin tosses the revenant’s head in a plastic bag to take with them.
Vex (Paul Amos) enters Trick’s (Rick Howland) lair. Trick invited him for a talk. Trick said he had to use his blood because Rainer was always 10 steps ahead of him. He thinks Rainer is defiant, not evil. But there is real evil out there. Trick tells Vex that Vex’s father was a great hero, his best general. Vex doesn’t believe it.
Kenzi’s wiping up the bloody mess Bo left in the kitchen when there’s a knock at the door.
It’s Dimitri (Ian Matthews) the larcenous cousin we’ve heard Kenzi speak to on the phone so many times. And a woman (Linda Kash).
The woman is Kenzi’s mom.
Switch to a fabulous outdoor set where the cult of the dead hang out. If anyone has revenants (like Rainer) this where to find them. Sure enough, here comes a revenant, intent on doing something nasty to our 3 ladies.
Dyson (Kris Holden-Ried) shows up, decapitates the revenant, and apologizes for being late. About time he saved someone. Everyone else has had to save him lately.
Kenzi’s family reunion involves mom cooking something, Dimitri doing something criminal on the phone, and everyone fighting and arguing about it. Normal for Kenzi’s family. Hale (K.C. Collins) comes in. Kenzi tries to chase him off.
But Hale’s not leaving. Why? Because Hale invited them!
Tamsin and Dyson team up to investigate locals. Bo and Acacia do the same. Acacia leads Bo to Harvey (Scott McCord). Harvey is a sexist ass. Just in case you didn’t pick up on that, I wanted to be sure you notice. Acacia pounds him onto a table, shows him the head in the plastic bag, and wants to know who it is. He seems to like the pain. Bo tries her succubus charms on him, which works. He’ll talk.
He pours a little blood from the head into a glass and takes a sip. Drinking blood is the only way to gain dominion over a revenant. Or to find out who currently has dominion. This taste test tells Harvey the asshole that the revenant belongs to Bo. Well, that’s surprising news.
Bo and Acacia start a shoving match, arguing over who is to blame for what. Asshole is filming the whole thing while shouting sexist asshole encouragement.
Tamsin and Dyson discuss the fact that Bo is crazy when a guy comes up talking about 3 sisters. Three magic sisters. Only one survived and she can control the dead. She is dead and alive. Tamsin considers this a lead to a woman named Laveau, so she interrupts Bo and Acacia in their rather tame cat fight. Bo smashes asshole’s camera before she goes.
Kenzi’s mom wants to make up. She gives Kenzi earrings. Mom confesses to all sorts of mistakes including not protecting Kenzi from her stepfather. Kenzi describes how much she suffered. Mom says she kicked out the evil stepfather.
Kenzi hugs her and says she was really worried. She did the right thing in kicking out the stepfather. Mom wants to celebrate.
Tamsin and Acacia walk and talk. “The Wanderer gets off the train and starts playing house?” Acacia asks. Tamsin says she may have given Rainer’s soul to the Blood King. She didn’t take him to Valhalla. She helped make him The Wanderer.
Acacia says they have to take him out, he is bad news. “Just because he’s boning sugar snatch doesn’t mean he’s going to leave you be.” Acacia says, “Rainer’s revenants are after you.” Tamsin looks determined, angry.
The four investigators reach Laveau’s (Marci T House) trailer. She introduces herself as a voodoo priestess. Love the outfit.
Laveau knows who everyone is. She knows all about everyone. She can wake the dead. Suddenly Acacia’s reanimated hand starts waving her sword around while Laveau laughs maniacally.
Tamsin restrains the hand. Laveau reveals that she wants the last remaining seed from the Una Mens. She wants to fight some new evil (actually, Trick mentioned it, too, in his conversation with Vex) called something that sounds like Peerapis. Dyson gives her a knockout punch to the back of the head.
(Thanks to Drinks at the Dal for being better Googlers than I am, and figuring out the word Pyrippus, which is a bat-winged, fire-breathing hell horse.)
Hale compliments Mom’s cooking. Mom says Kenzi helped and that she’s going to make Hale a good wife. Kenzi says, “Oh, my god, mom.”
That’s when Hale gets down on his knees and asks Kenzi to marry him. Before she can answer with anything more than a shocked expression, we learn that Hale promised the evil Kenzi-abusing bastard of a stepdad money for a startup and mom didn’t actually kick him out. Being a nice guy wasn’t the right choice this time, Hale. Screwed up big time.
Kenzi tells mom and Dimitri it’s time to go.
Bo and Dyson deliver Laveau to Harvey. She wakes up on his table. That’s when two things happen. 1. Bo figures out that Laveau and Harvey are working together. 2. About a million revenants start crashing their way into the room. Dyson prepares to go wolfie on them, while Laveau and Harvey hold a smootchfest in the background.
Laveau is dead, but not. Dead and alive. Dead or alive she wants the Una Mens seed. No deal, Laveau. Bo figures out that Laveau’s the chief revenant and uses her trusty knife to slice off Laveau’s head. Then, ew.
Bo drinks blood from Laveau’s severed head. Dominion, baby. She raises her arms Christ-like, says, “Be at peace,” and the ravening hoard of revenants drop placidly to the floor.
As mom walks out the door Kenzi mentions all the horrible things she did to her. Mom says, “I wouldn’t have done them if you hadn’t been so defiant.” She sounds like Trick. She tries to slap Kenzi, but Kenzi blocks it and tells her goodbye. Dimitri tells her that Hale is a good guy before he goes.
Kenzi leans against the closed door, hurt and saddened all over again by her family.
Dyson’s pouring shots as fast as his wolf arm will move, alone at the Dal. Bo sits beside him, asks him if he wants to talk about it. He says no one knows anything about Rainer. He may be after Trick. Bo tells him he has a right to be hurt.
Dyson says, I’ll always be there for you, but if this Rainer turns out to be a bad guy, I can’t help you with that. Bo doesn’t believe him. “You and I were always more than just lovers.”
“And what are we now?” Dyson asks.
Bo says she doesn’t understand the whole thing either, but she swears she wasn’t kidnapped. She says, “You can’t always choose your path.” (This from the woman who says once a week, “I will live the life I choose.”) She leaves him there drinking.
Trick and Vex are now laughing over a story about Vex’s dad and what a great guy he was. Trick’s books mysteriously straighten themselves on the shelf. Rainer’s being written back into history.
Vex prepares to leave but Trick calls after him, asking about the Una Mens seed. He thinks Vex has it.
Tamsin and Acacia are walking and talking again. Tamsin says Acacia’s been lying, she really showed up to sic Tamsin on Rainer, not to chase revenants. Tamsin says if it’s really The Wanderer she will do it right this time. Acacia warns her that Massimo is up to something big.
Bo paces the floor in the clubhouse as Tamsin arrives. Bo says she has questions but she can’t ignore how she feels.
A book opens to reveal a drawing of Rainer. Tamsin says, “hello” in a sexy ain’t-he-a-hunk kind of voice. Bo says, “What do you mean? It’s Rainer. It’s your boss.” Nope, that’s not Tamsin’s boss. Not any Rainer she knows.
Kenzi enters her bedroom, complimenting Hale on the bling he picked out. She sees his abs and says, “Put those away, sir.” She wants to slow things down a bit because they have so much time. All the time in the world. She climbs into the bed beside him and starts kissing him. The abs worked, after all.
Bo is downstairs, staring at the drawing of not-Rainer when Kenzi runs down the stairs, squeals, and shows Bo the ring. Bo congratulates Kenzi, wants to go upstairs and congratulate Hale, when Kenzi says, “No. No pants, no pants.”
Bo gets the funniest embarrassed expression on her face. Anna Silk really should get to be funny more often. Instead of talking to Hale she offers to go buy food and wine – and candy – for a celebration.
Tamsin finds Dyson still downing shots at the Dal. She talks about the day they met at the boxing ring and what he did to her mouth. She straddles him on his bar stool. He tries to discourage her, but she starts kissing him.
She begs, “Oh, come on. Come on,” until he finally does.
Somebody ‘splain the point of this to me. What does a Tamsin and Dyson hookup have to do with anything that’s going on?
Kenzi’s in the kitchen in her undies when Massimo (Tim Rozon) appears. She screams for Hale. Massimo grabs her.
He throws her on the floor, kicks her, talks about how she and the stupid bitch succubus just couldn’t leave it alone. He’s covered with scars or blood or something from being burned alive. (Maybe Massimo’s bloody hand was the one reaching for the Una Mens seed in the last episode.) Kenzi reaches for the sword but he gets it first. She screams for Hale again as Massimo kicks her and puts his foot on her throat. He mocks her fake fae sparkle.
Hale grabs Massimo and punches and kicks him a few times before unleashing a super-sized siren whistle on him that kills him. The whistling made Hale weak. His ears bleed. He goes deaf. He doesn’t hear Kenzi warn him.
Massimo gets up and runs a sword through Hale. Massimo brags about having the sacred twig of Zamora which bestows immortality. The twig Hale gave to Kenzi to protect her. Massimo says, “Consider us paid in full,” and leaves.
Kenzi’s on the floor with Hale, crying, scared. Hale whispers, “I love you,” and dies. Kenzi screams and cries. The camera moves up above them in one of those shots that suggest a soul ascending to heaven. Finally we see them from ceiling height. Much as I hate the idea of Hale dying, it’s a beautiful shot.
When Bo gets back Kenzi is lying on top of Hale. Kenzi says, “Massimo did this and it’s all my fault. The twig. . . . I gave it to Massimo for my powers. My stupid, stupid powers.”
“Bo, you can bring him back. The chi thing.” Bo says there isn’t enough chi. Bo takes Kenzi’s chi but it isn’t enough.
To take enough chi to bring Hale back would kill Kenzi. Bo won’t do it. Kenzi is furious – flailing – when Bo chooses her over Hale. Kenzi’s hysterical – can you blame her? To calm her down, Bo socks her with enough succubus charm to knock her out. Kenzi crumples over Hale into Bo’s lap.
Then Bo breaks into tears.
It’s so easy to get caught up in wishful thinking as a fan of this show, but I’m sure wishing that Hale will somehow be restored. Maybe enough people will show up that Bo can do the chi thing. Come on, Hale can’t die! It gives me hope that K.C. Collins was very active on Twitter during the broadcast of this episode and didn’t act like someone who was leaving.
Bo is cray-cray on the topic of Rainer.
Only two episodes left to find out what Lauren’s been up to with the Evony DNA she stole with a kiss.
Only two episodes left to learn something about The Wanderer. Or Rainer. Or if they are one in the same.
Are they going to be renewed for a 5th season? Please. Come on. Come on. Come on.
Four new TV shows caught my eye. After checking them out for two or three episodes, I’ve picked the winners I want to keep watching and the losers that will disappear from my viewing schedule.
The two shows I find the best are Intelligence and Killer Women. Sheer dazzle makes Intelligence interesting. Josh Holloway is excellent as the cyber-brained lead character with whiz-bang computer skills embedded in his brain. His supporting team, Meghan Ory and Marg Helgenberger are both doing a terrific job in their roles. Plus the show includes some particular favorite actors of mine such as John Billingsley and Lance Reddick.
Intelligence is sci fi done right: engaging characters, plots that work, fascinating tech.
Killer Women is also a hit with me. Tricia Helfer, who’s worked in a long list of things we’ve all seen, never came to the front of my attention before the way she does with her leading role in this drama. She’s doing a terrific job as a tough Texas Ranger. Remember how awesome Gina Torres looked in Firefly with that gun strapped to her hip? That’s the vibe Tricia Helfer is giving off in Killer Women. One helluva woman.
I know Killer Women has suffered some negative reviews – by men – but the women reviewing this show have spoken positively about it. So as a representative of the female TV viewing audience, I cast my vote for a renewal of this show!
They looked good, the previews and trailers looked good, but two of the new shows failed to engage me.
I like Billy Campbell, I enjoy sci fi, and I had high hopes for Helix. It should be good. Good cast, great sets, strong premise, diverse characters. But it bores me. The 3rd episode, which will be the last one I devote my time to, left me yawning and wishing it would hurry up and end. It has devoted followers, if tweets in my Twitter stream are any indication, but I’m not one of them.
The other show that leaves me flat is Bitten. It’s rare that I can’t get into a show with a female lead character. Laura Vandervoort does a perfectly fine job as the lead in this werewolf story, so it isn’t her. Bitten feels opaque. Too many undefined characters, not enough clarity about the stakes involved. Not one thing in this series has made me care.
Do you have winners and losers from the new TV season? What are they?
is home to great actors and I don’t want to stuff any of them
So I’ve decided not to encourage you to violate any intellectual property laws in an effort to override the inertia of PBS. I’ve also decided to wait to publish my recaps until PBS actually airs the show in June.
I Hate This
I hate the fact that in an Internet-connected world where there is no place, no geography, any longer, we are bound by geographic restrictions on content.
I hate PBS taking its sweet time to air something that is out in the ether in a million other ways. Why are they so slow? What’s the purpose of the delay? Why not simulcast it like Doctor Who? Why not show it shortly after the British version has shown like Downton Abbey?
Is it about money? Doesn’t the show have good enough ratings?
Yes, I’ve seen season 2 on the BBC. It isn’t that I’m dying of curiosity because I haven’t seen it yet. But – and this is a big but, I will watch the whole series AGAIN when it comes out on PBS. It isn’t that knowing season 2 is going to prevent me from seeing it on PBS. I’ll watch it on PBS. Whatever I contribute to PBS in ratings when the show airs is still coming their way.
Here’s the real point for me: PBS is taking too freaking long to bring the show to America. Too freaking long.
The news is that Amy Poehler received the go ahead for a new comedy on NBC, tentatively called Old Soul. The series will star Orange is the New Black sensation Natasha Lyonne as a young woman working as an aide to a group of old people.
“This show, hopefully, will blow up some of the cliches we think about old people,” NBC chairman Bob Greenblatt said.
I don’t want this show to take Natasha Lyonne away from OITNB, because she’s wonderful there and needed there. Please let the scheduling gods be with her on this so that she can do both.
Lyonne’s droll brand of melancholy seems perfect for a story about a younger woman dealing with an opinionated bunch of wise-ass elders.
Anything Amy Poehler touches will be funny – you know that in advance. But the really important thing about this whole project to me is that I think the elders in this series will be treated with respect. I’m hoping it will be like Golden Girls or Hot in Cleveland, where elders are funny but not made fun of. For that reason alone, I’m excited about the potential of Old Soul, or whatever it ends up being called.
In the “Waves” episode of Lost Girl, two separate stories are told in tandem. One is a procedural crime-solving tale involving Kenzi, Dyson and Lauren. The other takes us back to the train and answers a lot of questions for us about Bo and Rainer. This being Lost Girl, the episode also sets up a lot of new questions for us to ponder as we wait for the next episode.
Bo (Anna Silk) hangs her head over the sink in the clubhouse bathroom, hearing voices in her head expressing doubt about her actions. She looks at herself in the mirror. She’s bloody. Rainer (Kyle Schmid) comes into view. Rainer says, “It had to be done,” but Bo looks skeptical.
A blonde woman (Karen Cliche) is on the phone threatening business associates. She’s by a pool, which she walks into for a swim. Something disturbs the water behind her, there are a couple of thunks in the music.
When she pulls herself out of the pool, her legs are missing.
Lauren (Zoie Palmer) and Dyson (Kris Holden-Ried) are at the boxing ring. They complain that Bo has locked them out, has taken off for the train on her own. Kenzi (Ksenia Solo) comes in with giant coffees for everyone and a case to solve. Lauren and Dyson thinks she’s nuts talking about cases when Bo is off on the train alone, but Kenzi says, “A woman’s legs went missing.”
They argue about Bo, whether they should do something or trust her to go it alone.
In rolls the aforementioned legless lady. How are Dyson and Lauren going to ignore that?
Bo is cleaned up, sitting on her bed in a kimono, looking worried. Rainer comes in wearing a towel. Bo says, “I need to understand. What if this is a mistake?”
“I had to go back to the train for you. I went dark for you. I did the impossible. But this. . . . What we did.”
Rainer says it was necessary. Bo says the memories are back, but now that they are in her world, the real world, she needs to understand. The camera moves to some candles, a train whistle sounds, and we go into an extended flashback of Bo’s time on the train. The explanation for all the blood and her concern over what they did will come later.
Bo enters the train, mad about her friends being harassed, the pub being blown up, and being kidnapped. We’re at the start of her train ride. Rainer stands beside a windup record player, spinning “The Wanderer.”
Rainer is tired of brunettes, tired of the music he’s playing and not interested in answering questions. As he sees it, her choices are stay while he pretends to court her until he’s tired of her, or she gets off at the next stop. Either way, she’ll remember nothing.
Bo suggests option 3. He tells her why he kidnapped her. He claims he doesn’t know why she’s there. He calls the handmaiden (Linzee Barclay) to show Bo her chambers and says she’ll be getting off at the next stop if she knows what’s good for her.
Lauren offers the legless lady a drink of water, which she refuses.
Dyson, Lauren and Kenzi listen to legless Diana and her tale. She claims she’s a pixie. She points a finger of suspicion at at dude named Darren in her corporation. Diana will get them into the corporation undercover. Dyson says he and Kenzi will go undercover because he’s been training her.
Kenzi says, “Shadow thief. Check your panties. Anyone missing any panties?” She waves a pair of purple panties in the air. Lauren grabs them and says, “You have got to stop doing that.” Dyson says, “I did not teach her to do that.” These three together are better than a vaudeville act.
Undercover at the corporation, Dyson was supposed to be an efficiency expert but we see him rolling a mail cart. Kenzi was supposed to be a mail girl, but she’s in an office in a red suit, looking at a computer. Not the kind of role switching these two have done before, but still pretty funny. The three investigators are connected to each other by earpieces. Lauren’s back at the boxing gym, doing science with her phone, iPad, and a water hose.
Dyson delivers mail to Darren’s office, but is stopped by Tad (Matt Lemche). Nobody gets to go to Darren’s office. Since he can’t deliver the mail, Dyson attaches a heat sensing band aid to the the mail. Kenzi will follow the heat trail by climbing through the vent system. Yeah, you kinda had to be there to get it.
Kenzi drops out of a vent into a room full of disembodied gams. Legs everywhere. She hears a noise. It’s Darren’s mail dropping into a vat. Kenzi finds a medical report for Tad that involves big money. She sends photos to Lauren.
Dyson is at the swimming pool where he sees a plant Lauren is interested in. He grabs some for Lauren. Dyson notices the pool is salt water and he finds a pearl.
The handmaiden enters Bo’s chambers on the train, only to be grabbed and threatened. Bo and her knife are always ready for action.
The handmaiden tells Bo that the next stop isn’t for 3 days. If she jumps off before that, she’ll evaporate or get transcendental sickness and die. (Where is Clio when you need her?) Bo lets the handmaiden go. She lays out a dress in which Bo will look ravishing and gives her an invitation to dinner with Rainer. She says they all need Bo.
Lauren examines the pearl. She asks, “Has Bo called, pool boy?” Nope, not yet. Lauren says the pearl is actually a crystallized salt deposit, which makes Dyson all upset. “We should never have taken this case. Kenzi, you need to get out of there!” Lauren and Kenzi ask, why, what is it? Dyson answers, “Mermaids.” Mermaids are the absolute worst!
Kenzi gets excited because of Darryl Hannah movies, but Dyson says mermaids are the psychopaths of the sea. Kenzi wants to stay and fight the mermaid.
Bo goes to dinner (in her regular ravishing leather, not in the ravishing dress the handmaiden brought). She sticks her knife in the roast and is not making friendly gestures toward Rainer. He again says he didn’t bring her there. He puts the knife to her throat and says, “You are not going to change anything.”
Bo steps back and her eyes go blue. Rainer’s interested in that. He smiles and wants to know what the dark fae devour these days. Bo says she’s unaligned. That’s impossible, says Rainer.
Bo says, “What kind of Fae are you? Some kind of memory wiper?”
He holds up a Wanderer card. “Memory is not my power. It’s my curse.” She walks out on dinner with a to-go plate. Rainer’s plate.
Kenzi tries her luck with Tad in her quest to save the world from mermaids. Guess what? Tad’s legless, too. He loves Darren because he saved him from something that took his legs. He leaves for a meeting. She digs through his file cabinet and finds a folder full of “creeper mail.”
Rainer plays the organ in Bo’s room. (An organ with a keyboard. You know. For music. We don’t get to the other organ until later on.)
Bo interrupts him and he tells her his power was foresight in battle. He could see his opponents attacks before they happened. He says he put it to good use trying to end light and dark. Wow, that gets Bo’s attention. He says he’s seen slaughters over light and dark and tyrannical rule on the rise. Bo wants to know whose rule? Nobody mentions the Blood King, but she has to be thinking it.
She’s looking at him sympathetically. I think he just reeled her in. He talks about not being able to remember why he’s there and who cursed him. She says, “It’s torture. It’s not living.”
Kenzi’s snooping around in the room full of floating legs again.
Darren (Brandon Firla) enters and does some magic by waving his hand at Kenzi. It makes her bork up what looks like plain water. He finally lets her stop barfing water and digs through her purse, where he sees the creeper mail. The mail is from his sister and contains pearls. Translation: she’s going to kill him.
Kenzi’s figured out Darren is a merman. Tad was his first set of donor legs. His sister Dominique took off Diana’s legs but she doesn’t know how to attach them to herself. He asks her to take him to Diana. He talks about needing legs to be part of a world he doesn’t belong in. Kenzi can grok that.
Dominique will have to be captured in water.
Lauren takes off a thick terry robe and steps in the salt water pool. Yes, Lauren in a swim suit. 10,000 photos of this moment are available on Twitter and Tumblr, so I’m skipping to the action.
Lauren wades out into the pool and waits to have her legs bitten off. Dyson lurks nearby ready to snare a big fish. There’s a disturbance in the water, Dyson says, “Now,” and Lauren pushes the button on a device in her hand.
The device sets the fish to flopping and Lauren’s legs are saved. Thank goodness.
The train conductor announces the next stop will be in two minutes as Bo steps into a baggage car. She goes up to a glass bell jar. Inside is something that takes her all the way back to her childhood when she found a blue butterfly.
We see young Bo (Sadie Alter), a tear streaming down her face as she holds the butterfly. Adult Bo has a matching tear as she remembers.
Bo removes the glass covering and picks up the butterfly. Rainer says, “What did you do?”
“When I was seven . . . ” but Bo doesn’t finish the sentence because Rainer takes her hand. He says, “It is you.”
The butterfly flits away. Bo turns and looks at Rainer. It’s Bo’s I want you right now look, which can only mean trouble if you ask me. She says, “What’s this? Us?” He pushes her away because she’s going to miss her stop.
He turns back to the empty butterfly container and yells, looks frustrated and angry. Why? Your guess is as good as mine.
Bo comes back and plants a big lip lock on Rainer. She says, “What am I doing?” Then she does it again. What IS she doing? Your guess is as good as mine.
Lauren looks at the mermaid and says, “God, she’s beautiful.” Brings back happy memories, that remark.
Dominique the mermaid (Kate Todd) wants legs. Wants to walk. Lauren tells her it’s wrong, she’s hurting people. She says she needs legs to get to her brother, Darren. He didn’t come home like he was supposed to. She says, “Do you have any idea what it’s like to be ignored? To be locked out by someone you love?”
Lauren and Dyson both can grok that.
A tear from the mermaid’s eye forms into a pearl. She’s been sending them to Darren. That’s her 18th, which means she’s suffered enough to kill someone. But she won’t kill Darren. Her sister, on the other hand, she’d love to kill. Her sister’s a liar so that’s why she took her human walking sticks.
About the time Dyson and Lauren learn that Dominique has a sister whose legs she snatched, Kenzi touches Diana and discovers what a cold fish she is. Well, damn, she’s not a pixie. Nope, another mermaid. This mermaid thinks Kenzi is her new bottom half and brother Darren is there to help make it happen.
Darren prepares to sever Kenzi’s legs as Dyson and Lauren show up with Dominique.
Dyson’s wolf lunge for Darren is interrupted by the mermaid magic that makes Dyson toss his last drink of water. Pisses Lauren off, it does. Lauren has the scientific presence of mind to notice that the plant from the swimming pool is dying in a beaker of tap water near the sink.
The whole family is together. Darren proposes a plan that will keep them together.
They’ll all get legs and live happily ever after. Nothing can stop them. Except tap water. Lauren gives them a huge drenching with plain old tap water. Take that, fish faces.
Bo and Rainer are in bed, smiling, happy, laughing about how many stops of the train Bo has missed while boinking Rainer. She says, “Are my friends still safe?”
He says, “Kenzi and Dyson are coming close to finding the compass. When they do, you won’t remember me.”
“Screw your curse,” Bo says. “Everything’s ready.”
They sit up in the bed and review Bo’s plan to come back to release Rainer from his curse. The opera singer, Hugen in a jar, and the biggest clue of all – Bo signing a contract with the dark. She asks him to witness it. She knows that she would never align herself and finding out she’s dark will lead her to find the answers, to him.
“What if I’m a monster?” he says. She answers, “Then I’ll kill you myself.”
Bo puts her hand on his chest. He puts his hand on her chest. There’s dramatic music and gasping and light coursing through Rainer’s arm.
A fast rewind through Bo waking up on the train, jumping off, running through the woods, getting her agreement to be dark from the Archivist.
We are back in the present. The Una Mens receive a surprise visit from Bo and Rainer.
He tosses a Wanderer card at The Keeper (Christine Horne). She makes it disintegrate. Rainer’s Fae powers are restored when the card burns. He foresees her attack. The Keeper says he was cursed because he had too much power as a rebel. For helping him, The Keeper tells Bo they will kill the claimed human, the doctor, the wolf, the siren and everyone she loves. Then they will kill her.
The Keeper orders the Una Mens to attack.
Bo and Rainer take fighting positions back to back. He tells her when to duck, when to kick, when to block and together they battle the Una Mens.
Lauren, Kenzi and Dyson mop up all that’s left of the mermaid family after their demise by tap water. Lauren says, “We make an excellent team.” Kenzi checks her phone and says, “Bo never called. What are they even doing?”
Well, Kenzi, to answer your question, Bo is running a sword through The Keeper. I’m pretty sure killing off the Una Mens is going to bring all sorts of trouble to our girl Bo. The Keeper mentioned right before Bo poked her real hard that if Bo followed Rainer she would suffer a fate even worse than her own whore of a mother’s.
We go back to Bo’s bedroom where we began the episode, where Bo and Rainer have washed off all the blood. Trick comes in.
Trick warns Bo that Rainer will ask her to slay the Una Mens. He begs her not to do it. The power will be amassed into the origin seed that was stolen from him. In the wrong hands . . .
We see the origin seed as currents of power collect in it.
Bloody fingers reach out to take the seed. Care to guess whose fingers they are? My bet is on Aife, but we have to wait to see for sure because the episode is over.
Lots of answers, but lots of new questions. Here are a few. Is Rainer evil? Is Bo under Rainer’s spell? What will the consequences of killing the Una Mens be for Bo? What was the point of the butterfly story and how does it make Rainer think he knows who Bo is?
I think Rainer is a monster and Bo will have to kill him. That’s her destiny.
They do it all the time in Lost Girl: a transient character has the same problem one of the main characters has. Kenzi meets a character who wants to fit into a world where he doesn’t belong. Lauren and Dyson meet a character who has been shut out of the life of someone she loves. Bo meets a character who says he wants to bring an end to light and dark and have the Fae act as one. They made especially heavy use of it in this episode.
The light on the train was amazing. Desaturated to almost black and white and much less shadowy than elsewhere. Beautiful.
Rainer is more disruptive than the invention of the smart phone. Everyone with a favorite couple – be it Bo and Lauren or Bo and Dyson or even Bo and Tamsin – will need couples therapy if this keeps up.
It was fun watching Kenzi, Lauren and Dyson go all Bob Newhart and talk to themselves in empty rooms because they were supposed to be connected by some kind of ear technology.
My bet’s on Aife to harness the collected power of the Una Mens in the origin seed. Rainer complained about “another brunette,” The Keeper mentioned her to Bo, the fingers reaching for the seed look female, and Aife hasn’t been heard from since episode 1 of this season. Aife and Rainer may know each other. Rainer assumed that a succubus is dark Fae. Do you have a better idea?
Pop culture references are everywhere in this episode. Some I didn’t mention above were references to George Michael, Working Girl, Sigourney Weaver and Alien, the game Risk, celebrities stalked in Whole Foods parking lots and more.
Cave Digger is an award-winning documentary about an unusual artist who digs caves in the sandstone of Northern New Mexico. The caves are works of art filled with carved sculptures, furniture, rooms with arched entries and fantastic displays that range from things like flowers and leaves to abstract designs.
This extraordinary cave artist is Ra Paulette. Most of his work is on private land and not open to the public. Catching this film may be the only chance you will have to see his amazing sculptures.
The film Cave Digger is the work of Jeffrey Karoff. The documentary will show at The Guild Cinema in Albuquerque on February 17 – 19. It will be at the Sedona Film Festival on February 22 – March 2. You can learn about future screenings at cavediggerdocumentary.com.
The film has won numerous award for its exploration of Ra Paulette and his unique artistic obsession. It was nominated for an Oscar in 2014 in the documentary short subject category.