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See How They Run, spoofing the whodunit
See How They Run is a whodunit that makes fun of whodunits – and Agatha Christie and writers and directors and actors and producers and even ushers. It makes fun of everything. You never know which timeworn whodunit trope will get satirized next. Plus, it is fun to watch just to see whodunit.
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Blonde, a never ending nightmare
Blonde, the Marilyn Monroe movie, is a horror story. Not the scary kind of horror story. This horror story is the misery, mistreatment, trauma, and horror that was Norma Jean Baker’s personal life. It’s painful to watch this nearly three hours of surreal, nightmarish explorations into Marilyn Monroe’s (Ana de Armas) tortured psyche.
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Review: The French Dispatch, a visual tribute to the written word
The French Dispatch, from director Wes Anderson, brings a sumptuous feast of visual images, coupled with an all star cast, to a tale about a magazine. The magazine is The French Dispatch of the Liberty, Kansas Evening Sun. This American magazine, published in France, brought news of the world back to the homeland.
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Cadillac Records, the music goes on
Cadillac Records is a 2008 film that I just found on Netflix. It’s set in the 1950s in Chicago where a young Polish immigrant named Leonard Chess (Adrien Brody) opened a recording studio and started promoting the music of Black blues musicians. This fictionalized biopic remains interesting, largely because the music is timeless.
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Review: Manhattan Night
Manhattan Night from 2016 is now streaming on Amazon Video and other sources. I’ve wanted to see it since it first came out because it has Jennifer Beals.
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Upcoming Trailers: Manhattan Night, Orphan Black, Grace and Frankie, Electra Woman and Dyna Girl
I have too many upcoming trailers in my inbox. I could spend a week letting you see them one by one. Or I could just dump them all in this post. Which is what I did.