Look into My Eyes, from documentary director Lana Wilson, takes us on a visit to seven New York City psychics and the people who come to them for help. There’s no judgement in the film as to whether the people […]
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Martha was a well-done documentary about the long and varied life of “the original influencer” Martha Stewart.
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Fanatical: The Catfishing of Tegan and Sara tells a horrible and unresolved story about 15 years of catfishing carried out by a fan or fans of Tegan and Sara. It is fandom gone toxic and hurt many people, including Tegan
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Julia Alvarez: A Life Reimagined comes from the PBS series American Masters. It explores many years of the Dominican American writer’s career. It isn’t a complete look at all her work, but does tell a lot of her story. Alvarez
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Girls State follows many of the high school girls who attended a week long program for girls in leadership roles in the state of Missouri. This was an interesting year to document the program, because for the first time in
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How Do You Measure a Year? from director and father Jay Rosenblatt captures 16 years of growth in a short documentary. Rosenblatt interviewed his daughter Ella every year on her birthday. This film is the result.
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Being Mary Tyler Moore, a documentary from director James Adolphus, is less about Mary Tyler Moore as a person and more about her influence on culture and feminism.
Being Mary Tyler Moore, an influencer before the term was a thing Read More »
Pretty Baby: Brooke Shields, from director Lana Wilson, takes a look at Brooke Shields life and career from her point of view now as a woman in her 50s who has survived as a famous icon for her entire life.
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From writer and director Nina Menkes, Brainwashed: Sex-Camera-Power explains how the politics of shot design on our screens affects sexual assault and employment discrimination against women. The documentary uses over 175 film clips to make its point.
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If you’re a certain age (like me), you can sing along with every Dionne Warwick song because you know all the lyrics by heart. In Dionne Warwick: Don’t Make Me Over, the lady herself leads a retrospective look back at
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