Reviews of movies and TV focused on women
I haven’t done a brain dump in a while. My definition of a brain dump is sharing a few thoughts about several things at once. This time it’s Thursday night on ABC with Grey’s Anatomy, Notorious and How to Get Away with Murder on my mind. Continue reading “Brain Dump: Thursday Nights on ABC”
Let me count the ways that Thursday nights, AKA Rhimesday nights, are going to be amazing when the fall TV season begins.
That’s 3 solid hours of women lead drama from Shondaland productions. That’s a night for television, my friends. May I celebrate the fact that two of those leading actresses are women of color? Yes!
On Thursday nights real life will stop. The only things operating in the void will be televisions tuned to ABC and eleventy million tweets about every move on ABC for 3 solid hours.
Those fat cat white male dudes who run ABC and Twitter should be bowing before Shonda Rhimes. Bowing.
Here’s a little preview from Shondaland of where we might be going with Scandal, Grey’s Anatomy and How to Get Away with Murder.
In the season opener of Grey’s Anatomy last week, we saw the first reaction by Callie (Sara Ramirez) to Arizona’s (Jessica Capshaw) infidelity. Hurt and angry, Callie takes Sofia and leaves. She takes up residence on Derek and Meredith’s couch for a while.
It takes Callie one day to talk to Arizona about a schedule for sharing Sofia. She can’t discuss anything else about their relationship without crying, but she’s willing to talk about Sofia.
(IMDB does not give the real name of the child playing Sofia.)
Before the wedding, before the baby, Arizona had to be converted to the idea of parenthood. I clearly remember the episode when she embraced the idea of mothering Sofia. In fact, I wrote about it way back then.
A quick recap: Arizona and Mark argued about who was more important to save after the car wreck – Callie or the baby. Mark argued that he should have more say in the decision because he was the baby’s biological father and Arizona was “nothing.” Both Callie and the baby were saved, of course, and Arizona was at Callie’s bedside when she woke up. Arizona said, “I don’t feel like nothing. I feel like our baby’s mother.” Here’s what I wrote earlier:
It’s the line I feel like our baby’s mother that I want to talk about as important. Once the heart moves into that place of parenting, a family is born. For same sex couples like Callie and Arizona, or for adoptive parents from any configuration of family you can imagine, this is the bond, the spiritual tether. The parental bond, once formed, is what creates a family that will cherish and nurture a child.
This is what’s remarkable about Shonda Rhimes and this particular story about a two-mom family: from the first suggestion that there might be a split between the two women, they were written as equal parents to little Sofia. Shonda Rhimes gets the “parental bond” between both parents and their daughter.
Shonda Rhimes gives us drama and conflict, and plenty of it. Bumps in Callie and Arizona’s relationship are a part of that, but it looks as if their baby isn’t going to be a source of the conflict.
I’m rooting for Callie and Arizona to work it out. I really hope Shonda Rhimes wants them to be together and happy, too. Until we find out what happens, I’m glad to see her treating an adoptive parent as equal to a biological one. It’s further proof that Shonda Rhimes can write about same sex couples and treat them as she would any other couple.
Images ©ABC and Shonda Rhimes.
This is part four of a series of posts that recap The L Word based solely on what you learn by watching the opening credits. We are ready to take on Season 4. Continue reading “The L Word Opening Credits (Season Four)”
