To the Bone is a journey through the lives of several young people with eating disorders. It’s hard and tough, but ends on a note of hope. The film was written and directed by Marti Noxon and stars Lily Collins. Both these women have revealed their own struggles with eating disorders. You can see the film on Netflix.Continue Reading: To the Bone looks at eating disorders
Daisy Winters is eleven years old. She’s wise beyond her years in many ways, but in other ways she’s completely unable to cope.Continue Reading: Review: Daisy Winters
The life and crimes of 5 women who work at a Florida nail salon is the focus of TNT’s new series Claws. A show about a sisterhood of 5 women sounds good to me. Continue Reading: Watch This: Trailer for Claws
When We Rise is an 8 hour mini-series to air on ABC on four nights. When We Rise tells the story of the LGBTQ rights movement, tracking key figures from their first days as activists to the present day. Continue Reading: Watch This: Trailer for When We Rise
Grace and Frankie season 2 hit Netflix over the weekend and I watched all 13 episodes by late Sunday evening. My brief review is this: so damn good. A longer review follows, complete with some spoilers, so be aware.
The premise of Grace and Frankie is that two couples Grace and Robert (Jane Fonda and Martin Sheen) and Frankie and Sol (Lily Tomlin and Sam Waterston), who have been friends for many years, break apart because the husbands have been lovers for 20 years. The men plan to marry each other. The wives, who don’t particularly like each other, are stuck as roommates in one of the family homes surviving the 2 divorces. Continue Reading: Review: Grace and Frankie Season 2
It’s time for another brain dump. These are quick hits on this and that.
The Good Wife
Linda Lavin has been on The Good Wife lately. Her character is part of the plot line to put Cary Agos (Matt Czuchry) in jail. Lavin created a most particular character. She uses exacting quirks to make her character stand out in a show filled with peculiar and unusual characters. Kudos to Linda Lavin on her performance! It’s masterful.
Speaking of unusual characters, Carrie Preston’s marvelous character Elsbeth Tascioni is involved in a sex scene in the “Old Spice” episode of season 6. Elsbeth and Josh Perotti (Kyle MacLachlan) have sex on the desk in Elsbeth’s office. It’s a true bodice ripper in the trashy romance novel style. Delightful!
Did you see the announcement that Archie Panjabi will be leaving The Good Wife at the end of season 6? Kalinda Sharma is my favorite part of The Good Wife. I’m sad about the announcement. On the other hand, Kalinda has never been used enough. My hope is Archie Panjabi will find her way to a show where she plays the lead! #GiveArchieHerOwnShow
Téa Leoni as Secretary of State Elizabeth McCord is wonderful. Leoni plays her as unflappably calm, grounded, brilliant, bold, funny, and a great reader of character. All the players around her are outstanding as well, particularly Bebe Neuwirth.
Much as I love Elizabeth McCord as a character, the stories aren’t always believably realistic. Like Buffy, McCord saves the world in every episode. She does it by defying the advice of all her advisers and the POTUS. As an American who feels the system is broken, it’s nice to root for someone who does everything outside the system. Rah, rah, Elizabeth McCord! It’s great TV, but if the Secretary of State could save the world all by herself, Hillary Clinton would have done it already.
I like how much Tim Daly gets to do in Madam Secretary. If this show had a male lead, the pretty wife would be tucked away in the background and used occasionally to show that the hero is straight. But Tim Daly as the husband isn’t tucked in the background, nor are McCord’s 3 children. Daly gets real plot lines of his own. Each child has an individual personality, too, they aren’t merely bodies crunching cereal around the breakfast table in the morning. This may be because of Tim Daly’s pull as a big name, or it may be because the chief writer on the show is a woman – Barbara Hall.
How to Get Away with Murder
I’m struggling with the non-linear style of storytelling on How to Get Away with Murder. It’s meant to build suspense – it is. It’s meant to keep you coming back – but at least in my case, it’s just irritating me. I’m still watching, so obviously I’m not irritated beyond the point of hanging around. But still.
I do want to mention how much I loved the scene in which Viola Davis removes her wig and all her make up. Then she turns to her husband and says, “Why is your penis on a dead girls phone?” BAM! BAM! What a pair of moments.
The Walking Dead
A tweet from Kate Moennig caught my eye. I think she’s referring to the cannibalism scenes.
Well, The Walking Dead finally made me lose my appetite
— kate moennig (@katemoennig) October 28, 2014
I agree with Kate Moennig, the cannibals were extra gross. Actually, The Walking Dead is gross as a standard thing. In the same episode with the cannibals, “Four Walls and a Roof,” there was also a cowardly priest (Seth Gilliam). The priest locked himself in his church with a big supply of food and listened as his parishioners clawed at the door when the zombies came for dinner.
Between the cannibals and cowardly priest, I find more metaphoric fodder in the priest. Everything about The Walking Dead is a metaphor, of course. This one priest could stand in for every kind of horror and evil ever perpetrated in the name of religion. The Crusades, the notion that there’s no God but God, the Westboro Baptist Church, or dozens of other examples of evil done by religious leaders – pick your metaphor and make it work. Will Rick (Andrew Lincoln) and the gang leave him alive when they move on?