Recap: Last Tango in Halifax S2, E5

Episode 5 of Last Tango in Halifax begins in Harrogate where the Elliots are packing a car with William’s (Edward Ashley) things as he sets off for Oxford.

house for sale
House for sale

A for sale sign is outside the driveway. John (Tony Gardner) and Caroline (Sarah Lancashire) take a moment to share a rancorous discussion about their divorce papers as John carries out William’s luggage.

Saying goodbye
Saying goodbye

Everyone comes outside to see William off, including Celia (Anne Reid) and Alan (Derek Jacobi) who are making tea in the cottage. Hugs and handshakes and Lawrence’s (Louis Greatorex), “Finally we get rid of him,” and William is off with John driving.

A hug from mom
A hug from mom

Caroline looks torn as her eldest drives away from the nest to begin college. Celia follows her down the driveway as the car disappears and wraps her in a hug. “Big day,” Celia says.

They talk about mundane things for a moment. Celia says she and Alan are going to Ripponden to help with the baby. She says, “It’s a shame that bungalow fell through.”

Caroline asks about Celia’s wedding plans. Celia says they are on hold because of Alan’s brother Ted in New Zealand. They can’t plan a date around all of them who want to come from there.

Celia wants to know if there have been any inquiries about the house. Caroline says not this week.

She's so alone

Caroline walks into the kitchen and stands there, utterly alone. Beautiful image, even though it’s full of pain. This kitchen, with its big window, has been a wonderful frame for some lovely shots, but this one is exceptional.

At the farm Ellie (Katherine Rose Morley) hands off the baby, dirty nappy and all, to Raff (Josh Bolt). He passes the baby to Gillian (Nicola Walker) for burping and a diaper change.

dirty nappy
Is that a dirty nappy?

Everyone calls the baby Calamity. Gillian says, “Calamity, is there no end to your shining wealth of talents,” in regard to her dirty nappy. In spite of everything that’s wrong in Gillian’s life, and there’s plenty wrong, little Emily Jane makes her happy. Perhaps she sees a bit of redemption in her grandchild’s eyes.

Ellie has moved in at the farm, with cash coming from her mother to help out. Raff says he, Ellie and Calamity are eating at Robbie’s that night. Cheryl is cooking. (Cheryl? Who is Cheryl?)

The two young people leave for school and Gillian is alone with the baby.

I'm pregnant
I’m pregnant

Kate (Nina Sosanya) enters Caroline’s office. She sits down across the desk from Caroline and tells her she’s pregnant. She’s past 12 weeks now and is cautiously thinking about the future. She asks for arrangements to be made for her to work part time after the baby comes. Caroline asks for time to work out the logistics.

As Kate is leaving, Caroline says, “Congratulation.” Kate smiles and says, “Thank you,” but Caroline cannot look at her.

Congratulations
Congratulations

As soon as Kate closes the door, Caroline begins to cry.

Gillian loads a trailer with sheep as Alan and Celia arrive. She tells them the baby is with Harry (Paul Copley) down at the wharf. Celia goes inside to use the bathroom. Gillian tells Alan the relatives in New Zealand keep Skyping about a date to come to the wedding. Alan says Celia won’t set a date, but his story isn’t like Celia’s on this topic. He says it’s because of Celia’s sister, Muriel.

At the wharf, Harry has a boat where he plans to live. He’s going to install a stove, a satellite dish, and a drinks cabinet.

Take it for a spin
Take it for a spin

He says losing Maurice made him want to seize the day. He wants to take them for a spin and Alan is ready to jump aboard. Celia grabs Alan’s coattails and won’t let him go. She tells Harry he’s a dozy old sod. I’m not sure what that means, but I don’t think it’s a compliment.

Alan and Celia have dinner at the farm with Gillian. Gillian tells them Robbie (Dean Andrews) has a new girlfriend named Cheryl. She’s a cop like Robbie, blonde, gorgeous and 15 years younger than him. Celia talks about John being back with Judith like a bad habit.

Tell me about your sister.
Tell me about your sister

Gillian says, “Celia, tell me about your sister. I didn’t know you had a sister. Shame the wedding plans have got bogged down because of her.”

Celia says it’s because of Ted. No, says Gillian. There’s no problem with Ted coming from New Zealand. You set a date, they turn up. Celia isn’t thrilled about her daughter-in-law calling her bluff.

Can I move in with my dad?
Can I move in with my dad?

Caroline and Lawrence are having a quiet dinner. He asks if he can move in with his dad. Caroline thinks this is a bad idea, but Lawrence says at least his dad isn’t boring. Before they can finish talking about Lawrence’s idea, Gillian calls.

Let's talk about the wedding.
The wedding is bogged down

Gillian tells Caroline that the wedding is bogged down. Caroline says, yeah because of Ted. No says Gillian, it’s because of Muriel. She wants to move it along for her dad’s sake.

It's because of Muriel
It’s because of Muriel

Caroline says she’s not surprised. Muriel and her mom are chalk and cheese. Gillian asks Caroline to ring Muriel so they can get things moving. Caroline says it will be complicated.

Gillian goes into the living room where Celia and Alan are playing Trivial Pursuit. Celia says, “Sherlock Holmes, the Beatles, Shakespeare,” before Alan even reads the question because that’s the answer to everything.

Why don't Caroline and I plan the wedding
Why don’t Caroline and I plan the wedding

Gillian suggests she and Caroline organize the wedding. They can check out venues, make up an invite list. Gillian says Celia can cross anyone out. Celia agrees just as her phone rings. It’s Muriel (Gemma Jones). Celia answers with false cheer.

She seems to be smiling
She seems to be smiling

Celia speaks with apparent warmth to Muriel, but it looks forced. Muriel is enthusiastic about Alan Buttershaw and how wonderful everything is. She asks when the wedding is. Celia says she and Alan were going to pop down to tell her all about it. That’s news to Alan.

Meanwhile Caroline calls back and tells Gillian that Muriel didn’t even know about the wedding. She says she will have to face Armageddon with Celia because of letting Muriel know. Gillian tells Caroline that she offered to organize the wedding. Caroline hesitates but Gillian convinces her to help.

It's an impression you've given
It’s an impression you’ve given

Alone in their bedroom later, Celia complains about Muriel finding out. Alan says if you don’t want her at the wedding, we won’t invite her. Celia says why wouldn’t she want her there. Alan says, “It’s an impression you’ve given.”

Celia has a long list of old resentments about Muriel, which she airs to Alan.

In Harrogate, John arrives. He’s supposed to be taking Lawrence for the weekend.

Does she want it
Does she want it?

John says, “Just so you’re aware. Judith’s pregnant.” Caroline says, “How? Is it yours? Does she want it?” He stumbles and stutters a lot, and says things may be a little bit fraught and it isn’t a good weekend to take Lawrence. Lawrence gets in the car and won’t be moved.

Caroline goes to the farm. She arrives just as Robbie and his new girlfriend Cheryl (Rachel Leskovac) are leaving with Raff, Ellie and the baby.

I'm Robbie's other half
I’m Robbie’s other half

Caroline endears herself to Gillian by pronouncing Cheryl annoying. Caroline wants to take Gillian to lunch.

A wedding venue
A wedding venue

They pull into the same hotel where Caroline took Kate, but they are there to consider it as a possible venue for the wedding. They sit down for drinks and Caroline tells Gillian that Muriel stole a boy named Frank from her mom when they were younger. She married him. That’s two women who stole men from Celia. Ouch. And Celia does hold tight to her resentments.

A wedding planner gives them brochures and offers to take them round to look at the venue after lunch.

At Muriel’s, Celia and Alan conduct a conversation in the car, as they are prone to do. Celia doesn’t want her sister to know that her marriage was unhappy. She doesn’t want her sister to know that Caroline plays on the girl’s team. Both Alan and I find Muriel perfectly acceptable, but every word poor Muriel utters irritates Celia.

What does your daughter do, Alan?
What does your daughter do, Alan?

Over tea, Muriel thinks Celia must be proud of William, wants to know what Alan’s daughter does, wants to know about Caroline and John and is full of questions. When she leaves to make more tea Celia says, “I don’t know how much more of this I can take.”

Can we talk about packages and deals?
Can we talk about packages and deals?

The wedding planner shows Caroline and Gillian around, talks about deals, offers them champagne. They’ve already been drinking wine at lunch.

I'm going out
I’m going out

Judith (Ronni Ancona) tries to work as John and Lawrence watch TV in her tiny flat. She can’t concentrate and goes out. Lawrence thinks she’s too old to be pregnant. John follows Judith out the door, ostensibly because she shouldn’t be drinking.

Isn't he still doing his A levels?
Isn’t he still doing his A levels?

The conversation at Muriel’s moved to the garden, where they talk about Harry. Alan says he and Harry share a great grandchild, which makes Muriel ask about Raff still being in school and irritates Celia even more.

Caroline calls Celia to explain that she thinks Celia would love the hotel as a venue. The only available date is December 24. As Caroline is talking to her mother, Gillian realizes that the waiters and the wedding planner think that she and Caroline are the ones getting married. Celia asks Caroline to email photos as Gillian goes into a contagious giggling fit.

They think I'm another one of your women
They think I’m another one of your women

“They think you and I are getting married,” Gillian giggles. She acts coquettish with her hair, and says, “I’m going to finish with you if you aren’t careful.” Caroline continues the conversation with her mum by punctuating it with laughter, and can hardly say goodbye to her mother before she and Gillian burst out in loud guffaws. Another toast with champagne seems in order.

By nightfall, Gillian and Caroline must take a cab to the farm because they are both too drunk to drive.

Dad's gone
Dad’s gone

Lawrence calls his mom and asks to be picked up because his dad is gone. He says, “I”m sorry I said you were boring.” Caroline’s forgotten her phone at the hotel bar so she doesn’t get his message.

I booked two separate room.
I booked two separate rooms

At the farm, Gillian and Caroline flop on the couch side by side. Gillian asks what happened with Kate. Caroline says, “I booked two separate rooms for our romantic getaway.”

“You did not,” says Gillian.

Caroline says she’s tried to apologize but Kate won’t listen. “I really blew it. I only realize now how lovely it was. How precious. Now I’m in this box with bad written on it. But I’m not bad, just arrogant . . . inept . . . selfish . . . repressed . . . emotionally crippled.”

“What about you and Robbie?” Caroline asks. Gillian sits up, goes for more liquor.

Celia and Alan study the emailed photos of the hotel. Alan also looks at the photos on Muriel’s bedroom wall, including ones of Kenneth and Frank. He says Muriel seems fond of Celia, even though Celia isn’t fond of her. Celia drags out even more resentments about her sister. Alan has a more mature point of view. In a stroke of brilliance, he tells Celia that Muriel is very plain compared with her and hasn’t made him laugh even once.

Judith and John arrive back at her flat in the midst of a drunken argument. Lawrence is not there.

In Halifax, Gillian tells Caroline about going out with Robbie early on. She says she’s always been fond of him. But she says it will never work with Robbie.

“I’ve never told anyone this,” Gillian says.

I want to tell
I want to tell

“Don’t tell me something you’re gonna regret.”

“I want to tell. I  . . . I murdered him. Eddie. The only proper family Robbie ever had. I murdered him.”

He knocked me about.
He knocked me about.

Gillian talks about her marriage to Eddie. He beat her, pinned her down and burned her with cigarettes. She says she’s shed blood in every room of this house. He knocked her teeth out. He humiliated her in ways she won’t name. Caroline listens without speaking, but her face says volumes. Gillian thinks her Dad and Robbie know there was more to it than what she told the police.

Nicola Walker is stunning in this scene. Stunning. In a show filled with outstanding actors and acting, this powerful scene stands out. Amazing performances from both Nicola Walker and Sarah Lancashire.

In the morning Gillian wakes up on a couch in her living room. Caroline is asleep on the other. Gillian runs to the kitchen and throws up.

Pure terror
Pure terror

She turns to look at Caroline with terror on her face as she remembers what she confessed the night before.

The precipitating moment setting off the story of Last Tango in Halifax was the reunion of Celia and Alan. Alan leaving the farm set off a chain of external events for Gillian, leading directly to last night’s confession. Caroline’s journey, on the other hand, is internal. It began before Celia and Alan even found each other. Caroline and Gillian have been yin and yang every step of the way.

Yet, here they are, because of their parents, telling each other things they’ve never said to anyone before.

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Recap: Last Tango in Halifax, S2 E4

This episode of Last Tango in Halifax begins in the cafe where Celia (Anne Reid) and Alan (Derek Jacobi) continue to talk about the death of Eddie. Alan says he is an accessory after the fact.

Celia says he probably did the best thing under the circumstances. He tells her that Robbie and the police asked lots of questions. He says that’s why, 10 years on, he doesn’t mind putting a little distance between himself and Gillian (Nicola Walker).

Who's car is that
Who’s car is that?

Raff (Josh Bolt) walks up the road from school and sees a strange car in front of the house. He finds John (Tony Gardner) inside, working at his computer, and watching the baby. Raff doesn’t understand why Gillian asked John to babysit. John’s explanation is a bit lame. Raff tells John he can leave, but John says he’s invited for supper.

Get your name on the birth certificate
Get your name on the birth certificate

John asks about Ellie (Katherine Rose Morley) and Raff explains that he doesn’t know how things are with her legally. He doesn’t know if Ellie left the baby with him or if she can just come back and take it.

John, because this is really his business – right? – tells Raff he must go to the registrar and get his name on the birth certificate. Because mothers have all the rights where kids are concerned, look at all the problems he’s having with his kids. Raff says, oh, I thought that was because you had a fling with Judith. Good one, Raff!

Rugby at 9:30
Rugby at 9:30

In Harrogate, Caroline is lining out Celia on the boys’ schedules for the weekend. Lawrence (Louis Greatorex) has a rugby game in the morning. Lawrence says he’s invited Angus (Felix Johnson) for a sleepover. When Celia hears the name Angus she asks, “Is he Scottish?” in a funny callback to the first time she heard the name Kate McKenzie. William (Edward Ashley) is going to work. (William’s back!) William throws down his newspaper and complains about his job.

Something literary for a name
Something literary for a name

John has assembled Raff, Ellie, Harry (Paul Copley) and Maurice (Roy Barraclough) in the registry office to get the birth certificate filled out for the little girl. No one seems to question his right to do this, although Harry and Maurice do want to know why he’s hanging about. He explains he’s writing a novel about farming and that he’s Celia’s son in law. Everyone groans.

They argue over names. John wants a literary name. Raff likes Elsie. Ellie does not. They finally agree on Emily Jane, which prompts John to quote Emily Jane Brontë. I’m the one groaning now.

John’s phone rings. It’s Lawrence, who learns that his dad is in Halifax.

We put both surnames
We put both surnames

John, Raff, and the newly named Emily Jane Greenwood Wallace stop by the grocery. They show Gillian the birth certificate. Raff says they put both surnames, because they couldn’t decide which to use. Gillian likes the new name, and comments that it’s a lot of name for a 6 and a half pound girl. That’s hilarious, because the baby they are hauling around, supposedly less than a week old, can sit up and hold up her head.

A weekend getaway
A weekend getaway

Caroline’s black SUV rolls down the highway toward the weekend getaway. The camera does love Yorkshire, doesn’t it? My gratitude to whoever finds these gorgeous locations. As they walk up to the hotel, Caroline and Kate (Nina Sosanya) talk about Celia wanting Caroline to call Alan Dad.

A happy moment
A happy moment

Caroline smiles happily at Kate and they go inside to register. Caroline tells the desk clerk, “We have reservations.”

In Harrogate, Alan and Celia are rehashing the Eddie story once again. Alan just can’t let it go. He keeps coming back to his notion that maybe it wasn’t suicide at all. Celia says, “Let’s live with what’s on the table.” The doorbell rings and Lawrence answers it thinking it’s Angus.

Oh, you're alan and celia
Oh, you’re Alan and Celia

It’s Judith (Ronni Ancona). She’s looking for John. Celia says she doesn’t know where he is. Celia says, “So you’re her, eh? You’re the whore.”

Angus arrives, Alan’s phone rings. Judith suddenly realizes who Alan and Celia are and gets all gushy about how sweet their story is. On the phone, Raff is talking over very loud music.

You can't name a baby that
They named her Calamity Jane

In all the commotion Alan cannot hear Raff telling him the baby’s name. He thinks it’s Calamity Jane. He says, “You can’t name a baby that.” Finally, he gets the name right. Lawrence tells Judith that John’s in Halifax and she leaves.

Caroline is sitting alone in the hotel drinking wine. Kate walks up and asks if she can sit there.

An angry woman
Now you made her mad

Kate is very angry, which Caroline can see, but she tries to make small talk about Greg (Marcus Garvey) anyway, and tells Kate she looks beautiful.

Kate says, “You’re unbelievable. I was so happy to be here, that you were going to treat me like your partner when we were outside the house. And then you go and book two separate rooms. Mentally I’ve left. Physically I’m here because Greg’s coming.”

Caroline tries to explain and they talk over each other for a while. Kate says, “You’re not fooling anyone. It just looks sad.”

Caroline says, “I’m not trying to fool anyone.” She says, “I was going to book a double room when I rang but I couldn’t.” She whispers they can still sleep together.

Kate says, “Sod it. Sneaking around like a couple of idiots from a 1970s bedroom comedy. I’m not having it.”

I panicked
I panicked

Caroline says, “I panicked.”

Kate says, “You have a doctor of philosophy. You’re 46 years old. You have the welfare of 857 children on your hands on a daily basis. You don’t panic. You’ve blown it.”

Greg is here
Greg is here

Greg arrives, he’s checked in, he can stay for dinner. Kate’s really happy to see him.

At the farm it’s dinner time. Gillian is grilling John about the novel he’s writing. Gillian bounces the baby on one knee as she eats. This baby is in so many scenes, plus it’s handled so quickly at times, that I’m wondering if it isn’t a very real looking baby created in one of those studios where they build dinosaurs and vampires.

Raff wants to know if he’s in John’s novel. Gillian says, “Am I your muse?” She calls the baby Calamity, which Raff says he hope doesn’t stick. A knock at the door prompts Gillian to say in a silly voice, “Why, Calam, that sounds like a knock at the door.”

Could we have more Nicola Walker doing silly voices, please?

I'm sorry
I’m sorry

It’s Robbie (Dean Andrews) at the door. He says, “I’m sorry. I overreacted. It was a long time ago and you had a lot to deal with. I’m sorry.” So, Robbie didn’t dump Gillian as she assumed he would. Gillian introduces the baby by her new name as well as her Calamity nickname and invites him in for tea.

You remember him
Remember that time?

At the hotel, Greg and Kate share a grand time talking about the good old days and people they know. Caroline is in misery.

Judith knocks on the farmhouse door. She introduces herself and Gillian says, “Well, well, well,” and gives her a once over.

It's my idea!
It’s my idea!

Judith carries a handful of typed paper. When she sees John she says, “You bastard. You stole my story.” They argue at length about who had the idea to write a novel about Alan and Celia’s story and to include the sheep farmer in the tale. Each claims the idea as their own.

Judith gets really wound up and tells Robbie about how John and Gillian slept together. She gives Robbie the complete details about the night it happened.

John blusters, tells Robbie off, says he’s no good for the kind and wonderful Gillian. He says Robbie preys on her and tells him to get lost. Robbie asks Gillian if it’s true and after some hemming and hawing, she admits the part about sleeping with John is true.

Kapow
KAPOW

Robbie slugs John.

Dumb and dumber
Dumb and Dumber

Lawrence and Angus manage to get drunk and make a huge mess. Just as Celia is berating them about it, Alan comes in to say William’s in outpatient.

At the hotel, Greg is ready to talk about the baby. He excuses himself to go to the bathroom first. Caroline says she can’t stand Greg. Kate says, “Okay. Good night then.”

Looking back
You blew it, Caroline

Caroline leaves to go to her room. She looks back sadly but doesn’t say anything. Kate stays at the table, clinching her teeth. If she had nails to crunch, she’d be spitting them.

Celia brings home a beat up William. He sits down with Alan as Celia goes to make tea.

I couldn't stand it anymore
I couldn’t stand it anymore

William tells Alan he left work because he couldn’t stand it. He was getting cash to meet a girl he likes at a club when he was attacked by two guys who beat him up.

Alan gives him a talk about confidence and what a smashing fellow he is. By the time Alan finishes, William is feeling better. Alan is the best granddad ever, even to William.

I know actors love the meaty parts, the villainous parts, because they are so much fun to act. I hope Derek Jacobi enjoys playing the charming and lovely Alan as much as I enjoy watching him at it. Charming, lovely male characters are so rare. We need more of them.

In the morning, Caroline is eating breakfast when Kate comes in. Caroline asks her where she was last night. Caroline looked everywhere for her.

I was in Greg's room
I was in Greg’s room

Kate says she went to Greg’s room for a night cap. Oh, Caroline says, you’ve made a start. Kate says no, we just talked.

Greg won't work for me
Greg won’t work for me

Caroline apologizes. She says, “I was a coward. I won’t be again. But if we are going to be parents, this bloke is the wrong person.”

Kate says, “He’s perfect from my point of view.”

Caroline sighs, leans back in a long pause. Then she says she’s going to have to give up on the idea of keeping the house. It’s unrealistic.

Kate says, “I want to have a child. I don’t need your blessing. Not after yesterday. And what you just said about the house shows me you were doing for the wrong reasons anyway. It will always be about you.”

“Are you dumping me?” Caroline asks.

“I don’t think anything ever started, did it? Just embarrassed fumbles.” Caroline looks unbearably sad. Kate tells her she and Greg didn’t do anything last night but they plan to and she’s staying there again tonight. Kate tells her she blew it before Greg even showed up. Kate gets up to leave.

Grow up
Grow up

This is hard for me, Caroline says. “Yeah, well, grow up. You think it’s easy for anyone?” says Kate.

If season 2 is about Caroline learning to be out and proud, she’s made a big mess of it so far.

Quite a shiner
Quite a shiner

At the farm, John has a bruised eye matching almost exactly the one William has. Yes, he spent the night at the farm. No, I don’t know where he slept.

I know Raff slept on the couch with the baby beside him in a box because Judith drank two bottles of wine and all the medicinal brandy in the time it takes Gillian to tie one shoelace, then passed out in Raff’s bed.

Gillian tells Raff that Robbie’s fallen out with her again. Forgiving the distant past is easier than forgiving recent betrayals – I’m backing Robbie on this.

The phone rings at the farm. It’s Harry with bad news.

Alan and Celia are tormenting Lawrence and Angus with conversation about food as they lay hungover on the couch, rugby practice forgotten. The phone rings and Gillian asks to talk to Celia. She wants Celia to tell her Dad something that will upset him.

Maurice is dead
Maurice is dead

Celia takes Alan aside and tells him that Maurice died. Apparently it was a stroke.

He was a great guy
He was a great guy

Gillian and her dad cry over Maurice while 60 miles apart. She talks to John about it.

He was fine the last time I saw him
He was fine the last time I saw him

Alan cries about Maurice with Celia.

Caroline arrives home. Alone. She has tea in the cottage with her mother. Celia tells her about buying the bungalow and not giving her money for the big house. Caroline assures her it’s okay, she just didn’t want to face up to letting the house go.

I blew it
I blew it

Celia asks about Kate and Caroline says, “I’ve blown it.” Good lord, does she look sad. She’s had her face smacked into her own inadequacies in the relationship department by Kate. Will she grow from it or continue to squirm in her own fears? Now she’s finally facing the house issue realistically. Caroline, I cannot wait to see what you do in the next episode.

Maurice was a kind and honest man
Maurice was a kind and honest man

Move forward a few days to Maurice’s funeral. Alan speaks. He mentions how badly he feels about not having Maurice at the wedding because he wasn’t able to choose between Harry and Maurice as his best man.

What should she say
What can she say?

Caroline enters a classroom where Kate is picking up papers. Caroline looks like she wants to say about 100 things, but she asks about Greg and Kate says they did the deed.

I'm leaving this room
I’m leaving this room

Caroline seems to want to say more but Kate says she finished what she came into the room to do and she’s leaving it. She walks out without another word, leaving us looking at another broken-hearted expression on Caroline’s face.

Everyone from the funeral has gone out to a pub for a drink in Maurice’s honor. Alan says that he and Celia should get married again – a big do – invite everybody. He asks Harry to be the best man. Harry hesitates and Gillian says, do it. Then she asks to make sure she’s invited.

Yes
Yes

Alan thinks to ask Celia if she’ll marry him again. She says yes and gives him a kiss. Raff says, “Get a room,” and the episode ends with a laugh.

Recap: Last Tango in Halifax S2, E3

This episode of Last Tango in Halifax opens with the two great granddads (Derek Jacobi and Paul Copley) as well as Alan’s other sidekick (Roy Barraclough) with the baby at the pub. They talk about what the little girl should be named.

What about a name?
What about a name?

Both of Alan’s sidekicks think they were asked to be the best man and are hurt because they weren’t invited to the wedding. Alan tells them neither of them were asked to be best man and they should let it drop.

Celia (Anne Reid) is in Harrogate picking up bits to take back to Halifax. She’s in the kitchen telling Kate (Nina Sosanya) about how shocked and unprepared Raff (Josh Bolt) and Ellie (Katherine Rose Morley) are to be parents. Celia thinks they are scared of the baby.

John (Tony Gardner) comes in to ask Celia several questions about Gillian (Nicola Walker), all of which Celia ignores. As far as Celia is concerned, John isn’t even in the room.

I know a few names for little girls
I know a few names for little girls

Kate asks if it’s really Raff’s and Celia says that’s been confirmed by the chemist. Ellie’s parents aren’t helping with the baby so Ellie and the baby are at the farm. Celia says the child hasn’t even got a name. Kate rattles off 4837 girls’ names as in a long monologue. Then she says, “I don’t know. It all depends on what Caroline (Sarah Lancashire) thinks.” Oops.

Celia and John both say, “You and Caroline?”

Celia doesn’t know how ladies have babies, although John opines that they do. Celia says Caroline wouldn’t want to go through all that again at her age. Kate glances down and says, “No,” but she points out that both of them are still capable of having a child. John asks if they are serious about a child and Kate tells him of course not.

Celia asks where Caroline is and Kate says she had to stay late for a school production of King Lear. Celia leaves saying, “Tell her to pop round, but not tonight. If she has to sit through King Lear she’ll just want to lie down.” Since Derek Jacobi recently did a production of King Lear and is an old hand at Shakespeare, I found this very funny.

John calls Gillian
John calls Gillian

John immediately calls Gillian. She’s squirting something into the mouths of her sheep, but manages to answer the phone. He asks her how things are and she says, “Complicated.” He says he thinks about her all the time and she says, “About putting money in the farm?” He says, well, yes, but he’s been writing again. He’s writing about his real life and Gillian is the star of the story.

Too messy
Too messy

John asks Gillian out for a drink or dinner. She says, “I can’t. Too messy.”

the parents
The Parents

Alan and Harry arrive at the farm with the baby to find Raff and Ellie playing video games. When they don’t respond to the need for a clean nappy, Harry turns off the TV.

The Blitz was real
the Blitz was real

They complain and he says, “It’s not real. Me and your granddad lived through the Blitz.” Ellie smarts off and Harry says they know everything except how to avoid getting pregnant. Raff throws the game controller and runs upstairs.

Raff wants to get a job
Raff wants to get a job

Alan goes to him. He is the world’s greatest grandad. Raff is crying and scared and talking about needing to get a job and quit school. Alan encourages him to stay in school. Raff thinks going to school now is ridiculous.

Later, Alan and Celia chat on the phone. While they are talking, Celia’s on the computer. She books an appointment on a real estate web site to look at a house – a bungalow, she calls it. Alan talks about the mess things are in with the baby and Celia tells him not to get stressed. She says, “I’m missing you.” Celia brings up the topic of girls’ names again, and suggests Cordelia and Goneril from King Lear. The way she says Goneril it sounds like a social disease. Anne Reid is having fun with Shakespeare tonight.

Caroline is home
Caroline is home

Caroline arrives home. She sees Kate sleeping on a couch and smiles affectionately. She walks over to Kate, kneels down on the floor beside her, caresses her cheek to wake her up. When Kate opens her eyes, Caroline says, “You’ve been crying.” Kate tells her she was feeling a bit sorry for herself. Caroline says, “Was it John? My mother?” Kate shakes her head no. Caroline asks if Kate wants to tell her about it in bed, and Kate says yes.

A dangerous kiss
A dangerous kiss

Caroline gives Kate a brief kiss. Almost immediately, Kate says, “Have you been eating peanuts?” Caroline ate some popcorn during the play, which was peanutty enough to set Kate off into an allergic reaction. Kate lies down on the floor, panting and wheezing. Caroline grabs an EpiPen device from Kate’s purse and shoots Kate in the leg with it as she calls for an ambulance.

What ARE you doing?
What ARE you doing?

Lawrence (Louis Greatorex) walks by just as Caroline is bent over Kate, vigorously rubbing her leg to encourage the epinephrine on its way. Caroline’s been calm and in control through the whole scene, holding Kate’s hand while efficiently giving her the shot, but she gets flustered and funny when she tries to explain their position on the floor to Lawrence.

Caroline tells Kate she’s so sorry about the popcorn. Kate says she was crying about a baby. The conversation with Celia and John did upset her, after all.

Get to bed
Get to bed

Gillian tells Raff to get to bed. He’s full of excuses about why he doesn’t want to sleep in the room with Ellie and the baby. Gillian goes to get him a blanket and, from behind Raff’s back, signals to Robbie that she wants him to come upstairs. He will.

At breakfast the next morning, Caroline explains about Kate being in the hospital to Celia as John comes in demanding his computer and papers, which Caroline says she confiscated.

Faded fruit
Faded fruit? Nah.

Caroline mocks John’s writing. He’s compared her to overripe fruit, but the sheep farmer in his story has the body of a teenaged boy. He also has 70-somethings in his story who reunite after 60 years. She threatens to ring Gillian to share the story she’s found, but finally tosses the whole mess, including the computer, across the counter to him. John grabs it all and leaves the room. Celia wants to know why he’s even there. Caroline says he has no where else to go and asks Celia if she’s made any decisions about the money Caroline wants to buy John out. Celia says no. Celia asks about Kate’s baby remarks.

Caroline chases off Lawrence, who’s in the middle of his cereal, and closes the kitchen door. By the way, William’s absence has been explained so far in series 2 by saying he has a job, but shouldn’t he be home for breakfast? I miss William.

I want to talk her out of it
I want to talk her out of it

Caroline first tells Celia that Kate’s house is on the market. Then she admits Kate does want a baby. Caroline says, “It’s unlikely that she’d get pregnant. She’s 42. She was pregnant 4 times when she was married to Richard and she never got past 12 weeks.”

Caroline plans to take her to a little hotel for her birthday next week and try to talk her out of it – for Kate’s sake, she explains – so she won’t be tearful and unhappy if it doesn’t happen. She asks Celia to watch the boys so she and Kate can have the weekend away.

Celia says she and Alan are going to look at a bungalow over at Ripponden.

smashing view
smashing view

They take the baby to see the bungalow. Alan is doing everything with that baby. The bungalow has a gorgeous view, they love the house, but they aren’t sure they can afford it.

Why not sell your little house
Why not sell your little house

After viewing the bungalow, they stop for tea and have an argument. They argue with so much love, even while being utterly honest. Celia wants him to offer his renters an opportunity to buy his house. Alan says Caroline should sell her great big house and move into something more suitable in size. Celia thinks Raff should be allowed to quit school and take responsibility for his child.

Back at the farm, Celia is in the kitchen looking at the web site with photos of the bungalow as Robbie (Dean Andrews) prepares dinner. Alan’s asleep in the living room. Robbie asks if Gillian and Alan are all right now. Robbie says something was up that whole 2 weeks you were in Harrogate. Celia says, it was something about Gillian’s mother being disappointed. “Oh,” Celia remembers, “I know what it was. Gillian had an abortion when she was 15. Had to leave school.”

Not good news for Robbie
Not good news for Robbie

We know that Gillian dated Robbie before Eddie, but Celia doesn’t. Her remarks hit Robbie hard.

An evening at home
An evening at home

Caroline and Kate snuggle in front of the TV. (This is the sort of homey relationship stuff I wanted to see in episode 2.) Kate says she asked Greg – her sperm donor of choice – to pop over for her birthday. Caroline says, “I made plans for your birthday.” Kate thought Caroline would want to meet Greg. They go back and forth on the issue a bit.

I thought you'd want to meet him
I thought you’d want to meet him

Caroline tells her about the weekend away plan and they decide they could meet him at the hotel. Caroline talks about what would happen if Kate did get pregnant and lost the baby. Kate wants to try anyway. Caroline talks about Kate’s career and that she has what it takes to move up. Career be damned. Kate wants to be somebody’s mom.

Don't be daft
Don’t be daft

At the farm, Raff looks at Alan and Celia sleeping in front of the TV on the couch and says to Ellie, “Maybe we should get married.” She answers, “Don’t be daft.”

Robbie sits in the kitchen, waiting. The moment Gillian arrives from work, he leaves, saying there’s a casserole in the oven. “What’s up?” Gillian asks.

“Did you have an abortion when you were 15? Was it mine?”

Gillian says yes. She asks how he knows. He wants to know why she didn’t tell him. Gillian says there was no point in telling him. She said, “I’m sorry.”

He gets in his truck and she says, “Are you dumping me?” He answers, “I just don’t want to be here for a bit.”

I spared you
I spared you

Gillian says, “I was the one who had to leave school. I was the one who never got a crack at my A levels. I never told you but I never inflicted anything on you either.” Robbie drives off.

That's poisonous
What did you say, Celia?

Gillian goes inside, furious. She sends Raff to get Ellie and says, “Robbie’s gone.” She tells her dad that Celia told Robbie about the abortion and that the baby was Robbie’s. Alan had no idea it was Robbie’s before now.

Celia says she’s sorry. She didn’t know.

Gillian is unusually articulate in her anger. “But what you do know, Celia, what you must know, is that’s a pretty indiscreet thing to be saying about somebody to people.” Celia apologizes again.

I'm sorry
Poisonous

Gillian says, “That’s poisonous, saying something like that to somebody when you’ve got no idea of the consequences.”

Not my dad's?
Not my dad’s?

Raff asks what’s going on and Gillian tells him the whole story. He’s shocked both by the abortion and by the Robbie revelation.

Alan says, “Celia made a mistake, she’s apologized.” Celia wants to go back to Harrogate and Alan says he’ll go, too. Gillian blames Celia, blames Harrogate, blames Alan for defending Celia.

Don't you dare
Don’t you dare

Gillian talks about how much he’s changed and that she doesn’t like it. Alan gets in her face and says, “I’ve spent my life watching you go out with unsuitable buggers. Have I ever fallen out with you about it? Ever? Don’t you dare say anything about Celia to me.”

When Derek Jacobi puts power in his voice, you hear every imperial majesty he’s ever played hiding inside sweet, kindhearted Alan.

In Harrogate, Celia tells Caroline the story about how Alan put up with Gillian’s green hair and pink eyebrows, her shoplifting, her wild behavior, and all sorts of things that we hadn’t heard about before. Caroline offers to call Gillian, but Celia says not to because Gillian doesn’t like her. Kate leaves for school.

On the farm, Raff calls Gillian inside to answer the phone. It’s pouring rain and Gillian is stacking hay in the barn. Gillian may still be a mess all these decades after being so broken at age 15, but she works like a dog on that farm. Inside, Raff holds the baby awkwardly and says Ellie is gone. When Gillian finally reaches the phone, it’s Caroline. So much for Caroline listening to her mother.

Caroline was in the car with Lawrence, on the way to school when she phoned Gillian. Caroline apologizes for her mother. They have an unfriendly conversation. When Caroline asks about the baby, Gillian softens and says, “I don’t know what the hell I’m doing. I don’t know whether I’m coming or going.” She says she’s sorry for having a go at Celia and asks Caroline to apologize for her. Caroline promises to keep an eye on Alan for her.

Celia enters her little flat with both a Guardian and a Daily Mail and a carton of milk. Alan is on the phone with his renters, who do want to buy his house. Celia says, are you sure that’s what you want to do? I’m not forcing you, I’m not manipulating you. Alan says, “You can manipulate me any time you want.” Celia asks about Gillian and Alan says, “Bugger Gillian.” Celia doesn’t like all the bad feelings between them.

Celia will tell Caroline she won’t be giving her any money. She plans to tell Caroline after she and Kate get back from their weekend. Parallel to this, Caroline is telling Lawrence about the weekend away with Kate.

Why don't you and Miss McKenzie just come to school together?
Why don’t you and Miss McKenzie come to school together?

At the school, Kate is getting out of one car, Caroline and Lawrence out of another. Lawrence says, “Why don’t you and Miss McKenzie come to school together?” Caroline says it’s because they don’t always leave at the same time. Yeah, right.

Lawrence replies, “Everyone knows, you know. You need to stop kidding yourself because you just look like a hypocrite, which is not a cool message to be sending out to the 2.7% of the kids in this school who will one day turn out to be muff munching shirt lifters.” The promos and PR for season 2 talked about Caroline’s struggle to be out and proud. It would certainly be an interesting twist if Lawrence’s macho machinations are a precipitating factor for Caroline in that journey.

Caroline can only get out, “I see,” as Lawrence jumps out into the rain. Lawrence walks with a friend and invites him over to get pissed and trash the place while his granny is babysitting.

John arrives at the farm. Gillian called and invited him. They make tea. Gillian tells him she’s up shit creek without a paddle. “It’s a bit mad, you and me,” she says.  She tells him the story we’ve heard before about Eddie’s death.

Gillian tells about Eddie
Gillian tells about Eddie

She also tells him that Robbie never cared for anyone but Eddie and her. She thinks she’s ruined it for good with Robbie and that she’s nervous about getting in any deeper with Robbie.

I love you
I love you

Meanwhile, Celia and Alan are in a lovely restaurant talking about how much they love each other and how happy they are. Celia feels guilty about what she told Robbie, but Alan tells her not to worry about it. Alan tells her more about the story of Eddie’s death.

I still have nightmares
I still have nightmares

Alan says Gillian actually finished Eddie off with a block of wood. She didn’t just stand and wait for him to die, as they said before. Robbie knew it and called the police. Alan has nightmares about it to this day. “I sometimes wonder if it weren’t even suicide,” Alan says. “The point is – I’ve done enough for her over the years. We’re buying this bungalow and I’m putting it all behind me.”

John’s selling his merits to Gillian and thinks they could be good together. He offers to watch the baby while Gillian goes to work. He says he can do babies.

oh, gillian
Gillian, really? Really?

Gillian leans over and kisses him.

Recap: Last Tango in Halifax, S2, E2

At the registry office, Celia (Anne Reid) sits in a very pretty suit clutching a bouquet as episode 2 of Last Tango in Halifax begins. We’re mere minutes from the end of episode 1 when Gillian ran out the farmhouse door after finding the card from the Registry Office.

A man in an apron sits beside Celia, asking how long it will take. Alan (Derek Jacobi) drags in a policeman. He lassoed them to be witnesses to the wedding, but has to promise them both a £20 note to get them to stay. Celia looks like she has many misgivings about these two being at her wedding instead of her family but Alan breezes along as if he doesn’t see it.

Gillian (Nicola Walker)  slams the Land Rover into a parking spot and runs into the Registry Office.

Gillian bursts into the wedding
Gillian bursts into the wedding

Gillian’s upset, angry, hurt, defensive. She berates everyone, angrily blaming her father’s behavior on Celia. She walks out, comes back to yell some more, and leaves again.

Celia says she’s a bit shaken. She wants to ring Caroline. Alan says they should ignore Gillian. Celia said getting married in secret was supposed to be a bit of fun. Alan insists they shouldn’t let it make any difference.

Gillian cries
Gillian undone

Gillian, outside in her car, is falling to pieces. Caroline (Sarah Lancashire) phones, but Gillian lets it go to voice mail. Instead, Gillian calls Robbie (Dean Andrews) and wants to meet him during his lunch time.

John calls Caroline
John calls Caroline

John (Tony Gardner), at Judith’s (Ronni Ancona), calls Caroline (Sarah Lancashire) and says he wants to talk to her soon. Caroline tells him to come to her office at 1:30.

Robbie and Gillian meet in a pub. It’s so nice that she has someone to call now. I remember an earlier scene where Gillian really needed someone to talk with and there was no one there for her. Robbie is. Robbie tells Gillian he thinks she’s overreacting. He tells her she can’t be jealous. She responds, “I’m not jealous.” Then she goes on to make all sorts of jealous remarks about how posh Caroline is. She talks about how much she and Alan have been at odds the last two weeks. When Robbie asks what they’re at odds about, she won’t explain. Finally Robbie says, “Should we get married and not tell anyone?” This elicits a big smile from Gillian. The scene ends so we don’t know if it was a serious proposal or if Gillian gave a serious answer.

In Caroline’s office, John is telling Caroline that he wants everything to go back like it was. He’s disheveled and rumpled and looks pathetic.

I've moved on
I’ve moved on

Caroline considers his remarks with a serious expression, walks around her desk to sit beside him, and says, “I’ve moved on. You have to get used to that.”

“My publisher’s dropped me.” John says. She offers him tea in an act of kindness or perhaps pity.

When Gillian returns to the farm, Celia and Alan are waiting inside. Gillian says, “I may have overreacted.”

Alan says, “It were just meant to be a bit of fun, an adventure. Nobody was excluding anybody. Why would you think it was all about you?”

Gillian says she thought it was because of what he said to her when he learned she’d slept with John. Alan and Celia try to explain their behavior, but Gillian continues to fuss.

Accept what I've said
Accept what I’ve said

Alan stands up to go and tells Gillian, “I’ve said what I’ve said. It’s true. If you’re not prepared to accept it, there’s very little I can do.” It’s an unusually firm dismissal of Gillian’s feelings from Alan and not in keeping with his character up to this point, which makes me wonder what’s really going on. Gillian looks at Celia and says, “What have you done to him? He didn’t used to be like this!”

Alan says, “We’re married now. We expected our surprise to make everyone happy. Not this.” Gillian apologizes again for overreacting. When they drive off, Gillian mimes shooting herself in the head, and walks back to the house pulling her hair.

Raff (Josh Bolt) calls. He wants to bring Ellie (Katherine Rose Morley) home for tea. Gillian says okay. “Your granddad’s got married.”

Two cars pull in to Caroline’s house. Caroline and Lawrence (Louis Greatorex) are in Caroline’s SUV, Kate (Nina Sosanya) drives up in a smaller, sportier car. Caroline gets out and greets Kate with, “Have a good day?” This must be their routine now that Kate’s moved in. Meanwhile, Lawrence continues to sit in the car and look daggers at Kate.

In the kitchen, Caroline tells everyone she thinks Celia and Alan got married. She says it’s just as well they did it on their own because she wouldn’t have had time to go. Kate says, “Yes, you would.” Caroline says, “Kate, I haven’t got time to get divorced, much less go to someone else’s wedding.”

You ARE going to find time
You ARE going to find time

Kate levels a stare at her, “You ARE going to find time to get divorced.” In return, Caroline gives Kate a beautiful, loving smile. We have to read a lot into that smile. We see Alan and Celia talking, laughing, holding hands, snuggling – we see Gillian and Robbie working together at the farm, talking, supporting each other – but we haven’t seen much interaction between Caroline and Kate. I think that one smile is pulling a heavy load.

Lawrence said he heard John was at school today looking hung over. Kate wants to know what they talked about. Caroline says she’ll tell her later.

Lawrence plants a seed
Lawrence plants a seed

Caroline leaves the room for a moment, and Lawrence says, “It’s not rocket science why they didn’t invite you.”

When Caroline comes back, Kate says, “You don’t they didn’t invite anyone to the wedding because of me.” Caroline says, “What makes you think that?”

Raff and Ellie are at the farm, having tea with Gillian and Robbie. Gillian curses Caroline, Celia and everything that has anything to do with Harrogate and her dad leaving the farm.

Mrs. Buttershaw
Mrs. Buttershaw

Celia and Alan arrive in Harrogate. They relax in the car a few minutes taking about being married, what they used to do with their time before they were together (they don’t remember). Alan whispers, “It’s our wedding night.”

Inside, Caroline pours champagne and offers congratulations. She tells them Kate has gone home to her own place for the night while they sort out a few things.

Congratulations
Congratulations

She said William has a job in town and Lawrence is upstairs sulking. He got in trouble for his remarks to Kate. Alan explains that it’s nonsense to think that their decision had anything to do with Kate.

Caroline tells them about John losing his publisher, which means he can’t afford to buy her out. She wants to buy John out. She says she’s getting the house evaluated, but she thinks it’s worth about £850,000. She asks her mother for £100,000. Plus, she plans to ask Kate to sell her house to contribute, too. Suddenly she realizes she’s talking to them about money on their wedding day and sends them off with the bottle of champagne.

Celia stays behind a moment. She tells Caroline that the hurried secret wedding was actually because of the consultant’s warning in the hospital that Alan probably wouldn’t survive another heart attack. Alan likes to pretend they just did it for a bit of fun, but that they really just wanted to get it done.

The continuity in this scene drove me crazy. The level of champagne in the glasses changed every time the camera angle changed.

Robbie and Gillian are washing dishes when Raff asks if Ellie can stay the night there. Gillian quickly says no. Raff says, “The thing is. She’s pregnant. It’s mine. She’s 8 months. Her parents chucked her out.”

Next morning, Gillian calls Alan and tells him Raff wants to leave school. When Alan wants to know why, she says, “There’s a girl involved. It’s a man thing.” Celia says she’ll drive Alan over to Halifax.

What a conversation!
What a conversation!

Caroline and Kate are deep in conversation as they walk to assembly. Caroline asked Kate to sell her house. Kate says it’s so early in their relationship. She’s concerned about how settled they are and Caroline says, “I want to spend the rest of my life with you.” The audience hasn’t seen the degree of depth developed between these two that would make us believe Caroline is ready to make that powerful a statement, but Kate is moved by it. They are in the hall behind a huge room full singing students. Kate grins, “I can’t kiss you here.” Caroline smiles, too, and says, “You really can’t.” They look as if they might, anyway.

No, you really can't.
No, you really can’t.

Caroline says things are just moving faster than expected because of her need to buy out John. Kate promises to get her house evaluated. Then she says, “I would have brought it up later, when things were more settled, but I want you to know I want to have a baby.” Caroline looks stunned, then laughs. Kate says, “I’m serious,” just as the singing ends and Caroline has to turn to walk down the aisle for assembly.

At the farm, Gillian tells Celia and Alan that Ellie is inside and pregnant. Gillian is taking her to the doctor in a few minutes. Raff is convinced it’s his.

I think it's contractions
I think it’s contractions

Inside, Ellie is having contractions. Guess the 8 months number was a little off. Alan, who needs zero excitement about now, says he’ll get her to hospital and Gillian should go get Raff.

Celia calls Caroline to tell her she’s delivering babies. The question is whether it’s really Raff’s. Celia tells Caroline not to worry about money. She asks if Caroline’s talked to Kate. Caroline says yes, but she hesitates to explain about Kate wanting a baby. It’s hard to tell just yet what difference, if any, that’s going to make.

I can't sell that house
I can’t sell that house

Celia says, why don’t you just sell the house? Caroline says, “I can’t sell that house.” She’s mentioned before how attached she is to that particular house. Will she let it ruin her relationships with everyone to keep it?

In Ellie’s hospital room, she’s clutching Alan’s arm during her contractions and talking about how she doesn’t want a baby. He tries to be reassuring. She tries to pretend she’s not even there. Raff arrives. The midwife says it will still be a few hours. Gillian wants to know if Ellie’s rung her mom and says she will if Ellie hasn’t.

Alan and Celia snack on junk food in the hall, talking about how Celia almost died giving birth to Caroline.

That was before the swinging 60s
That was before the swinging 60s

They discuss the fact that Raff and Ellie are the same age they were when they fell in love. Celia says, “We never would have carried on like that.” Alan says, “They do now. We were before the swinging 60s.” Alan says, “I’m very good with babies. I never thought I’d live to be a great granddad.” He says he’d have to help with money to keep Raff in school. Celia says, I can’t see Caroline short either over this house business.

Gillian reports that Ellie’s parents can’t be found.

Judith arrives home with a sack of rattling bottles. She immediately pours a drink in a dirty cup from beside her computer. John is there with black trash bags full of his belongings. He says he’s going to get a flat near the university. He tells her about his publisher. She says he was just lucky for a while and that he’s never dared to do anything properly dangerous. She tells him to piss off.

Caroline and Kate are walking beside a playing field outside the school. Lawrence and a friend watch from across the field. The friend says, “Do they snog (I think that’s the word he used). Lawrence says, “I don’t know.” He also says he might move in with his dad.

Kate is talking about a baby. She has a donor in mind. A guy she went to university with named Greg. She says he’s nice, clever, good, like Caroline – one of the grown ups. Kate says it would be so easy because they could just “do it.” Caroline says, does he want children. Kate says it’s more about whether Kate and Caroline want children.

I need to meet him
I need to meet him

Caroline, with very defensive body language, asks questions about Greg, his marriage and betrays that she might be a bit jealous. She says, “I need to meet him.” Kate says okay.

Caroline says, “Why didn’t you and Richard?” (Richard is Kate’s ex husband.) Kate answers, “We did. Four times. It never got beyond 12 weeks.” So much loss in Kate’s past – that tells us a lot more about her than we’ve known before. Caroline says, “Oh, God. I’m sorry.” Caroline tells her she’s not daft to want a baby. Kate says I wouldn’t do it on my own. We’d be talking sleepless nights and nappies. Caroline says, “I could do all that.”

Speaking of babies, Ellie’s pushing and Raff’s fainting and Alan’s coaching her along with the midwife (more excitement Alan doesn’t need). Ellie asks him to call her granddad. Guess who he is? Harry, Alan’s mate (Paul Copley).

John strides across the university campus with his black trash bags. He approaches his office as he calls Gillian. He says, “I know you’re seeing Robbie, but we know that’s just a disaster.”

“Really?” says Gillian.

“Really,” he says. “You also said you needed an investment in the farm. Caroline wants to buy my half of the house. It would be 400, 450 grand, cash.”

Gillian says, “You think you can just buy me?” He, of course, says no. He asks to see her on the weekend. She asks if they can have the conversation later.

It’s a girl. 6 pounds 3 ounces. Ellie’s mother (Susan Cookson) finally shows up and says this is the first she’s heard of Ellie’s pregnancy. Harry’s arrived. The adults take turns blaming each other as they argue in the hallway. Raff and Ellie are in her room.

It's a girl
It’s a girl

Alan holds the baby as Celia says, Well, we got married and we got a baby. They kiss as the camera closes in on the baby.

Recap: Last Tango in Halifax, S1 E6

The episode opens with Celia (Anne Reid) and Alan (Derek Jacobi)  having a cup of coffee on their way to Celia’s. Celia tells Alan that Caroline told her when she was 18 and home from her first year at Oxford that she was interested in a woman. Celia said she didn’t want people pointing and saying things. Alan wanted to know what happened. Celia revealed there was one girl but Caroline never brought her home. In a few years Caroline met John and Celia thought it was forgotten.

Caroline (Sarah Lancashire) arrives home after taking a drunk and bloody Judith to the emergency room. Kate (Nina Sosanya) is there waiting. Caroline asks how the boys are. Kate says do you want the bad news first or the even worse news?

bad news
Do you want the bad news first, or the even worse news?

Kate tells Caroline that Gillian (Nicola Walker) rang and warned about Celia coming home. Kate says Celia is apparently taking the news badly. Plus, Lawrence now knows about Kate.

Caroline goes up to Lawrence’s (Louis Greatorex) bedroom. He is in tears and hugs her fiercely, saying he doesn’t want people being mean to her. She hugs him back and says, nobody is going to be mean to her, she can handle mean. Since we saw her effectively shut down the male teacher who tried to intimidate her, we know she’s right. Lawrence appreciates the reassurance, however.

I can handle mean
I can handle mean

At the farm, John (Tony Gardner) wakes up in Gillian’s bed. He goes outside to find her working on the clutch. Paul (Sacha Dhawan) is sitting outside reading a manual on Land Rovers while Gillian works. John comments that Gillian is up early. She says, “Early? It’s half past 7.”

We made love
We made love

“We made love,” John says. Gillian says, “You were upset. It was my birthday. Go pour yourself some tea.” John seems to want to process the night, Gillian doesn’t. She lets him know with her attitude that it was nothing but sex and she’s not interested in anything more. Paul’s a bit jealous. Gillian isn’t interested in that either.

Caroline goes to her mother’s cottage in the early morning. She looks like a child, steeling herself to face an angry parent. She says she’s sorry Celia heard what she heard the way she heard it. Alan tries to leave them alone, but Celia insists he stays.

Caroline says, “I don’t know what you’ve heard.” Celia answers, “Well, I’m assuming it’s nonsense.”

Alan looks at Celia in dismay. He doesn’t like the way Celia is dismissing Caroline.

assuming its nonsense
Alan doesn’t like Celia to assume it’s nonsense.

Caroline tries to explain how she and Kate became close and how things developed. Caroline said, “She thinks the world of me, and I think a lot about her.”

Celia raises her voice and calls it sudden. Caroline says it isn’t sudden, that she tried to talk to her mom about it when she was in university. Celia ignores that and says, “Why did you marry John?”

Caroline answers that she married him because she like him and thought they could have a good life, which they did until he ran off with Judith.

Caroline wants her mother to get it. Caroline says, “I’m too old to pretend anymore.” Celia is untouched by the pain in Caroline’s face. Caroline says, “I’d like both of you to meet Kate.”

too old to pretend
I’m too old to pretend any more

Celia says, “No thank you.” Caroline insists they must. She says she’s called Kate McKenzie, which prompts Celia to ask if she’s Scottish. Caroline answers, “No, she’s Nigerian.” The Brits are far more enlightened about race that we are here in the states, but the implications of the word Nigerian wash across Celia’s face in an unpleasant way. Celia announces that she and Alan have decided against the school chapel and will make other plans.

decided against the chapel
We’ve decided against the school chapel and it would be better if I moved out.

Celia says it would be better if she moved out. Alan watches her walk away from Caroline with a horrified expression on his face.

Talking to Gillian
Lesbian spores?

Alan arrives back in Halifax on the train, where Gillian is waiting to pick him up. They stop in a pub where he tells her the story. Gillian says, “Why does she have to move out so fast? Is she afraid she’s going to get infected with lesbian spores?”

Alan explains that he told Celia that Kate seemed like a nice person and that was what mattered. He says it’s nothing these days, people don’t bat an eye at lesbians.

John arrives home. Caroline says, “I specifically asked you not to tell my mum.” He says he’s sorry. He says he went to Halifax to talk to Gillian. Caroline says, “I knew you were infatuated with her.” He keeps quiet about the sex with Gillian. He offers to apologize to Celia.

Then Alan asks her about the hundreds – thousands – of times they had sex. He wants to know what she was thinking about.

what were you thinking
What were you thinking about?

She says she can’t remember. She says, “I was a good wife. You blew it, not me. I liked having sex with you. I’m sorry if that doesn’t compute but it’s true. I liked you. I loved you. I wanted to have children with you.”

He says he feels used. She talks about how sordid Judith’s flat is and how vulnerable Judith is. When John asks what she was doing with Judith she answers, “I was having sex with her.” He believes it for a moment, but she quickly adds, “That was a joke.” She explains about Judith accidentally slashing her wrist in the garden, William fainting, and how it was a memorable birthday.

At the farm, Paul and Raff (Josh Bolt) are on the couch playing video games like old friends when Gillian and Alan arrive.

Paul and Raff play video games
Paul and Raff play video games

Alan and Gillian go in the kitchen where Alan continues to worry over his disappointment in Celia. He says, “She reads The Daily Mail.” Gillian turns very seriously and says, “How long have you known this?” Then they giggle. They talk about Celia’s honesty and plain spokenness, which Alan normally likes. Alan says he was shocked by how unkind and unthinking she had been toward Caroline. Gillian says, “You’re not going to fall out with her.”  He doesn’t answer.

Celia comes to Caroline’s door and asks to talk to her. She says it’s been several days since she talked to Alan. He wants Celia to meet Kate. Caroline says she can cook dinner for Kate and Celia and Alan. Celia mutters Oh, god, under her breath as Caroline leaves. She’s only doing it for Alan.

The night of the dinner, the boys are helping with the table, Kate is helping make salads. Celia and Alan are in her cottage waiting for 8:00 to go to dinner. He tells her he thinks she’s bigoted, small minded and old fashioned. She denies it and claims she is not. She’s bewildered by his opinion.

I'm not bigoted
I’m not bigoted or small minded or old fashioned

Robbie (Dean Andrews) arrives at the farm. Gillian greets him with a big smile. Robbie’s brought wine for dinner with Gillian. He’s a bit surprised to see Paul still there, but he accepts it. Their dinner will include Robbie, Gillian, Paul and Raff. It’s odd, but it works for Gillian.

Robbie
Robbie

At the other dinner party at Caroline’s, Kate is trying very hard, talking to Celia and Alan about how wonderful their story is, which she calls uplifting and extraordinary. Celia is being difficult. Alan keeps attempting to  jolly Celia in to behaving better. He says William and Raff put their names on Facebook. Kate says, “I know all about it. Caroline told me.” She takes Caroline’s hand when she says this. Celia looks horrified.

touching
Caroline told me all about it

Alan reminds Celia to ask Caroline about using the chapel after all. She acts reluctant to ask. Kate offers a choir – seems she runs the choir at school.

William mentions he’s in the choir. Lawrence says that’s because William is a puff. He says William fainted.

Kate asks what music they would like and Alan mentions “The Arrival of the Queen of Sheba.” Celia is still reluctant to talk about this with Kate. By now Caroline and Celia are shooting daggers at each other with their eyes.

Celia asks why William fainted and Lawrence says, Judith slashed an artery and he got sprayed in mad alkie-woman blood. Kate tries to make light of it, which lets Celia know she was there. Kate asks about honeymoon plans.

Caroline asks to talk to Celia in the other room. They leave the room, but everyone can hear them arguing. Caroline says, “Why are you being like this?” Celia says, “I can’t stand seeing you make a fool of yourself.”

make a fool of yourself
I can’t stand seeing you make a fool of yourself.

Celia says that Kate is only being nice to Caroline because she wants a promotion. She says that Caroline doesn’t love Kate, a fact she thinks she knows because Caroline didn’t say it outright the other morning. Kate hears this and looks hurt. Alan is mortified on Kate’s behalf. Celia says, “It turned my stomach when she touched you.” Caroline says, “She touched my hand.”

Celia goes back to her cottage. Alan lingers. He asks Kate if she’s all right. She says she’s tough as an old boot. Kate calls a cab and goes outside to wait for it. Caroline chases her outside and asks her to stay. Kate says, “I always knew you didn’t feel the same about me as I feel about you.” She leaves even as Caroline asks her again not to go.

disappointed
I’m disappointed

At Celia’s cottage, Celia says, “Well, that’s done.” Alan says, “Yes, that’s done,” in a sad voice. She asks if he’s all right. He says, “No, I’m disappointed.”

alan arrives on the train
Alan arrives on the train

Morning in Halifax and Alan has come home on the train again. Gillian and Alan stop at the pub for a talk. He tells her that he thought Celia should try to get on with Kate. He was hurt because Celia told him that her relationship with Kate wasn’t any of his business. He told her they’d reached the end of the line. Celia answered that she couldn’t feel something she didn’t. Gillian is sorry that he thinks it’s ended. He looks terribly sad.

At home, Celia is sitting alone. It looks as if she’s been doing it for hours. Let’s hope she’s doing some soul searching. When Caroline gets home from work she asks to speak to her. She says Alan’s dumped her. Caroline just says, “Oh.” Celia says it’s all because of Caroline’s business. Caroline says, “Don’t you dare blame me.” Celia says, “I’ve been so happy.” Caroline says, “If it’s any consolation, Kate’s finished with me.” Kate handed in her resignation, which Caroline has in her purse.

Caroline calls her mother a nasty, small-minded old bitch. Celia recoils as if she’d been slapped. John comes in and says, “Don’t speak to your mother like that.” Caroline counters, “I haven’t got a mother.” Celia, who was already miserable about Alan, is clearly hurt deeply by Caroline’s venom. Then Caroline runs up to her room where she starts sobbing.

Gillian and Alan talk
Gillian and Alan talk

Gillian and Alan are on the couch at the farm. Gillian tells Alan that Robbie asked her out, proper. She reminds Alan that he apologized the other night. We learn that she went out with Robbie before she married Eddie. She says she always liked Robbie. Alan and Celia seem to have lost their second chance at love. Caroline seems to have lost her second chance at love. Here we are in the last episode of the season and we learn that Gillian is hoping for her own second chance at love. The writing on this show is so good!

Alan is rubbing his chest and dismisses it as indigestion when Gillian is concerned.

Celia goes to Kate’s house. Celia talks about her unhappy marriage, about how Caroline was the one thing that kept her going. She talks about how Caroline reminds her of her dad, whom she still misses. Celia says, “The thing that worried me when she told me when she was 18 – what worried me – was I thought it was my fault, by being so disappointed in Kenneth. I thought it was my fault.”

Kate says, “Celia, that’s not how it works.”

not how it works
That’s not how it works

Celia says, “Now I know that.” She adds, ” I just want her to be happy.” She give’s Kate a plaintive look. “Don’t leave her.”

don't leave her
Don’t leave her

The next thing we see is Celia and Kate arriving at Caroline’s door. Caroline opens it and realizes what’s happened. Celia leaves and heads for the cottage. From Celia’s viewpoint outside the house, we see Kate and Caroline on a couch touching and laughing. Celia smiles.

At her own cottage, Celia sees Alan inside and she’s suddenly joyful, but when she gets the door open and turns on the light, he isn’t there.

In the morning Celia drives to the farm. Only Paul is inside. He tells her that Alan had a heart attack. He says the paramedics brought him back from the dead.

Celia rushes to the hospital where she finds Gillian and Raff in Alan’s room. Gillian is crying, she says she didn’t ring because they split up and he was so unhappy. Celia says she’s put everything right and she needs him to know.

Gillian crying
Gillian cries as she tells what the doctor said

Gillian explains what the doctors said and how bad it is. He hasn’t been conscious at all. Celia wants to sit with him and tell him that she’s put things right. Gillian tells her to go ahead.

Celia sits down and talks to the unconscious Alan telling him that it turns out that she’s not bigoted or small minded, but that she blamed herself for Caroline being “the other way inclined.” She says, “I’ve been on the road to Damascus, come out the other side. They’re back together, the ladies. I’m assuming you and I are back on.”

Caroline arrives at the hospital. She hugs Celia and they apologize to each other. She asks how Alan is and Celia whispers, “Not good.”

not good
How is he? Not good.

Alan is dreaming about their youth, about the time he asked Celia out, the time he asked her to meet him on the bridge at 6 PM and she agreed.

Alan awakes saying, “I always knew you’d turn up eventually, even if it took you 60 years.” Celia says, “Hello.” Alan asks, “Did I come to see you last night or were I dreaming?” He says he loves her and he doesn’t care. She says, “I went round to Kate’s house last night and they’re back together.” Celia says, “You’ll never guess. Kate can play the organ. She can play The Arrival of the Queen of Sheba.”

you'll know
Kate knows The Arrival of the Queen of Sheba. That’ll be coming in handy.

Alan laughs. Celia smiles. The Arrival of the Queen of Sheba plays in the background. The first season ends on a happy note.

What are your thoughts about this episode?

All images ©BBC productions

Recap: Last Tango in Halifax S1, E5

It’s the morning after everyone was up all night looking for Alan (Derek Jacobi) and Celia (Anne Reid) and after Caroline (Sarah Lancashire) announced to her husband John (Tony Gardner) that she’s been seeing someone.

Caroline parks at her school. She’s on the phone to Kate (Nina Sosanya), all chirpy voiced, asking her to come to her office.

Nina Sosanya and Sarah Lancashire as Kate and Caroline
Passionate kisses for Kate and Caroline

In her office, she grabs Kate, pushes her up against a door, kisses her passionately and pulls up her shirt to reach under and have a feel. She steps back, smiling, and says, “I told John. It felt good.”

Kate asks Caroline if she wants to come round tonight. Caroline says, “Yep.” She studies Kate’s face and announces, “You’re very pretty.” Kate answers, “You’re magnificent.” I have to agree with both of them about it. Caroline whispers something we cannot hear in Kate’s ear, but we can assume it was naughty indeed. They almost kiss again but an assistant comes in with a cup of tea. The assistant talks about the day’s calendar, offers lunch, and heads off.

Sarah Lancashire and Nina Sosanya
Sarah Lancashire and Nina Sosanya

Caroline collapses in tears with the same passionate energy she had just devoted to kissing, and moans, “I thought she was dead last night. There was this one moment when I thought that’s it. And I thought how unfair that was, to find that one person again after all these years and then die.”

She realizes she sitting on the floor. Kate suggests maybe she should be home resting. Caroline asks if Kate will be home by 4 o’clock and Kate says, “I can be.”

At the farm, Alan is watching Celia sleep. She’s on the couch. He perched on the other end, enjoying the sight of her. He brings in tea and the rattling of the china wakes her. She says, “We keep having adventures!” He reminds her that their adventures have been her idea. They talk about the “distinct presence” in the old Hall last night. Celia says, “We’re back in the land of the living now.”

He starts to tell her something about when Gillian’s husband died, but Paul (Sacha Dhawan) comes crashing down the stairs and through the door. He writhes on the floor in pain muttering about keeping his fluids up as Alan explains who he is.

A knock on the door and it’s Alan’s two sidekicks (Paul Copley and Roy Barraclough) which leads Alan to ask, “Is it Tuesday?” The fellas apparently have a regular Tuesday thing.

Celia is on the phone to Caroline while outside a pub with Alan and the fellas. She asks Caroline to bring her fresh knickers, her toothbrush, and a nightie so she can stay in Halifax a few days. Caroline doesn’t want to do that but asks to call her later. Celia tries to make her feel guilty, apparently an old and well worn game with them, then asks her what she wants for her birthday tomorrow. Caroline manages to get off the phone by promising to call her later.  In the pub, Paul is there, trying to drink a pint. Guess they didn’t want to leave him alone at the farm. Alan and his sidekicks discuss Gillian’s birthday tomorrow. Well, well, well, isn’t that interesting. Caroline and Gillian have the same birthday. Alan wants to buy Gillian a used Land Rover and knows where he can find one. He wants to go have a look at it.

Sidekick number one lists his qualifications to be Alan’s best man. Alan won’t commit.

Celia comes in to join them. She says to Paul, “I hope you’re not taking pain killers and drinking alcohol.” He asks her to get him a straw. Cheeky.

Gillian on two phones
Gillian on two phones

Gillian (Nicola Walker) arrives at the house to find it empty. She calls her dad but his phone is on the table. She picks it up and talks to herself on two phones for a funny moment. Then she calls Caroline who explains they’re at a pub. Caroline asks Gillian if she can get her mom a few things – she doesn’t explain why, but we know it will leave her free to go to Kate’s. Gillian can do.

stuffed in the Land Rover
stuffed in the Land Rover

Out in a muddy field, Alan is trying out the used Land Rover. Paul and the two sidekicks are stuffed in the back. Gillian calls and says they are to take Paul to his mother’s house and she asks what size knickers to buy. Celia pretends she can’t hear – no way she’ll discuss knickers in front of these blokes – and hangs up. Sidekick number two announces that the clutch needs to be replaced. And – they are stuck in the mud.

giggling about knickers
giggling about knickers

Caroline rings Kate’s doorbell, looking incredibly eager. Just as they are about to start kissing again, Gillian calls asking about knicker sizes for Caroline’s mum. This gives Kate the giggles and we get to see Sarah Lancashire show off her physical comedy skills.

Alan buys a new clutch, and sidekick number two makes his pitch to be best man. Alan doesn’t commit.

Alan and Celia hide the Land Rover in the barn and go inside. He makes tea and tells Celia his story. When Gillian’s husband Eddie put his head in the log splitter, he didn’t die immediately. Gillian stood and watched him die without calling an ambulance. After about an hour, Alan arrived. Gillian told him what had happened and that she had called the police. Alan feels guilty and responsible for being a party to something that wasn’t right. He doesn’t blame Gillian, he just feels guilty about his part. Celia does not blame him or Gillian and reminds Alan about wanting to kill her own husband. Alan says sometimes he feels as if Eddie’s ghost is in the barn and that’s why the Hall bothered him.

jiving
jiving

They talk about jiving in the old days, and move on to happier thoughts. When Gillian gets back, she hears music and finds them dancing in the living room, much to her delight. (Derek Jocobi is a damn good dancer, by the way.) Gillian snaps their picture and texts it to Caroline. They stop dancing when they see Gillian. Alan is winded, but not having any chest pains.

Gillian says Robbie is bringing Raff back home tonight. She’s invited Robbie (Dean Andrews) to dinner and seems excited about it. She’s bought food and wine and wants to celebrate. She tells her dad Robbie apologized last night.

Caroline breezes in at home – her afternoon with Kate must have gone well, she’s very happy. John wants to know where she’s been. He wants to know who it is. Caroline wants to know if Judith is pretty – he says no. He says he thought they were going to try to make it work for the boys. He says he can’t stay there if she’s going to sleep around. She says, well maybe we should get divorced. She says if she’s going to be with someone she wants to have them at the house where she can have them any time she’d like. Caroline says it’s like a fog has lifted from her, that she’s happy for the first time in years. John says, “You’re not moving him in here.” Caroline says, “It’s not a he.”

It's not a he.
It’s not a he.

Tony Gardner’s rendition of processing this announcement is absolutely perfect! Caroline is going on and on about something related to the boys but I can’t hear it for laughing so hard at the expressions rolling across Tony Gardners’ face. He’s gobsmacked.

Gillian phones and the two women discover that they share the same birthday. They both turn 46 tomorrow. They’re twins!

John, in the garden, calls Judith (Ronni Ancona).

Gillian and Robbie
Gillian and Robbie

Robbie and Gillian are saying goodnight. He asks her out for a meal and she says yes. He kisses her, a move she rather likes. She asks him to stay. He refuses.

William (Edward Ashley) wakes Caroline on the couch and says she should go to bed. He asks her if she’s seeing someone and if it’s Kate McKenzie. She bumbles around a bit and he says, “She’s nice, she’s interesting, she’s kind. I want you to be happy.”

land rover gift
land rover gift

Next morning Alan presents the Land Rover – and the clutch – to Gillian. She’ll have to install the clutch herself.

A car roars up and dumps Paul on the ground. His mother won’t have him. Maybe because he keeps calling her a bitch. Gillian walks away and leaves him in sprawled in the dirt.

At Judith’s, John is talking to Judith about how Caroline couldn’t be a lesbian. “Aren’t you quaint?” says Judith. She wants to know what it’s like to get hot and steamy with a woman. Then she points out that the woman he’s been living with for 18 years has probably been faking it every single time. Caroline calls and tells him she’s cooking for her “friend” and the boys that night for her birthday. She wants him to join them if he can behave like an adult. He finally clicks on the fact that he knows who the woman must be – the woman Caroline had in the garden.

where to wed
deciding where to wed

Celia and Alan, still searching for a wedding venue, are looking at an impersonal public space. They talk about a chapel at Caroline’s school. That might be the answer.

Gillian is installing the clutch when John calls. He says she gives such good advice he wants to come talk to her. She tells him okay.

cooking
Caroline cooking

Caroline is cooking, drinking wine, and so happy she’s almost dancing. She answers the door to find Kate. William wants Kate to come play Scrabble with him and Lawrence (Louis Greatorex) before dinner.

stealing kisses
stealing kisses

Kate agrees to Scrabble, but steals a few kisses before she goes. Caroline says William knows about them and is being brilliant about it.

On the farm, John, Robbie, Paul and Raff are lined up like ducks in the living room. Gillian is pacing the floor in her bedroom. Alan and Celia arrive from their venue search. Alan again brings up the “manslaughter” he confessed earlier. She again reassures him. They go in laden with boxes and sacks from shopping.

Shut up, John
Shut up, John

Gillian tries to warn Celia about John and what’s going on. She can’t quite get it out about Caroline and Kate. John, who naturally is drunk, manages to announce that Caroline is a lesbian in the most offensive way. And Celia is indeed offended – both by the thought that her daughter is a lesbian and by John’s behavior. She gets very upset. Alan and Robbie try to shut John’s ranting down. Celia says it’s wicked to say things like that. She wants to go home.

Caroline’s dinner with Kate and the boys is going well when Judith appears at the door. She’s drunk and looking for John. She’s dropped a wine bottle on the sidewalk. She talks about how she always wanted to be with a woman. She keels over backwards and when Caroline goes to help her Judith is covered with blood from the broken glass. Caroline takes her to the hospital.

Lawrence
Lawrence realizes about Kate

Caroline’s at the hospital and Kate is back at Caroline’s with the boys. She’s talking with Lawrence. He knows his mother is seeing someone but doesn’t know who it is for sure. Gillian calls and wants him to tell his mother that Celia is on her way home and very upset about Caroline’s relationship with . . . with . . . with . . . Gillian can’t say it, but Lawrence says, “Kate.” Gillian says, yes, Kate. Everyone important to Caroline now knows about Kate.

Robbie is leaving for the evening. He says good night and kisses Gillian again. She goes into the living room and sits down to have a drink with John.  John says he only came over because he wanted to see her again. He keeps thinking about her.

It’s late, Alan is tired. He’s driving Celia back home. He pulls the car over to rest his eyes for a few minutes. Celia is upset, won’t look at him. We got a glimpse at Celia’s conservative politics when she and Alan were taking politics a couple of days ago in the church. Her conservatism may cause trouble between her and her daughter when she gets home. Gillian got a new car for her birthday. Caroline’s about to get an earful for hers.

Gillian considers John
Gillian considers John

Gillian and John have a few drinks. Gillian tells John she can’t decide if he’s an evil git. He says he’s not horrible, just disappointingly human.  She says, “Do you want to go upstairs,” and rubs his thigh. Paul is out of commission, Robbie’s being honorable. John it is. Will he be honorable, too? We don’t find out in this episode.

Recap: Last Tango in Halifax, S1 E3

Last week, Caroline (Sarah Lancashire) drove off with her two boys and Celia (Anne Reid), leaving John (Tony Gardner) standing in the middle of the road at the farm. That’s where we start up this week, with Caroline having an emotional breakdown in the car as she drives erratically away.

Caroline stops the car and gets out. Her oldest son, (Edward Ashley) follows and says he’s sorry about telling her about his dad having Judith in the house. The younger son (Louis Greatorex) follows and the three of them end up in a hug.

Alan (Derek Jacobi) arrives at the police station, where Gillian (Nicola Walker) is waiting for the release of her son Raff (Josh Bolt). Gillian asks her dad is he is angry about her mother’s trick. He says no, he has no regrets. Policeman Robbie (Dean Andrews), who is Raff’s uncle – the one who blames Gillian for his brother’s death – brings Raff out. Robbie makes a remark that Gillian ignores about Paul and they leave.

When Gillian, Alan, and Raff get home, they find John half drunk in the living room. Can’t let all that booze from the engagement party go to waste, now can he? Gillian and John chat in a  commiserating way.

Gillian goes to check on Raff. They have a brief exchange. He won’t tell her what Paul was saying about her, and she doesn’t attempt to explain her relationship with Paul.

Alan offers to drive John home in the morning. He asks him not to drink any more. He doesn’t want John throwing up in the new Lexus before Celia’s even had a chance to ride in it! John explains to Gillian about Judith. Gillian says his house is half his and doesn’t see how Caroline can throw him out. He needs to stick up for himself.

In the morning, Alan delivers John to the big house. John blusters in loud and yelling about cooking breakfast and pancakes.

Alan has a bouquet of flowers and knocks on Celia’s door. She’s still in her bathrobe but brings in him and makes him tea.

In the big house John is playing the radio loudly, tossing pans about, singing, and generally acting like he owns the place.

Celia asks Alan if he believes in God. She says she wants to get married in a church. Alan says you don’t have to believe in God to get married in church.

Caroline comes down stairs and John and Caroline conduct a screaming argument that Alan and Celia listen to gleefully. They have a giggling fit while John and Caroline yell at each other.

NIcola Walker and Sacha Dhawan
NIcola Walker and Sacha Dhawan

Gillian tries once more to get Raff to talk to her, but he won’t. She heads off to work. As she’s heading in to the grocery store, Paul comes out. He says he told Raff about the wallpaper in her bedroom and the shoes in her closet to make him believe that he really knew Gillian. She goes into the store and pulls her hair in anguish. She can’t believe she’s involved herself with a fool who would brag to her son about getting into her bed. In a very poignant moment she thumbs through the contacts in her phone, wanting to talk to someone. She looks at Raff’s name and doesn’t call. She looks at her Dad’s name and doesn’t call. Just as she gives up on talking to someone, John calls her. He goes on about how he stuck up for himself and how happy he is with his behavior at home. He thinks Gillian’s a “sweet, exotic creature.” Oh, dear.

Caroline meantime is on the phone with Kate (Nina Sosanya) who gives her very sensible advice like “divorce him and sell the house.” Caroline isn’t quite ready to face this yet, but asks Kate to come over to talk to her.

Caroline goes outside and throws a bucket of water on John. Another loud argument the whole family can hear. She says the marriage is over, dead, and redundant. He refuses to leave.

Anne Reid as Celia
Anne Reid as Celia

Alan and Celia are parked on a beautiful scenic overlook holding hands and getting acquainted by exchanging stories. Her marriage was not a happy one. She tells Alan a story about a time when she could have killed her husband but didn’t. However, she vowed to do it if she ever got another chance. Alan is sad she had to go through all that. She asks him to spend the night in her cottage – in the spare room. He grins and says, “I’d have to buy a toothbrush.”

Gillian arrives home from work and finds Raff has moved out. He won’t answer his phone but she finds him at his Uncle Robbie’s. Robbie says he thinks the boy has finally figured out what a mad bitch she is and that he can stay with him as long as he wants. Gillian’s response to this latest upset is to call John. Oh, good grief, she calls John. Her loneliness already has her up to her butt in alligators with Paul, and she calls John. They have a long heart-to-heart about affairs, parenting and John’s marriage.

While John and Gillian are on the phone, Caroline and Kate are talking in the garden.

Sarah Lancashire and Nina Sosanya
Sarah Lancashire and Nina Sosanya

Kate complains that Caroline’s never really asked anything about her. Caroline seems to expect sympathy with nothing in return. They talk about Michael and how he tried to blackmail Caroline. Kate talks about “the effect” Caroline has on her. Caroline tries to explain her feelings. She talks about not knowing how to be a good friend to anyone or how to have a happy relationship. She describes her early life and how unhappy her parents were. Caroline talked about how different Celia is with Alan than she was with her dad, and how different her life might have been if her mother had loved her father.

Alan and Celia are in her cottage, asleep on the couch, holding hands.

Gillian comes out of the farmhouse in the morning to find Paul, bloodied and horribly beaten in her yard. It wasn’t Raff who did it. I couldn’t understand what he said when he explained who beat him up, but apparently he’s in some sort of trouble. [Note: this part of the story is explained in addendums and a comment. Keep reading.] Someone has threatened to douse him with gasoline and set him afire. She takes him to the doctor.

Sarah Lancashire
Sarah Lancashire

Caroline is having breakfast. Celia pops in to say she and Alan are going to Halifax. She says they slept together in her double bed, which Caroline is desperate not to hear about. Celia claims they had marvelous sex. (I’m wondering if this really happened or if Celia is exaggerating the truth. All we saw was snuggling on the couch.) Caroline holds her ears.

Gillian reluctantly takes Paul back to the farm after his doctor visit. He isn’t welcome at his own home.

In William’s classroom, Caroline comes in and sends the instructor (Kate) off. She touches Kate’s shoulder in a familiar way. She sits down to watch the students while the Kate is gone. The boy in front of William writes, “Your mum is a lesbian” on his hand and shows it to William.

Judith calls John and wants money. When he doesn’t want to give it to her, she threatens to come to his house.

Derek Jacobi and Anne Reid
Derek Jacobi and Anne Reid

Alan and Celia are sitting in a church, waiting to talk to the vicar. They have a very funny argument about religion, politics, The Daily Mail and pop songs at funerals. They end up laughing. Celia mentions she wants to walk down the aisle to the strains of “The Arrival of the Queen of Sheba” by Handel. These two are so lovely together.

Celia says she hopes the vicar isn’t a woman. So, of course, the vicar is a woman who questions them about why they want to get married in a church when they haven’t been churchgoers since the 70s. They leave – the church isn’t going to work.

Alan says, “Where would you like to get wed?” and Celia says, “Somewhere classy.” South something Hall – I didn’t get the name of the hall correctly.

Raff returns home to pick up his belongings and finds Paul on the couch, all beat up. Robbie, who drove Raff home, figures out that Gillian has been involved with Paul and tells Gillian she needs to have her head examined. Gillian asks Raff to stay and tells him that she can’t chuck Paul out. Raff leaves anyway.

Alan and Celia arrive at the Hall where they are thinking about holding the wedding. There’s no one about, so they wander through rooms full of an assortment of memorabilia. Alan tells about seeing a ghost in one of the upstairs rooms. They climb spiral stairs and wander through chapels and finally find the room where he saw the ghost. Odd dolls with strange eyes populate the room. There’s a flash of lightning and the lights go out. Celia gets uncomfortable and wants to go. I’m with her – this place is spooky. They race for the exit.

They are locked in. With no reception on their phones and a storm raging outside.

At the farm there’s a flash of light and a boom. Gillian rushes outside to find her Land Rover ablaze in the rain.

All images © The BBC.

ADDENDUM: I wasn’t the only person who could not understand what Paul said about why he was beaten up. I’m seeing people show up on this blog who want to know what he said as well. If any reader could understand him and knows what happened to Paul, please fill us in with a comment. Thanks!

ANOTHER ADDENDUM: I found this on IMDB’s summary of episode 3: “Later a badly injured Paul arrives, beaten up by his girlfriend’s brothers, and she lets him move in.” So that solves the mystery of what he so poorly articulated, It also emphasizes the point, which I did not in my summary, that Gillian revealed to John that part of Paul’s unsuitableness as affair material was that he already had a girlfriend. I love how broken and troubled Gillian is, but I’m ready for her to do something smarter. Like maybe not let an already entangled dude who thinks it appropriate to brag to her teen-aged kid about banging her set up residence on her couch.