Orange is the New Black, season 6, starts after the riot of season 5. The way the government and prison authorities dealt with it was the focus of the season. Some of our favorite characters made it into Litchfield Max, while others were shipped off to distant prisons never to be seen again. Continue reading “Orange is the New Black, season 6”
Orange is the New Black season 5 was both an emotional thrill ride and a disappointment. I want to discuss my likes and dislikes about the latest season. This is not a detailed review. There might be a few spoilers along the way. Continue reading “Orange is the New Black Season 5: Thumbs Up vs. Thumbs Down”
Unbreakable Kimmy Schmidt is back with season 3. It’s as funny as ever. Kimmy is no longer the wide-eyed child all new to the world after 15 years locked underground. She’s developed a certain mature wisdom – not always reliable, but she’s finding her way. This is a review of season 3 only and contains minor spoilers. Continue reading “Review: Unbreakable Kimmy Schmidt Season 3”
Season 4 of Orange is the New Black is on everyone’s mind now. I’ve barely had time to watch it all. This post collects some random observations and stray musings on season 4. It is not meant to be a review of the season, but there are some spoilers. Continue reading “Orange is the New Black: Musings and Observations”
Season 3 of Orange is the New Black returns again and again to several themes. My big 3 are the difficulties of maintaining a family while in prison, the need for some sort of spiritual hope, and the need for love.
If you haven’t watched all of season 3 yet, there are spoilers ahead.
Parents in Prison
Pregnant prisoner Dayanara Diaz (Dascha Polanco) struggled for most of the season with what to do with her baby. Her mother Aleida (Elizabeth Rodriguez) is in prison, too. Aleida is a terrible parent – the worst! – but she tries to guide Daya to a good decision.
Daya hopes the baby’s father, Correctional Officer John Bennett (Matt McGorry), will step up and take the baby, but Bennett isn’t up to the challenge.
Daya reported another Correctional Officer, the horrible “Pornstache” (Pablo Schreiber) as the rapist who got her pregnant. Now she’s living with the lie.
Pornstache’s mother Delia (Mary Steenburgen) wants to adopt the child. Alida loves this idea because it means money. Even after Daya tells Delia the truth about whose baby it is, Delia wants it. Daya wobbles back and forth between wanting to give her baby to Delia and wanting to keep it in the family. The decision she finally makes feels right, but ends in disaster.
In other story lines about families, the character Maria (Jessica Pimentel) is dealt a painful parenting blow from her little girl’s father. Gloria (Selenis Leyva) struggles to keep her teen on the straight and narrow. Sophia (Laverne Cox) has some especially hard parenting problems.
The fact is, most women in prison have children, over half of them under the age of 18. Because of changes in sentencing laws during the war on drugs, the number of parents of minor children in prison increased by 79% between 1991 and 2007. Orange is the New Black can’t take us through story lines about the long term effects of so many mothers being locked away, so many broken families, but the series does its best to bring the problem to the front.
Think about Big Boo’s (Lea DeLaria) comments on the book Freakonomics about the number of unwanted children being reduced by Roe vs. Wade resulting in fewer neglected and abused children turning to crime 20 years later. Flip that on its head and ask yourself what the result of harsh drug sentencing laws that sent thousands of mothers to prison for minor drug crimes will be in 20 years.
Faith & Religion
Norma (Annie Golden) is at the center of one of the crazy rumor-driven stories in the prison. Some of the prisoners decide she is holy. Since she doesn’t speak, she simply smiles and pats them on the shoulder when they suggest this. They think she’s blessing them, and eventually she starts enjoying the attention and begins to act like the guru she followed as a younger woman. Everyone wants something to hang on to, some spiritual hope, and Norma is it for the moment.
A second plot line around religion involves the discovery that if you ask for a kosher meal, you get better food. Many of the inmates start asking for kosher food. Black Cindy (Adrienne C. Moore) wants to learn enough about being Jewish to pass the test when they ask her why she should be eating kosher.
Cindy starts off on her Jewish experience watching Woody Allen movies but soon turns to an actual study of the faith. By the last episode, she has been accepted as Jewish by other Jews and even experiences a mikveh, or total immersion in water, as a symbol of her new identity as a Jew.
The Need for Love
Was it love that made Piper (Taylor Schilling) rat on Alex (Laura Prepon) in season 2, so she would be back in Litchfield Prison in season 3? Whatever the case, they reunite with hate-sex that involves lots of slapping, shoving and biting. Piper eventually asks Alex to be her official girlfriend. Alex says yes. Then the new inmate Stella (Ruby Rose) catches Piper’s eye and official girlfriends don’t seem so important.
They had to burn all the books because of bedbugs. Suzanne (Uzo Aduba) fills the gap in reading material when she writes crazy sci-fi porn and passes it around the prison. She gets fans! She has readers! Prisoners are desperate for any kind of love and/or romance they can find, and Suzanne provides them with a semblance of a love story. One fan in particular, Maureen (Emily Althaus), really wants to connect with her idol Crazy Eyes. Suzanne doesn’t know how to act around the idea of having a real girlfriend, not a dandelion. In the last episode, Suzanne and Maureen make tentative but thrilling contact.
Poussey (Samira Wiley) is so lonely and love-starved that she stays drunk on her homebrew most of season 3. Soso (Kimiko Glenn) is lonely, rejected, friendless, and depressed most of season 3. Something happens that brings these two closer and may be the much needed relationship they both lack.
The loyalties, the friendships, the “families” that form inside prison help people retain their sanity. Maria points out in the first episode, “Mother’s Day,” once people get released, they forget their prison friends. Yet, while inside, the need to feel connected, to be seen and understood by at least one other human being, does not go away. Crazy Eyes even says it out loud, “People need love.”
In addition to this big 3 list, season 3 of Orange is the New Black also deals with the idea of for-profit prisons and the lack of mental health care for inmates. It does all this while still managing to be funny, character driven drama of the highest order. It’s changing American culture, one story at a time.
Note: This post was syndicated at BlogHer.com.
This is my overall impression of season 2 of Orange is the New Black. I will talk about performances and high level story lines, without revealing big spoilers. More detailed discussions of particular episodes or events will come later after people have had plenty of time to watch all 13 episodes.
I watched all 13 episodes in two days, and my eyes felt like I’d just finished one of Diana Gabaldon’s Outlander books when I finally looked up. But the eye strain was worth it.*
The Cast and Credits
The first thing I noticed was who is listed in the main credits. Those people are Taylor Schilling, Uzo Aduba, Danielle Brooks, Michael Harney, Natasha Lyonne, Taryn Manning, Kate Mulgrew, and Jason Biggs. These are the names that show up every week. The cast has been shuffled around a bit, some people have moved up into major roles. Other actors, although very important to season 2, are listed in guest roles or are listed after the main titles roll. Samira Wiley as Poussey is a key actor in season 2, and her name should have been up front, in my opinion.
Fan favorite Laura Prepon shows up in only 3 episodes, but the way the season ends it looks like Alex Vause will be back in full force in season 3. Other favorites who are there, but not necessarily for every episode include Laverne Cox, Lea DeLaria, Yael Stone, Selenis Leyva and many others. All the same officers and prison people are still running the place badly, except Pornstache who only shows up in a couple of episodes.
Lorraine Toussaint, who comes in as a character named Vee, is in 8 episodes. In those 8 episodes she manages to throw the whole prison into quite a state.
In Praise of Brilliant Performances
There are so many brilliant performances in season 2. This is so much of what Orange is the New Black is: a showcase for brilliant talent that we don’t see anywhere else. While that isn’t true of the well-known Lorraine Toussaint, I want to call her out for her performance. She simply stunned in every way.
The cast who’ve been there all along were marvelous again this season. Taylor Schilling, Uzo Adubo, Danielle Brooks and Samira Wiley gave noteworthy performances. Really, everyone in this cast gives a noteworthy performance.
The backstory on each character is what makes us care so much about the women in Litchfield. This season we got more backstory on Piper (Taylor Schilling), Morello (Yael Stone), Sister Ingalls (Beth Fowler), Taystee (Danielle Brooks), Poussey, Miss Rosa (Barbara Rosenblat), Gloria (Selenis Leyva), Suzanne (Uzo Adubo), Black Cindy (Adrienne C. Moore) and Vee.
The Current Story
When the season begins, Piper is pulled from the SHU and taken to Chicago to the trial of the drug kingpin who was Alex’s boss. The trip from one prison to another provides an opportunity for a guest star, something that doesn’t happen often on this show. The guest was Lori Petty. Jodie Foster came back to direct again this season and she directed the Chicago trip episode.
At Litchfield, important plot points in this season are the dangerous conflict between Red (Kate Mulgrew) and Vee, the tension between the pregnant Daya (Dascha Polanco) and the C.O. John (Matt McGorry), the tension between Caputo (Nick Sandow) and Figueroa (Alysia Reiner), and the problems between Healey (Michael Harney) and just about everyone.
There’s a contest between Big Boo (Lea DeLaria) and Nicky (Natasha Lyonne) that leads to lots of funny lesbianing, but hang in there to the end of the season for the best Pensatucky lesbianing laugh of the year. Nicky has serious challenges to face as the season progresses, too.
Piper gets involved in tracing down corruption and finding proof of embezzled funds while dealing with Larry (Jason Biggs), Alex, a death in the family and more than one huge betrayal.
One of my favorite episodes revolved around Valentine’s Day. It revealed so many deep, meaningful insights. Another favorite was an episode where a good bit of the plot dealt with the fact that most of the women were unaware of their female anatomy and the construction of their lady parts in particular. The few who knew enlightened the others in some pretty funny ways.
I’m a ukelele player. I was highly amused by the C.O. (Joel Garland) who played a banjo ukelele while making up songs about nuns and bad mothers. Ukes forever!
The finale was written by Jenji Kohan. It wrapped up some problems, it opened up new problems for next season, and was a terrific way to end the season. It left us wanting more, it satisfied with poetic justice, and it left me convinced that season 3 can’t come soon enough.
*In one scene, Tastee recommends Outlander to Poussey.