Orphan Black finishes with “To Right the Wrongs of Many.” It’s the last episode ever, which makes me want to cry. I cried most of the way through this episode, but they were happy tears.Continue Reading: Orphan Black S5 E10 To Right the Wrongs of Many
Orphan Black ends season 4 with “From Dancing Mice to Psychopaths.” We didn’t see any dancing mice. We saw one very welcome face and one hugely dangerous psychopath. Spoilers everywhere in this recap.Continue Reading: Orphan Black S4 E10 From Dancing Mice to Psychopaths
Lost Girl charges ahead with episode 10, “Like Father, Like Daughter.” Kenzi is BACK! But only for this episode. A whole lot of things happen with no explanation and we don’t get any details about why. In short, things are pretty normal on Lost Girl.
Many hundreds of spoilers ahead. Continue Reading: Lost Girl: S5 E10 Like Father, Like Daughter
“History Yet to Be Written” is absolute perfection as a season 3 finale for Orphan Black. It takes us back in time to tie up questions, while opening up new directions for season 4. There are some losses and some happy moments. I’m going to start with the technical achievement of the season: the four clone dinner party.
— Orphan Black (@OrphanBlack) June 21, 2015
Alison (Tatiana Maslany, a multitude) wins the school trustee election by 56 votes. She gathers everyone in the bubble gum world of Bubbles for a family dinner. They toast each other, even clink glasses. This season it’s Donnie (Kristian Bruun) who moves around the scene, filling wine glasses. They are all safe and happy and have hope for the future science to come. This scene is bound to be a favorite topic because of the difficulty of filming it.
Okay, how did episode 10 get us to this happy family moment? I’m going to summarize out of order, but the big reveal is that the Neolutionists from season 1 have been in charge of both Dyad and Topside all along.
Kendall Malone, the original
Art Bell (Kevin Hanchard) brings Sarah and Felix (Jordan Gavaris) into a big warehouse where Scott (Josh Vokey) is constructing a clean room of sorts out of plastic sheets. When they are sure everything is ready, Mrs. S (Maria Doyle Kennedy) brings her mother into the room. Kendall (Alison Steadman) complains all the way about her treatment, and because Mrs. S is herding her along with a baseball bat in her hand.
Cosima meets Kendall, and tells her that Kendall is actually the older sister of the clones. Cosima disarms Kendall with charm and takes blood samples from her.
Mrs. S burns with rage at her mother. It seems Kendall had something to do with John Sadler’s death. Mrs. S unveils a tub and several bottles of sulfuric acid, which she tells her mother she plans to use on her.
Mrs. S tells Kendall that Kira (Skyler Wexler) is Kendall’s niece. She asks Kendall to explain who she is. Kendall said Duncan had come to her 5 or 6 years after he’d harvested her. Duncan was in fear for his life from something called Neolution. He said they’d poisoned the science and corrupted his wife, Susan. He’d hidden Kendall from everyone.
Duncan told her there was one child outside it all, lost in the foster system. Kendall sent him to her daughter, the rebel. Siobhan had the connections to hide the child and Kendall sent the child to her. So Kendall put Sarah and Mrs. S together, who have been blood relatives all along. Mrs. S reacts to this news by forgiving her mother. Maria Doyle Kennedy performed this emotional moment of release with perfection.
Siobhan Sadler is actually a blood relation of all the clones. Isn’t that an interesting new fact?
Sarah and Felix find Mark (Ari Millen, an army). They bring him to the warehouse where he pretends to be Rudy and calls Dr. Coady (Kyra Harper) with the address about where they are. When she arrives with armed men, Ferdinand kills her driver and takes her captive.
Ferdinand (James Frain) comes to the warehouse for the blood he was promised by Sarah. At that moment, Delphine calls with the news that the blood will go to Neolution. Delphine tells Sarah not to let him have any blood and to tell him Rachel is still alive. Ferdinand is quite interested in this bit of news about Rachel and in the announcement that they are all just pawns of Neolution.
Ferdinand calls Neolutionists “genetically obsessed zealots” and says he hates them.
Ferdinand kills his helper with Siobhan’s baseball bat. It’s the acid bath for the poor fellow. Ferdinand tells them to hide Kendall away, he doesn’t want to know where. He says he’ll be in touch. I guess Ferdinand is going to be one of the good guys now.
Sarah and Mrs. S take Kendall to Iceland.
The episode began with Rachel’s dream of ice and love, and it ends with the joyous reunion of Sarah and Kira (Skyler Wexler) on a vast plane of snow.
Helena spends a lot of time in the Hendrix garage in this episode. First she’s reunited with Jesse (Patrick J. Adams). Jesse seems as happy to see her as she is to see him.
In his tow truck, which is half-in, half-out of the Hendrix garage, Helena climbs on Jesse’s lap and tells him “I have science babies inside me, but you are my first.” Helena’s lust is pure animal instinct, just like the rest of her personality. Before they can actually get it on, she gets summoned to help the sestras. Both of them promise to return to the moment.
Rudy is following Alison around during the election proceedings. Alison lures him to her house and he is met in the garage by Helena in assassin mode. She’s duct taped weapons to her hands and is ready to fight to the death.
Rudy dies, partly from a wound from Helena but mostly because he was dying anyway like the other Castor clones. They have a tender moment discussing their childhoods before he dies. Helena can go from assassin to empathetic listener in 1/10 of a second.
Ferdinand shows up thinking he’s going to take over from Delphine (Evelyne Brochu). Sarah offers him a deal to get some of the genetic material from the original, but only if the perverted Castor military experiment goes away.
Delphine goes to check on Rachel (or what she thinks is Rachel). She realizes it’s Krystal when she sees the good manicure on Rachel’s hand. Krystal wakes up, scared and confused.
Now that she knows about the Krystal deception and that Rachel is in Austria someplace, Delphine has Dr. Nealon (Tom McCamus) put in custody. She questions him and discovers that Neolution has been orchestrating everything from the first moment. He calls Castor and Leda Neolution’s Adam and Eve. He says there’s a place for her at Neolution. She turns down the job.
Nealon squiggles his jaw, leaps up and pins Delphine to a table. He tries to insert a worm from his mouth into Delphine. Luckily she’s packing and she shoots him and takes the worm as a specimen.
Delphine was invited to the family dinner but didn’t go. She texted Cosima to meet her outside. Cosima says, “I understand why you did what you did. I’m sorry to make you have to make so many hard decisions.” Delphine asks her to keep the blood safe and to make sure Kendall is safe.
Delphine tears up and looks at Cosima with a great deal of love. Delphine gives Cosima what looks like a heartfelt and passionate goodbye kiss, and leaves, saying, “My love to all the sisters.”
Delphine parks in a parking garage. She realizes someone is following her and turns. She says, “What will happen to her?” and is shot. We don’t know who shot her and we don’t know if she dies. Whoever shot her walked loudly, perhaps from wearing high heels?
The opening scene is Rachel waking from a dream about playing in the snow with her parents. She gets up and discovers she has a bionic eye and a museum-like display of finches in her room. She has no idea where she is or who is holding her.
Charlotte (Cynthia Galant) enters the room and says Rachel is going to be her new mom. Then Susan Duncan (Rosemary Dunsmore) enters and says, “Hello, dear Rachel. Welcome home.” Rachel answers, “Mother.”
Cosima attempts an apology to Shay (Ksenia Solo), who is understandably upset by the death threat from Delphine. Cosima still can’t tell Shay anything about who she really is and Shay angrily sends her away.
Later Delphine shows up at Shay’s apartment. She tells Shay that she’s sorry, that she knows Cosima really cares for Shay, and that Cosima and Shay are a good fit.
Delphine says she won’t be around any more. She tells Shay to tell Cosima that she should tell everything to Shay if she wants. She gives Shay a card to show Cosima as proof that she means it.
We know how Kendall, Mrs. S and Sarah connect. What about Felix? A bit of history yet to write in season 4?
The count of male clones is down to only Mark. And he’s helping the sestras. All the murder-machine male clones are dead.
We can’t tell from the episode, but I think Delphine is actually dead. Based on this interview with John Fawcett, and this tweet, it seems she won’t be back.
And thanks for your questions, support, sense of humour, art, sense of solidarity…just thanks. You guys are the best. Bisous.
— Evelyne (@EvelyneBrochu) June 21, 2015
A big bisou to you, Evelyne. Love you.
I’m sure there will be mourning for Delphine and talk about the dead lesbian trope, but I actually feel all right about Delphine. It works with the story better than the dead lesbian story usually does. However, if Delphine really is dead, what’s going to happen with the worm Nealon apparently carried around in his mouth on the regular?
Shay, on the other hand, may be around for season 4. Based on this tweet it looks like she’s here for a while. Maybe she’ll be let in on the secrets like Felix, and become another important member of Clone Club.
‘WHATEVER COMES NEXT WE WILL FACE IT TOGETHER’ I Love U#CloneClub. ThankU4 accepting me into ur world. ThankU@OrphanBlack 4 a wicked season. — Ksenia Solo (@KseniaSolo) June 21, 2015
It looks like Krystal will be around for season 4, which makes me very happy. I liked her a lot. Who knows, at the end of season 4 we might have a FIVE clone scene as a grand finale!
Ferdinand and Rachel definitely have a thing, but he hates Neolutionists and Rachel’s mother is apparently a Neolutionist. Where will that go in season 4?
What do the Proletheans have to do with all this? If Helena carries her child to birth, or if they do something with the frozen embryos they have, will that be a corruption of the clone genome or a correction? More fodder for season 4.
I love this show! Three cheers for season 3 and much anticipation for season 4.
The Title Quotation
Winding up a season of foresight from Dwight David Eisenhower, we close with this thought.
“Down the long lane of the history yet to be written America knows that this world of ours, ever growing smaller, must avoid becoming a community of dreadful fear and hate, and be, instead, a proud confederation of mutual trust and respect.”
It’s the finale of season 2! Orphan Black will surprise and confound you with “By Means Which Have Never Yet Been Tried” and it sets up some powerful incentives to wish for a speedy return of a season 3.
Rachel (Tatiana Maslany, a multitude) has Kira (Skyler Wexler) installed somewhere at Dyad. Sarah is also in the hands of Dyad.
Men ask Sarah all sorts of invasive questions about her sex life. She’s handcuffed and a Dr. Nealon (Tim McCamus) comes in. He gets her to sign away the rights to her eggs in return for getting to see Kira.
A woman takes a DNA swab from Kira. She steals the woman’s phone and calls a number she has memorized. (Cal made her memorize his number a few episodes back.)
Rachel takes Delphine (Evelyne Brochu) off Cosima’s case. Rachel forces Delphine to go to Germany, but tells Delphine it isn’t personal. Delphine counters with, “I love her. If you let her die without me, that’s personal.” Delphine sends Cosima a message that alerts her to the fact that she’s on her own now. When Cosima sees the message, she asks very nicely if she can see Kira.
Now that she’s signed away her eggs, Sarah gets to see Kira, but it’s through a 2-way mirror. Kira, however, seems aware of Sarah’s presence on the other side of the glass. Sarah sees Duncan (Andrew Gillies) in the hallway. He tells her not to despair.
Duncan is on his way to the video room where Rachel watches videos of her younger self. Rachel wants him to turn over the keys to the codes for all the clones, not just the ones that will save Cosima. He refuses, saying that her attempts to create more clones should fail. Then he dips a teabag he brought himself in a cup of hot water and poisons himself. Duncan dies.
Cal (Michiel Huisman) shows up at Mrs. S’s place, thanks to Kira’s memorization skills. Felix (Jordan Gavaris) leaves Cal there and goes to Art Bell’s (Kevin Hanchard) to rescue him once again from Helena eating him out of house and home. Felix will take Helena back to his place.
Felix asks Helena if she burned down the fish people’s ranch last night. She grins and says no. She says she fell in love and her boyfriend had to go work at Jesse’s Towing. Felix doesn’t quite click to this, but perhaps he will remember it later.
Cal shows Mrs. S his research into Dyad. He formed a connection to someone with similar interests on “the dark net.” He thinks it’s someone on the inside because they know a lot about Dyad. With Mrs. S there, he types “Can you help.”
Mrs. S tells him to type, “I’m with Siobhan Sadler.”
The response is “Ask her about Castor.”
In the episode where Cosima first explained the Greek myth about Leda, I mentioned that Castor and Pollux were twin brothers. Their mother was Leda. In some versions of the myth, they are supposed to have twin sisters Helen (of Troy) and Clytemnestra. Castor has now become a plot point in the clone mystery.
Mrs. S., Paul (Dylan Bruce), and Cal all arrive in different vehicles at an empty warehouse. Cal steps out of a limo. Paul is in uniform, a major now. Cal and Paul size each other up as if they are in a competition to win Sarah. (Points for Cal: he gets in the last kiss of the season with Sarah when she kisses him goodbye later at Felix’s place.) When Paul gets into the limo that Cal came in, he finds Dr. Marian Bowles (Michelle Forbes).
Cal asks Mrs. S what they are doing and she answers, “Hoping that there are still good people in the most corrupt places.”
In exchange for some files from Paul, Dr. Bowles promises to get Sarah and Kira out of Dyad.
In the meantime, Cosima has been allowed to see Kira. She plays a science game with her involving sharp pencils, mass, force, and acceleration. Then she has Kira draw a picture for her mom about what she learned.
When Cosima leaves Kira, she and Scott (Josh Vokey) rig up a fire extinguisher with some tubing and a very sharp pencil. Scott figures out a way to get the device into the operating room where the evil Dr. Nealon is about to remove one of Sarah’s ovaries. She’ll still have one, and who needs more than one, right?
Rachel comes in to the operating room and sends everyone away. She conveniently gives Sarah the picture Kira drew. As Rachel marches around the room talking about Duncan being dead and destroying what she claims is Kira’s stem cell sample right in front of Sarah, Sarah figures out the secret message in Kira’s art. She uses the fire extinguisher to launch the pencil right into Rachel’s eye. Rachel falls, pencil to the brain. One can only hope she dies, but you can never tell with Orphan Black.
Sarah runs to Kira’s room. She finds Dr. Bowles getting Kira ready. Dr. Bowles tells her she’s free to go and Cal is waiting downstairs. Bowles tells Sarah she’s from Topside and promises Sarah the truth if she’ll meet her the next day.
Sarah, Cosima, Allison and Helena are at Felix’s. A big wow for the dance scene with all 4 clones and Felix dancing together. They wisely didn’t include Kira – she danced up by Felix’s bed. It was a bit jerky getting Felix in and out to dance with the different women, I can’t imagine how difficult it would have been to add Kira. As it was, the scene took 2 days to film.
Cosima took off her oxygen to dance but struggled to breathe. She’s a wonderful dancer. Helena went all head banger hilarious. Allison was suitably reserved. Sarah’s dancing was enthusiastic but untrained.
One of the reasons Tatiana Maslany gives for being able to make such clear distinctions between each of these characters is her extensive dance background. In essence, she dances each character’s physicality. It must have been interesting for her to actually dance in character instead of walk and talk in character.
That night, Felix and Kira sleep on the couch. Cosima and Sarah sleep in Felix’s bed. They wake in the night to talk about the golden ratio, DNA, and hold hands. Sarah said, “I can’t do this without you.” Cosima answers, “You’ll be fine,” with an expression that implies she’s accepted the inevitability of her own death – very soon. Helena wakes up in the middle of the night and leaves a tank of liquid nitrogen out in plain sight. We’ll have to learn why in season 3, but I’m guessing it contains frozen eggs or embryos. When she leaves the apartment, she’s snatched by military types and taken to a plane. The Jesse’s Towing cap falls on the floor behind her for someone to find in season 3.
In the early morning, Kira climbs into bed with Cosima. Cosima doesn’t respond to Kira’s repeated calls. Everything fades to white as if Cosima is going into the light. Cosima sees Delphine in the light. Delphine touches Cosima in her vision, just as Kira touches her in real life. The touch brings Cosima back to Kira. Kira asks her to read to her and Cosima finally sees the annotations in The Island of Doctor Moreau. Cosima doesn’t leap from the bed, shout EUREKA and announce she has the key to save herself and everyone else, but I’m assuming that’s what’s in the book. Another plot point tempting us into season 3.
Sarah’s morning is spent going to meet Dr. Bowles. She’s dropped off at an enormous house. No one is there to greet her.
Sarah sees a child. A child who looks just like the young Rachel we’ve seen so often in video. A child who looks just like the young Sarah. Dr. Bowles finally appears and introduces her as Charlotte (Cynthia Galant). Eight-year-old Charlotte greets Sarah as her sister and says that Kira is her cousin (she’s actually Kira’s aunt).
Bowles adopted Charlotte. She’s the only survivor of over 400 attempted clones. Bowles tells Sarah that Topside steers Dyad and many other groups. They support genetic engineering projects.
Bowles leads Sarah down some hallways in what looks like the basement of the big house. She explains as they walk that Project Castor was the military side of Topside and that the clones in Castor are male.
They look through a window at the back of a man doing chin ups and Sarah says, “I know him.”
Cut away to Mark (Ari Millen) and Gracie (Zoé De Grand Maison) getting married in front of a big stained glass window as “Nearer My God to Thee” plays loudly in the background. The song plays as the following things happen and continues throughout the final credits.
The guy doing chin ups turns around. He looks like Mark, only crazy and all beat up.
Helena is marched onto a plane surrounded by soldiers, one of whom looks like Mark. Paul and Mrs. S watch.
Mark is a clone, y’all! Ari Millen must be dancing with joy over the acting opportunity he’s going to have in season 3.
I’m talking about season 3 like it’s all set, but it hasn’t been announced yet. I can’t imagine this show not getting another season.
The quote from Francis Bacon for this episode is from The New Organon or True Directions Concerning the Interpretation of Nature. It’s a different part of the quote used in episode nine’s title:
It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.
In the “Waves” episode of Lost Girl, two separate stories are told in tandem. One is a procedural crime-solving tale involving Kenzi, Dyson and Lauren. The other takes us back to the train and answers a lot of questions for us about Bo and Rainer. This being Lost Girl, the episode also sets up a lot of new questions for us to ponder as we wait for the next episode.
Bo (Anna Silk) hangs her head over the sink in the clubhouse bathroom, hearing voices in her head expressing doubt about her actions. She looks at herself in the mirror. She’s bloody. Rainer (Kyle Schmid) comes into view. Rainer says, “It had to be done,” but Bo looks skeptical.
A blonde woman (Karen Cliche) is on the phone threatening business associates. She’s by a pool, which she walks into for a swim. Something disturbs the water behind her, there are a couple of thunks in the music.
When she pulls herself out of the pool, her legs are missing.
Lauren (Zoie Palmer) and Dyson (Kris Holden-Ried) are at the boxing ring. They complain that Bo has locked them out, has taken off for the train on her own. Kenzi (Ksenia Solo) comes in with giant coffees for everyone and a case to solve. Lauren and Dyson thinks she’s nuts talking about cases when Bo is off on the train alone, but Kenzi says, “A woman’s legs went missing.”
They argue about Bo, whether they should do something or trust her to go it alone.
In rolls the aforementioned legless lady. How are Dyson and Lauren going to ignore that?
Bo is cleaned up, sitting on her bed in a kimono, looking worried. Rainer comes in wearing a towel. Bo says, “I need to understand. What if this is a mistake?”
“I had to go back to the train for you. I went dark for you. I did the impossible. But this. . . . What we did.”
Rainer says it was necessary. Bo says the memories are back, but now that they are in her world, the real world, she needs to understand. The camera moves to some candles, a train whistle sounds, and we go into an extended flashback of Bo’s time on the train. The explanation for all the blood and her concern over what they did will come later.
Bo enters the train, mad about her friends being harassed, the pub being blown up, and being kidnapped. We’re at the start of her train ride. Rainer stands beside a windup record player, spinning “The Wanderer.”
Rainer is tired of brunettes, tired of the music he’s playing and not interested in answering questions. As he sees it, her choices are stay while he pretends to court her until he’s tired of her, or she gets off at the next stop. Either way, she’ll remember nothing.
Bo suggests option 3. He tells her why he kidnapped her. He claims he doesn’t know why she’s there. He calls the handmaiden (Linzee Barclay) to show Bo her chambers and says she’ll be getting off at the next stop if she knows what’s good for her.
Lauren offers the legless lady a drink of water, which she refuses.
Dyson, Lauren and Kenzi listen to legless Diana and her tale. She claims she’s a pixie. She points a finger of suspicion at at dude named Darren in her corporation. Diana will get them into the corporation undercover. Dyson says he and Kenzi will go undercover because he’s been training her.
Kenzi says, “Shadow thief. Check your panties. Anyone missing any panties?” She waves a pair of purple panties in the air. Lauren grabs them and says, “You have got to stop doing that.” Dyson says, “I did not teach her to do that.” These three together are better than a vaudeville act.
Undercover at the corporation, Dyson was supposed to be an efficiency expert but we see him rolling a mail cart. Kenzi was supposed to be a mail girl, but she’s in an office in a red suit, looking at a computer. Not the kind of role switching these two have done before, but still pretty funny. The three investigators are connected to each other by earpieces. Lauren’s back at the boxing gym, doing science with her phone, iPad, and a water hose.
Dyson delivers mail to Darren’s office, but is stopped by Tad (Matt Lemche). Nobody gets to go to Darren’s office. Since he can’t deliver the mail, Dyson attaches a heat sensing band aid to the the mail. Kenzi will follow the heat trail by climbing through the vent system. Yeah, you kinda had to be there to get it.
Kenzi drops out of a vent into a room full of disembodied gams. Legs everywhere. She hears a noise. It’s Darren’s mail dropping into a vat. Kenzi finds a medical report for Tad that involves big money. She sends photos to Lauren.
Dyson is at the swimming pool where he sees a plant Lauren is interested in. He grabs some for Lauren. Dyson notices the pool is salt water and he finds a pearl.
The handmaiden enters Bo’s chambers on the train, only to be grabbed and threatened. Bo and her knife are always ready for action.
The handmaiden tells Bo that the next stop isn’t for 3 days. If she jumps off before that, she’ll evaporate or get transcendental sickness and die. (Where is Clio when you need her?) Bo lets the handmaiden go. She lays out a dress in which Bo will look ravishing and gives her an invitation to dinner with Rainer. She says they all need Bo.
Lauren examines the pearl. She asks, “Has Bo called, pool boy?” Nope, not yet. Lauren says the pearl is actually a crystallized salt deposit, which makes Dyson all upset. “We should never have taken this case. Kenzi, you need to get out of there!” Lauren and Kenzi ask, why, what is it? Dyson answers, “Mermaids.” Mermaids are the absolute worst!
Kenzi gets excited because of Darryl Hannah movies, but Dyson says mermaids are the psychopaths of the sea. Kenzi wants to stay and fight the mermaid.
Bo goes to dinner (in her regular ravishing leather, not in the ravishing dress the handmaiden brought). She sticks her knife in the roast and is not making friendly gestures toward Rainer. He again says he didn’t bring her there. He puts the knife to her throat and says, “You are not going to change anything.”
Bo steps back and her eyes go blue. Rainer’s interested in that. He smiles and wants to know what the dark fae devour these days. Bo says she’s unaligned. That’s impossible, says Rainer.
Bo says, “What kind of Fae are you? Some kind of memory wiper?”
He holds up a Wanderer card. “Memory is not my power. It’s my curse.” She walks out on dinner with a to-go plate. Rainer’s plate.
Kenzi tries her luck with Tad in her quest to save the world from mermaids. Guess what? Tad’s legless, too. He loves Darren because he saved him from something that took his legs. He leaves for a meeting. She digs through his file cabinet and finds a folder full of “creeper mail.”
Rainer plays the organ in Bo’s room. (An organ with a keyboard. You know. For music. We don’t get to the other organ until later on.)
Bo interrupts him and he tells her his power was foresight in battle. He could see his opponents attacks before they happened. He says he put it to good use trying to end light and dark. Wow, that gets Bo’s attention. He says he’s seen slaughters over light and dark and tyrannical rule on the rise. Bo wants to know whose rule? Nobody mentions the Blood King, but she has to be thinking it.
She’s looking at him sympathetically. I think he just reeled her in. He talks about not being able to remember why he’s there and who cursed him. She says, “It’s torture. It’s not living.”
Kenzi’s snooping around in the room full of floating legs again.
Darren (Brandon Firla) enters and does some magic by waving his hand at Kenzi. It makes her bork up what looks like plain water. He finally lets her stop barfing water and digs through her purse, where he sees the creeper mail. The mail is from his sister and contains pearls. Translation: she’s going to kill him.
Kenzi’s figured out Darren is a merman. Tad was his first set of donor legs. His sister Dominique took off Diana’s legs but she doesn’t know how to attach them to herself. He asks her to take him to Diana. He talks about needing legs to be part of a world he doesn’t belong in. Kenzi can grok that.
Dominique will have to be captured in water.
Lauren takes off a thick terry robe and steps in the salt water pool. Yes, Lauren in a swim suit. 10,000 photos of this moment are available on Twitter and Tumblr, so I’m skipping to the action.
Lauren wades out into the pool and waits to have her legs bitten off. Dyson lurks nearby ready to snare a big fish. There’s a disturbance in the water, Dyson says, “Now,” and Lauren pushes the button on a device in her hand.
The device sets the fish to flopping and Lauren’s legs are saved. Thank goodness.
The train conductor announces the next stop will be in two minutes as Bo steps into a baggage car. She goes up to a glass bell jar. Inside is something that takes her all the way back to her childhood when she found a blue butterfly.
We see young Bo (Sadie Alter), a tear streaming down her face as she holds the butterfly. Adult Bo has a matching tear as she remembers.
Bo removes the glass covering and picks up the butterfly. Rainer says, “What did you do?”
“When I was seven . . . ” but Bo doesn’t finish the sentence because Rainer takes her hand. He says, “It is you.”
The butterfly flits away. Bo turns and looks at Rainer. It’s Bo’s I want you right now look, which can only mean trouble if you ask me. She says, “What’s this? Us?” He pushes her away because she’s going to miss her stop.
He turns back to the empty butterfly container and yells, looks frustrated and angry. Why? Your guess is as good as mine.
Bo comes back and plants a big lip lock on Rainer. She says, “What am I doing?” Then she does it again. What IS she doing? Your guess is as good as mine.
Lauren looks at the mermaid and says, “God, she’s beautiful.” Brings back happy memories, that remark.
Dominique the mermaid (Kate Todd) wants legs. Wants to walk. Lauren tells her it’s wrong, she’s hurting people. She says she needs legs to get to her brother, Darren. He didn’t come home like he was supposed to. She says, “Do you have any idea what it’s like to be ignored? To be locked out by someone you love?”
Lauren and Dyson both can grok that.
A tear from the mermaid’s eye forms into a pearl. She’s been sending them to Darren. That’s her 18th, which means she’s suffered enough to kill someone. But she won’t kill Darren. Her sister, on the other hand, she’d love to kill. Her sister’s a liar so that’s why she took her human walking sticks.
About the time Dyson and Lauren learn that Dominique has a sister whose legs she snatched, Kenzi touches Diana and discovers what a cold fish she is. Well, damn, she’s not a pixie. Nope, another mermaid. This mermaid thinks Kenzi is her new bottom half and brother Darren is there to help make it happen.
Darren prepares to sever Kenzi’s legs as Dyson and Lauren show up with Dominique.
Dyson’s wolf lunge for Darren is interrupted by the mermaid magic that makes Dyson toss his last drink of water. Pisses Lauren off, it does. Lauren has the scientific presence of mind to notice that the plant from the swimming pool is dying in a beaker of tap water near the sink.
The whole family is together. Darren proposes a plan that will keep them together.
They’ll all get legs and live happily ever after. Nothing can stop them. Except tap water. Lauren gives them a huge drenching with plain old tap water. Take that, fish faces.
Bo and Rainer are in bed, smiling, happy, laughing about how many stops of the train Bo has missed while boinking Rainer. She says, “Are my friends still safe?”
He says, “Kenzi and Dyson are coming close to finding the compass. When they do, you won’t remember me.”
“Screw your curse,” Bo says. “Everything’s ready.”
They sit up in the bed and review Bo’s plan to come back to release Rainer from his curse. The opera singer, Hugen in a jar, and the biggest clue of all – Bo signing a contract with the dark. She asks him to witness it. She knows that she would never align herself and finding out she’s dark will lead her to find the answers, to him.
“What if I’m a monster?” he says. She answers, “Then I’ll kill you myself.”
Bo puts her hand on his chest. He puts his hand on her chest. There’s dramatic music and gasping and light coursing through Rainer’s arm.
A fast rewind through Bo waking up on the train, jumping off, running through the woods, getting her agreement to be dark from the Archivist.
We are back in the present. The Una Mens receive a surprise visit from Bo and Rainer.
He tosses a Wanderer card at The Keeper (Christine Horne). She makes it disintegrate. Rainer’s Fae powers are restored when the card burns. He foresees her attack. The Keeper says he was cursed because he had too much power as a rebel. For helping him, The Keeper tells Bo they will kill the claimed human, the doctor, the wolf, the siren and everyone she loves. Then they will kill her.
The Keeper orders the Una Mens to attack.
Bo and Rainer take fighting positions back to back. He tells her when to duck, when to kick, when to block and together they battle the Una Mens.
Lauren, Kenzi and Dyson mop up all that’s left of the mermaid family after their demise by tap water. Lauren says, “We make an excellent team.” Kenzi checks her phone and says, “Bo never called. What are they even doing?”
Well, Kenzi, to answer your question, Bo is running a sword through The Keeper. I’m pretty sure killing off the Una Mens is going to bring all sorts of trouble to our girl Bo. The Keeper mentioned right before Bo poked her real hard that if Bo followed Rainer she would suffer a fate even worse than her own whore of a mother’s.
We go back to Bo’s bedroom where we began the episode, where Bo and Rainer have washed off all the blood. Trick comes in.
Trick warns Bo that Rainer will ask her to slay the Una Mens. He begs her not to do it. The power will be amassed into the origin seed that was stolen from him. In the wrong hands . . .
We see the origin seed as currents of power collect in it.
Bloody fingers reach out to take the seed. Care to guess whose fingers they are? My bet is on Aife, but we have to wait to see for sure because the episode is over.
- Lots of answers, but lots of new questions. Here are a few. Is Rainer evil? Is Bo under Rainer’s spell? What will the consequences of killing the Una Mens be for Bo? What was the point of the butterfly story and how does it make Rainer think he knows who Bo is?
- I think Rainer is a monster and Bo will have to kill him. That’s her destiny.
- They do it all the time in Lost Girl: a transient character has the same problem one of the main characters has. Kenzi meets a character who wants to fit into a world where he doesn’t belong. Lauren and Dyson meet a character who has been shut out of the life of someone she loves. Bo meets a character who says he wants to bring an end to light and dark and have the Fae act as one. They made especially heavy use of it in this episode.
- The light on the train was amazing. Desaturated to almost black and white and much less shadowy than elsewhere. Beautiful.
- Rainer is more disruptive than the invention of the smart phone. Everyone with a favorite couple – be it Bo and Lauren or Bo and Dyson or even Bo and Tamsin – will need couples therapy if this keeps up.
- It was fun watching Kenzi, Lauren and Dyson go all Bob Newhart and talk to themselves in empty rooms because they were supposed to be connected by some kind of ear technology.
- My bet’s on Aife to harness the collected power of the Una Mens in the origin seed. Rainer complained about “another brunette,” The Keeper mentioned her to Bo, the fingers reaching for the seed look female, and Aife hasn’t been heard from since episode 1 of this season. Aife and Rainer may know each other. Rainer assumed that a succubus is dark Fae. Do you have a better idea?
- Pop culture references are everywhere in this episode. Some I didn’t mention above were references to George Michael, Working Girl, Sigourney Weaver and Alien, the game Risk, celebrities stalked in Whole Foods parking lots and more.