I’m working on a review of The Politician. Here’s a screen grab that I plan to use in it.Continue Reading: Now for an entirely unrelated rant
This is my love song, my big thank you, to ALL the actors, crew, costume designers, make up artists, writers, producers, directors and creative minds behind Lost Girl. I love what you created.
I’ve been a fan of Lost Girl since the first episode, when I fell hard for the show. There was one simple reason then, and it has remained true for all 5 years that the series lasted. Characters. I love the characters. Continue Reading: My Love Letter to Lost Girl After 5 Years of Fabulous TV
Lost Girl gave us fans a featurette about the Camero! Thank you Lost Girl!
What a happy little run up to season 5, episode 10, which airs tonight on Showcase.
On Scandal, Cyrus Beene (Jeff Perry) had one good thing: his husband James (Dan Bucatinsky). James represented love, conscience, family. Cyrus is ruthless and corrupt and capable of any betrayal or nefarious power grab. James still believes in justice and good.
Cyrus’s corruption finally leads to a situation that gets James killed.
On Lost Girl, Bo Dennis (Anna Silk) has one pure relationship: her sidekick Kenzi (Ksenia Solo). Kenzi is the sister she never had, the friend she relies on, the person she loves without reservation.
A crisis prompts Kenzi to sacrifice herself to save the world. Like Buffy diving into a ball of light, Kenzi steps into the light and is taken. On BtVS, Buffy was retrieved from the netherworld by her friends. Will Kenzi be? As in BtVS, there is supposed to be a way to do this in the sci-fi world of Lost Girl.
There’s no hope for getting James back on Scandal. This drama is about real life, not science fiction, and when people die they are just gone.
On Scandal, Cyrus may come through his loss a better man. If I were Shonda Rhimes, I would write this in a way that Cyrus develops a moral compass as a result of losing James. It would certainly cause a lot of drama in the White House if Cyrus developed a conscience. After James’ murder, Olivia Pope herself (Kerry Washington) was even talking about her desire for at least one good person, one person in a white hat, in the morass of evil portrayed on Scandal.
On Lost Girl, I don’t see a way that the writers can use the loss of Kenzi to create character evolution in Bo or any other character. Kenzi is integral to everything Bo does. I cannot imagine how Bo can even continue to be Bo without Kenzi. It’s like Batman without Robin, Sherlock Holmes without Dr. Watson, Don Quixote without Sancho Panza, Buffy without Willow.
Because of that, I think Lost Girl will write Kenzi back into the story somehow. But here’s my problem. When they announced the cast returning for season 5, Ksenia Solo was not listed. This announcement makes me nervous.
Lost Girl played with the fans throughout all of season 4 using red herrings and secrecy. Is the absence of Ksenia Solo’s name in the returning cast another game, another secret, another mystery? If so, does that mean she will be back and they just want to keep it secret to drive us crazy? They certainly enjoyed driving us crazy for all of season 4. Then there’s the very important fact that no one from the show – not even Ksenia Solo herself – has said a word about Kenzi in season 5.
We usually know when people are really leaving. We know K.C. Collins really left Lost Girl. We know Sandra Oh is leaving Grey’s Anatomy. Announcements get made. There’s no official announcement about Ksenia Solo and Lost Girl parting ways.
Do you think Kenzi will be back?
A Quick Note on The Good Wife
I wrote this post before last night’s episode of The Good Wife, which took me completely by surprise and will be all over the news today. If you have any comments about how they handled Josh Charles leaving the cast of The Good Wife, feel free to include them in this discussion.
Here are a couple of articles in The Hollywood Reporter to fill you in with details on The Good Wife.
- The Good Wife’ Bids Farewell to Beloved Character in Shocking Twist
- Creators Robert and Michelle King posted a joint letter following Sunday’s episode explaining that Sunday’s death “created a new dramatic ‘hub’ for the show.”
The Josh Charles story is a little different from Dan Bucatinsky leaving Scandal and Ksenia Solo possibly being done with Lost Girl because he was one of the lead characters, not a supporting character.
It’s “End of a Line” on Lost Girl. Everyone but Bo thinks Rainer is evil, the line between life and death is permeable, and someone we love dies. (Say it isn’t so!)
Kenzi (Ksenia Solo) and Tamsin (Rachel Skarsten) are picking a movie to help distract them from the fact that Bo has locked them out over the Rainer situation, when Bo (Anna Silk) walks into the room. Bo likes zombie movies, too. Kenzi wants to know she isn’t brainwashed and that she still has a best friend. (Lauren suggested brainwashing in the last episode, too.)
To prove she isn’t brainwashed, Bo makes a speech about how things weren’t perfect with Dyson and Lauren is all buddy buddy with The Morrigan, but with Rainer, Bo finally feels like she provided something to a relationship. She and Rainer want the same things. It’s bigger than love.
Is she brainwashed? I really hope so.
Bo picks up Jerry Maguire from the videos and tells Kenzi, you complete me. Tamsin blurts out, “Hale wants Kenzi to move in with him.” Bo can’t believe Kenzi would be leaving her. Not so much fun when it happens to her.
Bo goes downstairs to gather snacks for the movie-watching party. A zombie (oops, in the Fae world they are called revenants, not zombies) staggers into the kitchen. Bo stabs him with the ever-present kitchen sword but he keeps coming.
Something slices off the revenant’s head. Who steps into the frame while resheathing her sword but Acacia (Linda Hamilton). She has a reanimated hand and an idea that the vision before her must be Bo. In a show full of awesome women, Linda Hamilton merely steps in front of the camera and the awesome goes up by about 1000%.
Tamsin shoves Acacia against a wall and says, “You’re supposed to be dead!” Seems Acacia got lucky. Massimo reattached her hand after The Wanderer’s crows cut it off. She’s a revenant hunter now. When she hears that Rainer is Bo’s “boyfriend,” she’s ready to leave but Tamsin holds her back.
Tamsin finds a Wanderer card on the revenant. Bo says Rainer left last night to go the battlefield to pay his respects to the dead. Tamsin thinks maybe he intends to reanimate them. Acacia is also skeptical. Bo finally says, “All right, get your coats,” and they head off to investigate. Tamsin tosses the revenant’s head in a plastic bag to take with them.
Vex (Paul Amos) enters Trick’s (Rick Howland) lair. Trick invited him for a talk. Trick said he had to use his blood because Rainer was always 10 steps ahead of him. He thinks Rainer is defiant, not evil. But there is real evil out there. Trick tells Vex that Vex’s father was a great hero, his best general. Vex doesn’t believe it.
Kenzi’s wiping up the bloody mess Bo left in the kitchen when there’s a knock at the door.
It’s Dimitri (Ian Matthews) the larcenous cousin we’ve heard Kenzi speak to on the phone so many times. And a woman (Linda Kash).
The woman is Kenzi’s mom.
Switch to a fabulous outdoor set where the cult of the dead hang out. If anyone has revenants (like Rainer) this where to find them. Sure enough, here comes a revenant, intent on doing something nasty to our 3 ladies.
Dyson (Kris Holden-Ried) shows up, decapitates the revenant, and apologizes for being late. About time he saved someone. Everyone else has had to save him lately.
Kenzi’s family reunion involves mom cooking something, Dimitri doing something criminal on the phone, and everyone fighting and arguing about it. Normal for Kenzi’s family. Hale (K.C. Collins) comes in. Kenzi tries to chase him off.
But Hale’s not leaving. Why? Because Hale invited them!
Tamsin and Dyson team up to investigate locals. Bo and Acacia do the same. Acacia leads Bo to Harvey (Scott McCord). Harvey is a sexist ass. Just in case you didn’t pick up on that, I wanted to be sure you notice. Acacia pounds him onto a table, shows him the head in the plastic bag, and wants to know who it is. He seems to like the pain. Bo tries her succubus charms on him, which works. He’ll talk.
He pours a little blood from the head into a glass and takes a sip. Drinking blood is the only way to gain dominion over a revenant. Or to find out who currently has dominion. This taste test tells Harvey the asshole that the revenant belongs to Bo. Well, that’s surprising news.
Bo and Acacia start a shoving match, arguing over who is to blame for what. Asshole is filming the whole thing while shouting sexist asshole encouragement.
Tamsin and Dyson discuss the fact that Bo is crazy when a guy comes up talking about 3 sisters. Three magic sisters. Only one survived and she can control the dead. She is dead and alive. Tamsin considers this a lead to a woman named Laveau, so she interrupts Bo and Acacia in their rather tame cat fight. Bo smashes asshole’s camera before she goes.
Kenzi’s mom wants to make up. She gives Kenzi earrings. Mom confesses to all sorts of mistakes including not protecting Kenzi from her stepfather. Kenzi describes how much she suffered. Mom says she kicked out the evil stepfather.
Kenzi hugs her and says she was really worried. She did the right thing in kicking out the stepfather. Mom wants to celebrate.
Tamsin and Acacia walk and talk. “The Wanderer gets off the train and starts playing house?” Acacia asks. Tamsin says she may have given Rainer’s soul to the Blood King. She didn’t take him to Valhalla. She helped make him The Wanderer.
Acacia says they have to take him out, he is bad news. “Just because he’s boning sugar snatch doesn’t mean he’s going to leave you be.” Acacia says, “Rainer’s revenants are after you.” Tamsin looks determined, angry.
The four investigators reach Laveau’s (Marci T House) trailer. She introduces herself as a voodoo priestess. Love the outfit.
Laveau knows who everyone is. She knows all about everyone. She can wake the dead. Suddenly Acacia’s reanimated hand starts waving her sword around while Laveau laughs maniacally.
Tamsin restrains the hand. Laveau reveals that she wants the last remaining seed from the Una Mens. She wants to fight some new evil (actually, Trick mentioned it, too, in his conversation with Vex) called something that sounds like Peerapis. Dyson gives her a knockout punch to the back of the head.
(Thanks to Drinks at the Dal for being better Googlers than I am, and figuring out the word Pyrippus, which is a bat-winged, fire-breathing hell horse.)
Hale compliments Mom’s cooking. Mom says Kenzi helped and that she’s going to make Hale a good wife. Kenzi says, “Oh, my god, mom.”
That’s when Hale gets down on his knees and asks Kenzi to marry him. Before she can answer with anything more than a shocked expression, we learn that Hale promised the evil Kenzi-abusing bastard of a stepdad money for a startup and mom didn’t actually kick him out. Being a nice guy wasn’t the right choice this time, Hale. Screwed up big time.
Kenzi tells mom and Dimitri it’s time to go.
Bo and Dyson deliver Laveau to Harvey. She wakes up on his table. That’s when two things happen. 1. Bo figures out that Laveau and Harvey are working together. 2. About a million revenants start crashing their way into the room. Dyson prepares to go wolfie on them, while Laveau and Harvey hold a smootchfest in the background.
Laveau is dead, but not. Dead and alive. Dead or alive she wants the Una Mens seed. No deal, Laveau. Bo figures out that Laveau’s the chief revenant and uses her trusty knife to slice off Laveau’s head. Then, ew.
Bo drinks blood from Laveau’s severed head. Dominion, baby. She raises her arms Christ-like, says, “Be at peace,” and the ravening hoard of revenants drop placidly to the floor.
As mom walks out the door Kenzi mentions all the horrible things she did to her. Mom says, “I wouldn’t have done them if you hadn’t been so defiant.” She sounds like Trick. She tries to slap Kenzi, but Kenzi blocks it and tells her goodbye. Dimitri tells her that Hale is a good guy before he goes.
Kenzi leans against the closed door, hurt and saddened all over again by her family.
Dyson’s pouring shots as fast as his wolf arm will move, alone at the Dal. Bo sits beside him, asks him if he wants to talk about it. He says no one knows anything about Rainer. He may be after Trick. Bo tells him he has a right to be hurt.
Dyson says, I’ll always be there for you, but if this Rainer turns out to be a bad guy, I can’t help you with that. Bo doesn’t believe him. “You and I were always more than just lovers.”
“And what are we now?” Dyson asks.
Bo says she doesn’t understand the whole thing either, but she swears she wasn’t kidnapped. She says, “You can’t always choose your path.” (This from the woman who says once a week, “I will live the life I choose.”) She leaves him there drinking.
Trick and Vex are now laughing over a story about Vex’s dad and what a great guy he was. Trick’s books mysteriously straighten themselves on the shelf. Rainer’s being written back into history.
Vex prepares to leave but Trick calls after him, asking about the Una Mens seed. He thinks Vex has it.
Tamsin and Acacia are walking and talking again. Tamsin says Acacia’s been lying, she really showed up to sic Tamsin on Rainer, not to chase revenants. Tamsin says if it’s really The Wanderer she will do it right this time. Acacia warns her that Massimo is up to something big.
Bo paces the floor in the clubhouse as Tamsin arrives. Bo says she has questions but she can’t ignore how she feels.
A book opens to reveal a drawing of Rainer. Tamsin says, “hello” in a sexy ain’t-he-a-hunk kind of voice. Bo says, “What do you mean? It’s Rainer. It’s your boss.” Nope, that’s not Tamsin’s boss. Not any Rainer she knows.
Kenzi enters her bedroom, complimenting Hale on the bling he picked out. She sees his abs and says, “Put those away, sir.” She wants to slow things down a bit because they have so much time. All the time in the world. She climbs into the bed beside him and starts kissing him. The abs worked, after all.
Bo is downstairs, staring at the drawing of not-Rainer when Kenzi runs down the stairs, squeals, and shows Bo the ring. Bo congratulates Kenzi, wants to go upstairs and congratulate Hale, when Kenzi says, “No. No pants, no pants.”
Bo gets the funniest embarrassed expression on her face. Anna Silk really should get to be funny more often. Instead of talking to Hale she offers to go buy food and wine – and candy – for a celebration.
Tamsin finds Dyson still downing shots at the Dal. She talks about the day they met at the boxing ring and what he did to her mouth. She straddles him on his bar stool. He tries to discourage her, but she starts kissing him.
She begs, “Oh, come on. Come on,” until he finally does.
Somebody ‘splain the point of this to me. What does a Tamsin and Dyson hookup have to do with anything that’s going on?
Kenzi’s in the kitchen in her undies when Massimo (Tim Rozon) appears. She screams for Hale. Massimo grabs her.
He throws her on the floor, kicks her, talks about how she and the stupid bitch succubus just couldn’t leave it alone. He’s covered with scars or blood or something from being burned alive. (Maybe Massimo’s bloody hand was the one reaching for the Una Mens seed in the last episode.) Kenzi reaches for the sword but he gets it first. She screams for Hale again as Massimo kicks her and puts his foot on her throat. He mocks her fake fae sparkle.
Hale grabs Massimo and punches and kicks him a few times before unleashing a super-sized siren whistle on him that kills him. The whistling made Hale weak. His ears bleed. He goes deaf. He doesn’t hear Kenzi warn him.
Massimo gets up and runs a sword through Hale. Massimo brags about having the sacred twig of Zamora which bestows immortality. The twig Hale gave to Kenzi to protect her. Massimo says, “Consider us paid in full,” and leaves.
Kenzi’s on the floor with Hale, crying, scared. Hale whispers, “I love you,” and dies. Kenzi screams and cries. The camera moves up above them in one of those shots that suggest a soul ascending to heaven. Finally we see them from ceiling height. Much as I hate the idea of Hale dying, it’s a beautiful shot.
When Bo gets back Kenzi is lying on top of Hale. Kenzi says, “Massimo did this and it’s all my fault. The twig. . . . I gave it to Massimo for my powers. My stupid, stupid powers.”
“Bo, you can bring him back. The chi thing.” Bo says there isn’t enough chi. Bo takes Kenzi’s chi but it isn’t enough.
To take enough chi to bring Hale back would kill Kenzi. Bo won’t do it. Kenzi is furious – flailing – when Bo chooses her over Hale. Kenzi’s hysterical – can you blame her? To calm her down, Bo socks her with enough succubus charm to knock her out. Kenzi crumples over Hale into Bo’s lap.
Then Bo breaks into tears.
- It’s so easy to get caught up in wishful thinking as a fan of this show, but I’m sure wishing that Hale will somehow be restored. Maybe enough people will show up that Bo can do the chi thing. Come on, Hale can’t die! It gives me hope that K.C. Collins was very active on Twitter during the broadcast of this episode and didn’t act like someone who was leaving.
- Bo is cray-cray on the topic of Rainer.
- Only two episodes left to find out what Lauren’s been up to with the Evony DNA she stole with a kiss.
- Only two episodes left to learn something about The Wanderer. Or Rainer. Or if they are one in the same.
- Are they going to be renewed for a 5th season? Please. Come on. Come on. Come on.
Can you see K.C. Collins in the screen shot above? He’s there, down at the end of the line, next to Ksenia Solo, who is also hard to see.
Here’s another image with K.C. Collins that presumably involves outside light. Still hard to see, isn’t he?
Maybe it’s because of budget issues, as mehlsbells suggests, but Lost Girl is generally dark. I don’t mean only in story line, I mean in terms of actual light. Things are hidden away in shadows most of the time. Screen shots that I use from Lost Girl in my recaps have to be run though Photoshop and brightened considerably or they would look like nothing more than a dark blur on a web page.
That means that K.C. Collins is often so badly lit that you can’t even see him.
He’s in the cast, he’s an important character, he deserves to be seen. Let us see him! Light him with a spotlight or something so that he pops out of the shadows. There has to be a way.
I know filming for season 4 is finished, but I’m hoping there will be a season 5. And, in season 5, I’m hoping that K.C. Collins will be visible when he’s in a shot.
Look at the contrasting dark and light skinned faces in this shot from Orange is the New Black. Granted OITNB isn’t using darkness and shadow like Lost Girl. OITNB is in a brightly lit prison. However, every face is equally visible, no matter the skin tone.
That’s all I want. I want K.C. Collins to be equally visible in scenes he’s in.
Come on Showcase, come on Emily Andras, come on Jay Firestone – do something about the lighting on K.C. Collins.
People are crazy and times are strange.
– Bob Dylan
In “Groundhog Fae,” episode 8 of Lost Girl, Bo kisses Tamsin about 50 times while Kenzi kisses Hale about 500 times. Lauren, Dyson and Vex become besties on Bo’s bed while discussing Bo’s box. It’s the Lost Girl Christmas show!
In the Lost Girl universe, it’s summer time. We’ll get to what that has to do with Christmas later. In the meantime, we begin with objectified boobs at the car wash/gas station.
Lauren lusts after this marvel of nature as melting ice cream runs in a wet slide down her hand. No need to be subtle on Lost Girl, just put it all out there. At least until Hale shows up to snap his fingers and bring everyone out of their Bo induced carwash hallucination.
Seems washing cars is therapy for Bo since she’s failed in her attempts to find the hell shoes. It’s Fae Yule night when Krampus comes to “slide down your chimney on the hottest night of the year,” according to Lauren (Zoie Palmer). Bo (Anna Silk) says that sounds like her kind of elf. Boy, is she wrong there.
Bo took a piece of candy when she paid for the gas, ate it, and now she’s so sleepy she’s letting Hale (K.C. Collins) drive. Bo climbs in the back seat and Lauren and Dyson (Kris Holden-Ried) shove it out to see who gets to sit in back with her. Lauren wins. Oddly, Lauren and Dyson are acting friendly toward each other.
In the gas station, a creepy fellow and his short assistant dump a dude who made the mistake of eating a piece of their candy into an abyss that somehow opens under the hood of a car.
Trick (Rick Howland) reads about the legend of Krampus to Kenzi (Ksenia Solo) who has had enough of the Stephanie Meyer literature and changes the subject to decorating for Yule. Trick continues that Yule is a celebration of contrition. We are going to have contrition aplenty tonight.
Dyson and Lauren come into the clubhouse, compliment Kenzi on her decorations. She only wants to know where Hale is.
Hale comes in with a Krampus sack, wearing horns. Kenzi is most welcoming, so much so that Lauren and Dyson have to issue throat clearing reminders about their presence. Bo doesn’t come in with everyone else. Where is she? They don’t notice her absence and drink a toast to Bo to show that “she is not alone.”
Bo wakes up in the car when the radio comes on. She’s no longer dressed in her wet car washing outfit. She has on a dress and boots and doesn’t know why everyone abandoned her in the car. Bo goes into the clubhouse. She passes by a couple kissing in what passes for an entryway, sees Bruce (Rob Archer) chugging beer with a woman as muscular as he is, and is approached by Choga (Darryl Hinds), who is one of those frog fae whose sweat gives you super powers. He offers Bo a lick.
Bruce interrupts his drinking to push Choga away and say hello to Bo.
Happy Yule, Bruce tells her.
In Bo’s bedroom, Lauren and Dyson discuss a box which came addressed to the dark archives in care of Bo and covered in Bo’s handwriting. Lauren opened it. They argue about whether or not to give the box to Bo. Bo discovers them and complains that they left her alone in the car, feeding her growing abandonment issues. They hide the box.
Vex (Paul Amos) comes in, wearing Bo’s corset. Bo yells for Kenzi and leaves. Lauren thinks she, Dyson and Vex are going to need more booze. They are downing shots as quickly as they can.
Kenzi and Hale make out in Kenzi’s bedroom. Kenzi breaks away because her Kenzi-senses are tingling. Hale makes an attempt at a brilliant 100% guaranteed foreplay remark which falls flat with Kenzi. He says, “Ignore that. I’ll do better next time.”
Downstairs, Bo talks to Krampus (R.D. Reid), only she doesn’t know he’s Krampus yet. She’s complaining about being abandoned in the car, calls Lauren and Dyson the new wonder twins. She says, “Okay, maybe I’m running out of excuses not to get back on that train. Why am I telling you this?”
Krampus puts on Groucho Marx glasses and says, “Sometimes we only have to see what’s staring us in the face.”
Tamsin enters, neatly ducks a ball just as it flies past her head, tells Bo, “I’m so sorry,” and kisses her. Bo wants to know what that was for. Tamsin says, “Doesn’t matter, you’re not going to remember in about 3 seconds.”
Bo is back in the car, waking up to the sound of the radio. She jumps out, goes back inside to pass by the kissing couple, see the beer chugging, get offered a lick of frog sweat, thanks Bruce for pushing the guy away. This time when Bruce walks off dissonant music plays when he passes by a particular wall which seems to magically contain the little guy from the gas station. It’s Jeffrey (Ken Hall) and he’s Krampus, Jr.
Bo sees Tamsin and says, “Yo, Valkyrie lips, what was that?” Tamsin is surprised Bo remembers that’s she’s been through this before.
Tamsin gives Bo the Bill Murray version of what’s about to happen as she points to various recurring events around the room. Tamsin’s been on repeat even longer than Bo, telling people they’re stuck in some sort of quantum paradox, but no one believes her.
“Then you and I kissed,” Tamsin says. They shrug. Since Bo remembers it’s groundhog
day fae, they try kissing again. Nothing happens. Bo says, “Nada.” Tamsin reveals her longing for the succubus, and says, “Speak for yourself.”
A couple of episodes back, Tamsin announced that the way Bo makes her feel is what love feels like. She always had the hots for Bo, but she’s being nice about it since her rebirth. In her previous life, she had the hots for Bo but covered it over with snark and anger. I’m wondering if the feelings Tamsin is developing (or acknowledging honestly) this season will make her a powerful ally for Bo in whatever eventually happens in the meeting with The Wanderer and the conflict between light and dark that is developing in Bo.
Rinse and repeat. This round in the time loop, Bruce is missing, Bo punches the frog sweat guy, and decides to have some fun of her own.
Fun for Bo includes betting on Tamsin’s chugging ability and arm wrestling Bruce’s buff drinking partner. Bo wins. Of course.
Fun also includes more kissing with Tamsin, because who’s going to even remember? Plus, Tamsin really gets into it.
Lauren and Dyson decide to drink to decide whether or not to tell Bo about the box.
Lauren should get to decide because she loves Bo. Down a drink. No, Dyson should get to decide because he sacrificed his love to save Bo. Down a drink. Lauren admits Bo wants the truth. Drink. Dyson thinks Bo can handle herself and her destiny. Drink. Vex thinks they should present their cases to him. Then Vex will decide who is most worthy of Bo’s box.
Bo wakes up in the car again as time restarts itself. She and Tamsin sit by the fire for a heart to heart talk this time around. I can’t help noticing once again that Kenzi is off in a kissing loop and Lauren and Dyson are drinking with each other in Bo’s bedroom. None of them are there for Bo. Tamsin is. Tamsin is not only there, she gives Bo vulnerable, longing looks. Tamsin says, “There’s something I need to talk to you about.”
Bo is distracted by Krampus, Jr. pulling another person into the magic wall with him. Party goers are disappearing into the wall at an alarming rate.
BAM, Bo’s back in the car and time restarts. Bo asks Tamsin to tell her everything she did on the way to the party. Seems she stopped at a gas station to buy a pack of gum. They decide to look for Trick to get the Yule story info.
Dyson tells Vex and Lauren about the first time he met Bo and how he gave her the chi injection she needed to save herself.
He figures that makes him responsible for her being here, so he should get to choose what to do with her box. You have to admire actors who can say shit like that with a straight face.
Lauren, who is well and truly drunk, says, “When I first met Bo she didn’t know her hole from an ass in the ground.” Lauren curbed Bo’s murderous hunger, plus she loves her and that should give her extra votes. She thinks they should throw the box in the fire.
Dyson says why are we fighting? Lauren smiles at him. He wants to hug it out with the doctor.
Dyson says later that he hasn’t hated her for a long time. She says, “You’re the only one who gets my predicament, Wolfie. And, you make me laugh.” Smiling and hugging and chemistry between Lauren and Dyson. It’s happening whether you want it or not.
Lauren is going to reattach Vex’s hand. Right now. Drunk surgery.
Bo and Tamsin find Trick sleeping in the bathtub. He’s drunk and useless. He does think Tamsin’s pretty, so maybe he’s not completely brain dead.
BAM. Back to the car.
Kenzi and Hale make out in her bedroom. He continues to search for a remark that will turn her on, not drive her away mad, but he’s not doing well at it. Three or four more time restarts and he reads to her from a book of poetry. Success. She likes it.
Kenzi gets out her “first time with a Fae box from Bo” to reveal a selection of condoms. Hale gets a sudden case of performance anxiety and checks his watch.
The 9th time Bo and Tamsin wake up Trick from his bathtub bed, Bo asks him why he hasn’t told her about The Wanderer. He says, “Because I’m terrified.”
Restart time. Bo and Tamsin try talking to Hale and discover that he knows about the time loop. He says, “Oh, Krampus got you, too?”
Seems Krampus plays tricks on people every year during Yule. Hale thinks it’s harmless. Bo says, we just saw some guy get sucked into the wallpaper. Hale says Krampus feeds on regret.
Bo goes downstairs to confront Jeffrey, AKA Krampus, Jr., at the wall. Tamsin gets sucked into the wall. Hale says Krampus is just a kindly prankster who whisks naughty children to candy land. He says they should go back to where they first met up with him to find him.
Things are back to normal time, which Hale says means Krampus has found someone with enough regret to tide him over. Bo leaves for the gas station. Hale gives her a big knife.
Kenzi is in her bedroom, her feelings hurt because she discovered that Hale was practicing his wooing in the time loop. She says, “How many times did we?” He says, “Not once.” He says he just wanted to make it perfect because he cares about her.
She forgives him; they make up.
Bo jumps into the abyss at the gas station. She discovers a conveyor belt where people go in one end and candy comes out the other. Tamsin is strapped on the conveyor belt. Tamsin says, “I’ve been naughty. Now I’ll be candy.” Bruce wanders by, sad because he has to wait to be candy.
Bo says, “Listen up, brainwashed Betty,” and gives Tamsin a lecture about not having regrets. Tamsin says, “If they make me into a lollipop, I want you to have the first lick.” Bo sticks the big knife in the works and gets Tamsin off the soylent green candy machine.
Jeffrey shows up and Bo yells at him about how he’s ruining Christmas. He says the Valkyrie is his, and sure enough she seems stuck to the floor. Tamsin confesses she’s the reason The Wanderer found Bo.
A quick flashback to a previous life, in which Tamsin hunts Fae fugitives. The Wanderer comes to her with eyes of pure evil. He wants her to find a woman that Tamsin doesn’t think could exist: her eyes both brown and blue, virtuous yet lustful, neither dark nor light – yet both.
Tamsin can’t stand that she helped that monster find Bo. She’d rather be candy than what she is. Bo says, “None of that matters. I forgive you.”
Jeffrey comes back and says, “Admit you ate that candy.” Bo finally gets the connection between everything that’s happened and eating the piece of candy from the gas station.
Seems Jeffrey wants a sacrifice. He likes Tamsin’s regrets. Papa Krampus turns everyone loose except Bo. He likes her darkness. There’s enough darkness in her to make candies for centuries. She’s full of guilt and denial and the kind of complexity that makes great candy.
He straps her to the conveyor belt. She can’t be free unless she faces her truth and confronts her fears.
She says, “Yes, I’m scared. I’m scared of making the wrong choice. Of losing my friends and my family again. I’m terrified of what I’ll become. I’m terrified of what I’m capable of. I’m terrified of The Wanderer and what he’ll make me.”
With that, Krampus frees her. She lands next to Tamsin still saying, “I’m scared.” Tamsin says, “I’ve got you,” and hugs her.
Bo wakes up in the car one last time, with Tamsin looking at her.
Bo asks Tamsin about the evil thing that got her, The Wanderer. Could he be Bo’s father?
Tamsin says, “That thing would do anything to claim its ideal mate. Even if it meant creating her himself.” Mate. She used the word mate. The plot line for The Wanderer is driving me crazy!
Kenzi pops in, asks how Bo is. Tamsin calls Kenzi mom. Kenzi says Lauren’s gone off to sew Vex’s hand back on. It’s past midnight and light and dark can’t be at the same Yule party so Tamsin leaves, Kenzi goes back inside and Bo stays with the car. Kenzi says, Oh, yeah, I found this box on your bed where Dyson passed out.
Bo opens the box and sees a glass container of something dark.
- Hello to Groundhog Day. Hello to Soylent Green. Hello to Willie Wonka and the Chocolate Factory. There were references to Keebler elves and Stephanie Meyer and other pop culture trivia in this episode. It’s as if we don’t know how to tell a story without pop culture to ground us and give us fodder for jokes.
- Here’s the Krampus folklore as opposed to the St. Nicholas folklore.
- Now that they finally built a set for Kenzi’s bedroom, we get to see it in every episode! We also have a set for a garage in this episode. Bo had to have somewhere to wake up whenever the time loop reset. The clubhouse is growing.
- I’m happy to see Lauren interacting with Evony, with Dyson, with Vex. Zoie Palmer was really limited in what she could do when she only had an occasional scene with Bo. More Lauren is always a good thing. Plus, Lauren is funny when she’s not busy being in love with Bo.
- It was nice to have the grown up Tamsin present and prominent in this episode. Almost makes up for her being missing so much in the previous episodes.
- Here’s a little present from Rachel Skarsten
— Rachel Skarsten (@RachieSkarsten) December 30, 2013
In this episode of Lost Girl, we are through worrying about Bo’s memory for a while. In “La Fae Époque,” Bo goes into Dyson’s memory.
We begin with a frantic Bo (Anna Silk) and Kenzi (Ksenia Solo) dragging a monk into the police station for Hale (K.C. Collins) to interrogate because Dyson (Kris Holden-Ried) is lost.
You read that right. Now Dyson is lost. Well, technically, the Una Mens have him.
Bo tries charming the monk into spilling, but there’s no glow. Must be a eunuch. She wants to know why the Una Mens only took Dyson when they were both breaking Fae laws by consorting with each other while naked. Hale nails him with a siren song. The monk caves immediately and tells them Dyson will be executed for treason for killing both Fae and human in 1899. Bo says, nope, that doesn’t sound like Dyson at all.
The monk utters some Latin and dies, giving Kenzi a chance to quip about dead languages.
The Una Mens with their one speaking character, The Keeper (Christine Horne) mutter some Latin themselves, which results in a gagantic knife being plunged into a woman in a cell; the Scavenger is no more.
Behind the cell, Dyson is chained to the ceiling. Naked. (No full monty, sorry. That damn gargoyle is in the way.)
Lauren (Zoie Palmer) and Bo talk about how much time they have to save Dyson. Lauren is rigging up Bo with electrodes. Lauren wants to know how they got Dyson and Bo says, “They caught us while we were . . . um.” Lauren gets what um is. The look on her face makes Bo say, “So, you and The Morrigan are getting close.”
Bo’s not jealous, she merely wants to use all that dark Fae equipment to save Dyson. Lauren claims she doesn’t ask – she just takes: Think dark to be dark.
Lauren continues sticking electrodes on Bo, finally putting one near her heart. Bo says, “Oh, hello,” and smiles. Lauren is sorry for the cleavage contact – so she claims – but Bo tells her not to be.
The science with subtext is interrupted by Cassie (Vanessa Matsui), the Oracle we met a couple of seasons ago, who waits impatiently. She’s rigged up with electrodes, too.
Cassie has to get Bo into Dyson’s memory so Bo can prove he’s innocent. Cassie says, “I thought you were going to ask me to look inside the gaping black hole in your memory.” Bo looks at her like, hey, could you? Cassie says, “Impossible, even for me.”
Cassie is disappointed with Bo. When she read her years ago, she thought Bo was the one who would lead the Fae into a new era.
Bo gets warned that even though she’ll be inside Dyson’s memory, she’s going to see things from her own perspective, too. Lauren steps up with a red string. Cassie says, “The red string of fate. You might as well lobotomize Bo right now.” Lauren insists it’s the only way. She wraps one around Cassie’s ankle and one around Bo’s ankle so it can secure Cassie’s connection to Bo and Bo’s connection to Dyson.
Cassie warns Bo that she could be in a straight jacket when she comes out of this but Bo is sure, and would, in fact, do the same for Lauren.
Dyson meanwhile is undergoing some kind of ritual cleansing that involves scrubbing down his bare body. Kenzi disguised herself and joined the Una Mens long enough to help with the scrubbing. Kenzi is carefully behind him or she might have been the one who got the full monty. Anyhoo, it gives her a chance to tie a red string to his ankle.
As soon as Kenzi gets the red string on Dyson, everything goes a little crazy.
Bo’s inside Dyson’s head. Most of the time we see Bo acting out Dyson’s life, unless Bo looks in a mirror, in which case we see Dyson.
Dyson/Bo is in bed with two lovelies. Their father enters in a rage and Dyson/Bo flees by shifting. We see a wolf in the street, who shifts into Bo’s form. Dyson/Bo steals some clothing – some badly fitting clothing – and heads off, stopping only to admire how ruggedly handsome she is in a shop window.
Dyson/Bo grabs a newspaper and sees an ad for Cabaret du Ceil starring Flora Blooms. Two guys start chasing her. Turns out it’s the mad papa.
They battle in an alleyway and Trick appears, beaning them both with a stick.
“A bowstaff,” says Dyson/Bo. She doesn’t know who he is, but he says, “Follow me if you want sanctuary.”
Trick sits Yoda-like in his sanctuary and tells Dyson/Bo, “You’re capable of more. Of good.”
Dyson/Bo goes, but Trick/Yoda calls him back with, “The helskór. The ancient hell shoes sought after by the most powerful Fae, including the one who wanders.”
Dyson/Bo says he’s heard of them. They can only be worn by “a worthy hero.”
A prince has them and is selling them to the highest bidder. Trick wants Dyson/Bo to get them. Trick introduces himself to Dyson/Bo with his full name, and Dyson/Bo calls him Trick instead. The birth of a nickname.
Back in the reality of the bedroom where Bo and Cassie are wired up, Bo mutters things like shoes, boobs. Lauren is glad Dyson was an intellectual. Then Bo mutters hell shoes, bowstaff, trick. Lauren thinks its a non sequitur party and they’re all invited. She tries talking to Bo, which is silly because Bo is off in Dysonland. Bo says he who wanders and Lauren gets excited but Bo smiles and goes back to muttering boobs.
Dyson/Bo enters Cabaret du Ceil. Kenzi, speaking with a French accent and dressed up in a skimpy outfit, blonde curls, and white wings, greets her at the door. In the Bo version of Dyson’s memory, Kenzi’s the bartender, Angel. She serves Dyson/Bo a drink.
Bartender/Kenzi flirts with Dyson/Bo. It’s a world outside of time where dreams come true. Dyson/Bo spots a familiar dude in the cabaret.
Yes, it’s Vex (Paul Amos), who just for tonight gets to be a prince. Dyson/Bo also spots a man in modern garb – a red nylon windbreaker and baseball cap – who will appear and reappear several times in the next few scenes.
Bartender/Kenzi reveals in her flirtatious French accent that the main attraction doesn’t attract the crowds she used to. Bartender/Kenzi then mounts the bar, strolls across it with her Betty Grable legs, and announces the evening’s entertainment, Mademoiselle Flora Blooms.
Mademoiselle Flora Blooms sings a french tune, works the audience, tickles the prince’s beard. To Bo-as-Dyson, this charmer is Lauren.
Zoie Palmer is singing. In French. She’s got a little of that Edith Piaf vibrato going. It’s fabulous, I tell you, fabulous. Television can never be more fabulous than this.
Dyson’s wang apparently likes it, too, because we get to laugh at Bo dealing with her first ever hard-on. Then Dyson/Bo walks out, sideways, as if propelled by an outside force, complaining all the while that Lauren/Flora isn’t done singing yet. In French.
Dyson, the real Dyson, is clean now and dressed in white. He’s in a cage. Hale pleads for his release saying that Dyson is innocent. The Una Mens says he’s guilty and won’t consider Hale’s arguments. Kenzi’s phone rings and her disguise is blown. The Keeper is not happy to discover a human lurking about and says that Kenzi will be executed with the wolf.
In Lauren/Flora’s dressing room, Dyson/Bo enters. There’s a kind of crazy ballet next. First Lauren/Flora threatens Dyson/Bo with a knife. Then she kisses her. Then she slaps her.
Lauren/Flora complains that it’s been weeks. Dyson/Bo says, “You care?” Lauren/Flora answers that she does not and he needs to leave. Dyson/Bo kisses Lauren/Flora again.
Let’s talk about Zoie Palmer’s voice for this character. It’s pitched about 2 octaves above her normal speaking voice into French coquette territory. It’s hilarious.
Dyson/Bo talks about the prince and the helskór. Lauren/Flora wants to sell them for a fortune. She talks about what she could do with all that loot if they get the shoes. Lauren/Flora is willing to share a perk with Dyson/Bo for the tip.
Back to the French ballet.
There’s sex, which we see from both Bo’s head, and – in a mirror – from Dyson’s head. Even in the mirror, Bo sees Lauren and not Flora – confusing, but go with it. In case you wanted to see Lauren and Dyson together, there it is. And if you were longing for a threesome with Bo, Lauren and Dyson, this is almost it. Almost. If the idea of Lauren with Dyson makes you cringe, I apologize for this screen shot and hope you can erase it from your mind forever with an image of Lauren with Bo.
Bo likes her super stud self as she thrusts away. She watches in the mirror and says, “So this is happening. For investigative purposes, right?”
Then the most confusing part of the entire scene happens. The camera turns away from the mirror, so according to the rules set up so far in this plotline, we should see Bo and Lauren. But we don’t. We still see Dyson and Lauren. What the hell did the writers mean by that?
In the real bedroom where Bo is wired to electrodes, Lauren watches and wonders what Bo is seeing in there. Bo says Lauren and moans out an orgasm. Lauren smiles and says, “Even in Dyson’s subconscious you’re thinking of me. Score one for the doctor.” Then she looks grossed out and horrified and says, “Unless that’s Dyson talking.”
Cassie begins counting backwards from 100, which can’t be good.
A knock on Lauren/Flora’s door interrupts the love fest. It is the prince.
Lauren/Flora scoots Dyson/Bo out the back way.
In comes the prince with a shoebox, which Lauren/Flora quickly relieves him of. His accent is execrable! To be honest, Lauren and Kenzi aren’t doing too well with the accents either, but I think this one from Vex/Prince is more deliberate.
She kisses him. Blindfolds him. Does things with her mouth to his neck and ears while digging in the box for the hell shoes. They are ugly woven flats – hell must refer their style. They are not red, which they really should be, because, as we learn in a bit, once you get them on you cannot get them off.
Vex/Prince gets upset when he realizes she’s after the shoes. Dyson/Bo took the intervening time to get dressed and comes in to punch out poor Vex/Prince with a right hook.
Dyson/Bo puts the shoes on Lauren/Flora. Lauren/Flora immediately gets crazy eyes. (Apologies to Orange is the New Black, but she does get crazy eyes.) She says she’s been denied, the shoes are not intended for her. Dyson/Bo tries to get them off but cannot. A kick in the face for Dyson/Bo and off glides Lauren/Flora.
With Dyson and Kenzi in the clink, Dyson says he’s impressed Kenzi got in there. He wants to start training her as soon as they get out. He can feel Bo in his memory. Kenzi asks if he really murdered someone. He says, “It’s a long story and it starts with a pair of shoes.”
Back in memoryland, Dyson/Bo follows a trail of dead people that Lauren/Flora left in her wake as she ran off. She says, “Flora did all this, why is Dyson being blamed?”
Cassie appears in the dreamland where Bo is Dyson. She tells Bo to cut the string. The modern guy in the red windbreaker walks past them. Cassie says Bo has lasted longer in someone’s memory than she’s ever seen, but she needs to get out now. Cassie says, “You’re brave. And something else. Something new.” She pulls off her red string and backs away counting down from 10.
When Cassie gets to 1, she wakes up, unhooks herself from all the electrodes, and tells Lauren to get the straight jacket ready for Bo because she stayed behind. She mentions shoes. Lauren says, “What shoes.” Bo mutters so much blood.
Dyson/Bo catches up with Lauren/Flora, who is kneeling over a kill. She has Freddie Kruger knuckes and says she can’t stop killing. Lauren/Flora attacks Dyson/Bo and we get to savor a lot of kick ass pushing, kicking, hitting and struggling between Bo and Lauren.
Dyson/Bo goes wolf on her.
Lauren/Flora maintains her French accent and Betty Boop voice throughout this entire fight scene. Finally Lauren/Flora comes back to herself a bit, says, “What have I done?”
Dyson/Bo tells her its the shoes and tries again to get them off. Dyson/Bo says, “I’ll fix it.” Typical Dyson.
Dyson/Bo says, “I love you.” Lauren/Flora says, “No, your love hasn’t come yet. And when she does, she will . . . ” This sentence doesn’t get finished, because someone shoots Lauren/Flora in the back. Was the prophecy from Flora to Dyson, or is it from Lauren to Bo? It could be either.
In the real world, Lauren tries to get Bo to wake up. She almost removes Bo’s red string. Instead she puts a red string on herself and says, “I’m coming in.”
Back in Dyson’s memory land, the shoes are off. The dude who shot Lauren/Flora tosses his pistol on top of them.
They will think you killed all these people, he tells Dyson/Bo. He wants the shoes. He tells Dyson/Bo to run like he’s always done. Calls him a waste of flesh. Tells him it’s all his fault.
Back in their cage, Dyson explains to Kenzi that he felt guilty because he was the one who made Flora put on the shoes and he almost did run. Finally, however, just as he told the guy he’d have to fight him for the shoes, Trick knocks him out with his bow broomstick.
That’s twice Trick saved Dyson in one day. Not to mention that Lauren and Bo are in the process of saving him once again in the real world outside memoryland.
Trick doesn’t want the shoes. He wants a second for the new world – a Fae colony that will live in peace. He invites Dyson to his prayer room before dawn to talk about it.
Dyson and Kenzi talk about how they thought they would die.
Kenzi has faith that Bo will show up in time to save them. The Una Mens walks in spouting Latin and says, speak your last words. Kenzi says, “Oh, god. Oh, god,” which the Una Mens consider Dyson’s last words. Oops.
Dyson tells them he will give them the hell shoes if they release the human. He has one in his possession and will give them the location of the second as soon as they release her.
Back in dreamland, Dyson/Bo has buried Flora. Lauren enters the scene and Dyson/Bo says, “It’s not you.” Lauren tells her she’s getting confused. The guy in the red windbreaker shows up with a huge version of Dyson’s champion belt. Lauren tells her to cut the red string, that Dyson needs her.
She looks down and has the belt in her hands. She figures out the message. She removes the red string.
Back in reality now, Bo jerks up on the bed. Lauren is still off in memoryland. Bo sees Don’t cut the red string written on the mirror in lipstick. How will she get Lauren out of there?
With a kiss, of course. True love’s kiss. Solves all sorts of sleeping disorders. Lauren comes out of it.
There’s another kiss just to say hello, and Bo smiles. She knows what to do.
Bo shows up with one of the helskór. It was inside Dyson’s framed championship belt, wrapped in a jock strap.
A guy in a mask says the magic Latin. Bo says, “You,” and removes the mask. It’s the guy who shot Lauren/Flora in the back. Which means the Una Mens knew all along that Dyson was innocent because they sent mask-face to get the shoes years ago.
The Keeper says, “She is more than we expected.”
“I’m glad you finally got the memo,” Bo answers.
Bo, Lauren, Kenzi, Hale and Dyson plant themselves at the bar in the Dal. They are eating hot dogs and happy to be all together again.
Even though Lauren is sitting right there, Dyson says, “That was intimate. You in me for once.” Bo says their minds work well together. I’m not sure if all their meaningful glances made Lauren uncomfortable, but I got a little nervous myself.
Bo mentions that she felt the red string tied her, Lauren and Dyson all together, although Lauren points out that it was meant to tie only two people together. Maybe a bit of foreshadowing that the not-quite-a-threesome scene might be something Bo actually wants to make real?
Kenzi asks what Dyson did after he buried Flora.
Dyson says he went to Trick’s prayer room and pledged fealty to the Blood King. Dyson thinks Trick is the true savior.
Bo disagrees. He’s done nothing for her lately. Dyson says, “He doesn’t know about the mark on your chest.” Lauren wants to know about this mark but Bo dismisses her question for now. “He is the Blood King. He is my grandfather. Why hasn’t he helped me figure out who took me?”
I’m with Bo on this. Trick’s secrets have been a serious impediment to her and I don’t blame her for being unhappy with him.
Bo says, “I need to find The Wanderer. Find out why he took me. Why I’m dark.”
Lauren asks how. Bo says, “Something he wants. Something he has always wanted.” She asks Dyson where the second shoe is. He gave it to Angel, the bartender, who is hiding it until the true hero comes for it.
Bo says, “We’re all done waiting. Cause here I come.”
- In case you aren’t familiar with the fairy tale about the red shoes, here’s the Wikipedia article. For more on the red string of fate or the red string of destiny, Wikipedia has the info once again.
- Helskór, also know as hel-shoes, were put on the dead so they could go to Valhalla, according to Wikipedia.
- Fairy tale references littered this episode. Myths, fairy tales, what’s the diff, eh? There were a couple of movie shout outs as well. Acknowledge your genre and it’s forebearers and fans everywhere will embrace your efforts.
- We’ve now seen every possible sexual exchange (of at least kissing) among the characters available. Well, Tamsin and Hale still have a couple of available options. Will they ever stop and let anyone settle down to a single partner. I really doubt it.
- Tamsin is gone more than here. Come on, people. We want the full cast in action in each episode.
- Here’s a little present from Ksenia Solo:
— Ksenia Solo (@KseniaSolo) December 23, 2013
Lost Girl continues to confound our expectations in “Of all the Gin Joints” by using opera to restore bits of Bo’s lost memory and by putting Lauren in the middle of a plot we don’t yet understand.
Episode 6 begins with a woman (Lara Jean Chorostaki) singing an aria to an audience of one. She wears a white dress covered with feathers. After her song ends, she tries to run away. A man stops her in her tracks with a whistle that does to people what Hale’s siren song does – it brings her to her knees in submission. It also makes me hold my ears at home while reaching for the volume control. She recovers enough to continue running.
At a certain familiar gin joint, Bo (Anna Silk) and Kenzi (Ksenia Solo) conduct parallel disconnected monologues. Kenzi’s is about reading a note from Tamsin about how she has to go somewhere. (Again with the missing cast members in season 4.) Bo’s monologue is about witness signatures on dark contracts and really knowing yourself. When they finish their unrelated speeches, the say how glad they are to have each other to talk to again.
In walks the opera singer, who collapses at their feet. Yeah, of all the gin joints in all the towns in the world, she stumbled into this one. They get her into a booth. When the singer sees Bo she says, “You,” and mutters a whole string of excited Russian, which Kenzi translates to I found you and I came just like you told me to. Bo claims never to have seen her before.
Trick (Rick Howland) installs the singer in his lair and brings her things to help her get better. Bo wants to talk to her but Trick says she needs to rest and heal. Ianka is an alchemist, a rare descendant of bird people.
Trick says, “The alchemist’s song evokes powerful memories.”
Bo wants to know what kind of memories since she’s been looking for a few of those lately. Trick says some of the memories can take life.
Disco music, packing boxes, Lauren’s apartment: a happy Lauren (Zoie Palmer) moves her hips to the beat as she fills boxes. The door is wide open as usual. In walks Evony (Emmanuelle Vaugier) bearing pizza and beer. Pizza and beer have an effect on Dr. Lewis, as I recall.
Evony wants to help her move – wants Lauren to party while packing with Dark Belch beer from Evony’s own microbrewery – wants Lauren to call her Evony. In a shout out to Words with Friends fans, Evony calls the pizza za and plops it down on a cardboard box labeled “mini electron microscope.” For some reason, I find this cardboard box to the coolest thing in Lauren’s whole apartment.
Evony slides a box out of her way and Lauren tells her to be careful. It holds her entire Star Trek DVD collection and her Khan collectible action figures. I think this makes Lauren super cool in her special nerdy way, but Evony thinks she has something even cooler. She hands Lauren some old journals.
Bo finds Dyson (Kris Holden-Ried) in the Dal. He informs her that Lauren has gone with the dark. Bo says, guess what – me, too. She says her hand was forced by The Wanderer or Raynor or whoever the bastard is. Dyson wants to fix it. Bo wants sex. Dyson says it’s forbidden between dark and light.
That argument stops Bo for not even a millesecond. She drags Dyson to a back room and starts tearing off his clothes. Trick finds them and says, “What’s wrong with you. Get your brains out of each others pants.” Bo is unconvinced that giving up her quickie is a good idea until she hears that Ianka’s awake.
From Ianka, Bo learns that Ianka sang for her when they met before. Bo made Ianka promise to find her.
She sings. It takes Bo back to running in the woods in the white nightgown, to the train, but the memory is vague. Bo wants her to sing more, but Ianka says they had a deal. She’d sing and Bo would help her get her freedom.
Ianka says she needs to sing her special aria for an audience to feed, but she’s only been allowed to sing for a powerful dude called Bamber. Ianka says Bo knew she would not remember their deal, and that she should look in the handle of her knife.
Bo finds a paper in her knife. It says, “Ianka, you will sing for me and I will bring you freedom.” Bo recognizes her own handwriting on the note.
From upstairs, a loud guy yells for Ianka. He says he owns her. Bo goes upstairs and makes a “nobody owns her” speech about Ianka. Bamber (Alex Karzis) says she’s been in his family for centuries. He’s wearing a beaded and embroidered outfit that would make Liberace jealous of his wardrobe.
Bo mentions the Emancipation Proclamation. He mentions the GPS in Ianka’s necklace. Bo says that the famous aria needs to be sung. She appeals to his ego and convinces him he’s generous enough to make this happen.
Lauren learns the journals are by famous scientists. You know, Einstein, Curie – like that. Evony implies that they were Fae and says she has a whole vault full of them and tosses a few more into Lauren’s lap.
Lauren reads aloud from one, an entry about experimenting with tuberculosis on humans. She immediately thinks it was a dark Fae doctor writing the journal, but Evony tells her the doctor was human. They have an ethical discussion about scientific research. Weird.
Evony wants Lauren to feel free. Lauren says if she agrees to work with the dark Fae, it will have to be on her own terms. Evony says, “Fine. Scout’s honor.” Golly, I believe her, don’t you?
Trick and Kenzi talk at the Dal. Trick wants her to leave because an alchemist’s song can hurt humans. Hale (K.C. Collins) walks in and Kenzi goes all twitterpated. She smooths her hair and looks at Hale with expectation.
Hale walks right past Kenzi and hugs Ianka. Ianka squeals and hugs Hale like an old friend.
As everyone gathers to hear the famous aria, Kenzi – who might be a tad jealous – catalogs to Bo all of Ianka’s failings and says singer means whore in Russian. Well, not really. Bo, who isn’t really paying attention to Kenzi in this conversation either, says Ianka is the key to her finding Raynor.
Ianka sings and Bo remembers more about the train. She remembers finding a crown with the name Isabeau inscribed on the inside. She remembers being angry at seeing the crown.
A tall bald guy, Marcus, (Colin Lawrence) enters and stops the song. (Gee, he looks a lot like Kit Porter’s son.) Marcus says the singer is wired to explode. He’s got a gizmo in his hand that will detonate the necklace.
Marcus and Bamber are ready to start a war over possession of the alchemist.
Trick tells them to cool it because unrest will bring the Una Mens. Ianka gets taken to Trick’s lair once again, to heal and rest. Bo wants to take a closer look at the crystals in her necklace. Trick tells her that liquid volcanic argon can freeze the crystals so they won’t explore.
Bo sends Kenzi off to the volcanic liquid argon store. I’m not making this shit up, people.
Evony and Lauren are laughing, flirtatious. Lauren starts a Doctor’s Log Star Date journal entry about being on the couch with Evony. She’s letting her inner Trekkie out in front of Evony. It feels intimate and more open than she’s been with anyone lately. Lauren notices that the beer they are drinking is 25% alcohol. Oops. She’s tipsy.
Kenzi, who’s come in through the ever-open door, sees their behavior and asks the alternate reality Lauren to go get the real Lauren for her.
Ianka likes seeing Hale’s face. He likes seeing hers. They smile, hug, kiss. Bo happens to see the kissing. Oh oh.
Lauren reaches into her cabinet for a canister of liquid volcanic argon. What, you don’t keep a few vials in your pantry?
Lauren explains that Evony (Evony? says Kenzi) is helping her find a new place. Kenzi sniffs the beer bottle and says, “Hmm, this doesn’t smell like Kool Aid.” Lauren gives her a serious I’m-not-really-drinking-the-kool-aid look and asks how Bo is. Kenzi says, “She misses you. We all do.”
Lauren clicks into scientist mode and realizes something about the clear quartz Kenzi mentioned.
In Trick’s basement, Marcus is planning to take Ianka and go. Bo confronts him, but leaves when he threatens to blow up the crystals with his gizmo. (Not that gizmo. The gizmo in his hand. Oh, never mind.)
Upstairs. Dyson has made a receiver, which they use to listen to a conversation between Marcus and Ianka. They all hit the floor because they think he pressed the detonator. Nothing goes boom.
Kenzi arrives to tell them that the detonator didn’t detonate anything because of the transparency of the necklace, which of course, she learned from Dr. Lauren.
How is Lauren, asks Bo. Kenzi says, “Good, in a general alone sense.” Such a liar. Kenzi asks where Hale is. Bo says he’s around probably. Such a liar. Their conversations may be disconnected, but they still protect each other in matters of the heart.
Marcus and Ianka are gone. Bo finds out where using her succubus charms on Bamber, who claims Marcus is a radical bent on hatred.
Dyson does something that makes Bo say, “I love the sight of you.” This makes her realize that Ianka and Marcus are in love. She thinks Ianka and Marcus are going to use songs to kill all the bambers.
Kenzi says, “Hale’s gone and I haven’t even told him that I . . .”
Bo and Kenzi arrive to tell Ianka not to sing. She denies the song will be a death note. Instead it will tell her and Marcus’ families about their love.
Marcus lets the pretty girl in the feathered dress down by telling her some things are bigger than love. He blows his horrible whistle thing to make her sing a death song, but Hale shows up and sirens Marcus. Marcus aims his big gun at Hale. Bo gets between Hale and the gun. Marcus aims his big gun at Bo. Ianka gets between Bo and the gun. Marcus aims his big gun at Ianka. They’re lined up like soul train.
Marcus makes the mistake of calling Ianka a bitch and she sings a death knell that kills him. Take that, buster. The song hurts Kenzi and Hale, but not Bo for some reason. Hale picks up the suffering Kenzi and carries her off.
The song weakens Ianka so much she collapses. Bo holds her and promises her freedom. Ianka will die to be free. She says stories of the unaligned succubus made her believe she could be free. Bo says I’m not unaligned any more. Ianka says, “Your heart is what you want it to be.”
Ianka puts something in Bo’s hand, says, “For you. As you wished,” and dies in Bo’s lap.
On a bench, Kenzi is moaning about the pain in her ears. Hale sits beside her. “You’re finally here.”
Hale’s remark must make sense to Kenzi. She says I’ve always been here and kisses Hale. It’s a sweet, tender kiss, unlike Bo’s kissing of late. The exact opposite of Bo, in fact. Bo’s been all wham bam thank you wolfie for a while. Hale and Kenzi cuddle on the bench. Hale’s ears are bleeding, but he doesn’t let Kenzi know it.
In her bedroom, Bo opens the thing Ianka gave her. It glows and creates music that takes her back to the train. She sits in front of a mirror. A light colored hand print appears at her throat, makes Bo stand up and say, “No. I can’t do this.” Bo puts the lid back on the thing. Dyson comes into the room, sees Bo looking upset. He says, “Bo.” She just looks at him. She’s confused, stunned.
Evony gives Lauren the key to the dark science facility and the key to Lauren’s new condo. Lauren says, “I’ll never trust you.”
I wouldn’t respect you if you did, answers Evony. She tells Lauren, “This was fun.”
Lauren kisses Evony. Yes, she really does.
Evony says, “This could be the beginning of a beautiful . . . something.” She doesn’t say friendship as the nods in this episode to Casablanca would require. She comments that she knows Lauren has really gone dark because she can taste it.
The second Evony leaves, Lauren digs out a mirror and some tweezers. She pulls a layer of something off her lip and puts it in a petri dish. A little sample of Evony in a petri dish – what’s Lauren going to do with that? She looks very satisfied with her sample. She raises her beer bottle and toasts, “To it beginning.”
Bo deals with her problems the only ways she knows how. With sex. Rough and impersonal sex.
Dyson keeps telling her to look at him but she won’t. She keeps her eyes firmly closed. Finally she clamps a hand over his mouth to shut him up so she can get on with it. “Don’t tell me what to do.”
They pull apart. “It’s okay.” Dyson says, “No one owns you.”
She’s afraid she’ll become like Marcus, bitter and choking on thoughts of revenge. She says she doesn’t even know the other Bo. The Bo who spent a month on a train hatching a plan and who joined the dark, willingly.
She kneels in front of the mirror. We see a hand print at her throat.
He marked me! Who, asks Dyson. The Wanderer. Raynor. He might be my father.
Three of The Una Mens appear in the room, complaining that the codex of laws have been broken. By Dyson. He responds with wolf growls.
The Una Mens can growl, too. The episode ends with snarling.
- Lauren is up to something, but I’m afraid to predict what it might be. There’s no predicting season 4 of Lost Girl. No predicting.
- Bo’s Fae Alzheimers is is causing havoc. And dragging on. And on.
- Kenzi and Hale are acting like they’re a thing now. That’s actually sweet and charming and hopelessly romantic.
- Inappropriate as it was, devious as it was, I really enjoyed the light-hearted exchanges, near flirting, and laughter between Lauren and Evony.
- The Bo and Dyson sex scenes this season have been strictly sex with no feelings – something Bo boasted about to Lauren earlier, but now are reality. She seems to be using him without regard for his feelings, and he’s letting it happen!
- Speaking of sex, since Bo learned 3+ seasons ago that she was Fae and a succubus, her sexual nature has been the one thing about her identity that she was able to comprehend and master. But now even that part of her is turning hellish and torturous. Our Bo is in deep trouble.
- Bo was supposed to be babysitting Vex but he’s nowhere around. Where’s Tamsin, what’s up with Bruce, and will we ever find out what happened to Crystal? What happened to Bo on the train? Will Bo ever be the Bo we love again? Who is Bo’s father? Did Bo and Lauren break up while they were frantically kissing in the last episode and not tell us? The never ending tension in every single story line is killing me. Can’t we resolve at least one of them?
- If they were going to make references to Casablanca, couldn’t they have found a reason to include “As Time Goes By” in the soundtrack as well?
Trick (Richard Howland) talks to a photo of Bo. “Please, my darling granddaughter, just tell us. Where are you?” The question on everyone’s mind starts off the episode. Lost Girl still has a lost girl.
Dyson (Kris Holden-Ried) gets off his motorcycle at the spot where Tamsin drove off the cliff. The spot he’s been going to every day in search of Tamsin. He pokes around in the weeds.
He finds a little spitfire of a girl (Ava Preston). Based on her attitude and her mass of blonde hair, I think she’s a teeny-tiny Valkyrie.
Kenzi (Ksenia Solo) is preparing Bo’s bedroom for a welcome home. She has everything a succubus could want in her love nest: chocolate, lube, the promise of angel quality Victoria Secret models and a perfectly made bed. I like this shot of Kenzi checking out the bed because it has both Mia Kirshner and Ali Liebert listed as guest stars on the same screen.
Dyson asks her what she’s doing, especially since they haven’t found Bo yet. As Kenzi fondles Bo’s kimono, he tells her she needs to come downstairs.
Kenzi sees the urchin in the kitchen and says, “Oh, my god, it’s mini-me.” Dyson tells her he thinks she was in the crash. “Valkyries have many lives.” He wants to keep her because she may know something about Bo’s father. Kenzi agrees that they need to go all interrogation on her. The girl tosses a huge knife into the wall with perfect accuracy, says, “Peace out, losers,” and flounces off. Kenzi says, “Tamsin,” and Dyson agrees.
At Ronny’s Restaurant, Lauren – err, Amber – is cursing a phone call that doesn’t go through. Crystal, another waitress, comes up behind her. It’s everyone’s favorite Bomb Girl, Ali Liebert. She says, “You ever need anything . . . ” as an offer to help the lovely Amber with just about anything. Amber denies needing help and walks off.
Trick is explaining that newly reborn Valkyries don’t always remember everything, which is why they can’t get the info they want out of tiny Tamsin. He says they sometimes suppress memories from the last lifetime.
Trick comments on how insecure the clubhouse is while messing with a crate he brought from the Dal. You know which crate, the one with The Wanderer card in it that nobody has yet noticed contains an image of Bo. Dyson notices cuts on Trick’s arm and Trick explains about a run-in with Aife. Unfortunately, the encounter drove Aife, “back to insanity over the loss of her child.” That’s ambiguous enough to let them do just about anything with Aife in future episodes.
Trick says to find Bo they need the compass they left behind at Angleworm’s, but Kenzi whips it out and says, “Oh, this bad boy?” Trick checks out the compass and announces that Bo is no longer on this physical plane.
Cut to Bo (Anna Silk), who wakes up atop a bed in a white nightgown. She’s in something that’s moving.
Bo peers out a window and sees clouds or smoke flying by. “Shit,” is her reaction.
Dyson and Trick are talking about someone who can traverse the intersecting planes of existence to track Bo. Endymion. He’s been missing for 800 years. The only Fae who might know where the missing Endymion is turns out to be his ex, Selene (Cynthia Preston), who owns a salon. Trick has her address right here in his Fae Rolodex.
They hear horrible screams and Trick says it’s the Una Mens. Cut to a dungeon where Vex (Paul Amos) is trussed up like a Thanksgiving turkey and bleeding from almost every square inch of skin. The dungeon master (Christine Horne) want to know where The Morrigan’s body is. Vex says she isn’t dead, she’s missing. They threaten him with a mask. For some reason the mask is really scary and he caves. He asks why he would give them a crazy bitch when he can give them – her. He gestures to a mask.
The camera pans past masks for the unaligned succubus and the human doctor. Who is Vex selling out now? And what the hell are the scary masks about? They let him go but put some gooey gunk from the dungeon master’s neck in his mouth first.
At Selene’s salon, Dyson and Hale (K.C. Collins) are looking for Endymion, also known as Eddie, which is much easier to spell, thank you. Selene says he hasn’t been around in ages. She wants to cut Dyson’s curly hair and drags him to the back.
Hale tries to break into the salon’s computer, when Clio (Mia Kirshner) shows up, snatches his hat, and says, “What do you want with Eddie? Selene isn’t going to tell you shit. You need to go see Astrid.” She writes something on Hale’s hand as a message to Astrid and disappears, leaving only the hat.
Back at the succubus love nest Kenzi is perfecting, tiny Tamsin is asking a lot of questions. Kenzi gives her a giant lollipop, which was part of the love nest supplies.
Maybe I lack imagination, but I cannot decide how Bo would make use of a giant lollipop during her sexual escapades. I finally decide the lollipop is an homage to The L Word because it looks exactly like the one Jenny, played so well by Mia Kirshner, was licking during Max’s baby shower.
Tiny Tamsin wants to know if Kenzi has a boyfriend and if they make out. Kenzi says men are dumb and love kicks you in the friggin’ box – or whatever. Tiny Tamsin eyes Bo’s night stand and says, “What’s a condom?” Kenzi says everything in Bo’s room is off limits to little Valkyries. The little Valkyrie is bouncing like mad. Kenzi says, “Why are you vibrating? Is that a Valyrie thing?” Nope, just gotta pee.
Tiny Tamsin tosses Kenzi’s magic sparkle cream that makes her a fake Fae in the toilet. Kenzi demonstrates the gleam, but when Tiny Tamsin wants more she is out of gleam cream.
Astrid (Farah Merani), who has no mouth and therefore can’t talk, is talking a blue streak. She’s giving Dyson and Hale advice about their loves lives while she discusses scents. She says Hale needs to learn to hunt (Kenzi, we presume), and puts a drop of scent on him. She gives Dyson a vial she calls “one kiss.”
In the salon, a whole herd of scantily clad beautiful women dance around Dyson and Hale. Every good looking woman in Canada must have been hired for this scene. Suddenly Clio appears. She’s dressed in black slacks with a tucked in white shirt. Compared to the other women in the salon, she looks positively butch. Dyson wants to ask her questions, but she says, “Girls, it’s feeding time and guess who’s coming to dinner.” Dinner is Hale. (Yes, they did make a guess who’s coming to dinner joke about Hale. Boo. Hiss.) All the pretty girls gather around Hale, apparently to smell him. Because, you know, the scent.
Kenzi attempts to make cookies to entertain Tiny Tamsin. Tiny Tamsin finds The Wanderer card. When she touches it, it bursts into flames. Someone finally notices that Bo is on the card. MMXV is also on the card, which Tamsin asks about. She also asks if Kenzi thinks Bo is stuck in the card.
Dyson breaks into a bedroom to find Eddie (Benjamin Ayres). He’s asleep and Dyson can’t wake him. Selene appears and says Eddie isn’t dead, just fast, fast asleep.
At the restaurant, Lauren – err, Amber – sees a newspaper photo that looks a lot like Bo. She drops all her dishes on the floor. Crystal comes over to help clean up and lets Lauren know that she isn’t fooling anyone with her fake resume that says she’s waited tables before.
Crystal touches Lauren, straightens her hair, pins on her name tag for her and calls her cute, funny and sexy. Oddly, she isn’t put off by the horrid wig. As if that wasn’t enough obvious flirting, Crystal wants to get a drink with Amber/Lauren after work.
Amber/Lauren gives Crystal that look, you know, the one where she uses her eyes. The look that says I realize you are incredibly desirable and you are offering yourself to me. Then she says she can’t have a drink after work, she just can’t.
Back in Eddie’s bedroom, Dyson uses his vial of one kiss to make Selene kiss Eddie and wake him up. She’d rather kiss Dyson, but the stuff in the vial works. Eddie is back with us. First he elbows his wife, calls her a harlot. Then he wants mead and a Turkish bath.
Bo is locking picking her way out of the railroad car, muttering, “You’re right Kenz, lock picking is a skill everyone should know.” She pauses, “Kenz, I know that name.” What? She doesn’t remember Kenzi? Everyone else remembers. Why doesn’t Bo remember? She gives up on the lock and pounds on the door. A nurse dressed in a uniform that looks like it was in style in the Civil War comes in and says, “Hush, you’ll awaken him.”
“Him?” asks Bo.
“I don’t think I can say,” says the nurse. Bo remembers she can charm people, because she immediately lays a succubus touch on the nurse to try to get more information out of her. The nurse says, “Beautiful eyes – both brown and blue. You’re the one.” Well, that’s spooky déjà vu.
The train goes all wobbly and the nurse says, “You made him angry.”
Eddie, who has a mysteriously appearing and disappearing umbrella, brought Hale and Dyson to a place with a lot of junk piled beside some railroad tracks. He says he must know Dyson’s true feelings for Bo to find her. First Dyson gives him a description: brown hair, 5’6″, etc. That won’t do. Dyson shows Eddie the burned card photo on his phone that Kenzi sent him. Eddie wants to know if Kenzi is his, too, just like this Bo. Hale says, “No, she’s mine.” Eddie says if Bo is the person on the card she’s in a heap of trouble.
To make the tracking work, Dyson has to give the feels. He says, “She has the most beautiful heart. And it breaks every time someone she loves is hurting. She’s brave. Stubborn. Passionate. True. She loves with all of her being. And I can’t do any of this without her.” Eddie likes that.
Hale says it’s hard to say stuff like that out loud. Dyson, says, “Hale, you gotta tell Kenzi how you feel.” Hale says it isn’t that easy, makes excuses. Dyson says no more excuses. Hale splits to go find Kenzi.
Amber/Lauren delivers a plate of liver and onions to a male customer. He says, “Thank you, darlin'” She sits down by Crystal to fold napkins and says, “I think that guy just slapped my butt with his eyes. How do you put up with some of these customers?”
“Same as I put up with some of the staff.” Getting turned down on an invite for drinks brings out the claws.
Amber/Lauren apologizes for earlier, which Crystal quickly forgives. The liver and onions guy chokes and Lauren goes into doctor mode.
Amber/Lauren slices open the guy’s throat with a table knife, asks him what kind of Fae he is to be sure she knows what she’s doing, and pulls a metal cage or something equally weird out of him. Despite the 7″ slit in his neck, he sits up and says thank you.
Amber/Lauren looks up to see that Crystal has filmed the whole thing with her phone. (Déjà vu is everywhere you look.) Crystal has visions of big money from selling this piece of alien footage somewhere. Lauren isn’t thrilled.
By the railroad tracks, Dyson and Eddie talk dimensional shifts. Dyson smells someone following them. (Clio is on a rooftop with binoculars.)
Hale shows up at the clubhouse with flowers. He’s practicing his speech to Kenzi when she comes in and tells him to hush because Tiny Tamsin is asleep. He gives her the flowers. She says, “Hale, that’s so sweet. These are gonna add that little boom, boom, pow Bo’s room needs.” She’s a heartbreaker, that Kenzi.
“I like you,” Hale blurts out. “Every time I walk into a room, you are all I can look at.” Kenzi plants a big kiss on him, pauses, wonders what she’s doing, sweeps everything off the counter and pulls Hale on top with her, pauses, says, “This is all right, right?” She grabs him again, does something with her hands in his lower regions while he is saying, “Wait, wait.” She looks at her handiwork, says, “Oh, god, I love you in purple!” and wraps her legs around him. Hale says, “Wait, it’s the perfume.” She doesn’t want to give up and waste the purple, but just then Tamsin screams.
They rush upstairs to find a teen Tamsin (Eliana Jones) with even more thick Valkyrie curls than Tiny Tamsin. Teen Tamsin is mortified by her breasts. They tell her everything will be okay and Hale attempts a Dad speech.
Teen Tamsin says she’s super bizarro. Kenzi says, “Sorry, kid. You’re growing up.”
Kudos to the casting crew. Not only did they find every pretty 20-something woman in Canada to be in the salon scenes, they also found two young actors who look very much like Rachel Skarsten to be the younger Tamsins.
Dyson finds a machine in the junk beside the railroad tracks. It looks a bit like an old radio from the days when radios had tubes and took up the whole living room wall. He thinks the thing is important but Eddie doesn’t know what it is. Dyson realizes Eddie has been asleep so long he doesn’t know what anything modern is and can’t track. Clio flies into the scene and tackles Eddie with his own umbrella. Clio rants about opening the gate to another dimension with a ticket and how it would make them all go boom. Then she fights off Dyson with the umbrella. He knocks out one of her teeth with the thing.
Clio says, “He is not Eddie. I’m Eddie,” and smacks the umbrella in the dirt for emphasis. Seems Eddie was asleep so long that she took over his gigs. Then we need some exposition about how Eddie’s spawn were elementals but they only have command of one element, whereas Clio is some sort of super elemental who has command of all four elements: earth, air, water, and fire. Finished with her exposition, Clio pushes Eddie onto the train tracks, and she knows a train is coming. He quotes 800 year old poetry as the train obliterates him leaving no trace. Clio says the next train comes at a quarter after 8 and asks if Dyson has a ticket. He says he might.
Back at the clubhouse, looking at The Wanderer card with MMXV on it. Could be 2015 or 8:15 pm. Kenzi says no one can touch the card because it bursts into flames, but Clio can because of the elemental thingy. Dyson and Clio leave with the card.
Clio stuffs the ticket in the strange machine. It works.
Dyson’s phone rings and it’s Lauren. She wants to come home. I hope home is the place where Bo is, and not some Fae compound ruled over by a new Ash. Dyson says it’s not safe, people are still looking for her. She tells Dyson to take care of her.
Vex is breaking into a car, on the phone promising money to – wait for it – Clio. He insists he will pay a lot if Bo is returned in one piece. Clio is talking on a plastic cylinder that appears and disappears from behind her ear without logical explanation. Do Apple and Google know about this communication device?
Phone calls finished, Dyson and Clio go stand on the track, right where Eddie had once been. Clio says, “Shit’s about to get interesting. That’s a death train.” They disappear magically just as the train approaches.
Teen Tamsin sleeps in Bo’s bed as Kenzi sets off with a bejeweled gadget which she will use to pay for more Sparkle Plenty from Massimo. She swiped the jeweled thing from Trick, and he’s looking for it. Teen Tamsin may be grown Tamsin when she wakes up – did Kenzi think about that when she let her sleep in Bo’s perfect sex palace?
Amber/Lauren and Crystal are downing shots after work, still in the cafe. Yeah, I know Lauren said she couldn’t but that was before the video incident. Crystal leaves to pee and Lauren digs immediately for her phone. There’s a password. Crystal returns and tells her the password. Crystal says, “This is about that alien video.”
Lauren says, “That video can’t exist.” She explains about the bad people who will come for her and says she wishes she could tell Crystal more. Crystal deletes it. Lauren gives her a long, long, long hug. Crystal offers to delete 30 Instagrams of gas station sandwiches if hugging will happen again. Lauren says, “I’m Lauren.” Crystal says, “Nice to meet you, Lauren.”
Bo sucked enough chi from the nurse to be able to escape the train. (The train one hopes Dyson and Clio just boarded, but oh, well.) Bo opens the train door, looks out into the night, and leaps.
- Have they stopped using the word “fae” in every episode title?
- Again, a light episode for new mommie Anna Silk, giving her time with the baby. And not making her stuff her new mommie body into Bo’s leather pants quite yet. However, this episode’s searching after Bo got us nowhere, really. She jumped off the train just as Dyson and Clio got on. Does that mean we have to spend another episode Bo-less? I’m ready for the succubus to be back at 100%.
- Ali Liebert is so delicious. She’s the Marilyn Monroe of the 21st Century, minus all the simpering.
- Maybe the props, especially the disappearing umbrella and the disappearing tube behind the ear that Clio used to communicate, were metaphors for the disappearing memories of Bo, who can’t remember Kenzi, and for Kenzi, who can’t seem to remember her own love life.
- Rachel, where are you?