Julia on HBO Max dropped the first 3 episodes of the 8 episode series on March 31. Future episodes will air weekly on Thursdays. The way Julia Child became “The French Chef” on public television is explored in these first episodes. It’s her origin story as a celebrity.
Don’t Look Up is a laugh-out-loud satire about real events that haven’t happened yet. It’s true but painfully so. It paints a portrait of a society gone mad and a world hurtling toward doom. In other words, it’s us right now.
Let Them All Talk is an odd but interesting film with A-list actors including Meryl Streep, Candice Bergen, and Dianne Wiest. Director Steven Soderbergh put the three of them on the Queen Mary 2 and let them improvise most of the dialog. It’s streaming on HBO Max.
Little Women was so rich, I wish I could watch it a couple more times before I write this review. There was everything Louisa May Alcott gave us in the book, with additions and modernized storytelling from writer and director Greta Gerwig. The film includes parts of Louisa May Alcott’s later work beyond the story contained in Little Women. It’s …
The Laundromat isn’t a narrative. It isn’t a documentary. It isn’t a Vaudeville act. But it comes close to all those in an eccentric effort to explain the vast trail of emptiness behind the revelations in the Panama Papers.
Mary Poppins Returns was a disappointment. It wasn’t terrible, but it wasn’t really good either. I expected it to be really good. I’m a sucker for a musical, so I was surprised that this one didn’t make me jump with joy.
A couple of decades ago I realized everything in my life up to that point had been determined by men. I can hear my friend Denise shouting, “It’s the patriarchy, stupid!” That’s not it – at least not completely. The patriarchy is still with us. But inside my head, things have changed.
Quickly now! See if you can guess how I felt about Mamma Mia! Here We Go Again based on these facts. 1) I loved the now 10-year-old Mamma Mia! 2) I love ABBA. 3) I love a musical. Have you guessed yet?
The Post taps into the modern political situation like it was 1971. I don’t know how filmmakers tap into the zeitgeist of a particular moment with films like The Post that take months or years to make, but they do it again and again.
Trailers are showing up for the July release of Mamma Mia! Here We Go Again. Here’s a spot from the Grammys and a regular release trailer.
