So I wrote a review of Widows. I’m a woman. I was reading a review by another woman, Carmen Phillips, at Autostraddle. I suddenly had a burning desire to see just how many Widows reviews by women I could find. Continue reading “There are so few women-written reviews of “Widows,” it’s ridiculous!”
Widows is crammed with star power, blessed with an engaging but tricky plot, and is a paen to female empowerment. I was expecting lots of action from the women, but the story built slowly toward a few moments of action at the end. Continue reading “Review: Widows”
The fall TV season started this week and it’s time for a few short pot shots at new and returning shows. Comments will include New Amsterdam, The Gifted, and Manifest. A couple of really short comments about this and that may get tacked on, too. Continue reading “Brain Dump: New Amsterdam, The Gifted, Manifest”
America Inside Out with Katie Couric is a 6 episode documentary series of discussions with Americans in various situations. Each episode is a deep dive into a topic of importance at the current time in the country. Continue reading “Review: America Inside Out with Katie Couric”
The fall TV season is underway, with old favorites coming back and new shows revealing their opening episodes. Time to unleash a brain dump, which is a few short takes on several shows. Continue reading “Brain Dump: The Gifted, Ten Days in the Valley, Supergirl, and Etc.”
Lifetime TV’s Custody premiers March 4th. It has an outstanding cast including Viola Davis as a NYC family court judge, Hayden Panettiere as a lawyer, and Catalina Sandino Moreno as a mom who may lose her kids. Continue reading “Watch This: Trailer for Custody with Viola Davis”
I haven’t done a brain dump in a while. My definition of a brain dump is sharing a few thoughts about several things at once. This time it’s Thursday night on ABC with Grey’s Anatomy, Notorious and How to Get Away with Murder on my mind. Continue reading “Brain Dump: Thursday Nights on ABC”
Lila and Eve stars Viola Davis and Jennifer Lopez. I wanted so much to absolutely love it because of the two stars. How often do you get to see a film with Viola Davis and Jennifer Lopez as the lead characters? Or any women of color?
Despite the performances of the two leads, the film itself was on the weak side. I wanted it to be great. It wasn’t. Continue reading “Review: Lila and Eve”
Variety has created a series of conversations called “Actors on Actors” that are fascinating discussions between peers. Most of them are a man and a woman. I picked these three to include here because both the conversationalists are women, but don’t overlook the others at Variety Studio: Actors on Actors.
The women’s conversations are about art and craft and fame and the meaning of success.
UPDATE: Here’s another that just published with two women in conversation.
It’s time for another brain dump. These are quick hits on this and that.
The Good Wife
Linda Lavin has been on The Good Wife lately. Her character is part of the plot line to put Cary Agos (Matt Czuchry) in jail. Lavin created a most particular character. She uses exacting quirks to make her character stand out in a show filled with peculiar and unusual characters. Kudos to Linda Lavin on her performance! It’s masterful.
Speaking of unusual characters, Carrie Preston’s marvelous character Elsbeth Tascioni is involved in a sex scene in the “Old Spice” episode of season 6. Elsbeth and Josh Perotti (Kyle MacLachlan) have sex on the desk in Elsbeth’s office. It’s a true bodice ripper in the trashy romance novel style. Delightful!
Did you see the announcement that Archie Panjabi will be leaving The Good Wife at the end of season 6? Kalinda Sharma is my favorite part of The Good Wife. I’m sad about the announcement. On the other hand, Kalinda has never been used enough. My hope is Archie Panjabi will find her way to a show where she plays the lead! #GiveArchieHerOwnShow
Téa Leoni as Secretary of State Elizabeth McCord is wonderful. Leoni plays her as unflappably calm, grounded, brilliant, bold, funny, and a great reader of character. All the players around her are outstanding as well, particularly Bebe Neuwirth.
Much as I love Elizabeth McCord as a character, the stories aren’t always believably realistic. Like Buffy, McCord saves the world in every episode. She does it by defying the advice of all her advisers and the POTUS. As an American who feels the system is broken, it’s nice to root for someone who does everything outside the system. Rah, rah, Elizabeth McCord! It’s great TV, but if the Secretary of State could save the world all by herself, Hillary Clinton would have done it already.
I like how much Tim Daly gets to do in Madam Secretary. If this show had a male lead, the pretty wife would be tucked away in the background and used occasionally to show that the hero is straight. But Tim Daly as the husband isn’t tucked in the background, nor are McCord’s 3 children. Daly gets real plot lines of his own. Each child has an individual personality, too, they aren’t merely bodies crunching cereal around the breakfast table in the morning. This may be because of Tim Daly’s pull as a big name, or it may be because the chief writer on the show is a woman – Barbara Hall.
How to Get Away with Murder
I’m struggling with the non-linear style of storytelling on How to Get Away with Murder. It’s meant to build suspense – it is. It’s meant to keep you coming back – but at least in my case, it’s just irritating me. I’m still watching, so obviously I’m not irritated beyond the point of hanging around. But still.
I do want to mention how much I loved the scene in which Viola Davis removes her wig and all her make up. Then she turns to her husband and says, “Why is your penis on a dead girls phone?” BAM! BAM! What a pair of moments.
The Walking Dead
A tweet from Kate Moennig caught my eye. I think she’s referring to the cannibalism scenes.
Well, The Walking Dead finally made me lose my appetite
— kate moennig (@katemoennig) October 28, 2014
I agree with Kate Moennig, the cannibals were extra gross. Actually, The Walking Dead is gross as a standard thing. In the same episode with the cannibals, “Four Walls and a Roof,” there was also a cowardly priest (Seth Gilliam). The priest locked himself in his church with a big supply of food and listened as his parishioners clawed at the door when the zombies came for dinner.
Between the cannibals and cowardly priest, I find more metaphoric fodder in the priest. Everything about The Walking Dead is a metaphor, of course. This one priest could stand in for every kind of horror and evil ever perpetrated in the name of religion. The Crusades, the notion that there’s no God but God, the Westboro Baptist Church, or dozens of other examples of evil done by religious leaders – pick your metaphor and make it work. Will Rick (Andrew Lincoln) and the gang leave him alive when they move on?