Grey’s Anatomy: Silent All These Years

The episode “Silent All These Years” of Grey’s Anatomy (season 15, episode 19) is remarkable. With women writers, a woman directing, and a cast made largely of women, this episode is proof of the power in letting women tell their stories. Spoilers everywhere ahead.

Continue reading “Grey’s Anatomy: Silent All These Years”

Orphan Black: By Means Which Have Never Yet Been Tried

It’s the finale of season 2! Orphan Black will surprise and confound you with “By Means Which Have Never Yet Been Tried” and it sets up some powerful incentives to wish for a speedy return of a season 3.

Rachel (Tatiana Maslany, a multitude) has Kira (Skyler Wexler) installed somewhere at Dyad. Sarah is also in the hands of Dyad.

Sarah is a prisoner of Dyad
Sarah is a prisoner of Dyad

Men ask Sarah all sorts of invasive questions about her sex life. She’s handcuffed and a Dr. Nealon (Tim McCamus) comes in. He gets her to sign away the rights to her eggs in return for getting to see Kira.

A woman takes a DNA swab from Kira. She steals the woman’s phone and calls a number she has memorized. (Cal made her memorize his number a few episodes back.)

Rachel takes Delphine (Evelyne Brochu) off Cosima’s case. Rachel forces Delphine to go to Germany, but tells Delphine it isn’t personal. Delphine counters with, “I love her. If you let her die without me, that’s personal.” Delphine sends Cosima a message that alerts her to the fact that she’s on her own now. When Cosima sees the message, she asks very nicely if she can see Kira.

Now that she’s signed away her eggs, Sarah gets to see Kira, but it’s through a 2-way mirror. Kira, however, seems aware of Sarah’s presence on the other side of the glass. Sarah sees Duncan (Andrew Gillies) in the hallway. He tells her not to despair.

I brought my own tea, thanks.
I brought my own tea, thanks.

Duncan is on his way to the video room where Rachel watches videos of her younger self. Rachel wants him to turn over the keys to the codes for all the clones, not just the ones that will save Cosima. He refuses, saying that her attempts to create more clones should fail. Then he dips a teabag he brought himself in a cup of hot water and poisons himself. Duncan dies.

Cal (Michiel Huisman) shows up at Mrs. S’s place, thanks to Kira’s memorization skills. Felix (Jordan Gavaris) leaves Cal there and goes to Art Bell’s (Kevin Hanchard) to rescue him once again from Helena eating him out of house and home. Felix will take Helena back to his place.

Felix to the rescue
Felix to the rescue.

Felix asks Helena if she burned down the fish people’s ranch last night. She grins and says no. She says she fell in love and her boyfriend had to go work at Jesse’s Towing. Felix doesn’t quite click to this, but perhaps he will remember it later.

Cal shows Mrs. S his research into Dyad. He formed a connection to someone with similar interests on “the dark net.” He thinks it’s someone on the inside because they know a lot about Dyad. With Mrs. S there, he types “Can you help.”

Mrs. S tells him to type, “I’m with Siobhan Sadler.”

The response is “Ask her about Castor.”

In the episode where Cosima first explained the Greek myth about Leda, I mentioned that Castor and Pollux were twin brothers. Their mother was Leda. In some versions of the myth, they are supposed to have twin sisters Helen (of Troy) and Clytemnestra. Castor has now become a plot point in the clone mystery.

Mrs. S., Paul (Dylan Bruce), and Cal all arrive in different vehicles at an empty warehouse. Cal steps out of a limo. Paul is in uniform, a major now. Cal and Paul size each other up as if they are in a competition to win Sarah. (Points for Cal: he gets in the last kiss of the season with Sarah when she kisses him goodbye later at Felix’s place.) When Paul gets into the limo that Cal came in, he finds Dr. Marian Bowles (Michelle Forbes).

Cal asks Mrs. S what they are doing and she answers, “Hoping that there are still good people in the most corrupt places.”

In exchange for some files from Paul, Dr. Bowles promises to get Sarah and Kira out of Dyad.

In the meantime, Cosima has been allowed to see Kira. She plays a science game with her involving sharp pencils, mass, force, and acceleration. Then she has Kira draw a picture for her mom about what she learned.

When Cosima leaves Kira, she and Scott (Josh Vokey) rig up a fire extinguisher with some tubing and a very sharp pencil. Scott figures out a way to get the device into the operating room where the evil Dr. Nealon is about to remove one of Sarah’s ovaries. She’ll still have one, and who needs more than one, right?

Rachel comes in to the operating room and sends everyone away. She conveniently gives Sarah the picture Kira drew. As Rachel marches around the room talking about Duncan being dead and destroying what she claims is Kira’s stem cell sample right in front of Sarah, Sarah figures out the secret message in Kira’s art. She uses the fire extinguisher to launch the pencil right into Rachel’s eye. Rachel falls, pencil to the brain. One can only hope she dies, but you can never tell with Orphan Black.

Sarah runs to Kira’s room. She finds Dr. Bowles getting Kira ready. Dr. Bowles tells her she’s free to go and Cal is waiting downstairs. Bowles tells Sarah she’s from Topside and promises Sarah the truth if she’ll meet her the next day.

4 clone dance party
4 clone dance party

Sarah, Cosima, Allison and Helena are at Felix’s. A big wow for the dance scene with all 4 clones and Felix dancing together. They wisely didn’t include Kira – she danced up by Felix’s bed. It was a bit jerky getting Felix in and out to dance with the different women, I can’t imagine how difficult it would have been to add Kira. As it was, the scene took 2 days to film.

Cosima took off her oxygen to dance but struggled to breathe. She’s a wonderful dancer. Helena went all head banger hilarious. Allison was suitably reserved. Sarah’s dancing was enthusiastic but untrained.

One of the reasons Tatiana Maslany gives for being able to make such clear distinctions between each of these characters is her extensive dance background. In essence, she dances each character’s physicality. It must have been interesting for her to actually dance in character instead of walk and talk in character.

That night, Felix and Kira sleep on the couch. Cosima and Sarah sleep in Felix’s bed. They wake in the night to talk about the golden ratio, DNA, and hold hands. Sarah said, “I can’t do this without you.” Cosima answers, “You’ll be fine,” with an expression that implies she’s accepted the inevitability of her own death – very soon. Helena wakes up in the middle of the night and leaves a tank of liquid nitrogen out in plain sight. We’ll have to learn why in season 3, but I’m guessing it contains frozen eggs or embryos. When she leaves the apartment, she’s snatched by military types and taken to a plane. The Jesse’s Towing cap falls on the floor behind her for someone to find in season 3.

In the early morning, Kira climbs into bed with Cosima. Cosima doesn’t respond to Kira’s repeated calls. Everything fades to white as if Cosima is going into the light. Cosima sees Delphine in the light. Delphine touches Cosima in her vision, just as Kira touches her in real life. The touch brings Cosima back to Kira. Kira asks her to read to her and Cosima finally sees the annotations in The Island of Doctor Moreau. Cosima doesn’t leap from the bed, shout EUREKA and announce she has the key to save herself and everyone else, but I’m assuming that’s what’s in the book. Another plot point tempting us into season 3.

Sarah’s morning is spent going to meet Dr. Bowles. She’s dropped off at an enormous house. No one is there to greet her.

Hello. Anybody home.
Hello. Anybody home?

Sarah sees a child. A child who looks just like the young Rachel we’ve seen so often in video. A child who looks just like the young Sarah. Dr. Bowles finally appears and introduces her as Charlotte (Cynthia Galant). Eight-year-old Charlotte greets Sarah as her sister and says that Kira is her cousin (she’s actually Kira’s aunt).

Bowles adopted Charlotte. She’s the only survivor of over 400 attempted clones. Bowles tells Sarah that Topside steers Dyad and many other groups. They support genetic engineering projects.

I love me some genetic engineering
I love me some genetic engineering

Bowles leads Sarah down some hallways in what looks like the basement of the big house. She explains as they walk that Project Castor was the military side of Topside and that the clones in Castor are male.

They look through a window at the back of a man doing chin ups and Sarah says, “I know him.”

Cut away to Mark (Ari Millen) and Gracie (Zoé De Grand Maison) getting married in front of a big stained glass window as “Nearer My God to Thee” plays loudly in the background. The song plays as the following things happen and continues throughout the final credits.

The guy doing chin ups turns around. He looks like Mark, only crazy and all beat up.

Helena is marched onto a plane surrounded by soldiers, one of whom looks like Mark. Paul and Mrs. S watch.

Mark is a clone, y’all! Ari Millen must be dancing with joy over the acting opportunity he’s going to have in season 3.

I’m talking about season 3 like it’s all set, but it hasn’t been announced yet. I can’t imagine this show not getting another season.

The quote from Francis Bacon for this episode is from The New Organon or True Directions Concerning the Interpretation of Nature. It’s a different part of the quote used in episode nine’s title:

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

Orphan Black: Knowledge of Causes, and Secret Motion of Things

“Knowledge of Causes, and Secret Motion of Things,” episode 7 of season 2 of Orphan Black, gives us some shocking surprises, some slapstick laughs, and another turn of the screw on the momentous stakes involved for everyone.

As usual, everything revolves around Sarah, but I’ll start with Allison’s story since much of the action in this episode takes place in rehab.

Allison (Tatiana Maslany, one of many) trusts Vic (Michael Mando) with the truth about the scarf in the disposal incident. Not long after this revelation she discovers that he’s trading the info to Det. Deangelis (Inga Cadranel) for his freedom.

Just call his name, Felix will be right there.
Just call his name, Felix will be there.

Allison immediately calls Felix (Jordan Gavaris) for help. He shows up and confronts Vic with Allison. Dear old Vic agrees to do what they want if he can see Sarah first.

Sarah agrees to come help Allison. For the talk with Sarah, Vic carefully sets a book in position. Does it contain a camera?

What was in that tea?
What was in that tea?

Vic wants to atone to Sarah. She instantly says, “I atone you,” and tries to leave, but he persists. He says he wants her back, right before he passes out by diving headfirst into Allison’s name tag art supplies. Felix announces, with the cutest possible grin, that he spiked Vic’s tea.

It’s family day – or as Felix terms it, public flagellation day. Donnie (Kristian Bruun) and the kids are coming. They cannot leave Victor decorating the floor of Allison’s room. What follows next is a sort of Three Stooges interlude with Allison and Felix dragging an inert Vic about looking for a place to hide him. Det. Deangelis is chasing around after them, looking to meet up with Vic.

I'm Sarah. No, I'm Allison. No, I'm Donnie.
I’m Sarah. No, I’m Allison. No, I’m Donnie.

While Allison and Felix haul Vic hither and yon, Sarah has to pretend to be Allison who is pretending to be Donnie in a role playing scene with Donnie. Donnie, as you might guess from the body language, is pretending to be Allison. The whole thing goes badly and Sarah flees to Allison’s room.

Donnie can't believe his eyes.
Donnie can’t believe his eyes.

Donnie follows and discovers Allison and Sarah together. It comes out that Donnie didn’t know what was going on. He didn’t know people were coming into the house in the middle of the night doing strange things to Allison’s sleeping body. He thought he was doing an experiment in “long-term social metrics” for Dr. Leekie. The fact that he’s been a dope for years makes him very angry. I’ll get to the results of that anger later, because a lot happens before then.

Cosima, with Delphine (Evelyne Brochu) in loving attendance, gets stem cells injected into her uterus. Delphine thinks it will put Cosima on the road to recovery.

Let's get you well.
Let’s get you well

Cosima overhears a conversation in the hallways and learns that the stem cells came from Kira’s tooth. She is angry with Delphine, shouts that it’s her decision about using Kira’s cells. Delphine counters that there is no decision, there’s only one way forward and this is it. Cosima tells Dephine to get out of her lab.

Sarah and Mrs. S (Maria Doyle Kennedy) dig through the heaps of detritus in Ethan Duncan’s house looking for a red box with no label. When they finally find it, Sarah takes off in response to a phone call from Cal. As Mrs. S is leaving with Duncan (Andrew Gillies), she learns that the red box contains 3 floppy disks on which the science they all want so desperately to recover is stored. My memory of floppy disks is that they held kilobytes of data, not megabytes or terabytes. Why only 3?

Cal discovered that his computer was hacked. He leaves it behind and takes Kira to meet Sarah. Sarah will take Kira with her. As Sarah is preparing to leave with Kira, she gets a call from Cosima. We don’t know if Cosima has forgiven Delphine, but she has reached the point in her sickness that she’s willing to ask Sarah for more DNA from Kira. Kira overhears Cal and Sarah arguing about a tooth, and pulls one of her loose teeth herself, offering it to Sarah for Cosima.

Oh my, she's a surprise.
Oh my, she’s a surprise.

Leekie phones a whole new character, Dr. Marion Bowles (Michelle Forbes). She is Rachel’s superior, Leekie’s superior, maybe the boss of the whole operation. She wants the science back, she wants Sarah Manning to stop causing them problems, she wants Rachel handled. She’s wearing the most gorgeous white coat I’ve ever seen.

A new character at the top of the pyramid at this point throws everything into question. Do we really know who the bad guys are, do we know who’s in charge, what the goals are? Is she in charge of the Prolethians, too? Is this pointing to a new direction for season 3 to explore?

Mrs. S takes Duncan to her place. Then she walks right into Dyad and Leekie’s (Matt Frewer) office. She makes a deal for the missing science data and Ethan Duncan that guarantees Kira’s safety. Duncan wants to see Rachel before he cooperates.

Hello, father
Hello, father.

Paul (Dylan Bruce) takes Rachel to Mrs. S’s house to see her father. When Rachel sees her father she tears up. She seems almost human. Almost normal. There was some discussion last week about Rachel’s possible Narcissistic Personality Disorder. If that’s the case, she’s looking at the man who raised her to think she was special, and she reacts with more emotion than we’ve seen from her. 

Rachel goes back to the lab and summons Dr. Leekie. She calls Dr. Bowles in front of Leekie and tells her that the problem is handled. In the battle for supremacy between Rachel and Aldous Leekie, Rachel wins.

Rachel tells Leekie to leave. She says, “Don’t get in your car, don’t go home. You might survive. It’s foolish to spare you but you raised me. Nurture prevails.”

Leekie goes outside the Dyad Institute. He’s on foot. Donnie lurks there waiting for him. Donnie gets Leekie in his car by pointing a gun at him. Donnie accuses Leekie of ruining his marriage and making his wife hate him. He pounds his gun on the steering wheel for emphasis and accidentally kills Leekie right there in the family sedan.

To summarize, Leekie’s kaput, Cal may have gone home, there’s a new boss in town, Kira wants to help, Rachel is ruthless but loves her daddy, Cosima and Delphine had a very big fight, Allison and Donnie had a very big fight, and Donnie created bloody hell in the family car.

The Francis Bacon quote for this episode is from his unfinished utopian vision of the future, “New Atlantis,”

The end of our foundation is the knowledge of causes, and secret motions of things; and the enlarging of the bounds of human empire, to the effecting of all things possible.

All images ©BBC America