Reviews of movies and TV focused on women
Let’s empty the stray thoughts from my head today, shall we? I want to say something quick about Madam Secretary, Charmed, and House of Cards. I’m not too happy about things in this episode of the brain dump. Continue reading “Brain Dump: Madam Secretary, Charmed, House of Cards”
Have you been watching The Gifted? I have. One of the things I notice each week is the great marriage between Amy Acker and Stephen Moyer as the parents of two ‘gifted’ teens in this sci fi drama. I haven’t thought much about great TV marriages since Friday Night Lights with Connie Britton and Kyle Chandler ended. It’s time to look at a few newer marriage examples. Continue reading “Great TV Marriages”
A brain dump is little bits of this and that. Excess baggage from my brain. If you have thoughts on anything I mention, please feel free to dump your brain in the comments.
I’m happy to see that Stalker continues to mix it up between male and female stalkers and male and female victims. Beth Davis (Maggie Q) is finally going to open up about her own stalker and her own past. This aspect of the show gives Maggie Q a chance to show off some expanded acting skills, too.
Wow! These two women – Charleston Tucker (Katherine Heigl) and Elizabeth McCord (Téa Leoni) – can work miracles. They can do anything that needs doing anywhere in the world. What I’m saying is the plot lines in these shows are a little grandiose. Come on writers, you know plausibility is a virtue in a plot. However, I’m loving the characters. I’m still waiting for Alfre Woodard to get her name dropped during the promos, but I’m happy her role puts her in so many scenes.
What I’m liking about the female characters in Stalker, State of Affairs and Madam Secretary is that they are strong and powerful, but also completely female.
The Fosters Christmas special is available early if you watch using the ABC Family app instead of waiting for the show to air on network TV. I have to say it made a complete mess of me because I cried all the way through. I cried because Lena (Sherri Saum) and Stef (Teri Polo) were fighting, I cried about the wonderful way that Lena talked to Jude (Hayden Byerly) about being a half sibling. I cried when Stef got so mad at her mom (Annie Potts). I cried when Stef’s mom gave the kids college money for Christmas. All that crying made me very happy. Everything about The Fosters makes me happy. “Thank you for the tears I’ve cried.”
This show is also available early using the ABC Family app.
Switched at Birth pulled a Christmas miracle switch. Bay (Vanessa Marano) and Daphne (Katie Leclerc) were switched back to their right parents. Everything was different and wrong and a mess, but Bay and Daphne knew it. Of course, they switch it back to being with the wrong parents. A tired plot, but I love this show. Switching characters gives everyone a chance to make their persona completely different, which is entertaining for me. It reminds me that these people are acting.
No matter how much we love a character, it’s good to be reminded that the person playing the character is acting. Oh shit! That means Jennifer Beals isn’t really Bette Porter and Anna Silk isn’t really Bo Dennis. Damn!
It’s time for another brain dump. These are quick hits on this and that.
Linda Lavin has been on The Good Wife lately. Her character is part of the plot line to put Cary Agos (Matt Czuchry) in jail. Lavin created a most particular character. She uses exacting quirks to make her character stand out in a show filled with peculiar and unusual characters. Kudos to Linda Lavin on her performance! It’s masterful.
Speaking of unusual characters, Carrie Preston’s marvelous character Elsbeth Tascioni is involved in a sex scene in the “Old Spice” episode of season 6. Elsbeth and Josh Perotti (Kyle MacLachlan) have sex on the desk in Elsbeth’s office. It’s a true bodice ripper in the trashy romance novel style. Delightful!
Did you see the announcement that Archie Panjabi will be leaving The Good Wife at the end of season 6? Kalinda Sharma is my favorite part of The Good Wife. I’m sad about the announcement. On the other hand, Kalinda has never been used enough. My hope is Archie Panjabi will find her way to a show where she plays the lead! #GiveArchieHerOwnShow
Téa Leoni as Secretary of State Elizabeth McCord is wonderful. Leoni plays her as unflappably calm, grounded, brilliant, bold, funny, and a great reader of character. All the players around her are outstanding as well, particularly Bebe Neuwirth.
Much as I love Elizabeth McCord as a character, the stories aren’t always believably realistic. Like Buffy, McCord saves the world in every episode. She does it by defying the advice of all her advisers and the POTUS. As an American who feels the system is broken, it’s nice to root for someone who does everything outside the system. Rah, rah, Elizabeth McCord! It’s great TV, but if the Secretary of State could save the world all by herself, Hillary Clinton would have done it already.
I like how much Tim Daly gets to do in Madam Secretary. If this show had a male lead, the pretty wife would be tucked away in the background and used occasionally to show that the hero is straight. But Tim Daly as the husband isn’t tucked in the background, nor are McCord’s 3 children. Daly gets real plot lines of his own. Each child has an individual personality, too, they aren’t merely bodies crunching cereal around the breakfast table in the morning. This may be because of Tim Daly’s pull as a big name, or it may be because the chief writer on the show is a woman – Barbara Hall.
I’m struggling with the non-linear style of storytelling on How to Get Away with Murder. It’s meant to build suspense – it is. It’s meant to keep you coming back – but at least in my case, it’s just irritating me. I’m still watching, so obviously I’m not irritated beyond the point of hanging around. But still.
I do want to mention how much I loved the scene in which Viola Davis removes her wig and all her make up. Then she turns to her husband and says, “Why is your penis on a dead girls phone?” BAM! BAM! What a pair of moments.
A tweet from Kate Moennig caught my eye. I think she’s referring to the cannibalism scenes.
Well, The Walking Dead finally made me lose my appetite
— kate moennig (@katemoennig) October 28, 2014
I agree with Kate Moennig, the cannibals were extra gross. Actually, The Walking Dead is gross as a standard thing. In the same episode with the cannibals, “Four Walls and a Roof,” there was also a cowardly priest (Seth Gilliam). The priest locked himself in his church with a big supply of food and listened as his parishioners clawed at the door when the zombies came for dinner.
Between the cannibals and cowardly priest, I find more metaphoric fodder in the priest. Everything about The Walking Dead is a metaphor, of course. This one priest could stand in for every kind of horror and evil ever perpetrated in the name of religion. The Crusades, the notion that there’s no God but God, the Westboro Baptist Church, or dozens of other examples of evil done by religious leaders – pick your metaphor and make it work. Will Rick (Andrew Lincoln) and the gang leave him alive when they move on?
Madam Secretary promises to be good. What it does not seem to be is some kind of pre election exploration, either good or bad, of Hillary Clinton. It’s more of an underdog story.
Téa Leoni as Elizabeth McCord is not a politician. She comes from a background in the CIA. The President (Keith Carradine) came from a background in the CIA himself. When the current Secretary of State dies under mysterious circumstances, the POTUS asks Elizabeth McCord to take over. She does. If the first episode is any indication, she’s a rule breaker who finds ways to do what she knows is right whether the political machine – in the person of the President’s Chief of Staff (Zeljko Ivanek) – likes it or not.
She comes to Washington from a bucolic life on a horse farm. With her are a husband (Tim Daly) and her two teenaged kids (Kathrine Herzer and Evan Roe). The relationship between Elizabeth and Henry McCord seems solid. The family dynamics seem solid. Son Jason has declared himself an anarchist, yet seems awfully interested in politics. We didn’t see much of the daughter in the first episode.
The series is a great concept. We’ve had several female Secretaries of State. It’s not such a shocking idea as a female president. It’s a good place to put a smart woman who can exercise power and write stories around what she does with it.
Returning for a 6th season, The Good Wife gets off to a rip-roaring start.
The fast paced, multiplexed stories go on with this series. I do hope we get to see more of Kalinda. Diane made it a condition of her coming in with Florrick and Agos that Kalinda come too. Much as I love Alicia and Diane, Kalinda is so much more interesting. The possibility of Kelli Giddish coming back is exciting. Kalinda and Sophia were good together and more fun than Kalinda and Cary’s current romance. Having said that, Sophia’s contact with Kalinda in this episode was 100% hidden motivation, so there’s a lot to process before it could happen.
There’s potentially a very interesting turn on The Good Wife because Taye Diggs is joining the cast in the next episode. If he stays around all season I have my fingers crossed that he and Alicia will make sparks. Not sparks. Fireworks. Will is gone. Alicia has stopped boffing her hubby and kicked him out again. Bring on Mr. Diggs!
