French Exit is a surreal and odd film about strange and bizarre people. It stars Michelle Pfeiffer, which is reason enough to watch it. However, it’s not like anything you’ve ever seen before and may not strike you as wonderful. It’s streaming on Prime and in several other places.Continue reading “French Exit, surreal and bizarre”
Little Women was so rich, I wish I could watch it a couple more times before I write this review. There was everything Louisa May Alcott gave us in the book, with additions and modernized storytelling from writer and director Greta Gerwig.
The film includes parts of Louisa May Alcott’s later work beyond the story contained in Little Women. It’s an American classic, told in a way that’s sure to make this the all time best film version.Continue reading “Review: Little Women (2019)”
The Post taps into the modern political situation like it was 1971. I don’t know how filmmakers tap into the zeitgeist of a particular moment with films like The Post that take months or years to make, but they do it again and again. Continue reading “Review: The Post”
If I had to describe Lady Bird with one word it would be real. This coming of age story for Christine “Lady Bird” McPherson feels absolutely, perfectly, nailed it, real for a certain type of kid growing up in America. Continue reading “Review: Lady Bird”
Are you old enough to remember The Pentagon Papers? Just in case that was before your time, they were 700 pages of secret government documents about the Viet Nam War. They made the government look very bad. Very bad. Meryl Streep and Tom Hanks star in The Post to tell the story of how those pages were published creating the biggest news story of the 1970s. Continue reading “Watch This: Trailer for The Post”
Lady Bird isn’t about Lady Bird Johnson, my original thought when I saw the title. It’s a mother-daughter story starring Saoirse Ronan and Laurie Metcalf. Continue reading “Watch This: Trailer for Lady Bird”
August: Osage County is the most promising movie, story, cast, whatever, to come along in a very long time. It’s a family drama with many strong women called together by a family crisis at their childhood home in Oklahoma. It’s based on a Pulitzer Prize winning play by Tracy Letts. Letts also wrote the screen play for the film, which debuted this week at TIFF, although it isn’t scheduled to be released in U.S. theaters until December 2013.
Take a look at the trailer.
What a cast! Meryl Streep is the family matriarch, Violet, who suffers from mouth cancer. Sam Shepard plays her husband – an Oklahoma poet who quotes T.S. Eliot. This couple have three daughters played by Julia Roberts, Juliette Lewis and Julianne Nicholson. Roberts is married to Ewan McGregor. They have a daughter played by Abigail Breslin. The sister played by Juliette Lewis arrives with a man in tow, played by Dermot Mulroney. The Julianne Nicholson character lives near her mother, something that probably makes her an expert on the family dysfunction in a way the two other daughters haven’t experienced. Other characters include Violet’s sister (Margo Martindale), her husband (Chris Cooper) and their son (Benedict Cumberbatch).
If that list of names isn’t enough to get your attention, the producer is George Clooney.
Early reviews coming out of TIFF are favorable. Julia Roberts in particular is attracting attention for her performance. It must be an intimidating proposition to try to stand out in a cast like this one, but Julia Roberts has apparently achieved that.
Abigail Breslin – if my math is right – is about 17 now. We’ve been watching her grow since Signs in 2002. She’s been in Raising Helen, Little Miss Sunshine, My Sister’s Keeper and much more. In every part she’s had, she’s demonstrated brilliant talent. Now she’s nearly “all growed up” and will be playing adult parts in the future. This may be the last time we see her as a teen or as someone’s daughter still under the parental wing.
August: Osage County is obviously complete or it couldn’t be playing in Toronto at a film festival. Yet we have to wait until December to see it. This means it will be released with prime Oscar nomination timing. The last thing we see in a year always has a better chance of getting the Oscar votes than something that comes out early in the year. Wouldn’t it be fun to see Julia Roberts get an Oscar nomination out of this one? Or how about a movie by a female writer and full of fabulous female characters getting a nomination as best picture? Now, that would be pretty damn wonderful.
UPDATE: A second trailer for the film is out now.