I always preface these end of year lists with a disclaimer. I don’t see everything. I don’t subscribe to everything and I don’t go out to the theater weekly. Nobody is telling me what to see or paying me to go see things. I’m just watching what looks good to me. So, with that said, let me talk about 12 great films I saw in 2017 that were directed by women. Continue Reading: A Dozen Wonderful Films Directed by Women from 2017
The Innocents is one of the most beautiful and touching films I have ever seen. It’s set in 1945 Poland. A French doctor Mathilde Beaulieu (Lou de Laâge) is in Poland taking care of wounded French soldiers. She is called to a convent by a frantic nun. She discovers a number of pregnant nuns, all about to deliver. Continue Reading: Review: The Innocents
The Innocents is from Poland and French director Anne Fontaine. In 1945 Poland, a young French Red Cross doctor (Lou de Laâge) who is sent to assist the French survivors of the German camps discovers several nuns in advanced states of pregnancy during a visit to a nearby convent. Continue Reading: Watch This: Trailer for The Innocents
Let me explain what you’re looking at in the poster for Adore. If it makes you cringe, the you don’t need to bother to read the rest of this review.
From the left you see Lil (Naomi Watts), a 40 something mom. She’s holding hands and making googly eyes at Tom, (James Frecheville) the 20 something son of her best friend Roz. Next you see Roz, (Robin Wright) a 40 something mom who is snuggling with Ian, (Xavier Samuel) who is the 20 something son of her best friend Lil.
Still with me?
Okay, I’ll back up a bit. Lil and Roz grew up together on the sun-drenched coast of New South Wales in Australia. They lived near each other, they swam together and worked together and stayed friends. As married women, they raised their sons side by side and the sons were BFFs just like their moms.
As the moms hit their 40s several things happened at once. Lil’s husband died. Roz’s husband moved to Sydney for a job and they divorced because Roz wouldn’t leave her idyllic home by the sea. The two boys turned into young men who were almost godlike in their beauty.
And then there was sex. Did the sons seduce their best friend’s mom, or was it the other way around? Either way they all consented.
It sounds incestuous and vaguely distasteful, but it didn’t feel that way to me as an observer of the film, or to the people involved in these delicate arrangements of love and passion. The characters had depth and nuance and subtlety as they explored the relationships between the four principal characters.
I don’t want to give you too many spoilers, but I will say that the two women came to the conclusion that the arrangement had to stop. The young men both married women their own age and both had daughters, who learned to swim in the beautiful sandy bay where their grandmothers adored and worshiped them. But that isn’t the end of the story. I won’t give you the end.
The film was directed by Anne Fontaine, a French director. This is the first film she’s directed in English. The film had a non-judgmental Frenchness to it where love and sex are concerned, and this allowed the actors to give a lot of meaning to their relationships. Odd as it may seem to say, this was not a purient movie. It was an intricate exploration of friendship, parenting, love, loneliness, and desire.
On of the most telling lines in the film came in a scene between Lil and Roz as they talked in a crisis moment toward the end of the film. Roz thinks it’s all her fault. Lil says, “it couldn’t be your fault, because you’re the only one who isn’t behaving badly.” Roz answers, “Then it really is my fault.”
The look of the film, with scenes of sun-dappled ocean, sand, gorgeous vistas, beautiful homes and beautiful people was breathtaking.
Have a look at the trailer.
If you’ve seen this film, I’d love to hear what your reaction to it was.