Recap: Last Tango in Halifax S2, E3

This episode of Last Tango in Halifax opens with the two great granddads (Derek Jacobi and Paul Copley) as well as Alan’s other sidekick (Roy Barraclough) with the baby at the pub. They talk about what the little girl should be named.

What about a name?
What about a name?

Both of Alan’s sidekicks think they were asked to be the best man and are hurt because they weren’t invited to the wedding. Alan tells them neither of them were asked to be best man and they should let it drop.

Celia (Anne Reid) is in Harrogate picking up bits to take back to Halifax. She’s in the kitchen telling Kate (Nina Sosanya) about how shocked and unprepared Raff (Josh Bolt) and Ellie (Katherine Rose Morley) are to be parents. Celia thinks they are scared of the baby.

John (Tony Gardner) comes in to ask Celia several questions about Gillian (Nicola Walker), all of which Celia ignores. As far as Celia is concerned, John isn’t even in the room.

I know a few names for little girls
I know a few names for little girls

Kate asks if it’s really Raff’s and Celia says that’s been confirmed by the chemist. Ellie’s parents aren’t helping with the baby so Ellie and the baby are at the farm. Celia says the child hasn’t even got a name. Kate rattles off 4837 girls’ names as in a long monologue. Then she says, “I don’t know. It all depends on what Caroline (Sarah Lancashire) thinks.” Oops.

Celia and John both say, “You and Caroline?”

Celia doesn’t know how ladies have babies, although John opines that they do. Celia says Caroline wouldn’t want to go through all that again at her age. Kate glances down and says, “No,” but she points out that both of them are still capable of having a child. John asks if they are serious about a child and Kate tells him of course not.

Celia asks where Caroline is and Kate says she had to stay late for a school production of King Lear. Celia leaves saying, “Tell her to pop round, but not tonight. If she has to sit through King Lear she’ll just want to lie down.” Since Derek Jacobi recently did a production of King Lear and is an old hand at Shakespeare, I found this very funny.

John calls Gillian
John calls Gillian

John immediately calls Gillian. She’s squirting something into the mouths of her sheep, but manages to answer the phone. He asks her how things are and she says, “Complicated.” He says he thinks about her all the time and she says, “About putting money in the farm?” He says, well, yes, but he’s been writing again. He’s writing about his real life and Gillian is the star of the story.

Too messy
Too messy

John asks Gillian out for a drink or dinner. She says, “I can’t. Too messy.”

the parents
The Parents

Alan and Harry arrive at the farm with the baby to find Raff and Ellie playing video games. When they don’t respond to the need for a clean nappy, Harry turns off the TV.

The Blitz was real
the Blitz was real

They complain and he says, “It’s not real. Me and your granddad lived through the Blitz.” Ellie smarts off and Harry says they know everything except how to avoid getting pregnant. Raff throws the game controller and runs upstairs.

Raff wants to get a job
Raff wants to get a job

Alan goes to him. He is the world’s greatest grandad. Raff is crying and scared and talking about needing to get a job and quit school. Alan encourages him to stay in school. Raff thinks going to school now is ridiculous.

Later, Alan and Celia chat on the phone. While they are talking, Celia’s on the computer. She books an appointment on a real estate web site to look at a house – a bungalow, she calls it. Alan talks about the mess things are in with the baby and Celia tells him not to get stressed. She says, “I’m missing you.” Celia brings up the topic of girls’ names again, and suggests Cordelia and Goneril from King Lear. The way she says Goneril it sounds like a social disease. Anne Reid is having fun with Shakespeare tonight.

Caroline is home
Caroline is home

Caroline arrives home. She sees Kate sleeping on a couch and smiles affectionately. She walks over to Kate, kneels down on the floor beside her, caresses her cheek to wake her up. When Kate opens her eyes, Caroline says, “You’ve been crying.” Kate tells her she was feeling a bit sorry for herself. Caroline says, “Was it John? My mother?” Kate shakes her head no. Caroline asks if Kate wants to tell her about it in bed, and Kate says yes.

A dangerous kiss
A dangerous kiss

Caroline gives Kate a brief kiss. Almost immediately, Kate says, “Have you been eating peanuts?” Caroline ate some popcorn during the play, which was peanutty enough to set Kate off into an allergic reaction. Kate lies down on the floor, panting and wheezing. Caroline grabs an EpiPen device from Kate’s purse and shoots Kate in the leg with it as she calls for an ambulance.

What ARE you doing?
What ARE you doing?

Lawrence (Louis Greatorex) walks by just as Caroline is bent over Kate, vigorously rubbing her leg to encourage the epinephrine on its way. Caroline’s been calm and in control through the whole scene, holding Kate’s hand while efficiently giving her the shot, but she gets flustered and funny when she tries to explain their position on the floor to Lawrence.

Caroline tells Kate she’s so sorry about the popcorn. Kate says she was crying about a baby. The conversation with Celia and John did upset her, after all.

Get to bed
Get to bed

Gillian tells Raff to get to bed. He’s full of excuses about why he doesn’t want to sleep in the room with Ellie and the baby. Gillian goes to get him a blanket and, from behind Raff’s back, signals to Robbie that she wants him to come upstairs. He will.

At breakfast the next morning, Caroline explains about Kate being in the hospital to Celia as John comes in demanding his computer and papers, which Caroline says she confiscated.

Faded fruit
Faded fruit? Nah.

Caroline mocks John’s writing. He’s compared her to overripe fruit, but the sheep farmer in his story has the body of a teenaged boy. He also has 70-somethings in his story who reunite after 60 years. She threatens to ring Gillian to share the story she’s found, but finally tosses the whole mess, including the computer, across the counter to him. John grabs it all and leaves the room. Celia wants to know why he’s even there. Caroline says he has no where else to go and asks Celia if she’s made any decisions about the money Caroline wants to buy John out. Celia says no. Celia asks about Kate’s baby remarks.

Caroline chases off Lawrence, who’s in the middle of his cereal, and closes the kitchen door. By the way, William’s absence has been explained so far in series 2 by saying he has a job, but shouldn’t he be home for breakfast? I miss William.

I want to talk her out of it
I want to talk her out of it

Caroline first tells Celia that Kate’s house is on the market. Then she admits Kate does want a baby. Caroline says, “It’s unlikely that she’d get pregnant. She’s 42. She was pregnant 4 times when she was married to Richard and she never got past 12 weeks.”

Caroline plans to take her to a little hotel for her birthday next week and try to talk her out of it – for Kate’s sake, she explains – so she won’t be tearful and unhappy if it doesn’t happen. She asks Celia to watch the boys so she and Kate can have the weekend away.

Celia says she and Alan are going to look at a bungalow over at Ripponden.

smashing view
smashing view

They take the baby to see the bungalow. Alan is doing everything with that baby. The bungalow has a gorgeous view, they love the house, but they aren’t sure they can afford it.

Why not sell your little house
Why not sell your little house

After viewing the bungalow, they stop for tea and have an argument. They argue with so much love, even while being utterly honest. Celia wants him to offer his renters an opportunity to buy his house. Alan says Caroline should sell her great big house and move into something more suitable in size. Celia thinks Raff should be allowed to quit school and take responsibility for his child.

Back at the farm, Celia is in the kitchen looking at the web site with photos of the bungalow as Robbie (Dean Andrews) prepares dinner. Alan’s asleep in the living room. Robbie asks if Gillian and Alan are all right now. Robbie says something was up that whole 2 weeks you were in Harrogate. Celia says, it was something about Gillian’s mother being disappointed. “Oh,” Celia remembers, “I know what it was. Gillian had an abortion when she was 15. Had to leave school.”

Not good news for Robbie
Not good news for Robbie

We know that Gillian dated Robbie before Eddie, but Celia doesn’t. Her remarks hit Robbie hard.

An evening at home
An evening at home

Caroline and Kate snuggle in front of the TV. (This is the sort of homey relationship stuff I wanted to see in episode 2.) Kate says she asked Greg – her sperm donor of choice – to pop over for her birthday. Caroline says, “I made plans for your birthday.” Kate thought Caroline would want to meet Greg. They go back and forth on the issue a bit.

I thought you'd want to meet him
I thought you’d want to meet him

Caroline tells her about the weekend away plan and they decide they could meet him at the hotel. Caroline talks about what would happen if Kate did get pregnant and lost the baby. Kate wants to try anyway. Caroline talks about Kate’s career and that she has what it takes to move up. Career be damned. Kate wants to be somebody’s mom.

Don't be daft
Don’t be daft

At the farm, Raff looks at Alan and Celia sleeping in front of the TV on the couch and says to Ellie, “Maybe we should get married.” She answers, “Don’t be daft.”

Robbie sits in the kitchen, waiting. The moment Gillian arrives from work, he leaves, saying there’s a casserole in the oven. “What’s up?” Gillian asks.

“Did you have an abortion when you were 15? Was it mine?”

Gillian says yes. She asks how he knows. He wants to know why she didn’t tell him. Gillian says there was no point in telling him. She said, “I’m sorry.”

He gets in his truck and she says, “Are you dumping me?” He answers, “I just don’t want to be here for a bit.”

I spared you
I spared you

Gillian says, “I was the one who had to leave school. I was the one who never got a crack at my A levels. I never told you but I never inflicted anything on you either.” Robbie drives off.

That's poisonous
What did you say, Celia?

Gillian goes inside, furious. She sends Raff to get Ellie and says, “Robbie’s gone.” She tells her dad that Celia told Robbie about the abortion and that the baby was Robbie’s. Alan had no idea it was Robbie’s before now.

Celia says she’s sorry. She didn’t know.

Gillian is unusually articulate in her anger. “But what you do know, Celia, what you must know, is that’s a pretty indiscreet thing to be saying about somebody to people.” Celia apologizes again.

I'm sorry
Poisonous

Gillian says, “That’s poisonous, saying something like that to somebody when you’ve got no idea of the consequences.”

Not my dad's?
Not my dad’s?

Raff asks what’s going on and Gillian tells him the whole story. He’s shocked both by the abortion and by the Robbie revelation.

Alan says, “Celia made a mistake, she’s apologized.” Celia wants to go back to Harrogate and Alan says he’ll go, too. Gillian blames Celia, blames Harrogate, blames Alan for defending Celia.

Don't you dare
Don’t you dare

Gillian talks about how much he’s changed and that she doesn’t like it. Alan gets in her face and says, “I’ve spent my life watching you go out with unsuitable buggers. Have I ever fallen out with you about it? Ever? Don’t you dare say anything about Celia to me.”

When Derek Jacobi puts power in his voice, you hear every imperial majesty he’s ever played hiding inside sweet, kindhearted Alan.

In Harrogate, Celia tells Caroline the story about how Alan put up with Gillian’s green hair and pink eyebrows, her shoplifting, her wild behavior, and all sorts of things that we hadn’t heard about before. Caroline offers to call Gillian, but Celia says not to because Gillian doesn’t like her. Kate leaves for school.

On the farm, Raff calls Gillian inside to answer the phone. It’s pouring rain and Gillian is stacking hay in the barn. Gillian may still be a mess all these decades after being so broken at age 15, but she works like a dog on that farm. Inside, Raff holds the baby awkwardly and says Ellie is gone. When Gillian finally reaches the phone, it’s Caroline. So much for Caroline listening to her mother.

Caroline was in the car with Lawrence, on the way to school when she phoned Gillian. Caroline apologizes for her mother. They have an unfriendly conversation. When Caroline asks about the baby, Gillian softens and says, “I don’t know what the hell I’m doing. I don’t know whether I’m coming or going.” She says she’s sorry for having a go at Celia and asks Caroline to apologize for her. Caroline promises to keep an eye on Alan for her.

Celia enters her little flat with both a Guardian and a Daily Mail and a carton of milk. Alan is on the phone with his renters, who do want to buy his house. Celia says, are you sure that’s what you want to do? I’m not forcing you, I’m not manipulating you. Alan says, “You can manipulate me any time you want.” Celia asks about Gillian and Alan says, “Bugger Gillian.” Celia doesn’t like all the bad feelings between them.

Celia will tell Caroline she won’t be giving her any money. She plans to tell Caroline after she and Kate get back from their weekend. Parallel to this, Caroline is telling Lawrence about the weekend away with Kate.

Why don't you and Miss McKenzie just come to school together?
Why don’t you and Miss McKenzie come to school together?

At the school, Kate is getting out of one car, Caroline and Lawrence out of another. Lawrence says, “Why don’t you and Miss McKenzie come to school together?” Caroline says it’s because they don’t always leave at the same time. Yeah, right.

Lawrence replies, “Everyone knows, you know. You need to stop kidding yourself because you just look like a hypocrite, which is not a cool message to be sending out to the 2.7% of the kids in this school who will one day turn out to be muff munching shirt lifters.” The promos and PR for season 2 talked about Caroline’s struggle to be out and proud. It would certainly be an interesting twist if Lawrence’s macho machinations are a precipitating factor for Caroline in that journey.

Caroline can only get out, “I see,” as Lawrence jumps out into the rain. Lawrence walks with a friend and invites him over to get pissed and trash the place while his granny is babysitting.

John arrives at the farm. Gillian called and invited him. They make tea. Gillian tells him she’s up shit creek without a paddle. “It’s a bit mad, you and me,” she says.  She tells him the story we’ve heard before about Eddie’s death.

Gillian tells about Eddie
Gillian tells about Eddie

She also tells him that Robbie never cared for anyone but Eddie and her. She thinks she’s ruined it for good with Robbie and that she’s nervous about getting in any deeper with Robbie.

I love you
I love you

Meanwhile, Celia and Alan are in a lovely restaurant talking about how much they love each other and how happy they are. Celia feels guilty about what she told Robbie, but Alan tells her not to worry about it. Alan tells her more about the story of Eddie’s death.

I still have nightmares
I still have nightmares

Alan says Gillian actually finished Eddie off with a block of wood. She didn’t just stand and wait for him to die, as they said before. Robbie knew it and called the police. Alan has nightmares about it to this day. “I sometimes wonder if it weren’t even suicide,” Alan says. “The point is – I’ve done enough for her over the years. We’re buying this bungalow and I’m putting it all behind me.”

John’s selling his merits to Gillian and thinks they could be good together. He offers to watch the baby while Gillian goes to work. He says he can do babies.

oh, gillian
Gillian, really? Really?

Gillian leans over and kisses him.

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Recap: Last Tango in Halifax, S2, E1

Season 2 of Last Tango in Halifax begins with Celia (Anne Reid) in a hospital corridor phoning Caroline (Sarah Lancashire) to tell her than Alan (Derek Jacobi) has come round and, “is feeling rather perky.”

Gillian at Alan's bedside
Gillian at Alan’s bedside

A very happy Gillian (Nicola Walker) and Raff (Josh Bolt) are at Alan’s bedside. Gillian mentions that she thinks she loves Celia, Raff chimes in, “So do I.” Alan tells Raff to keep his hands off – Celia is his. Alan’s smiling and joking. Perky, indeed.

Outside the hospital, Celia, Gillian and Raff make plans for Celia to stay in Halifax at the farm until Alan is released. Celia comments that she’ll get Caroline to bring her some things.

Thank you for making him so happy
Thank you for making him so happy

Gillian gives Celia a hug and says, “Thank you. Thank you for making him so happy. I think you brought him back. You mustn’t fall out with him again.”

Celia answers, “I am NEVER gonna fall out with him again. Ever. About anything!”

Robbie helps out on the farm
Robbie helps out on the farm

Robbie (Dean Andrews) has taken it upon himself to help work the farm. We see him repairing fences as Gillian and Celia drive up. When they are all in kitchen, Robbie serves tea. He says he’s made a lasagne.

On the phone, Celia and Caroline discuss Caroline’s trip to the farm. Celia tells her Gillian’s invited her to stay the night and Caroline says okay. When Caroline tells John (Tony Gardner) she’ll be staying in Halifax, he wants to come with her – we know he wants to see Gillian again, but she does not. She tells him to stay home with the boys.

It really is all about you.
It really is all about you.

John explains how he really needs to go apologize because if it hadn’t been for him, Alan wouldn’t have had the heart attack. Caroline says, “It really is all about you.” She says when she gets back they need to work out what’s what between them.

As Caroline leaves, John immediately texts Gillian. She responds with Don’t. Text. Me.

We'll do something tomorrow
We’ll do something tomorrow

Caroline calls Kate (Nina Sosanya)  as she’s driving to Halifax. She explains she won’t be able to see Kate that night but wants to see her the next night. Kate is still a little unsure of her ground with Caroline and every conversation they have is fraught with importance to her.

At the farm, Celia is taking part in Gillian’s family life, which includes Robbie and Gillian teasing Raff about a girl named Ellie. John can’t get Gillian to take his calls or texts, so he calls Celia’s phone and after a few moments of inquiry about Alan, asks to speak to Gillian. Gillian takes the phone because Celia hands it to her.

Gillian talks to John
Gillian talks to John

With Robbie, Raff and Celia listening to her end of the conversation, Gillian tries to tell John to get lost in words that don’t reveal to her listeners what she’s doing. He won’t take the hint. He tells her he thinks he’s a little bit in love with her. He wants to meet up. She says no. She says, “Did you get my text message?” Finally she has to hang up on him while pretending to give him a cherry goodbye.

He calls Judith.

Alan says he gets to come home on Monday. Gillian, Celia and Caroline are clustered around him. Gillian wants to know what the prognosis is and what the doctor told him he could do and could not do. Alan is evasive about it with Gillian. He suggests Gillian and Caroline go have a cuppa.

Let's do it
Let’s do it

Celia sits on the bed beside Alan and says, “Bugger everyone. Let’s get married immediately.” He wants to as well. And he wants to do it in secret without telling anyone. Celia isn’t sure about this idea and questions him gently, but definitely doesn’t fall out with him about it. She agrees to keep it a secret.  She wants to know what the doctor said. He will only answer, “I’m A-1.”

In the hospital cafeteria Caroline and Gillian talk. Gillian says she wonders if you can die of a broken heart. She thought that’s what made her father have a heart attack. Then Gillian asks about Kate.

I didn't want it to be like that, actually
I didn’t want it to be like that, actually

Caroline says she wishes everyone didn’t know about it, because she and Kate aren’t quite sure where they are themselves. Caroline wanted to get it all sorted through with Kate before it became public knowledge. Gillian says, “Yeah, the whole world is looking at you like they want you to make an announcement.”

Gillian says, “I want to tell you something.” She’s going to confess to the sex-with-John-mess. She bumbles and stumbles, doubles round and round, and explains badly.

I want to tell you something
I want to tell you something

Before Gillian can get it out, Caroline says, “You slept with John.” She expects Gillian to say, no that’s not it. Instead Gillian says, “I was pissed. It was my birthday. I felt sorry for him.”

“Oh, you really have slept with John? What was it like?”

“I don’t actually remember very much about it. Except that it happened. Are you hating me?”

Caroline says no. Gillian continues to apologize. Caroline is smiling. She says, “You can have him.” Gillian answers, “I don’t want him.” Caroline is actually laughing, trying to deal. Caroline realizes that was the night she was propping Judith up in casualty. She was in hospital with one of John’s women and he was off screwing another one. “Blimey,” she says, and finally looks serious. Gillian attempts a joke with a movie quote.

The 3 women pile in the Land Rover to head for the farm. When they enter, Caroline asks about Paul. Gillian says she finally got shut of him by sending him to his granny’s. Gillian goes off to make tea. Things are awkward between Gillian and Caroline now. Caroline says she thinks she’ll go back home. Celia asks Caroline if she’d mind if she and Alan came to live in her flat – it has no stairs. Caroline says it’s fine by her.

Celia walks Caroline out to her car. Caroline tells her about Gillian and John.

Gillian told me about John
Gillian told me about John

Caroline asks, “How do people do that? Why is everything so casual and meaningless?” She says she’s a bit shocked. She says, “Do you think before Judith, John was  . . . ” That’s really what’s on her mind – has this been a more frequent thing with John than she knows. Celia promises not to say anything to Gillian about knowing.

Next morning, Celia arrives at the hospital to bring Alan home. They are so happy to see each other, happy to be together.

Atop a scenic rock
Atop a scenic rock

As soon as he’s released, they head for a scenic spot atop a rock which drops off before them for a fabulous view. All the outdoor shots of the countryside around Yorkshire are beautiful, but the camera loves this spot. We see the rock and the spectacular views from every angle as they talk. Alan says he wants to do everything now. He asks her if she’s ever fancied skiing. She says no and they laugh. They talk about their youth and things they did in that spot as teens. Celia says she and her mother scattered her father’s ashes from there. They talk about old friends who are no longer with them. Yet here they are, alive, together, and happy. He wants to pop over to the registry office. She asks again if they are serious about not telling anyone. He insists they are.

At the registry office, they make an appointment for the wedding to be tomorrow at 11 AM. They take the appointment time with them on a card.

Gillian greets them at the farm (she’s chopping wood with an ax, not a log splitter). She asks if they’ve set a date and they say no. They tell Gillian they want to live in Celia’s flat while Alan’s recovering.

Gillian isn't happy about Alan leaving
Gillian isn’t happy about Alan leaving

Gillian doesn’t take the news well. She wants Alan near her. Celia says her flat has no stairs and she can take care of him 24/7, unlike Gillian, who has to work. Gillian accepts the decision reluctantly. She wants to come with them to help get him set up the next day.

Celia and Alan go up to the bedroom, where they lay on the bed laughing and talking. They are so easy with each other, so happy together.

A Troubled Gillian
A troubled Gillian

Downstairs, Gillian listens to them laughing. She looks troubled and worried.

Next morning as they drive to Harrogate, Celia tells Alan about Gillian sleeping with John. It upsets him. He shakes his head in disgust.

Gillian is coming?
Gillian is coming?

Caroline enters the kitchen and tells John that Gillian is coming and Kate is there. He wants all the details about Gillian arriving. Instead, Caroline tells him Kate’s moving in.

John gets upset about Kate moving in. Caroline says, “After what happened here on Saturday night, you have no business talking about what other people are doing.” This angry conversation has something to do with Judith.

When Celia, Alan and Gillian arrive in Harrogate, Gillian sees Caroline’s gorgeous house and says, “You did all right for yourself here, Dad.” He responds by berating her about John. She tries to explain, but he’s not having it. He calls her a name, some British slang my American ears couldn’t make sense of. However, it isn’t the worst thing he could have called her, which is what Gillian expected.

In the kitchen, Kate says she’s put her bags in Caroline’s bedroom. “How permanent is this?” she asks. Caroline says they need to talk it through properly.

How permanant is this?
How permanent is this?

Caroline leans on the counter, gives Kate an affectionate smile, and says, “Is this what you want?”

“Do you need to ask?” Kate says.

In Celia’s little flat, Alan calls Gillian an “ongoing disappointment.” She tries again to defend herself and talks about how much she regrets what happened. Alan tells Celia, “She were pregnant when she were 15. She broke her mother’s heart.” Gillian is stung by this and by his disapproval.

In the middle of this tense moment, Caroline pops in. She invites them to dinner. She tells them Kate is there. She says she didn’t plan it exactly, and asks them to bear with her. She tells the story about Saturday night when she arrived back unexpectedly to find a drunk Judith (Ronni Ancona) falling down her stairs in a bathrobe, a drunken John dressed only in his underwear, and two upset boys witnessing the whole thing.

You're not supposed to be here
You’re not supposed to be here

Caroline tells them John said, “You have friends round, I have friends round.” She told John to have things cleaned up by the morning. He said, “Whatever,” as Judith threw up on the floor.

Caroline went to Kate’s with the boys. When she got back in the morning she asked John to move out. He refused. Caroline explains that she asked Kate to move in “in the hopes that at some point he will get the message.” Well, it seems Kate was wise to be a little concerned about her status in the household. Caroline’s motives don’t look entirely pure if this description to her mother is used to judge her commitment to Kate.

John lurks around like a schoolboy, asking questions about Gillian, trying to catch a glimpse of her.

Gillian wants out of there. Her father’s condemnation has her ready to run. John tries to chase her down, but Caroline beats him to her. Caroline wants Gillian to come inside. John peeks at them through the mail slot. He’s hilarious doing it, like something out of a Shakespeare comedy.

Gillian wonders why Caroline told Celia about her and John. Caroline doesn’t offer a very good reason, but she sees that Gillian is upset about her father knowing. Gillian tells Caroline about having an abortion at 15 and that her father just told her it broke her mother’s heart.

As Gillian heads off in the car, John speeds out, runs down the driveway and hops in beside her. He tells her she can’t ignore him. She wants him to get out. He says, “We had sex.” She says, “Boy, am I paying for it now!”

They argue and try to explain themselves. He says his publisher’s dropped him. She reveals she’s worried about the farm and money issues. Wow, does anyone have pure motives around here? He wants to come over. She says, “I’m seeing Robbie.” I don’t know what this means to a Brit, but to an American “seeing someone” implies sex. This finally gets John out of her car.

the celia death stare
the Celia death stare

John goes inside and joins everyone at dinner. Things are incredibly awkward. Celia gives John a death stare.

Morning on the farm, Gillian gathers the sheep and loads them in a trailer. Parallel to this are school children filing into assembly. Gillian and Caroline are at work herding their charges, unaware of their parents’ plans. Later Gillian is cleaning and finds the card with the appointment for the wedding on it.

Gillian calls Caroline and tells her about the secret wedding. Gillian is really bothered by the idea of not being there for her dad’s wedding. Caroline says she can be there if Gillian can. They talk a bit more, and Caroline says maybe they wanted to avoid a fuss. Caroline’s not nearly as upset as Gillian.

Gillian hangs up on Caroline and runs out the door.

5 Reasons to Love Scott & Bailey

Scott & Bailey is a British detective series from iTV. It’s run for 5 seasons. It makes its way across the pond to American TV on PBS. Some local PBS stations may have episodes you can watch right now, but it depends on your locality. You’ll also find every episode available on YouTube.

There are so many things about Scott & Bailey that I really enjoyed, a list seems in order.

1. The Main Characters are Women

Suranne Jones is DC Rachel Bailey, Lesley Sharp is DC Janet Scott, and their boss is Amelia Bullmore as DCI Gill Murray. There are a lot of men in the police department and in the women’s lives, but the police procedural stories which form the bulk of the drama are the cases that Scott and Bailey take the lead on.

Scott & Bailey
Scott & Bailey

Janet Scott, Rachel Bailey, and Gill Murray are real women. Smart, tough, dedicated and thoroughly flawed. Scott and Bailey are great friends and understand each other very well.

In the flaw department, Bailey excels completely, to the dismay of her co-workers and to the detriment of her personal relationships. She makes up for it by being a brilliant detective. She has an older sister who helped raise her, a younger brother just out of prison, and a horrifyingly awful mom. Alison, the older sister, is played by Sally Lindsay who is also one of the writers on the series.

Scott is a bit older, with a husband, teen aged daughters, and a mom who is around a lot. She’s unflappable and efficient, but does manage to have a few issues of interest going on in her personal life.

DCI Gill Murray
DCI Gill Murray

Bailey calls the boss “Godzilla” but she’s one of the best bosses I’ve seen. Like Scott & Bailey, Gill Murray is a brilliant detective. She’s also capable of leading a large team of investigators straight in to a confusing morass of information and bringing them out with an answer.

2. The Writers!

The series was written mainly by Sally Wainwright and Diane Taylor. You may know other shows that Sally Wainwright has done, especially Last Tango in Halifax. Diane Taylor also acted as producer and police consultant on the series. Other writing credits go to Sally Lindsay, Suranne Jones, Amelia Bullmore and Nicole Taylor.

Nobody had to remind these writers to write “strong female characters.” They couldn’t do it any other way. They’ve created some of the most interesting women on television.

3. The Guest Stars

It may take more than one episode to solve a crime, which means a major guest star may be around for several episodes. Kevin Doyle, Mr. Molesley from Downton Abbey, is there for several episodes while he’s under investigation for a series of crimes. Josh Bolt, Raff from Last Tango in Halifax, was on one episode with a wild head of hair and a bad attitude.

A troubled daughter
A troubled daughter

Joe Bevan’s (George Costigan) nasty crimes took several episodes to investigate. Costigan made his character so creepy. It was masterfully done. (If you’ve seen Sally Wainwright’s drama Happy Valley, you can see Costigan in a much different role.) Helping the police with that investigation was his troubled and abused daughter Helen, played by Nicola Walker, who also worked on Last Tango in Halifax.

4. The British Style of Policing

A police procedural is such a common genre, but the British do it in their own way and it’s a refreshing change from American shows like Castle or Bones. Not that I don’t enjoy Castle and Bones or any other American police procedural like Rizzoli and Isles. But the style of inquiry, the method of interrogation, the lack of guns, and the calm attitude of the police toward the people under investigation is a window into how it can be done with less violence.

5. Great Performances

The acting is top notch from everyone in the series. There are many characters I haven’t mentioned who are played to perfection. The lead characters are excellently acted, completely real and believable. The show has an all-round outstanding cast. Nicholas Gleaves is terrific as DC Andy Roper, Tony Pitts is fabulous as Janet Scott’s husband, Liam Boyle is excellent as Rachel Bailey’s brother, Sean Maguire does a wonderful turn as Rachel’s mistreated love interest.

You might enjoy watching a few short promos and trailers for some of the shows and seasons. It will give you a glimpse of the characters in action. If you have seen the series, I’d love to hear your reactions to it in the comments.

Promo for season 1

A Season 3 Promo

Recap: Last Tango in Halifax, S1 E6

The episode opens with Celia (Anne Reid) and Alan (Derek Jacobi)  having a cup of coffee on their way to Celia’s. Celia tells Alan that Caroline told her when she was 18 and home from her first year at Oxford that she was interested in a woman. Celia said she didn’t want people pointing and saying things. Alan wanted to know what happened. Celia revealed there was one girl but Caroline never brought her home. In a few years Caroline met John and Celia thought it was forgotten.

Caroline (Sarah Lancashire) arrives home after taking a drunk and bloody Judith to the emergency room. Kate (Nina Sosanya) is there waiting. Caroline asks how the boys are. Kate says do you want the bad news first or the even worse news?

bad news
Do you want the bad news first, or the even worse news?

Kate tells Caroline that Gillian (Nicola Walker) rang and warned about Celia coming home. Kate says Celia is apparently taking the news badly. Plus, Lawrence now knows about Kate.

Caroline goes up to Lawrence’s (Louis Greatorex) bedroom. He is in tears and hugs her fiercely, saying he doesn’t want people being mean to her. She hugs him back and says, nobody is going to be mean to her, she can handle mean. Since we saw her effectively shut down the male teacher who tried to intimidate her, we know she’s right. Lawrence appreciates the reassurance, however.

I can handle mean
I can handle mean

At the farm, John (Tony Gardner) wakes up in Gillian’s bed. He goes outside to find her working on the clutch. Paul (Sacha Dhawan) is sitting outside reading a manual on Land Rovers while Gillian works. John comments that Gillian is up early. She says, “Early? It’s half past 7.”

We made love
We made love

“We made love,” John says. Gillian says, “You were upset. It was my birthday. Go pour yourself some tea.” John seems to want to process the night, Gillian doesn’t. She lets him know with her attitude that it was nothing but sex and she’s not interested in anything more. Paul’s a bit jealous. Gillian isn’t interested in that either.

Caroline goes to her mother’s cottage in the early morning. She looks like a child, steeling herself to face an angry parent. She says she’s sorry Celia heard what she heard the way she heard it. Alan tries to leave them alone, but Celia insists he stays.

Caroline says, “I don’t know what you’ve heard.” Celia answers, “Well, I’m assuming it’s nonsense.”

Alan looks at Celia in dismay. He doesn’t like the way Celia is dismissing Caroline.

assuming its nonsense
Alan doesn’t like Celia to assume it’s nonsense.

Caroline tries to explain how she and Kate became close and how things developed. Caroline said, “She thinks the world of me, and I think a lot about her.”

Celia raises her voice and calls it sudden. Caroline says it isn’t sudden, that she tried to talk to her mom about it when she was in university. Celia ignores that and says, “Why did you marry John?”

Caroline answers that she married him because she like him and thought they could have a good life, which they did until he ran off with Judith.

Caroline wants her mother to get it. Caroline says, “I’m too old to pretend anymore.” Celia is untouched by the pain in Caroline’s face. Caroline says, “I’d like both of you to meet Kate.”

too old to pretend
I’m too old to pretend any more

Celia says, “No thank you.” Caroline insists they must. She says she’s called Kate McKenzie, which prompts Celia to ask if she’s Scottish. Caroline answers, “No, she’s Nigerian.” The Brits are far more enlightened about race that we are here in the states, but the implications of the word Nigerian wash across Celia’s face in an unpleasant way. Celia announces that she and Alan have decided against the school chapel and will make other plans.

decided against the chapel
We’ve decided against the school chapel and it would be better if I moved out.

Celia says it would be better if she moved out. Alan watches her walk away from Caroline with a horrified expression on his face.

Talking to Gillian
Lesbian spores?

Alan arrives back in Halifax on the train, where Gillian is waiting to pick him up. They stop in a pub where he tells her the story. Gillian says, “Why does she have to move out so fast? Is she afraid she’s going to get infected with lesbian spores?”

Alan explains that he told Celia that Kate seemed like a nice person and that was what mattered. He says it’s nothing these days, people don’t bat an eye at lesbians.

John arrives home. Caroline says, “I specifically asked you not to tell my mum.” He says he’s sorry. He says he went to Halifax to talk to Gillian. Caroline says, “I knew you were infatuated with her.” He keeps quiet about the sex with Gillian. He offers to apologize to Celia.

Then Alan asks her about the hundreds – thousands – of times they had sex. He wants to know what she was thinking about.

what were you thinking
What were you thinking about?

She says she can’t remember. She says, “I was a good wife. You blew it, not me. I liked having sex with you. I’m sorry if that doesn’t compute but it’s true. I liked you. I loved you. I wanted to have children with you.”

He says he feels used. She talks about how sordid Judith’s flat is and how vulnerable Judith is. When John asks what she was doing with Judith she answers, “I was having sex with her.” He believes it for a moment, but she quickly adds, “That was a joke.” She explains about Judith accidentally slashing her wrist in the garden, William fainting, and how it was a memorable birthday.

At the farm, Paul and Raff (Josh Bolt) are on the couch playing video games like old friends when Gillian and Alan arrive.

Paul and Raff play video games
Paul and Raff play video games

Alan and Gillian go in the kitchen where Alan continues to worry over his disappointment in Celia. He says, “She reads The Daily Mail.” Gillian turns very seriously and says, “How long have you known this?” Then they giggle. They talk about Celia’s honesty and plain spokenness, which Alan normally likes. Alan says he was shocked by how unkind and unthinking she had been toward Caroline. Gillian says, “You’re not going to fall out with her.”  He doesn’t answer.

Celia comes to Caroline’s door and asks to talk to her. She says it’s been several days since she talked to Alan. He wants Celia to meet Kate. Caroline says she can cook dinner for Kate and Celia and Alan. Celia mutters Oh, god, under her breath as Caroline leaves. She’s only doing it for Alan.

The night of the dinner, the boys are helping with the table, Kate is helping make salads. Celia and Alan are in her cottage waiting for 8:00 to go to dinner. He tells her he thinks she’s bigoted, small minded and old fashioned. She denies it and claims she is not. She’s bewildered by his opinion.

I'm not bigoted
I’m not bigoted or small minded or old fashioned

Robbie (Dean Andrews) arrives at the farm. Gillian greets him with a big smile. Robbie’s brought wine for dinner with Gillian. He’s a bit surprised to see Paul still there, but he accepts it. Their dinner will include Robbie, Gillian, Paul and Raff. It’s odd, but it works for Gillian.

Robbie
Robbie

At the other dinner party at Caroline’s, Kate is trying very hard, talking to Celia and Alan about how wonderful their story is, which she calls uplifting and extraordinary. Celia is being difficult. Alan keeps attempting to  jolly Celia in to behaving better. He says William and Raff put their names on Facebook. Kate says, “I know all about it. Caroline told me.” She takes Caroline’s hand when she says this. Celia looks horrified.

touching
Caroline told me all about it

Alan reminds Celia to ask Caroline about using the chapel after all. She acts reluctant to ask. Kate offers a choir – seems she runs the choir at school.

William mentions he’s in the choir. Lawrence says that’s because William is a puff. He says William fainted.

Kate asks what music they would like and Alan mentions “The Arrival of the Queen of Sheba.” Celia is still reluctant to talk about this with Kate. By now Caroline and Celia are shooting daggers at each other with their eyes.

Celia asks why William fainted and Lawrence says, Judith slashed an artery and he got sprayed in mad alkie-woman blood. Kate tries to make light of it, which lets Celia know she was there. Kate asks about honeymoon plans.

Caroline asks to talk to Celia in the other room. They leave the room, but everyone can hear them arguing. Caroline says, “Why are you being like this?” Celia says, “I can’t stand seeing you make a fool of yourself.”

make a fool of yourself
I can’t stand seeing you make a fool of yourself.

Celia says that Kate is only being nice to Caroline because she wants a promotion. She says that Caroline doesn’t love Kate, a fact she thinks she knows because Caroline didn’t say it outright the other morning. Kate hears this and looks hurt. Alan is mortified on Kate’s behalf. Celia says, “It turned my stomach when she touched you.” Caroline says, “She touched my hand.”

Celia goes back to her cottage. Alan lingers. He asks Kate if she’s all right. She says she’s tough as an old boot. Kate calls a cab and goes outside to wait for it. Caroline chases her outside and asks her to stay. Kate says, “I always knew you didn’t feel the same about me as I feel about you.” She leaves even as Caroline asks her again not to go.

disappointed
I’m disappointed

At Celia’s cottage, Celia says, “Well, that’s done.” Alan says, “Yes, that’s done,” in a sad voice. She asks if he’s all right. He says, “No, I’m disappointed.”

alan arrives on the train
Alan arrives on the train

Morning in Halifax and Alan has come home on the train again. Gillian and Alan stop at the pub for a talk. He tells her that he thought Celia should try to get on with Kate. He was hurt because Celia told him that her relationship with Kate wasn’t any of his business. He told her they’d reached the end of the line. Celia answered that she couldn’t feel something she didn’t. Gillian is sorry that he thinks it’s ended. He looks terribly sad.

At home, Celia is sitting alone. It looks as if she’s been doing it for hours. Let’s hope she’s doing some soul searching. When Caroline gets home from work she asks to speak to her. She says Alan’s dumped her. Caroline just says, “Oh.” Celia says it’s all because of Caroline’s business. Caroline says, “Don’t you dare blame me.” Celia says, “I’ve been so happy.” Caroline says, “If it’s any consolation, Kate’s finished with me.” Kate handed in her resignation, which Caroline has in her purse.

Caroline calls her mother a nasty, small-minded old bitch. Celia recoils as if she’d been slapped. John comes in and says, “Don’t speak to your mother like that.” Caroline counters, “I haven’t got a mother.” Celia, who was already miserable about Alan, is clearly hurt deeply by Caroline’s venom. Then Caroline runs up to her room where she starts sobbing.

Gillian and Alan talk
Gillian and Alan talk

Gillian and Alan are on the couch at the farm. Gillian tells Alan that Robbie asked her out, proper. She reminds Alan that he apologized the other night. We learn that she went out with Robbie before she married Eddie. She says she always liked Robbie. Alan and Celia seem to have lost their second chance at love. Caroline seems to have lost her second chance at love. Here we are in the last episode of the season and we learn that Gillian is hoping for her own second chance at love. The writing on this show is so good!

Alan is rubbing his chest and dismisses it as indigestion when Gillian is concerned.

Celia goes to Kate’s house. Celia talks about her unhappy marriage, about how Caroline was the one thing that kept her going. She talks about how Caroline reminds her of her dad, whom she still misses. Celia says, “The thing that worried me when she told me when she was 18 – what worried me – was I thought it was my fault, by being so disappointed in Kenneth. I thought it was my fault.”

Kate says, “Celia, that’s not how it works.”

not how it works
That’s not how it works

Celia says, “Now I know that.” She adds, ” I just want her to be happy.” She give’s Kate a plaintive look. “Don’t leave her.”

don't leave her
Don’t leave her

The next thing we see is Celia and Kate arriving at Caroline’s door. Caroline opens it and realizes what’s happened. Celia leaves and heads for the cottage. From Celia’s viewpoint outside the house, we see Kate and Caroline on a couch touching and laughing. Celia smiles.

At her own cottage, Celia sees Alan inside and she’s suddenly joyful, but when she gets the door open and turns on the light, he isn’t there.

In the morning Celia drives to the farm. Only Paul is inside. He tells her that Alan had a heart attack. He says the paramedics brought him back from the dead.

Celia rushes to the hospital where she finds Gillian and Raff in Alan’s room. Gillian is crying, she says she didn’t ring because they split up and he was so unhappy. Celia says she’s put everything right and she needs him to know.

Gillian crying
Gillian cries as she tells what the doctor said

Gillian explains what the doctors said and how bad it is. He hasn’t been conscious at all. Celia wants to sit with him and tell him that she’s put things right. Gillian tells her to go ahead.

Celia sits down and talks to the unconscious Alan telling him that it turns out that she’s not bigoted or small minded, but that she blamed herself for Caroline being “the other way inclined.” She says, “I’ve been on the road to Damascus, come out the other side. They’re back together, the ladies. I’m assuming you and I are back on.”

Caroline arrives at the hospital. She hugs Celia and they apologize to each other. She asks how Alan is and Celia whispers, “Not good.”

not good
How is he? Not good.

Alan is dreaming about their youth, about the time he asked Celia out, the time he asked her to meet him on the bridge at 6 PM and she agreed.

Alan awakes saying, “I always knew you’d turn up eventually, even if it took you 60 years.” Celia says, “Hello.” Alan asks, “Did I come to see you last night or were I dreaming?” He says he loves her and he doesn’t care. She says, “I went round to Kate’s house last night and they’re back together.” Celia says, “You’ll never guess. Kate can play the organ. She can play The Arrival of the Queen of Sheba.”

you'll know
Kate knows The Arrival of the Queen of Sheba. That’ll be coming in handy.

Alan laughs. Celia smiles. The Arrival of the Queen of Sheba plays in the background. The first season ends on a happy note.

What are your thoughts about this episode?

All images ©BBC productions

Recap: Last Tango in Halifax S1, E5

It’s the morning after everyone was up all night looking for Alan (Derek Jacobi) and Celia (Anne Reid) and after Caroline (Sarah Lancashire) announced to her husband John (Tony Gardner) that she’s been seeing someone.

Caroline parks at her school. She’s on the phone to Kate (Nina Sosanya), all chirpy voiced, asking her to come to her office.

Nina Sosanya and Sarah Lancashire as Kate and Caroline
Passionate kisses for Kate and Caroline

In her office, she grabs Kate, pushes her up against a door, kisses her passionately and pulls up her shirt to reach under and have a feel. She steps back, smiling, and says, “I told John. It felt good.”

Kate asks Caroline if she wants to come round tonight. Caroline says, “Yep.” She studies Kate’s face and announces, “You’re very pretty.” Kate answers, “You’re magnificent.” I have to agree with both of them about it. Caroline whispers something we cannot hear in Kate’s ear, but we can assume it was naughty indeed. They almost kiss again but an assistant comes in with a cup of tea. The assistant talks about the day’s calendar, offers lunch, and heads off.

Sarah Lancashire and Nina Sosanya
Sarah Lancashire and Nina Sosanya

Caroline collapses in tears with the same passionate energy she had just devoted to kissing, and moans, “I thought she was dead last night. There was this one moment when I thought that’s it. And I thought how unfair that was, to find that one person again after all these years and then die.”

She realizes she sitting on the floor. Kate suggests maybe she should be home resting. Caroline asks if Kate will be home by 4 o’clock and Kate says, “I can be.”

At the farm, Alan is watching Celia sleep. She’s on the couch. He perched on the other end, enjoying the sight of her. He brings in tea and the rattling of the china wakes her. She says, “We keep having adventures!” He reminds her that their adventures have been her idea. They talk about the “distinct presence” in the old Hall last night. Celia says, “We’re back in the land of the living now.”

He starts to tell her something about when Gillian’s husband died, but Paul (Sacha Dhawan) comes crashing down the stairs and through the door. He writhes on the floor in pain muttering about keeping his fluids up as Alan explains who he is.

A knock on the door and it’s Alan’s two sidekicks (Paul Copley and Roy Barraclough) which leads Alan to ask, “Is it Tuesday?” The fellas apparently have a regular Tuesday thing.

Celia is on the phone to Caroline while outside a pub with Alan and the fellas. She asks Caroline to bring her fresh knickers, her toothbrush, and a nightie so she can stay in Halifax a few days. Caroline doesn’t want to do that but asks to call her later. Celia tries to make her feel guilty, apparently an old and well worn game with them, then asks her what she wants for her birthday tomorrow. Caroline manages to get off the phone by promising to call her later.  In the pub, Paul is there, trying to drink a pint. Guess they didn’t want to leave him alone at the farm. Alan and his sidekicks discuss Gillian’s birthday tomorrow. Well, well, well, isn’t that interesting. Caroline and Gillian have the same birthday. Alan wants to buy Gillian a used Land Rover and knows where he can find one. He wants to go have a look at it.

Sidekick number one lists his qualifications to be Alan’s best man. Alan won’t commit.

Celia comes in to join them. She says to Paul, “I hope you’re not taking pain killers and drinking alcohol.” He asks her to get him a straw. Cheeky.

Gillian on two phones
Gillian on two phones

Gillian (Nicola Walker) arrives at the house to find it empty. She calls her dad but his phone is on the table. She picks it up and talks to herself on two phones for a funny moment. Then she calls Caroline who explains they’re at a pub. Caroline asks Gillian if she can get her mom a few things – she doesn’t explain why, but we know it will leave her free to go to Kate’s. Gillian can do.

stuffed in the Land Rover
stuffed in the Land Rover

Out in a muddy field, Alan is trying out the used Land Rover. Paul and the two sidekicks are stuffed in the back. Gillian calls and says they are to take Paul to his mother’s house and she asks what size knickers to buy. Celia pretends she can’t hear – no way she’ll discuss knickers in front of these blokes – and hangs up. Sidekick number two announces that the clutch needs to be replaced. And – they are stuck in the mud.

giggling about knickers
giggling about knickers

Caroline rings Kate’s doorbell, looking incredibly eager. Just as they are about to start kissing again, Gillian calls asking about knicker sizes for Caroline’s mum. This gives Kate the giggles and we get to see Sarah Lancashire show off her physical comedy skills.

Alan buys a new clutch, and sidekick number two makes his pitch to be best man. Alan doesn’t commit.

Alan and Celia hide the Land Rover in the barn and go inside. He makes tea and tells Celia his story. When Gillian’s husband Eddie put his head in the log splitter, he didn’t die immediately. Gillian stood and watched him die without calling an ambulance. After about an hour, Alan arrived. Gillian told him what had happened and that she had called the police. Alan feels guilty and responsible for being a party to something that wasn’t right. He doesn’t blame Gillian, he just feels guilty about his part. Celia does not blame him or Gillian and reminds Alan about wanting to kill her own husband. Alan says sometimes he feels as if Eddie’s ghost is in the barn and that’s why the Hall bothered him.

jiving
jiving

They talk about jiving in the old days, and move on to happier thoughts. When Gillian gets back, she hears music and finds them dancing in the living room, much to her delight. (Derek Jocobi is a damn good dancer, by the way.) Gillian snaps their picture and texts it to Caroline. They stop dancing when they see Gillian. Alan is winded, but not having any chest pains.

Gillian says Robbie is bringing Raff back home tonight. She’s invited Robbie (Dean Andrews) to dinner and seems excited about it. She’s bought food and wine and wants to celebrate. She tells her dad Robbie apologized last night.

Caroline breezes in at home – her afternoon with Kate must have gone well, she’s very happy. John wants to know where she’s been. He wants to know who it is. Caroline wants to know if Judith is pretty – he says no. He says he thought they were going to try to make it work for the boys. He says he can’t stay there if she’s going to sleep around. She says, well maybe we should get divorced. She says if she’s going to be with someone she wants to have them at the house where she can have them any time she’d like. Caroline says it’s like a fog has lifted from her, that she’s happy for the first time in years. John says, “You’re not moving him in here.” Caroline says, “It’s not a he.”

It's not a he.
It’s not a he.

Tony Gardner’s rendition of processing this announcement is absolutely perfect! Caroline is going on and on about something related to the boys but I can’t hear it for laughing so hard at the expressions rolling across Tony Gardners’ face. He’s gobsmacked.

Gillian phones and the two women discover that they share the same birthday. They both turn 46 tomorrow. They’re twins!

John, in the garden, calls Judith (Ronni Ancona).

Gillian and Robbie
Gillian and Robbie

Robbie and Gillian are saying goodnight. He asks her out for a meal and she says yes. He kisses her, a move she rather likes. She asks him to stay. He refuses.

William (Edward Ashley) wakes Caroline on the couch and says she should go to bed. He asks her if she’s seeing someone and if it’s Kate McKenzie. She bumbles around a bit and he says, “She’s nice, she’s interesting, she’s kind. I want you to be happy.”

land rover gift
land rover gift

Next morning Alan presents the Land Rover – and the clutch – to Gillian. She’ll have to install the clutch herself.

A car roars up and dumps Paul on the ground. His mother won’t have him. Maybe because he keeps calling her a bitch. Gillian walks away and leaves him in sprawled in the dirt.

At Judith’s, John is talking to Judith about how Caroline couldn’t be a lesbian. “Aren’t you quaint?” says Judith. She wants to know what it’s like to get hot and steamy with a woman. Then she points out that the woman he’s been living with for 18 years has probably been faking it every single time. Caroline calls and tells him she’s cooking for her “friend” and the boys that night for her birthday. She wants him to join them if he can behave like an adult. He finally clicks on the fact that he knows who the woman must be – the woman Caroline had in the garden.

where to wed
deciding where to wed

Celia and Alan, still searching for a wedding venue, are looking at an impersonal public space. They talk about a chapel at Caroline’s school. That might be the answer.

Gillian is installing the clutch when John calls. He says she gives such good advice he wants to come talk to her. She tells him okay.

cooking
Caroline cooking

Caroline is cooking, drinking wine, and so happy she’s almost dancing. She answers the door to find Kate. William wants Kate to come play Scrabble with him and Lawrence (Louis Greatorex) before dinner.

stealing kisses
stealing kisses

Kate agrees to Scrabble, but steals a few kisses before she goes. Caroline says William knows about them and is being brilliant about it.

On the farm, John, Robbie, Paul and Raff are lined up like ducks in the living room. Gillian is pacing the floor in her bedroom. Alan and Celia arrive from their venue search. Alan again brings up the “manslaughter” he confessed earlier. She again reassures him. They go in laden with boxes and sacks from shopping.

Shut up, John
Shut up, John

Gillian tries to warn Celia about John and what’s going on. She can’t quite get it out about Caroline and Kate. John, who naturally is drunk, manages to announce that Caroline is a lesbian in the most offensive way. And Celia is indeed offended – both by the thought that her daughter is a lesbian and by John’s behavior. She gets very upset. Alan and Robbie try to shut John’s ranting down. Celia says it’s wicked to say things like that. She wants to go home.

Caroline’s dinner with Kate and the boys is going well when Judith appears at the door. She’s drunk and looking for John. She’s dropped a wine bottle on the sidewalk. She talks about how she always wanted to be with a woman. She keels over backwards and when Caroline goes to help her Judith is covered with blood from the broken glass. Caroline takes her to the hospital.

Lawrence
Lawrence realizes about Kate

Caroline’s at the hospital and Kate is back at Caroline’s with the boys. She’s talking with Lawrence. He knows his mother is seeing someone but doesn’t know who it is for sure. Gillian calls and wants him to tell his mother that Celia is on her way home and very upset about Caroline’s relationship with . . . with . . . with . . . Gillian can’t say it, but Lawrence says, “Kate.” Gillian says, yes, Kate. Everyone important to Caroline now knows about Kate.

Robbie is leaving for the evening. He says good night and kisses Gillian again. She goes into the living room and sits down to have a drink with John.  John says he only came over because he wanted to see her again. He keeps thinking about her.

It’s late, Alan is tired. He’s driving Celia back home. He pulls the car over to rest his eyes for a few minutes. Celia is upset, won’t look at him. We got a glimpse at Celia’s conservative politics when she and Alan were taking politics a couple of days ago in the church. Her conservatism may cause trouble between her and her daughter when she gets home. Gillian got a new car for her birthday. Caroline’s about to get an earful for hers.

Gillian considers John
Gillian considers John

Gillian and John have a few drinks. Gillian tells John she can’t decide if he’s an evil git. He says he’s not horrible, just disappointingly human.  She says, “Do you want to go upstairs,” and rubs his thigh. Paul is out of commission, Robbie’s being honorable. John it is. Will he be honorable, too? We don’t find out in this episode.

Recap: Last Tango in Halifax S1, E4

This is Caroline and Gillian’s episode. It’s the rainy evening when Alan (Derek Jacobi) and Celia (Anne Reid) are trapped in the spooky hall they scouted as a wedding location. Gillian (Nicola Walker) is outside with firemen who responded to her flaming Land Rover. She returns to the house, anxious because her dad isn’t home yet and isn’t answering his phone.

Paul (Sacha Dhawan), in all his bloody, beat-up glory on her couch, asks how the fire started. She says they don’t know, but he says someone torched it.

Anne Reid and Derek Jacobi in Last Tango in Halifax
Anne Reid and Derek Jacobi

In the old hall, Celia and Alan found candles, food, a deck of cards and a bed. They are on the bed, still wearing their coats. They sing and talk to the creaking noises that might be a ghost. Alan is having chest pains, which he hides from Celia. Alan says, “Do you think anyone’s realized that we’re missing?”

Indeed, pretty much everyone will know they are missing before long. Gillian calls John (Tony Gardner)  looking for the two tardy lovers. John gives the phone to Caroline (Sarah Lancashire), who takes note of the fact that John has Gillian’s number and she has his while talking to Gillian about calling her mother. Celia doesn’t answer her phone either.

Gillian mentions that her dad doesn’t have his heart pills and shows her worry, which gets through to Caroline.

Celia flushes a noisy toilet in the old hall, while Alan stands guard with candles and a guide book to the age of this ancient structure they’re stuck in. Drafts and noisy spook them a bit.

Josh Bolt as Raff
Josh Bolt as Raff

Gillian calls her son Raff (Josh Bolt) looking for Alan. Robbie (Dean Andrews) offers his usual trash talk about Gillian and Raff actually stands up for her. Raff offers to go to the farm and to help find his grandad.

Caroline sets off for the police station, as the fears about the missing parents have infected her too.

The fearful spookiness of the hall is making Celia angry and she’s talking about suing. They climb back into the big bed as candles move around and doors open themselves.

Alan's sidekicks
Alan’s sidekicks

Raff and Robbie reach the farm. A couple of Alan’s friends show up, mainly for comic relief. At least they notice Paul sitting on the couch, which is more than Robbie and Raff have mentioned yet.

Nina Sosanya as Kate
Nina Sosanya as Kate

In the car, Caroline is on the phone with Kate (Nina Sosanya), who brings up Caroline’s suggestion that they go away for the weekend. Kate is looking at a web site about Barcelona and is ready to book a getaway. Caroline says, “Can we talk about it later?” When she reaches the police station, the two old buddies of Alan’s are still about, still bringing the comic relief. Robbie explains that police cameras will tell them where the car was last seen. Gillian suggests they all go home.

Caroline goes with them to the farm. Caroline points at Paul on the couch, asks who he is. Robbie and Raff explain that he’s Paul, an idiot, who was beat up because he’s “not popular.”

Robbie follows Gillian into the kitchen and they finally have the conversation they’ve needed to have for days about what she’s doing with Paul. She says, “It’s been 10 years, do you seriously think I haven’t slept with other people?” He stumbles around and finally admits that all his lashing out was because he likes Gillian himself, a fact obvious to everyone but Gillian all this time. He basically apologizes and she says she appreciates it.

A phone call informs them the car was seen driving on Godley Lane. There’s a discussion about what’s on that road. Nobody knows why they are there, until Paul says, “You can get married at South Whatever Hall.” (I still can’t get the name.) They realize then that Alan and Celia were there looking for a wedding venue.

Cops arrive outside the hall where Alan and Celia are now sleeping peacefully. The cops find the empty car parked there but don’t think to look inside the hall because the manager of the place tells them the Hall was closed all day.

John, home with his boys, talks about not wanting to get a divorce. The younger son gets quite upset over the idea of a divorce.

Sarah Lancashire
Sarah Lancashire as Caroline

Caroline and Gillian are cleaning up the kitchen at the farm, washing dishes. They talk. Really talk. They talk about Raff, Paul, John, themselves. Caroline isn’t holding it together very well and welcomes the offer of brandy with enthusiasm.  They are starting to care about each other. If two women ever needed a friend, it’s these two. Happy as I am that Alan and Celia found each other, I’m even happier to see these two connect – they both desperately need someone to talk with.

A phone call tells them they’ve found the car, but not Alan and Celia. The police think Alan and Celia have killed themselves, to which Gillian answers, “They’re in love. They’ve never been happier.” Robbie reassures everyone about the situation and offers to go to the hall.

the farm
The farm in the morning light

Morning comes and Caroline and Gillian sit outside drinking coffee (tea?). Again, they have a meaningful conversation. This time about Gillian’s husband’s death, about how beautiful what their parents feel for each other is. Gillian talks about how much it bothers her that her mother didn’t pass on the message from Caroline’s mum. Caroline tells her that her mother was a teenager then, and it shouldn’t be held against her. Gillian’s parents were happy. Caroline’s were not. They talk about that, laugh that they might have been sisters.

Celia and Alan wake up, snuggled deep in the covers of their borrowed bed. Celia complains about being stiff but is in a hurry to get out of there. When they get downstairs there are people there who tell them that you have to dial 9 for an outside line and the door was open yesterday for a delivery. Celia wants to call home and finds out the police have been looking for them.

shared joy
Shared joy when Alan and Celia call

Caroline talks to John about how things are at home with the boys as the phone rings at the farm. It’s Celia calling to say everything is fine. Caroline runs outside with Raff to tell Gillian. There are happy hugs all round, including Gillian and Raff, who definitely needed the shared moment.

John tells his boys they can stay home from school and he heads off for the “supermarket.”

Caroline and Gillian help Paul up the stairs and into bed. This removes him from the living room, but, alas, installs him in Gillian’s bed. Gillian tells him he’ll be out on his ass sooner than he can say compound fracture if he says anything vulgar to Celia.

Alan’s first thought on getting home is for the Land Rover. They go in for tea and Alan’s pills. Gillian explains why Paul’s car is in the yard.

John’s in a coffee shop, where he gives Judith (Ronni Ancona) money for her rent. She wants to be a writer and thought he was going to be a help to her. He tells her she has to put in the work or it won’t happen. She’s mad. He’s busy trying to dump her for good.

Tea in hand, Celia still wants to sue. Caroline points out that you can’t accept the very classy venue free of charge for the wedding and sue at the same time.

In the kitchen, Alan, Gillian and Raff have a family discussion about Paul. Alan says, “You always did pick ’em.” To Raff, he says, “You can’t be stopping with Robbie.” Raff answers he doesn’t mind his mom having a boyfriend but why can’t she pick on somebody who, A, isn’t a dickhead; B, isn’t 300 years younger than she is; and C, isn’t engaged to somebody else. After this most excellent speech he exits. This gives Alan the opportunity to say he wants to go to the doctor. He makes light of his condition, but Gillian knows it’s serious. She makes him promise to call immediately.

Last Tango in Halifax
Caroline and Gillian hug

When Caroline leaves Gillian hugs her and tells her not to be depressed. Instead of going straight home, Caroline stops for coffee. She watches a happy family and smiles – some decision made, she relaxes visibly.

kissing
Stealing kisses

Alan tells Celia he’s poured her a bubble bath. She says he’s spoiling her. He gives her a kiss. He offers to have coffee ready when she gets out of the bath and heads for the kitchen, where we see him stunned by more chest pain.

Caroline arrives home where John is being cloyingly nice. He brags that he promised himself never to lie to her again, and tells her about giving money to Judith. Everyone is exhausted from being up all night, but John is invigorated by his honestly. Caroline says, “This can work. We can be civil for the boys. I’m seeing someone.” Boom! She won’t tell John who it is. John yells and rages. William comes in and John asks who Caroline could be seeing at school. William instantly realizes it’s Kate, but doesn’t tell his dad that. He’s been so angry with his dad for cheating on his mom. I hope he doesn’t transfer that anger to his mom, because I think his little brother really needs him now. John won’t take finding out about Kate well and Caroline isn’t the best at explaining herself to her children.

Whee! What did you think of this week’s developments?

Recap: Last Tango in Halifax, S1 E3

Last week, Caroline (Sarah Lancashire) drove off with her two boys and Celia (Anne Reid), leaving John (Tony Gardner) standing in the middle of the road at the farm. That’s where we start up this week, with Caroline having an emotional breakdown in the car as she drives erratically away.

Caroline stops the car and gets out. Her oldest son, (Edward Ashley) follows and says he’s sorry about telling her about his dad having Judith in the house. The younger son (Louis Greatorex) follows and the three of them end up in a hug.

Alan (Derek Jacobi) arrives at the police station, where Gillian (Nicola Walker) is waiting for the release of her son Raff (Josh Bolt). Gillian asks her dad is he is angry about her mother’s trick. He says no, he has no regrets. Policeman Robbie (Dean Andrews), who is Raff’s uncle – the one who blames Gillian for his brother’s death – brings Raff out. Robbie makes a remark that Gillian ignores about Paul and they leave.

When Gillian, Alan, and Raff get home, they find John half drunk in the living room. Can’t let all that booze from the engagement party go to waste, now can he? Gillian and John chat in a  commiserating way.

Gillian goes to check on Raff. They have a brief exchange. He won’t tell her what Paul was saying about her, and she doesn’t attempt to explain her relationship with Paul.

Alan offers to drive John home in the morning. He asks him not to drink any more. He doesn’t want John throwing up in the new Lexus before Celia’s even had a chance to ride in it! John explains to Gillian about Judith. Gillian says his house is half his and doesn’t see how Caroline can throw him out. He needs to stick up for himself.

In the morning, Alan delivers John to the big house. John blusters in loud and yelling about cooking breakfast and pancakes.

Alan has a bouquet of flowers and knocks on Celia’s door. She’s still in her bathrobe but brings in him and makes him tea.

In the big house John is playing the radio loudly, tossing pans about, singing, and generally acting like he owns the place.

Celia asks Alan if he believes in God. She says she wants to get married in a church. Alan says you don’t have to believe in God to get married in church.

Caroline comes down stairs and John and Caroline conduct a screaming argument that Alan and Celia listen to gleefully. They have a giggling fit while John and Caroline yell at each other.

NIcola Walker and Sacha Dhawan
NIcola Walker and Sacha Dhawan

Gillian tries once more to get Raff to talk to her, but he won’t. She heads off to work. As she’s heading in to the grocery store, Paul comes out. He says he told Raff about the wallpaper in her bedroom and the shoes in her closet to make him believe that he really knew Gillian. She goes into the store and pulls her hair in anguish. She can’t believe she’s involved herself with a fool who would brag to her son about getting into her bed. In a very poignant moment she thumbs through the contacts in her phone, wanting to talk to someone. She looks at Raff’s name and doesn’t call. She looks at her Dad’s name and doesn’t call. Just as she gives up on talking to someone, John calls her. He goes on about how he stuck up for himself and how happy he is with his behavior at home. He thinks Gillian’s a “sweet, exotic creature.” Oh, dear.

Caroline meantime is on the phone with Kate (Nina Sosanya) who gives her very sensible advice like “divorce him and sell the house.” Caroline isn’t quite ready to face this yet, but asks Kate to come over to talk to her.

Caroline goes outside and throws a bucket of water on John. Another loud argument the whole family can hear. She says the marriage is over, dead, and redundant. He refuses to leave.

Anne Reid as Celia
Anne Reid as Celia

Alan and Celia are parked on a beautiful scenic overlook holding hands and getting acquainted by exchanging stories. Her marriage was not a happy one. She tells Alan a story about a time when she could have killed her husband but didn’t. However, she vowed to do it if she ever got another chance. Alan is sad she had to go through all that. She asks him to spend the night in her cottage – in the spare room. He grins and says, “I’d have to buy a toothbrush.”

Gillian arrives home from work and finds Raff has moved out. He won’t answer his phone but she finds him at his Uncle Robbie’s. Robbie says he thinks the boy has finally figured out what a mad bitch she is and that he can stay with him as long as he wants. Gillian’s response to this latest upset is to call John. Oh, good grief, she calls John. Her loneliness already has her up to her butt in alligators with Paul, and she calls John. They have a long heart-to-heart about affairs, parenting and John’s marriage.

While John and Gillian are on the phone, Caroline and Kate are talking in the garden.

Sarah Lancashire and Nina Sosanya
Sarah Lancashire and Nina Sosanya

Kate complains that Caroline’s never really asked anything about her. Caroline seems to expect sympathy with nothing in return. They talk about Michael and how he tried to blackmail Caroline. Kate talks about “the effect” Caroline has on her. Caroline tries to explain her feelings. She talks about not knowing how to be a good friend to anyone or how to have a happy relationship. She describes her early life and how unhappy her parents were. Caroline talked about how different Celia is with Alan than she was with her dad, and how different her life might have been if her mother had loved her father.

Alan and Celia are in her cottage, asleep on the couch, holding hands.

Gillian comes out of the farmhouse in the morning to find Paul, bloodied and horribly beaten in her yard. It wasn’t Raff who did it. I couldn’t understand what he said when he explained who beat him up, but apparently he’s in some sort of trouble. [Note: this part of the story is explained in addendums and a comment. Keep reading.] Someone has threatened to douse him with gasoline and set him afire. She takes him to the doctor.

Sarah Lancashire
Sarah Lancashire

Caroline is having breakfast. Celia pops in to say she and Alan are going to Halifax. She says they slept together in her double bed, which Caroline is desperate not to hear about. Celia claims they had marvelous sex. (I’m wondering if this really happened or if Celia is exaggerating the truth. All we saw was snuggling on the couch.) Caroline holds her ears.

Gillian reluctantly takes Paul back to the farm after his doctor visit. He isn’t welcome at his own home.

In William’s classroom, Caroline comes in and sends the instructor (Kate) off. She touches Kate’s shoulder in a familiar way. She sits down to watch the students while the Kate is gone. The boy in front of William writes, “Your mum is a lesbian” on his hand and shows it to William.

Judith calls John and wants money. When he doesn’t want to give it to her, she threatens to come to his house.

Derek Jacobi and Anne Reid
Derek Jacobi and Anne Reid

Alan and Celia are sitting in a church, waiting to talk to the vicar. They have a very funny argument about religion, politics, The Daily Mail and pop songs at funerals. They end up laughing. Celia mentions she wants to walk down the aisle to the strains of “The Arrival of the Queen of Sheba” by Handel. These two are so lovely together.

Celia says she hopes the vicar isn’t a woman. So, of course, the vicar is a woman who questions them about why they want to get married in a church when they haven’t been churchgoers since the 70s. They leave – the church isn’t going to work.

Alan says, “Where would you like to get wed?” and Celia says, “Somewhere classy.” South something Hall – I didn’t get the name of the hall correctly.

Raff returns home to pick up his belongings and finds Paul on the couch, all beat up. Robbie, who drove Raff home, figures out that Gillian has been involved with Paul and tells Gillian she needs to have her head examined. Gillian asks Raff to stay and tells him that she can’t chuck Paul out. Raff leaves anyway.

Alan and Celia arrive at the Hall where they are thinking about holding the wedding. There’s no one about, so they wander through rooms full of an assortment of memorabilia. Alan tells about seeing a ghost in one of the upstairs rooms. They climb spiral stairs and wander through chapels and finally find the room where he saw the ghost. Odd dolls with strange eyes populate the room. There’s a flash of lightning and the lights go out. Celia gets uncomfortable and wants to go. I’m with her – this place is spooky. They race for the exit.

They are locked in. With no reception on their phones and a storm raging outside.

At the farm there’s a flash of light and a boom. Gillian rushes outside to find her Land Rover ablaze in the rain.

All images © The BBC.

ADDENDUM: I wasn’t the only person who could not understand what Paul said about why he was beaten up. I’m seeing people show up on this blog who want to know what he said as well. If any reader could understand him and knows what happened to Paul, please fill us in with a comment. Thanks!

ANOTHER ADDENDUM: I found this on IMDB’s summary of episode 3: “Later a badly injured Paul arrives, beaten up by his girlfriend’s brothers, and she lets him move in.” So that solves the mystery of what he so poorly articulated, It also emphasizes the point, which I did not in my summary, that Gillian revealed to John that part of Paul’s unsuitableness as affair material was that he already had a girlfriend. I love how broken and troubled Gillian is, but I’m ready for her to do something smarter. Like maybe not let an already entangled dude who thinks it appropriate to brag to her teen-aged kid about banging her set up residence on her couch.

Recap: Last Tango in Halifax (S1, E2)

We begin back in the cafe where the two daughters went last week to retrieve their parents. They are shocked when the newly engaged Celia and Alan (Anne Reid and Derek Jacobi) announce to their children that they are getting married. Instead of congratulations for the announcement, Gillian (Nicola Walker) rushes off to the loo and Caroline (Sarah Lancashire) claims to be too busy to stay and chat.

Anne Reid and Derek Jacobi
Anne Reid and Derek Jacobi in Last Tango in Halifax

Our old young lovers agree to talk tomorrow as the children rush them off. They look at each other with so much affection, it’s simply lovely.

In the car, Celia tries to convince her daughter Caroline that she’s serious. Caroline blows her off by saying she doesn’t have time to think about it. It’s clear that she doesn’t think a marriage will actually happen.

Gillian asks her dad what the hell on earth he thinks he’s doing. He tries to explain about how her mother tricked him by not delivering Celia’s note all those years ago, but he doesn’t quite get it out.

Next day at school Kate (Nina Sosanya) tells Caroline that she told another teacher named Michael about her relationship with Caroline. Kate said all she told was they kissed a couple of times.

Celia calls Alan and says she wants to come over. She asks Caroline’s errant husband John (Tony Gardner) for a ride to rent a car. He asks her to put in a good word for him with Caroline. She doesn’t say she’ll help, but instead asks what he thinks about her news.

Nicola Walker
Nicola Walker as Gillian

At the farm, Gillian tells her father that she thinks she should tell her son Raff (Josh Bolt) that his father actually committed suicide because Raff’s uncle keeps raising the issue of the father’s death.

John calls Caroline at school to see if she will agree to go out to dinner with him. He says he finds the relationship between Celia and Alan life-affirming. Caroline still continues to blow it off. I have to say I agree with John on this one. When he hangs up the phone he finds his girlfriend Judith (Ronni Ancona) at the door. That can’t be good.

At the school, Michael comes into Caroline’s office. He tries to intimidate and threaten her with his knowledge about her and Kate. Her response is, “Sod off, you little prick. Do you really think you can humiliate me? Go for it, genius, spread a few rumors. It will say more about you than it ever will about me. This is 2012. I was single. She’s single. We’re adults. We had a fling. The ladies have landed. Quite a long time ago in fact. Get over it.”

Go, Caroline!

At Caroline’s house, John and Judith are discussing their breakup. Judith wants him back. They start drinking. That can’t be good, either.

At the farm Alan drags a box of photos down from the attic. He and Gillian look through some of them. There are photos of her mother, and her mother with both Alan and Celia. Once again he muffs the chance to explain to her that the only reason he ended up with her mother instead of Celia was because her mother tricked him. Celia arrives in her rented car. In Alan’s eyes it’s like the sun just came out. They talk about where they might live after they are married. His little house, which is currently rented. At the farm. In her cottage at Caroline’s. Three choices, no decision.

Gillian is using rocks to rebuild a wall when her bad boy lover Paul (Sacha Dhawan) drives up. Just as he asks if anyone is at her house, Celia and Alan drive by on their way to lunch. Well, no one’s at the house. Quickie time for Gillian and Paul.

On the drive into town, Celia suggests to Alan that they sell both their small cars and buy one car – something they’ve always fancied. Alan may be dazzled when he learns exactly what Celia’s always fancied.

John and Caroline’s eldest son William (Edward Ashley) arrives home from school to find John and Judith drunk. In his eyes, his dad is now officially a wanker. Gotta say I agree with him, even though John technically is innocent of any wrong doing on this particular occasion. Just as Judith heads out the door, Caroline phones and says yes to going out to dinner with John sometime. I love the way the writers framed these two phone calls about a dinner date for the reunited married folks with Judith’s arrival and departure.

In an auto showroom, Celia and Alan are looking at a red Lexus convertible. You read that right. A red convertible. While they look at the car, they exchange stories about their kids. Celia doesn’t understand why Caroline let John come back. Alan reveals his son-in-law’s suicide. They have trouble getting the salesman to take them seriously and let them drive the car. Ageism is rampant even in the UK.

At the farm, Gillian and Paul have finished their little love fest, and she tells him to bugger off. After he goes, she looks in the mirror with one of those what the hell am I doing looks.

The car salesman is finally talking deal with our favorite lovers. It will cost them about 10,000 (euros? pounds?) each. Turns out Celia drives a hard bargain.

They decide to have an engagement party on Saturday at the farm.

The minute Gillian gets her dad alone again, she brings up the question of telling Raff about the suicide. Alan agrees that it needs to be done. He tells Gillian he thinks it’s wise, one of the kindest things I’ve ever heard a parent say to a child in a television show.

When Gillian does tell Raff, he asks several questions. She tries to reassure him. She talks about how everyone has demons, a line of thought that seems to apply to her more than her dead husband. She mentions that Raff’s dad had a wonderful side and a dark side, and assures him that he doesn’t have a dark side like that. He’s like her dad – kind, thoughtful, balanced.

Celia arrives back home and tells Caroline about the party on Saturday at Alan’s house. They talk a while, giving Celia a chance to explain her feelings and how she doesn’t see her behavior as “rushing.”

This episode is full of deep conversations between parents and their children.

On Saturday morning, as they prepare to go to the engagement party, Caroline almost tells John about Kate, then changes her mind and talks about being snotty to Gillian instead. Then she tells him he can start sleeping in the bedroom with her again.

No, Caroline!

The engagement party starts off well, conversation is flowing. Alan stands up to give a speech and finally tells the tale of the deception that lead to him and Celia losing touch. Gillian looks gobsmacked when she realizes the implications of the story. As they toast the happy couple, the new Lexus is delivered. Everyone rushes outside to see it. The two daughters finally share a moment of bonding as they look at each other in dismay over their parents car buying behavior.

During the excitement over the new car, the police drive up to take Raff away because he assaulted Paul. Seems Paul was talking about his mother in a way Raff didn’t like. Gillian doesn’t have time to explain to Raff and the police that she’s been shagging Paul. During the arrest, William tells his mom about Judith being at their house. Finally convinced that John is a wanker, Caroline leaves him standing in the middle of the road at the farm and tells him he can’t come back. Feeling guilty about Kate is one thing, but a wanker is a wanker is a wanker. John is yelling at Caroline that she can’t leave him there when Celia walks up and slaps him.

Go, Celia!

As if Gillian hasn’t had enough to deal with already, we can look forward to learning in episode 3 whether or not she will claim her relationship with Paul or continue to try to hide him from her family. I’m also eager to find out where Celia and Alan are going to live.

What did you think of episode 2? What do you think will happen next?

All images ©BBC.