Orange is the New Black, season 6, starts after the riot of season 5. The way the government and prison authorities dealt with it was the focus of the season. Some of our favorite characters made it into Litchfield Max, while others were shipped off to distant prisons never to be seen again. Continue reading “Orange is the New Black, season 6”
Orange is the New Black season 5 was both an emotional thrill ride and a disappointment. I want to discuss my likes and dislikes about the latest season. This is not a detailed review. There might be a few spoilers along the way. Continue reading “Orange is the New Black Season 5: Thumbs Up vs. Thumbs Down”
Meadowland is a drama about losing a child and how individuals deal with grief. It received glowing reviews when it first came out, I was eager to see it. The opportunity finally arrived with Netflix adding Meadowland to its lineup. Continue reading “Review: Meadowland”
There are a lot of things wrong with the United States of America. The broken justice (injustice) system is one of the worst. In season 4 of Orange is the New Black, the for-profit aspect of that brokenness is explored in damning detail. Litchfield, a minimum security women’s prison, is turned into a battlefield with corporate greed directing the battle. There are spoilers ahead if you haven’t seen all of season 4. Continue reading “Orange is the New Black’s Damning Portrait of For-Profit Prisons”
Season 4 of Orange is the New Black is on everyone’s mind now. I’ve barely had time to watch it all. This post collects some random observations and stray musings on season 4. It is not meant to be a review of the season, but there are some spoilers. Continue reading “Orange is the New Black: Musings and Observations”
Two of our favorite characters on Orange is the New Black spend time in the segregated housing unit (SHU) in season 3.
Season 3 spoilers ahead.
According to a recent report on solitary confinement, the practice of solitary confinement is overused and ineffective.
. . . evidence mounts that solitary confinement produces many unwanted and harmful outcomes—for the mental and physical health of those placed in isolation, for the public safety of the communities to which most will return, and for the corrections budgets of jurisdictions that rely on the practice for facility safety.
Remember the bags of Vee’s heroin that Nicky hid in the vent in the laundry? Yeah. That heroin. Well, Nicky and Big Boo (Lea DeLaria) decide to get it out of the prison. Luschek (Matt Peters) will help them and will sell it in the outside world. They plan to use the tunnel that opens into the greenhouse.
That plan falls through. Nicky gets nervous and moves the bags into a fluorescent light housing in the laundry. It falls out. The girls in the laundry get stoned on it. Luschek gets all the remaining heroin from them, puts it in a toolbox with Nicky watching, and carries it out of the prison.
Nicky saves one tiny bag and sticks it under Luschek’s desk. She can’t bear to let it all go. The laundry girls talk, so Caputo (Nick Sandow) searches electrical. Of course, they find the little bag.
Nicky gets all the blame and is sent to
SHU Maximum Security [see comments]. Luschek points the finger at her, and that’s all the proof anyone needs. There is no investigation. Nicky’s just carted off. Luschek is not blamed for anything.
This happens in episode 3. Nicky is gone for the rest of the season. Orange is the New Black just isn’t right without Nicky, you know?
I wish there had been an episode near the end of season 3 where Nicky returned. It would have been good to see the effect on her. Maybe that will happen in season 4.
Motherhood is one of the main themes throughout all of season 3. Sophia’s story as a parent is particularly difficult and touching. Her son (Michael Rainey, Jr.) is doing the teen rebellion thing and she doesn’t know how to help with it. She doesn’t know if he needs mothering or fathering from her. She’s conflicted and upset. Her wife (Tanya Wright) says Michael is out of control.
She tries to help by having him come to the prison more often. Gloria (Selenis Leyva) is trying to see her teen-aged son more often, too. She arranges for him to ride with Sophia’s wife for the visits.
The boys get in trouble. Sophia blames Gloria’s boy. Gloria blames Sophia’s boy. Sophia’s wife stops bringing Gloria’s son to visit.
Tension between Sophia and the entire kitchen staff results in Sophia being targeted with transphobic bullying. It sweeps through the prison like a wave. She’s attacked and beaten up by other black women. They even take her blonde wig right off her head. Dirty fighting, that.
The fight wasn’t Sophia’s fault, but she gets taken to SHU “for her own protection.” Nothing happens to any of the instigators or attackers, although, to Gloria’s credit, she looks really sorry about what happened.
Misuse of Solitary
At least in Sophia’s case, Caputo argues against sending her to SHU. But the for-profit bosses running the prison overrule him. I have heard that putting transgender prisoners in solitary “for their own protection” is a common practice in prisons.
In both cases, SHU was used as a quick answer rather than a solution. In both cases, the person who will suffer the horrors of isolation for who-knows-how-long should have been handled in some other way.
There are documented cases where people are kept in isolation for YEARS. As many as 80,000 individuals may be held in isolation per day in federal facilities alone. “Long-term isolation can create or exacerbate serious mental health problems and assaultive or anti-social behavior, result in negative outcomes for institutional safety, and increase the risk of recidivism after release.”
Nicky and Sophia have decent mental health. What if Suzanne (Uzo Aduba) or Morello (Yael Stone) or the paranoid new prisoner Lolly (Lori Petty) ended up in SHU? What about the depressed Soso (Kimiko Glenn)? They would be basket cases when they came out. Or dead.
Piper (Taylor Schilling) did a couple of short stints in SHU in previous seasons, but she had more people working to get her out. What happens when no one is trying to get someone out?
I know Orange is the New Black is TV, not real prison. But I think it brings the injustice and inhumanity of the real prison system into focus for the general public with story lines like these for Nicky and Sophia.
It’s easy to understand why the real Piper Kerman came out of prison and wrote a book. And why she became an activist for prison reform. And why she continues to provide input into this series.
Orange is the New Black mixes a lot of serious themes in with all the stories about individual lives and the comedy that the show uses to make its points. The Orange is the New Black theme I want to explore today is power and how it corrupts.
Let’s explore this theme by looking at individual personalities.
Vee (Lorraine Toussaint) is the most blatantly corrupt user of power. She’s willing to destroy lives without a second thought to maintain her income and her grip on her followers. She recruits people for their weaknesses deliberately, knowing that she’ll want to use that weakness at a later time. Her goal is greed, profit, and purely personal. Her grip on power is not accidental. She works for it.
Figueroa (Alysia Reiner) used her power to steal from the prison system. She didn’t feel she was actually hurting anyone with her misuse of funds. So the prison didn’t have a gym or a classroom – not really a problem, right? She used the money to buy expensive things for herself, but she also used it to promote her husband’s political career and to buy his love. She covered up wrongdoing with lies and rationalizations, but not violence.
Caputo (Nick Sandow) thought he was better than Figueroa. He thought if he could just get her job he would fix all the problems Figueroa created with her embezzlement. Yet his second day on the job he told John Bennett to be quiet about being the father of Daya’s baby and left Mendez in jail thinking the baby was his. He perpetrated this injustice to protect his grip on power. Power corrupts instantly. One day he’s a good guy. The next day he’s part of the problem.
Red’s (Kate Mulgrew) power, when she had it, was almost benign by comparison with the others. Yeah, she starved out Piper for a while, but she didn’t bring in drugs and she didn’t try to cheat anyone. She simply wanted to make life in the prison easier for herself. When she lost power she did something stupid that hurt Gina (Abigail Savage), but it was more of an accident than a disregard for Gina’s welfare. When she thought she could use the greenhouse to regain power she still wasn’t doing anything that hurt anybody. Later, she tried to put an end to Vee but couldn’t go through with it. Red’s saving grace is her weakness.
Pennsatucky (Taryn Manning) is a sad case. She gets violent quickly if she feels disrespected. She wants power because it makes her feel respected and loved. When being the poster girl for the anti-abortion movement went bad for her, she latched on to the idea that she could somehow become powerful as a lesbian because of the the lesbian agenda. She’s dangerous, but not very smart.
The thread that connects every story – prisoners and prison officials – is that the quest for power carries with it corruption, lies, manipulation, and frequent disregard for the good of others. The Ghandis, the Mother Teresas, the characters like Poussey (Samira Wiley) who resist corruption – they are an anomaly. Most human beings, when given power, succumb to the need to keep it no matter the consequences to others.
Whatever message Piper Kerman, the original author of the book Orange is the New Black, or Jinji Kohan, the writer of the TV series, had in mind as they wrote, this is one message I get: prison doesn’t work. The current American prison system doesn’t work. One reason why? Power corrupts.
I didn’t even get into Mendez. How about it? Are there other characters you think make interesting points about power Orange is the New Black?
This is my overall impression of season 2 of Orange is the New Black. I will talk about performances and high level story lines, without revealing big spoilers. More detailed discussions of particular episodes or events will come later after people have had plenty of time to watch all 13 episodes.
I watched all 13 episodes in two days, and my eyes felt like I’d just finished one of Diana Gabaldon’s Outlander books when I finally looked up. But the eye strain was worth it.*
The Cast and Credits
The first thing I noticed was who is listed in the main credits. Those people are Taylor Schilling, Uzo Aduba, Danielle Brooks, Michael Harney, Natasha Lyonne, Taryn Manning, Kate Mulgrew, and Jason Biggs. These are the names that show up every week. The cast has been shuffled around a bit, some people have moved up into major roles. Other actors, although very important to season 2, are listed in guest roles or are listed after the main titles roll. Samira Wiley as Poussey is a key actor in season 2, and her name should have been up front, in my opinion.
Fan favorite Laura Prepon shows up in only 3 episodes, but the way the season ends it looks like Alex Vause will be back in full force in season 3. Other favorites who are there, but not necessarily for every episode include Laverne Cox, Lea DeLaria, Yael Stone, Selenis Leyva and many others. All the same officers and prison people are still running the place badly, except Pornstache who only shows up in a couple of episodes.
Lorraine Toussaint, who comes in as a character named Vee, is in 8 episodes. In those 8 episodes she manages to throw the whole prison into quite a state.
In Praise of Brilliant Performances
There are so many brilliant performances in season 2. This is so much of what Orange is the New Black is: a showcase for brilliant talent that we don’t see anywhere else. While that isn’t true of the well-known Lorraine Toussaint, I want to call her out for her performance. She simply stunned in every way.
The cast who’ve been there all along were marvelous again this season. Taylor Schilling, Uzo Adubo, Danielle Brooks and Samira Wiley gave noteworthy performances. Really, everyone in this cast gives a noteworthy performance.
The backstory on each character is what makes us care so much about the women in Litchfield. This season we got more backstory on Piper (Taylor Schilling), Morello (Yael Stone), Sister Ingalls (Beth Fowler), Taystee (Danielle Brooks), Poussey, Miss Rosa (Barbara Rosenblat), Gloria (Selenis Leyva), Suzanne (Uzo Adubo), Black Cindy (Adrienne C. Moore) and Vee.
The Current Story
When the season begins, Piper is pulled from the SHU and taken to Chicago to the trial of the drug kingpin who was Alex’s boss. The trip from one prison to another provides an opportunity for a guest star, something that doesn’t happen often on this show. The guest was Lori Petty. Jodie Foster came back to direct again this season and she directed the Chicago trip episode.
At Litchfield, important plot points in this season are the dangerous conflict between Red (Kate Mulgrew) and Vee, the tension between the pregnant Daya (Dascha Polanco) and the C.O. John (Matt McGorry), the tension between Caputo (Nick Sandow) and Figueroa (Alysia Reiner), and the problems between Healey (Michael Harney) and just about everyone.
There’s a contest between Big Boo (Lea DeLaria) and Nicky (Natasha Lyonne) that leads to lots of funny lesbianing, but hang in there to the end of the season for the best Pensatucky lesbianing laugh of the year. Nicky has serious challenges to face as the season progresses, too.
Piper gets involved in tracing down corruption and finding proof of embezzled funds while dealing with Larry (Jason Biggs), Alex, a death in the family and more than one huge betrayal.
One of my favorite episodes revolved around Valentine’s Day. It revealed so many deep, meaningful insights. Another favorite was an episode where a good bit of the plot dealt with the fact that most of the women were unaware of their female anatomy and the construction of their lady parts in particular. The few who knew enlightened the others in some pretty funny ways.
I’m a ukelele player. I was highly amused by the C.O. (Joel Garland) who played a banjo ukelele while making up songs about nuns and bad mothers. Ukes forever!
The finale was written by Jenji Kohan. It wrapped up some problems, it opened up new problems for next season, and was a terrific way to end the season. It left us wanting more, it satisfied with poetic justice, and it left me convinced that season 3 can’t come soon enough.
*In one scene, Tastee recommends Outlander to Poussey.