The Fall episode 4 is “The Hell Within Him” is a collection of revolting developments. Beware the spoilers Continue reading “The Fall S3 E4 The Hell Within Him”
The Fall season 3 episode 3 is titled “The Gates of Light.” Paul Spector (Jamie Dornan) is strong enough to get up and walk around the hospital, although he’s still in ICU. Beware the spoilers. Continue reading “The Fall S3 E3 The Gates of Light”
Episode 2 of season 3 of The Fall is “His Troubled Thoughts.” This is the episode where we discover that Paul Spector (Jamie Dornan) thinks it’s 2006 and that he was injured in a car accident. Is amnesia a defense? Beware the spoilers. Continue reading “The Fall S3 E2 His Troubled Thoughts”
Are you ready for the epic battle between Stella Gibson (Gillian Anderson) and Paul Spector (Jamie Dornan)? Here we go! The Fall season 3, episode 1 is “Silence and Suffering.” It begins seconds after the finale of season 2. Beware the spoilers. Continue reading “The Fall S3 E1 Silence and Suffering”
The Fall ends season 2 with a 90 minute episode. Whether this is really the end is up for debate in the last few seconds of the episode. Until then we have a very satisfactory accumulation of evidence for putting Paul Spector (Jamie Dornan) in prison forever.
Major spoilers ahead.
Rose Stagg (Valene Kane) was not in the burned out car they found at the end of the last episode, but the car was close enough to the abandoned house on Sally Ann Spector’s (Bronagh Waugh) parents’ property that the police finally went to look at it. There Stella Gibson (Gillian Anderson) finds the location where Spector filmed Rose Stagg begging for her life.
James Tyler (Brian Milligan) gets a call about where his wife Liz (Séainín Brennan) is in a women’s shelter.
There’s a reporter nosing around the Spector house as the police search it. The neighbors are talking about how Sally Ann was arrested.
James Tyler shows up at the Spector’s house because he still wants to beat the crap out of Paul Spector. He knows the reporter. Tyler takes the reporter’s car and heads off to the women’s shelter where his wife is.
In the police station, Stella Gibson watches the video from the babysitter Katie’s (Aisling Franciosi) phone of the night Katie and Paul were having Skype sex. It makes Stella wonder if the story Katie has been telling and the things she wrote in her diary are actually pure fabrication.
In a very calculated decision, Stella sends Tom Anderson (Colin Morgan) to interrogate Katie. Stella says she’s doing it because he looks a bit like Spector and Katie is obsessed with Spector. Katie sticks to her lies and does not tell the truth. Even when Tom Anderson explains to her that she will go to jail for protecting a murderer, she continues to lie. She’s in love. She’s an idiot.
The police find thousands of recordings of hotel guests on the desk clerk’s computer. One of them is Katie being tied up on the bed and left like that. That was the same night when Paul called Stella from Rose Stagg’s phone.
Next it’s Sally Ann Spector’s turn to answer questions. She tells the truth. She recognizes the necklace that Paul gave their daughter Olivia (Sarah Beattie). When the police finally explain the charges against Paul to her. Sally Ann calmly looks down and says, “I’m bleeding.” They take her to the hospital where she miscarries.
Stella tries the look-alike trick on Paul Spector. She did this the last episode and she’s trying it again. She sends a nervous Officer McNally (Bronagh Taggart) to question him.
Spector just laughs at McNally, looks right into the camera and says cheap tricks with a cop who looks like Annie Brawley won’t work. He says nothing more.
Back on the James and Liz front, James bursts into the women’s shelter. He shoves everyone who gets in his way, tries to strangle his wife, and pulls her around by the hair. In a fit of anger, Liz tells him she did have great sex with Paul Spector. Rule number one for abused women: don’t tell your abuser the lie he already believes. He won’t get the sarcasm.
James waves a gun around but leaves when he hears sirens approaching.
The little Spector girl is questioned. She lies. She tells the officer that she can’t tell things because they are secret. When the officer asks her what would happen if she told the secrets, she says her daddy would go to prison.
The case against Spector gets stronger when bits of unburned material from the car they found are analyzed by forensics. Paul’s now tied by evidence to other murders. Hurrah!
With the new evidence, they are finally able to bring charges against Spector for all the murders. When he hears what they have against him, he asks for Stella. He says he will only talk to her.
Burns (John Lynch), whose only purpose in life seems to be to tell Stella she can’t do things, tries to tell her she can’t question Spector. Spector’s a monster. Stella says he’s just a man like any other. Men like Spector are all too human. Then she reminds him that he attacked her in her hotel room the other night and clearly crossed the line himself.
Stella Gibson begins her interrogation of Paul Spector. It’s a very long scene with just the two of them. The pacing in this show is so deliberate, so careful. There’s space around every line, every glance. You can almost see brains whirring inside people’s heads. This long scene is the ultimate example of what the whole series does with pacing. It drives up the tension unbearably.
She asks him questions going back to his youth, to when he first began stalking women. She acts interested in everything about his evolution into a serial killer.
He confesses everything. Every one of the murders he’s charged with. He gloats over them. He talks about how godlike he feels. The camera circles them, closes in on faces, eyes, mouths, then moves back out. They talk quietly. Stella shows no emotion. Stella remains calm during the interrogation. She calls Spector a rapist and a murderer to his face without showing any emotion. He tells her everything.
When she asks where Rose Stagg is, he stops talking.
Stella steps out of the interrogation room. Burns tells her, “Well done.” She looks as if she might toss her cookies at the remark and walks off without a word. Then she goes into the room where all the murder boards are and stares at photos of Rose Stagg.
That night, we see Stella writing out her remarks for the press conference she’s expecting to lead the next day. They have Spector for sure now. She stands up and we see Detective Anderson sleeping in her bed. Next morning over breakfast in bed, he asks her if she wanted him there because of his resemblance to Paul Spector.
Stella tells him the story about how the thing men fear most about women is that they will laugh at them. The thing women fear most about men is that they will kill them. She concludes by saying she hates Paul Spector with every fiber of her being.
The phone rings. Spector has given up a location for Rose Stagg. Stella and Anderson go to the police station in her car – raising a couple of eyebrows in the process. The police make all sorts of logistical plans to take Spector to the location in the forest he mentioned.
After a night in Stella’s bed, Det. Anderson thinks he can express his opinions about Stella’s decisions. She cuts him off at the knees and tells him to follow orders. He says, “Yes, ma’am,” like a petulant child.
Stella has horrible taste in men. There are so many of them waiting to fall into her bed. You’d think she could find at least one who wouldn’t be an ass afterwards.
While the police prepare to go to the forest, the reporter gets a call from his police informant that Spector is on the move. He calls Tyler and asks for his car back. When Tyler arrives, he insists on following Spector to the forest too.
Stella walks into the woods alone. Behind her Spector and Anderson are cuffed together. Other police officers stand guard. An ambulance and a cruiser trail after Stella. A helicopter is overhead.
Eventually, Stella finds Rose Stagg’s car. An officer brings a crowbar so they can look in the trunk.
Rose is alive, but barely. When Stella radios that Rose is alive, Paul is surprised. They load Rose into the ambulance and take her away.
Stella starts back to where Spector is just as they get a call from the helicopter above them. Unidentified people are on the road. As Stella approaches, James Tyler rushes up and shoots Paul and Tom Anderson. The police shoot Tyler.
Stella runs to Paul. She tries to stop his bleeding. She’s shouting for help. She yells, “We’re losing him. We’re losing him.” Paul lays in her arms looking up at her blissfully like it’s just the place he’s always wanted to be.
Aaaaannnnnd . . . cliffhanger.
It’s over. The end. We don’t know if Paul dies. We don’t know if Paul makes it to the hospital and then escapes, thus creating a reason for a 3rd season of The Fall. We don’t know if Tom Anderson and James Tyler are dead or alive. Season 2 ends at that moment with Paul bleeding in Stella’s arms.
The cliffhanger ending was intentional. Allan Cubitt recently said that there will probably be a 3rd season. More Stella Gibson can only be a good thing.
I know The Fall been criticized as an extended rape fantasy – especially season 1 when we were watching Paul Spector plan and commit his crimes. I don’t see it that way. I see a man who thinks it is his right to harm women in a world where men harm women every day. I see a woman who has the power and means to fight back and to bring him to justice. To stop him. That’s the message I see and support in The Fall.
I’ve said it again and again: Gillian Anderson is fabulous as Stella Gibson. In Gillian Anderson’s hands, Stella is calm and cool and brilliant. She’s in command, she’s effective and self-confident.
Jamie Dornan is also superb, but I don’t necessarily want to see his character still able to operate in the free world. Although – who knows what might happen next with this open-ended finale for season 2.
There were enough shots of Jamie Dornan bare-chested in The Fall for me to predict that he’s going to be a huge hit in 50 Shades of Grey. Maybe some of the fans of 50 Shades of Grey will go looking for more Jamie Dornan and find their way to this excellent series.
This series is full of excruciating suspense. It uses dialog-free scenes, music, careful pacing of action and reflection, and superb acting. So different from the big explosion filled action blockbusters, and so much better!
The Fall belongs on every “Year’s Best” list there is. Writing, directing, acting, music, sets, costumes: awards are in order for all of it.
Keefus Ciancia and David Holmes are responsible for the nerve-wracking music.
In particular, and at the very least, there should be an award for the way Gillian Anderson looks in those silk blouses! Maggie Donnelly deserves the credit for costumes. Go, Maggie!
The Fall episode 5 is called “The Perilous Edge of Battle.” Paul Spector (Jamie Dornan) has fallen. If the police can produce the evidence, he’ll be out of circulation forever. It’s one of the tensest and most nail-biting episodes in this suspense-filled series.
Here are the basics of the episode. Spoilers everywhere.
Paul goes through his sopping wet house. He dries out his murder books, then burns them. He takes his computer apart and smashes the hard drive with a hammer.
Jim Burns (John Lynch) goes to see the pedophile priest in hopes of learning something about Paul. Burns can hardly stand to talk to this disgusting man, and I can hardly stand to watch the self-righteous ass tell how much the boys he abused loved it.
The actor playing the priest is Sean McGinley. He did a masterful job of being heinous. In a series about one of the creepiest, most heinous villains ever, this guy provides creepy beyond the creepy. The only useful thing Burns learns is that Paul started writing about the women he followed while still a young teen. So they know he keeps journals.
The police are watching every move that everyone makes. They have officers and cameras on all the principals. Stella Gibson (Gillian Anderson) is still holding off on arresting Spector until they know where Rose Stagg (Valene Kane) is.
Katie (Aisling Franciosi) does errands for Paul. She goes to a bank and withdraws a lot of money. She goes to Paul’s hotel room and is in the process of destroying evidence for him when the police break in and arrest her. The voyeuristic hotel desk clerk saw what she was doing. He gets arrested, too, but the police may not ask him the right questions.
Paul leaves his house wearing a back pack. He runs fast, evading a number of police who are watching him. He runs into the Botanical Gardens and goes into one of the buildings. He drops his computer into a pond. When he leaves he’s changed his clothing.
Stella is watching Paul, Katie, and everything else that happens from the police station. She’s kept in the loop with the help of a police officer known only as Control (Orla Mullan) who tracks everyone’s whereabouts on multiple computer screens.
We experience a lot of this episode with Stella as she watches various monitors showing suspects, interrogations, and cells. Stella’s anxiety and concern while following the action this way transfers to the audience, because we are feeling it with her. It’s an interesting technique to use in this episode in particular, because it increases tension. It shifts some of the focus away from Paul Spector, who’s had more than enough attention from the camera, and back to the police pursuit as they close in on him.
When Paul leaves the Botanical Gardens he sneaks out in a way that doesn’t use any of the exits the police are watching. James Tyler (Brian Milligan) – the guy who was beating his wife in season 1 – just happens to see him. Tyler attacks him and forces him at gunpoint to make phone calls to figure out where the women’s shelter is that his wife is hiding in. Someone sees the gun and calls the police.
Dani Ferrington (Niamh McGrady) responds to the call and realizes that it’s Spector. She’s on the phone with Stella. Shots are fired and the thug with Tyler is killed. Officer Ferrington is hit, too, but is wearing a vest. Stella tells her to just hold Spector there. The police talk to him as if he were the victim of an attack by the gunman – taking his statement. He starts to think he’s going to get away.
When Spector thinks he’s free to leave, Stella sends Officer Anderson (Colin Morgan) to arrest him for abducting Rose Stagg. No mention is made of the other women, the other crimes. He’s finally in custody.
The police then arrest Sally Ann Spector (Bronagh Waugh) because they know she lied about Paul’s alibis. When she gets interrogated by the police at the station she tells the truth. Or what she thinks is the truth.
Katie doesn’t get questioned yet because they can’t yet find an appropriate adult to be with her.
When Paul is questioned he is insolent but totally silent. He doesn’t even ask for a lawyer. Maybe he still thinks he smarter than our girl Stella. Pffft!
Paul’s phone has video of Rose Stagg begging to be released. Stella watches it with tears in her eyes. The begging goes on and on and on. The camera slowly closes in on Stella’s face as she watches – the terror and horror of it reflects in her eyes, her face. Suddenly Paul Spector’s face is on the video, saying, “Why the fuck are you watching this? You sick shit.”
There’s DNA on the scissors (the ones with Paul’s fingerprint) that belongs to the guy he stabbed. They’ve got him for that murder, now.
Paul is put in a cell for the night and Stella has a brainstorm.
She finds Officer McNally (Bronagh Taggart). She undoes McNally’s hair without asking her permission. The moment is sensuous and charged, and not something a superior should be doing to a junior officer without explanation.
McNally holds her breath. Stella looks her over carefully, and says, “There’s something I’d like you to do.”
Stella gets McNally dressed up in a short skirt, brushes her hair and adds some lipstick. Paul’s exact type. She sends McNally into his cell to announce he’s being further arrested for the murder of Joseph Brawley and the attempted murder of Ann Brawley. McNally leaves and Stella watches Paul react to having the young, dark-haired, beautiful officer in his cell.
The last scene is the police finding the burned out car that Paul drove with Rose in the trunk. When they look in the truck, it’s full of all kinds of stuff. It’s hard to tell if there’s a body in there or not. One of the bits of stuff in the trunk might be an arm.
I’ve said several times how much I love Gillian Anderson as Stella Gibson. I hope she continues as a character with new cases. But maybe her future cases could involve crimes not about sexual predators. My nerves can’t take it.
Episode 4 of The Fall begins with the forensics people digging through DS Stella Gibson’s (Gillian Anderson) hotel room. They take her computer and her dream diary to examine for clues. As this is happening, Paul Spector (Jamie Dornan) is reading her diary from the photographs he took. It isn’t even my diary and his intrusion into her dreams makes me feel invaded.
Stella prints out the image Paul installed on her computer as wallpaper. It’s a painting of an incubus atop a sleeping woman. She and her supervisor Jim Burns (John Lynch) assume the figures are meant to be Stella and Paul. Really now, did Allan Cubitt have to pick a painting of an incubus for the bad guy? Because there’s a certain succubus I’m fond of and I don’t want the bad reputation of this incubus spilling over into her Fae world.
Stella shows Burns the CCTV from the hotel of Paul, Stella and Burns entering her room. They realize Paul was in the room for 45 minutes – including the time they were discussing his childhood in a group home. Therefore, he knows they are on to him.
Burns apologizes for his drunken behavior the night before.
Stella says, “I nearly made the same mistake as you last night.” She’s referring to her advances to Tanya Reed Smith (Archie Panjabi) but he doesn’t know that. She concludes, “We all have physical, emotional needs that can only be met by interaction with another person. Trick is to ask someone appropriate to meet them.”
Stella hears the story of how Paul went to a client’s house – Liz Tyler – in season 1 and encouraged a client to report her husband’s abuse. Stella clicks to the fact that Paul is a bereavement counselor. She learns that it was Paul who went to counsel Annie Brawley (Karen Hassan). He’s scheduled to go again.
Stella rushes to the hospital, drags Annie from her room in the nick of time as Paul arrives. Stella and Annie talk after Paul leaves. Annie finally remembers how she saw him the night she thought she lost her driver’s license. She realizes he is the man who attacked her. Now they have him!
The police go talk to Liz Tyler (Séainín Brennan) again about Paul’s advice as a counselor. She’s in a women’s shelter. When they talk to James Tyler (Brian Milligan) he’s belligerent and angry. He thinks Paul Spector had sex with his wife.
Spector’s daughter is missing him terribly. Paul’s wife Sally Ann (Bronagh Waugh) tracks him down at the hospital by opening his mail. He goes off with her to see the kids at a birthday party.
The police have enough evidence now to send in a technical team to put cameras in the Spector’s house. While they are doing it, one of the cops falls through the ceiling of the master bedroom. As Burns puts it – a colossal cock up! To cover up this disaster, Stella tells them to make it look like a pipe broke in the attic so the house floods. The police leave without finishing.
When the Spectors get home from the birthday party, Paul sends the wife and kids to her parents. Their sopping wet house isn’t safe. He suspiciously examines everything in the house. His handwritten journals of all his murders are still there.
There were two odd things about the cop falling through the ceiling. They showed the cop walking around in the attic. It was all 2 x 12 joists – with no insulation. If he had misstepped or fallen, he wouldn’t have broken through those 2 x 12s. A foot might have broken through the ceiling, but not his whole body. Secondly, when Paul found his murder books, they were between the joists above the bed in the master bedroom. They were not in the ceiling in his daughter’s bedroom where he normally put them.
The police find a body of a woman fitting Rose’s description in the woods. Stella rushes to the scene, filled with guilt. She meets a handsome young officer: DS Tom Anderson (Colin Morgan). Later she asks to have him transferred to her team.
When Tanya Reed Smith arrives the conversation is businesslike. Stella asks her if she’s okay being the one to examine the body. They both dread finding Rose. Reed Smith says she’s okay to do the exam.
It isn’t Rose. Both Stella and Tanya breath a sigh of relief.
Katie (Aisling Franciosi), the super-stupid teenage babysitter, thinks she’s in love with Paul. She’s rewriting her diary to give him an alibi for every night of the strangler’s murders.
Paul studies up on Katie’s girlfriend Daisy (Tara Lee).
Paul wants Katie to come to the dark side and do something awful to Daisy. He wants her to learn to take pleasure in other people’s suffering. His pupils are the size of dimes as he talks to her. He’s aroused by the thought of getting her to do something evil.
At the end of the long day, Stella goes to Tanya’s office at the morgue. They do not talk about what happened the night before. Stella goes to sleep on the couch in Tanya’s office. Is she waiting for Tanya to finish up so they can leave together? Not clear. Tanya wakes her up to tell her she’s going to change clothes. While she’s changing, Stella wanders into the morgue and stares at the body of the woman they found in the woods. Just then, DS Tom Anderson calls her with the news they found a suicide note. The woman is not one of Paul’s victims.
Tanya finds Stella and asks what she’s doing. The last line of the episode is Stella’s answer, “Wondering where Rose is.”
Gillian Anderson’s performance in this episode is amazingly nuanced. Tiny movements in her expression write emotions in subtle but powerful ways. This character Stella Gibson is a tough cop, calm in every situation. She’s not one to show emotion. But we see it in Gillian Anderson’s face even when Stella Gibson thinks she’s hiding it.
They’re close to catching Paul Spector. I don’t want this story and Stella Gibson’s story to end. She’s a fabulous character and I don’t want her story to end when Paul Spector is caught. I could watch her forever!
Episode 3 of The Fall is patient waiting for the police to gather up enough evidence against Paul Spector (Jamie Dornan) to make an arrest. The police slowly put together clues as the episode plays out. There’s also stark terror at what Paul Spector may do next. For once, an episode isn’t all terrifying: there’s a delightful smile-inducing kissing scene.
There are many spoilers ahead.
Stella Gibson (Gillian Anderson) is giving all the right orders to find cars Paul has stolen, evidence he’s left behind, witnesses who know his whereabouts. She wants to know everything about Paul Spector’s life, but doesn’t want him arrested because he has Rose Stagg.
We don’t know where Paul stashed Rose and whether he killed her or not. Based on Paul’s long jog out of the woods at the beginning of the episode it doesn’t look good for Rose.
It’s slow going. At least it feels slow – this episode actually takes only one day, but the agony of suspense makes every moment feel like an eternity.
Paul edits some video in his hotel room. It’s a woman pleading, but we don’t know more than that.
The police revisit his wife (Bronagh Waugh). She tells them the babysitter was at her house on the night one of the women was killed and she doesn’t know where her husband was that night.
When the police question the babysitter, Katie (Aisling Franciosi) lies and gives Paul an alibi for the night. She tells them she was there with Paul for hours.
She wants to meet with Paul after she lies for him. This teenager really is a danger to herself. Paul tells her a long meandering lie about how he isn’t the killer but he’s pretending to be. He convinces her that he’s merely playing a game with Stella Gibson, that English bitch of a cop.
Katie wants to help him play the game. She has to sneak into the Spector’s house and photograph herself in his former bathroom mirror. She wears a tee shirt with his police rendered image on it.
Tanya Reed Smith (Archie Panjabi) calls Stella and asks to meet her that night in the bar of Stella’s hotel. Tanya wants to apologize for pushing the issue of the fingernail scratches. She says she was being nosy, not clinical. Stella walks away to respond to a call about Katie, the moronic babysitter, breaking into a house. While she’s gone, a lawyer who knows Prof. Reed Smith approaches the table with two margaritas. Because, as you know, a woman sitting alone in a bar could only be there because she wants a man to join her.
When Stella returns, she slides into the booth, gives Tanya a couple of kisses, and thanks Mr. Lawyer In A Suit for the drinks as if he were the waiter. When he leaves Stella laughs about getting rid of the guy. Tanya says, “He knows who I am. He probably knows who you are, too.” Stella blows it off. Kissing women in public places is not a big deal for her.
Reed Smith liked the kissing. She likes it enough to start upstairs with Stella. She backs out at the elevator doors and can’t go through with it. Tanya mumbles an excuse about her upbringing and walks away. She’s probably the only person on the planet who would turn down sex with Gillian Anderson Stella Gibson.
While Stella and Tanya kissed in the bar, Paul found a way to get into Stella’s room. He read and photographed her dream journal, fingered her underwear, stroked her silk blouses. Stella comes in and he hides in the closet. He watches her walk around the room.
Burns (John Lynch) arrived – drunk. He talked about some stuff he did in season 1 related to a man named Monroe. His machinations may get him fired. Burns finally acts on his lust for Stella. She says no. He makes a lunge for her. She punches him in the nose.
Stella tends Burns’ bloody nose in the bathroom. Burns tells Stella the investigators learned Paul Spector was once in a group home run by a pedophile. At some point while they are in the bathroom, Paul sneaks out.
Stella tells Burns that female is the basic human form and maleness is a kind of birth defect. LOL. Smiles are so few in this taut drama, they are very welcome when they come.
When she’s finally alone again, Stella sits down to her computer and sees the weirdly sick wallpaper image Paul installed on it. She grabs her gun and searches the room, he’s gone. Nevertheless, she knows he’s been in her space.
Finally she notices her dream journal. Paul wrote a note in saying how well he understood her now that he’d read her diary. So creepy.
Paul and Katie have late night Skype sex from their respective beds. So much for his aversion to harming children. He’s ready to destroy misguided teenaged girls.
Everything about The Fall is masterful. Allan Cubitt’s writing and directing deserves much of the credit, of course. Additionally, the acting is superb from everyone. Gillian Anderson’s performance is sophisticated and quiet, yet manages to radiate power and depth. Jamie Dornan was born in Belfast, which explains his perfect Irish accent, but all the accents are spot on. Dornan has many scenes alone during which Paul plans or watches. He makes Paul Spector scary even when he’s alone. And the music – the music lays like an undertone at the bottom of every scene, pulsing with suspense and dread. It all adds up to one of the best suspense dramas I’ve ever seen.
The BBC’s The Fall season 2 is now on Netflix. I’m going to review one episode a day until all 6 episodes are recapped. There are lots of spoilers.
A Quick Review of Season 1
Detective Superintendent Stella Gibson (Gillian Anderson) is called to Belfast, Northern Ireland, to help the police with the murders of dark-haired 30-something women. She realizes the deaths are due to one man and the police put together a group to catch him. The series shows both the killer and the police in parallel scenes, so we know from the beginning who the killer is, but the police do not.
The killer, Paul Spector (Jamie Dornan), is a bereavement counselor. He’s married with two children and a very good father. In season one he helped a woman whose husband was abusive get away from her abuser.
By the end of season 1, the police are close to figuring out who the strangler is, but haven’t captured him.
Professor Tanya Reed Smith (Archie Panjabi) has a friend from college who was almost strangled by her boyfriend about 9 years ago. Her name is Rose Stagg (Valene Kane) and she agrees to supply the police with a sketch of the man, whom she knew as Peter.
Paul’s last victim in season 1, Annie Brawley (Karen Hassan), got away when her brother interrupted Paul. Paul killed the brother by stabbing him with decorating scissors. Paul ran and didn’t finish the job with Annie.
The Fall season 2, episode 1 shows us how close the killer Paul Spector is getting to being caught. This is episode 1, so he won’t be caught yet. But he WILL dig himself deeper and deeper into trouble.
Several people know (or almost realize) that Paul Spector is the killer: the former babysitter Katie (Aisling Franciosi) accuses him directly when he sneaks into her house to tell her to shut up about him.
The police have released the sketch of “Peter” and it’s in the newspaper. When Paul Spector sees it, he sneaks into Rose Stagg’s house to shut her up. It’s creepy and scary because he walks right by her sleeping husband. He talks to her little girl, teaches her the Peter Piper tongue twister, and puts her back to bed. Then he accosts Rose.
Paul’s wife Sally Ann (Bronagh Waugh) figures out that he’s been lying about everything, but she doesn’t realize he’s a killer. She thinks he’s been having an affair with the 15 year-old babysitter, because that’s what he told her. He’s a good husband to Sally Ann, who does not fit his victim profile. However, she’s so unhappy with him, she’s thinking of aborting the child she’s carrying. She takes the kids and leaves him.
Paul can sneak into anyplace. In the same way he sneaks into his victim’s homes before he kills them, he sneaks into his wife’s house to deliver a secret note and several Barbie dolls to his daughter. The little girl hides the secret note in the same place in the ceiling where Paul hides the souvenirs from his kills! Yep, daddy, the kid knows you hide stuff up there.
Paul meets a woman on a train and is already thinking about killing her. She’s looking at his sketch in the newspaper as they talk and she doesn’t realize it’s him.
Paul is recommended as a bereavement counselor for the victim who got away, Annie Brawley! Oh, crap.
Ten days have passed since the last kill and the last clue and the police are starting to believe that Paul will never kill again – ’cause he promised, you know. But Detective Stella Gibson knows better. She says the hunt is still on and that serial killers only stop killing when they get caught. She understands the killers mind and she wants to honor the women he’s killed by stopping him.
The press are after Stella for having sex with the married cop who got killed the following day. She wears a uniform instead of her signature silk blouse to a press conference where she knows she’ll be blasted with questions about him. She says it’s so she’ll look as unfeminine as possible. The uniform is less provocative than an unbuttoned at the top silk blouse. But let’s fact it, that’s still Gillian Anderson inside the thing.
In addition to the press, the police pathologist Tanya Reed Smith also has questions about Stella’s night with the cop. There were fingernail scratches on the cop’s back that Dr. Reed Smith hasn’t been able to account for with the cop’s wife. Stella admits to doing it.
Despite the repercussions from her unfortunately timed night of sex, Stella is still absolutely admirable.
- She’s so gentle with the victim who got away. Annie cannot remember much about the night she was attacked. Stella knows Annie needs time, but she’s also in a hurry to find the killer. She shares with Annie how to use a rubber band to snap her wrist when bad thoughts overwhelm her. Stella says that once upon a time the rubber band trick helped her.
- Stella can’t be intimidated. When the gang of neighborhood thugs who are friends with the wife abuser surround her on a dark night, Stella shows not an ounce of fear.
- Stella gets into the head of the killer with spooky intelligence.
She’s kind, she’s brave. She’s amazing. Let’s hear it for Stella Gibson!
At the end of the episode, the police find the huge pair of scissors Paul used to kill Joseph Brawley. Yippee, a clue.
The music is wonderful. Suspenseful. Especially the bell or gong that rings like an omen of danger or like an over-sized clock ticking. The music is important in keeping you moving through numerous stretches with no dialog. The reflective pace of the action makes the suspense and Paul Spector more terrifying.
The story is told, as it was in season 1, with alternating shots of the detective and the killer. They often mirror the others actions. If one is climbing stairs, the other is too. They are connected in many ways, in addition to Stella’s uncanny ability to get inside Paul Spector’s head.