Rachel Skarsten

Recap: Lost Girl S4, E12 Origin

The world has gone mad today And good’s bad today, And black’s white today, And day’s night today – Cole Porter Cole Porter might have added “And trust’s not right today” to that song to fit what Bo in Lost […]

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Lost Girl

Recap: Lost Girl, S4, E11 – End of a Line

It’s “End of a Line” on Lost Girl. Everyone but Bo thinks Rainer is evil, the line between life and death is permeable, and someone we love dies. (Say it isn’t so!) Kenzi (Ksenia Solo) and Tamsin (Rachel Skarsten) are

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Lost Girl

Recap: Lost Girl S4, E9 Destiny’s Child

In the Lost Girl episode “Destiny’s Child,” we learn some long-held secrets and unravel some of season 4’s mysteries – or do we? On the midnight train to some other plane of existence a welder works as the train falls

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Lost Girl

Recap: Lost Girl S4, E8 Groundhog Fae

People are crazy and times are strange. – Bob Dylan In “Groundhog Fae,” episode 8 of Lost Girl, Bo kisses Tamsin about 50 times while Kenzi kisses Hale about 500 times. Lauren, Dyson and Vex become besties on Bo’s bed

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Lauren's back

Recap: Lost Girl S4, E5 Let the Dark Times Roll

We begin this episode of Lost Girl back in the conversation in which The Keeper (Christine Horne) tells Bo (Anna Silk) her blood has spoken and she’s dark. Bo calls bullshit on The Keeper, but, alas, the gargoyle read her

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Lost Girl

Recap: Lost Girl S4, E4, Turn to Stone

A poem should not mean But be. – Ars Poetica by Archibald MacLeish. This season on Lost Girl storylines just are. No transitions, no explanations, no clarifications. They are what they are. Like the poet said, we must be willing

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Train's coming

Recap: Lost Girl S4, E2 Sleeping Beauty School

Trick (Richard Howland) talks to a photo of Bo. “Please, my darling granddaughter, just tell us. Where are you?” The question on everyone’s mind starts off the episode. Lost Girl still has a lost girl. Dyson (Kris Holden-Ried) gets off

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Breaking Bad

Entertainment is a gift, hating on entertainers isn’t

We have a serious problem with our entertainment. We think we own it. We think we own the stories, the characters, the actors. We think it’s ours to dictate and control. If it isn’t the way we want it to

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